New Literary Agent Alert: After 15 years of working together selling rights for the Perseus Book imprints, Jennifer Thompson and Isabelle Bleecker decided to set up their own agency—Nordlyset Literary Agency—with partner Nathan Vogt.
Here are five habits that debut author Tina Lecount Myers cultivated along the way to go from NaNoWriMo to published author.
Mark Gottlieb grew up surrounded by literary genius. He is now a top selling literary agent who is actively building his client list at Trident Media Group. Here Mark offers publishing insight and advice to aspiring authors.
Hand over the glitter, the construction paper and the creative half of your brain, and let’s talk about seven common query letter strategies that are terrible, no good, very bad ideas, so you can learn from those who’ve made these mistakes.
The #MeToo movement has profoundly influenced women’s writing. Learn how, from the voices of authors who have felt this change—and share your stories.
Having trouble writing action scenes that work? Check out these tips fron Diana Gill to learn how to write action scenes that are better, faster and stronger.
Knowing how to present your writing well in public readings only helps people get to embrace you and your writing on page. And so here are ten essential tips on how to bring the performance to the next level.
Jeff Somers takes a moment to contemplate the utility (or lack thereof) of using word count as a progress bar in a book. He discusses the fact that his first published novel was far from oft-cited word counts for viable novels, and the fact that forcing yourself to write words you’re just...
Ashley Woodfolk is the debut author of the new book The Beauty That Remains. Here, she talks about what inspired the book, what's selling in today's book market, writing about grief, and crafting strong beginnings.
6 Breaking In authors discuss the makings of their author platforms—or lack thereof—and how they best connect with readers.
Feel the thunderous reverberations of authors and industry pros working to broaden our perspectives—as writers and readers alike. Plus, learn how underrepresented voices are rising in the writing world.
We asked publishing insiders to share book recommendations that they hoped more people would read, period. Here is a selection of their recommendations, beyond those of the authors profiled in print in our May/June 2018 “Roar” roundup.
With Twitter-based pitch events such as #PitchWars and #PitMad so immensely popular, it’s only fitting that #DVpit has now joined their ranks. Created in 2016 by agent Beth Phelan, the hashtag aims to “showcase pitches from marginalized voices that have been historically underrepresented in publishing.”
Penny Moore’s brainchild is the new online directory Literary Agents of Color — which includes bios and submission guidelines for around 50 such agents, and growing.
When writing conferences invite Eric Smith of P.S. Literary to join their roster of attending literary agents, he’s usually happy to comply, pending one request: a guest pass, so that he can bring along a marginalized writer from the surrounding area.
Learn the ABCs of how to develop content for your new author blog in the May/June 2018 Writer’s Digest, and follow these basic steps to give your website a firm foundation—which is, actually, a lot like building a house.
New literary agents (with this spotlight featuring Joseph Parsons of Holloway Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
Here are ten real secrets of nonfiction publicity that many people ignore. They are essential ingredients towards creating a real bestselling nonfiction title.
This video series follows author Jeff Somers (Writing Without Rules, coming from WD Books in May 2018) as he discusses how to write a novel while at work on one of his own.
Many writers wait until they've completed a novel—or a screenplay or a short story or any other significant piece of work—before attempting to build an author platform. Here's why you should make expanding your audience a daily practice.
New literary agents (with this spotlight featuring Whitney Ross of Irene Goodman Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.
Claire Draper is a new literary agent at InkWell Management. She’s studied Queer Diversity in Children’s Literature at New York University. Before becoming an agent, she interned at Rare Bird Lit, InkWell Management and the Children’s Book Council. Find out what she's seeking and how to submit.
Next time you have those tiny nagging story ideas in your head, don’t ignore them. Act on them! Use them as fuel, as inspiration. Do the research and find your story.
Whether you’re just starting out or you’re a seasoned pro, participating in a critique group is beneficial in many ways. Here are four critical ones.