March/April 2014 Issue
Free Writing Downloads
Workshops Starting April 17th
- Query in 14 Days
- Fundamentals of Nonfiction
- Essentials of Travel Writing
- Build Your Novel Scene by Scene
- Essentials of Business Writing
- Outlining Your Novel
- Revision and Editing
- How to Blog a Book
Workshops Starting April 24th
- Query in 14 Days
Is Your Manuscript Publication-Ready?
Is Your Manuscript Publication-Ready?
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2nd Draft provides a high-level review of your writing, pointing out reasons your work may be getting rejected, or may not meet the standards of traditional publication.
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There Are No Rules Blog by the Editors of Writer’s Digest
Get on the cutting edge of today’s publishing trends and how authors can succeed in a world of fast-paced technological change, guided by the editors of Writer’s Digest. You’ll get an inside look at the work, play, and passion of the publishing business and find practical tools for success.
BY EVE BRIDBURG, Executive Director of GrubStreet The first time I heard the term “publishing agnostic” was in November of 2011 at the Park Plaza hotel in Boston. Barry Eisler used it … Read more
“The High Concept Novel: How to Create a Premise that Sells — Agent One-on-One Boot Camp With Critique Starts April 11
The idea’s the thing. If you build your story around a unique and compelling idea, your odds of selling it increase dramatically. Often, a perfectly good project will go unsold because the premise on which it is based is too predictable, commonplace, or over-published. Whether you’re writing a novel or a short story, a screenplay or a memoir, you need to find a way to set your story apart from the competition — and the competition is tougher than ever in today’s marketplace.
But in this one-of-a-kind boot camp — “The High Concept Novel: How to Create a Premise that Sells Boot Camp” (starting April 11) — you will learn the ins and outs of high-concept, as literary agent, author, and content strategist Paula Munier reveals how you can transform your story idea from “same old same old” to “high-concept hit.” Read more
BY ??? – You don’t know my name. You don’t know my face. But it’s now several decades since I earned my first farthings by putting words in some sort of publishable … Read more
If you’re like us on the WD staff (okay, maybe just Brian and I—internet high five!), then you were enthralled, captivated, and head over heels in love with the television show How I … Read more
The following is a guest post from the grand prize winner of our 1st Annual Writer’s Digest Self-Published e-Book Awards (featured in InkWell in the May/June 2014 issue of Writer’s Digest). Judith … Read more
Once or twice a month I receive a letter or an email from a songwriter informing me that they have become the victim of a scam, and more often than not the … Read more
The following is a guest post from the grand prize winner of our 21st Annual Writer’s Digest Self-Published Book Awards. For more information about the upcoming 22nd Self-Pub Awards, click here. Former … Read more
Hi, WD community! Today we’re sharing a guest post from J.E. Fishman, a former editor and literary agent turned author. He has penned Dynamite: A Concise History of the NYPD Bomb Squad and … Read more
“How to Find and Keep a Literary Agent” — Agent One-on-One Boot Camp With Awesome Critique Starts March 24, 2014
How do you hook an agent right away, keep them hooked, and make the most of your new publishing relationship? In this all-new March 2014 Boot Camp, “How to Find and Keep a Literary Agent,” you’ll learn how to get a literary agent’s attention through a great submission, and also how to navigate the process of working successfully with an agent. After hearing instruction from the agents at the Sandra Dijkstra Literary Agency, you’ll also work with an agent online to review and refine your all-important query letter and the first five pages of your novel with the agents. Read more
On Friday, March 21 at 2 p.m. EDT, editors from our Ohio office will answer reader and community questions on Reddit. We’re conducting the “Ask Me Anything” session in /r/writing, Reddit’s writing-discussion-only … Read more
BY BRENT HARTINGER There’s definitely something about having your book turned into a movie. My friends have all known for years that I make my living as a writer of fiction. But … Read more
Welcome to the 14th (free!) “Dear Lucky Agent” Contest on the GLA blog. This is a recurring online contest with agent judges and super-cool prizes. Here’s the deal: With every contest, the details are essentially the same, but the niche itself changes—meaning each contest is focused around a specific category or two. So if you’re writing contemporary middle grade fiction, this 14th contest is for you! (The contest is live through EOD, March 18, 2014.) Read more
Allen Ginsberg may have written by the mantra of “First thought, best thought,” but when it comes to many of us, intense bouts of revision allows the “best thought” to rise to … Read more
Why Agents Say No: The 20 Manuscript Mistakes That Keep You from Getting Published — Feb. 13 Webinar by Agent Kate McKean
You are probably making a lot of mistakes in your novel — right now. But that’s OK, because many other writers are doing that, too, especially in their first drafts. But how do you know what mistakes you’re making, and how do you fix them before you show it to an editor or agent? How do you prevent your manuscript from being rejected because of common writer’s pitfalls that can be easily fixed? This live webinar will show you the 20 most common mistakes novelists of any and every genre make, whether it’s your first or 21 novel.
Is your main character sympathetic? Are you sure? Do you know if you’re using too much detail? Too little? Do you know which darlings to kill? In this webinar, you’ll learn how to assess your manuscript like an agent or editor and recognize the most common mistakes that get between a writer and publication. If you think you’re not guilty of even a few of these things, think again. Are you sure? To answer these questions, literary agent Kate McKean is teaching “Why Agents Say No: The 20 Manuscript Mistakes That Keep You from Getting Published.” It’s a new webinar that goes down at 1 p.m., EST, Thursday, Feb. 13, 2014, and lasts 90 minutes. All attendees get a personalized critique. Read more
Over-plotter, under-plotter? Struggles with plot are common among writers at all levels. This live webinar, “Plot Your Book: Scene by Scene,” will take the guess-work out of plotting by teaching you the key scenes that build your plot backbone, providing a refresher on the elements of a scene, and breaking down the specific kinds of scenes you’ll need at each of the three key Acts of a novel. Plots, after all, are simply stories comprised of well-placed and stylized scenes.
Jordan E. Rosenfeld brings over a decade of experience in teaching students how to use scenes to transform writing. She believes that scenes are fiction’s “magic ingredient” – activating writing so that your readers are drawn palpably into the experience of your character’s story, versus the flat habits of summarizing and expository writing. A former freelance journalist, she can help you to learn the difference between passive “telling” of a story and powerful, active demonstrating of a fantastic plot. All attendees get an individualized critique. Read more
There are many reasons to publish a literary anthology. Maybe you’re in touch with a lot of talented writers who deserve more attention. Maybe there’s a very specific and overlooked sub-genre that … Read more
If you’re anything like me, part of your New Year’s Resolution (that’s still a thing, right?) was to write more. It might’ve been to hit a certain word or page count in … Read more
If you want to get your book traditionally published in 2014—be it fiction, nonfiction, a children’s book, or memoir—increase your chances by knowing how to evaluate the commercial potential of your work and learning the best way to approach editors, agents, and publishers. Book publishing is undergoing a dramatic transformation as e-book sales increase and physical bookstores decrease in number. These changes affect the traditional book deals that get made—meaning that authors have to adjust their strategies to adapt to a risk-averse and uncertain industry.
This intensive and information-filled 90-minute webinar — titled “How to Get Published: Land a Book Deal in 2014″ – helps you think like an industry insider who makes decisions every day on what work merits print publication. You’ll get practical advice and tools to help you develop strong pitch letters and proposal materials for both fiction and nonfiction—plus back-door methods for networking with agents and editors. Avoid frustration—don’t embark on the submission process in 2014 without being fully educated about how the industry works, from an impartial point of view. You will better focus your time and energy, increase your chances of success, and learn to decipher the language of industry professionals. It all happens at 1 p.m., EST, Thursday, Jan. 30, 2014, and lasts 90 minutes. Read more
The Art of Revision: Perfecting Your Book For Submission: Jan. 16, 2014 Webinar With Agent Michelle Brower
All published authors can tell you that their first draft looks nothing like the finished book they sign at bookstores. How do they edit their material to take their work to a professional level? What are agents/editors looking for today in terms of a polished manuscript? Is grammar all that important, or should the story speak for itself? How many revisions should a manuscript go through before it’s considered “ready”? What are some principles on cutting down your word count and streamlining your story?
In this popular, intensive webinar, “The Art of Revision: Perfecting Your Book For Submission,” literary agent Michelle Brower will answer these questions and more. The event happens at 1 p.m., Thursday, Jan. 16, 2014, and lasts 90 minutes. All attendees will get a personal critique from Michelle. You can submit either a one-page synopsis or the first two double-spaced pages of your novel. (Remember that several agents — including Barbara Poelle, Louise Fury and Kathleen Ortiz — have signed writers after critiquing their work through a WD webinar.) Read more
The following is a guest post by our WD intern, Laura Wooffitt. When writing any genre, the character that takes center stage, and often most of the beginning writer’s attention, is a … Read more
It has gotten to the point where I can’t watch a film or TV show, read a book, listen to a song, or play a video game without thinking…What can this teach … Read more
The 2014 Children’s Writer’s & Illustrator’s Market Is Out — And Here Are 8 Darn Good Reasons to Buy It (and Naturally I’m Giving Away Books!)
The new 2014 edition of the Children’s Writer’s & Illustrator’s Market is updated and packed with info. Now in its 26th year, the newest edition still provides great market and submission/contact information for book publishers, art reps, international publishers, literary agents, contests, magazines, conferences and more. Read on to hear from several best-selling authors who endorse the book, including Meg Cabot (The Princess Diaries), Jay Asher (13 Reasons Why), and many more.
THE GIVEAWAY! Comment on this post and just say anything nice about any element of Writer’s Digest you enjoy — from a blog post to a class or a book or anything else. In two weeks, I will pick 3 winners randomly to win a copy of the book! It’s that easy. (UPDATE: zippydoodah, Sheryl Davis-Troller & authoralyssamayley won.) Read more
Jan 13 Agent One-on-One Boot Camp (With Critique): Crafting Queries, Opening Pages, Synopses, and Nonfiction That Get Noticed
When your submission materials arrive in an agent’s inbox, they land among hundreds of others. Authors who get rejected tend to fall in one of two categories when submitting materials: they try too hard, or not enough. This Writer’s Digest One-on-One Agent Boot Camp, taught by the literary agents of Kimberley Cameron & Associates, is designed to help you streamline your submission materials to stand out in a good way. Attendees will learn how to write a dynamite query letter, tackle a one-page synopsis, craft dynamite first pages, and more. The instructing literary agents will also explain the importance of author platform in addition to basic etiquette in dealing with an agent and manuscript basics.
Lastly, all attendees will have an opportunity to interact one-on-one with an agent and submit several double-spaced pages of their manuscript and a query letter for valuable feedback provided by the agent instructors. It all starts on Jan. 13, 2014. All WD boot camps have a limited number of seats, and plenty max out, so sign up now. Read more