Each time we sit down to write a work of fiction, we face a vast panorama of possibilities—and not just "all that could happen" but also all the narrative strategies and techniques we could possibly use to convey the people and events we imagine. The process of writing a work of fiction is ultimately the process of making choices among this panorama of techniques and strategies. But before we can make these choices, we need to know what the possibilities are, and in my opinion, too much of what's been written about the craft of fiction restricts the possibilities we can, and should, be exploring. In this book, I have tried to take a descriptive, rather than prescriptive, approach to the craft of fiction.
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