# Tuesday, May 05, 2009
Dear Writer, Please Pay in Full
Posted by Jane



As publisher of Writer's Digest, I get the tough, make-you-cringe cases for response. Back in March, we received the following e-mail through our general account. It's a long message, but important to convey in its entirety.

Dear Writer, please pay your membership fee in full.
Dear Writer, please pay for your online membership.
Dear Writer, please pay for your print edition of Writers Market.
Dear Writer, please pay for your digital edition of Writers Digest.
Dear Writer, please pay for your webinar.
Dear Writer, please pay for your competition dues.
Dear Writer, please pay for the advice you received on "How to make money as a writer."
 
DEAR WRITER, PLEASE PAY IN FULL!
 
Dear Writers Digest,
 
    I'm a writer, of merit and accomplishment. I read many of the trade journals, and avoid many of them as well - half of the writers magazines are written by people that are still in need of a copy of shrunk & white's. I'm writing you because this is becoming ludicrous.  When it comes down to it the majority of us are trying to do something we love and make money at it. We all strive to break through with every word, sentence, paragraph and page. We gorge ourselves on the advice of others, both by way of trade publication and by our hefty bookstores totals. All of us are looking for a writers haven, where we can glean from our peers, embrace the craft, and better ourselves. Unfortunately, that place no longer appears to be Writers Digest.
    As a business you've forgotten your customer. As writers, you've taken advantage of the craft and the passion with which people execute it. You can't possibly think that you can charge readers for every word. Even Barnes & Noble let's people read books in the store without throwing a surcharge on them, or even attend Book Groups without making them put down a deposit.
    I follow many of your writers, not just here, but all across the internet. I respect them tremendously, even when their writing isn't useful it's still uplifting. I was recently disappointed when I read an article, written by one of your writers, that said you were proud to announce your new webinars. I was excited, thrilled even, to think that I might get some tangible advice for the subscription I pay for, I read on eagerly so I could set the date for the next session. Then I followed a Link that showed me a price list for your short webinars.
    The small instruction explains that while originally you wanted to charge $199 dollars you decided that was too much and instead only charge $99 dollars. A $1.50 a minute...TO WRITERS...WHO ALREADY PAY FOR YOUR SERVICES. How does that equate? Let's see, a normal person, working forty hours a week, at $1.50 a minute would make over $14,000.00 dollars a month. Are you taking advice from investment bankers now, or simply trying to capitalize on the voice you've gained because of us writers who already spend countless dollars of our hard earned money on market and trade materials.
    It's really rather simple, charge, certainly, for some things. First, live up to your end of the contract, people are already paying, so start providing something to them without an additional fee. Second, be realistic, don't be so pretentious, you're time isn't worth $14,000.00 a month, not unless your running a pyramid scheme or a brothel.

I still haven't responded, so this has become my response. What's interesting about this particular case is that I'm 99% certain it is from one of my Facebook friends who is an aspiring writer I haven't met. (A few of us Writer's Digest editors have invited writers to friend us on Facebook; you're welcome to do so as well.)

I digress.

What this e-mail says to me:
  1. We're not doing a very good job letting people know what content we offer for free.
  2. We're not doing a good job communicating the value of what we offer or the diversity of what we offer (whether in terms of media, price point, or delivery channel).
  3. Our marketing messages may be too numerous. (I can confirm that the frequency of these messages has increased dramatically in 2009.)
  4. Whatever it is that we provide writers (for free or not), we're failing if writers feel that we're heartlessly capitalizing on their dreams, and merely exist to find more ways to take their money.
When I started at F+W in 1998, the mission of the company was to help creative people fulfill their dreams. Ten years later (with plenty of time and opportunity for cynicism to sink in), I'm still with Writer's Digest because I believe in that mission.

The problem is, we're not a nonprofit. (Yes, sometimes I wish we were.) And just like many writers are trying to make money at what they love (some of them by working for Writer's Digest!), the people in publishing are also trying to make money doing what they love. Yet I don't know anyone who goes into this business for the money. Those people usually migrate over to law, business school, and Wall Street.

And I think the writer of this message is primarily and supremely annoyed that he was hooked on a particular experience/product, and became angry when he realized it came at a cost that he found both unjustifiable and unaffordable.

Speaking from a business perspective, we price things at what the market can bear. And we've found that the value of the interaction and information in the webinars has consistently allowed a price of $79-$99. We could charge less, and attract more people, but for our efforts, it's better to charge a little more, and have fewer people.

The webinars so far have been hosted by our in-house editors (that includes me); we are not paid additionally for these. There are costs in licensing and using the Webex platform, based on number of attendees and how long the sessions run. We have one person running tech support in the background at all times, plus a customer service rep handling questions/concerns, and a marketing person who develops messages about the webinars, and an online editor who updates pages about it, etc. There's a cost of doing business; it's not pure profit.

However, there are other communities at F+W that charge less than we do. It's all based on customer feedback and attendance levels. So it's good to have this feedback, and maybe one day we'll consider lowering the price. But the wisdom typically with pricing is that it's much better to start high and bring it down, rather than start low and jack up the price later.

Writer's Digest can survive only by providing writers with valuable and trusted content that they need and are willing to pay for. The reason you see newspapers and magazines and even book imprints disappearing is because many types of content have become plentiful and free online, and no one is willing to pay for it any longer. Maybe that day will come for us, if we're not able to compete with other sources and communities that provide free or more valuable information. Certainly peer-to-peer sharing, as well as the sharing that comes directly from the source (agents/editors), cuts out some of the need for a Writer's Digest to give you the authoritative perspective on anything. Only time will tell, but as soon as we become irrelevant to the writing community, we'll go out of business.

That aside, it might be helpful to advise everyone on what we offer for free.
Our blogs. We have blogs focusing on agents, poetry, children's/YA, scriptwriting, plus general Q&A. The blogs focus on prescriptive/how-to information, current events, interviews with people in the industry, and inspiration (like Robert's Poem-a-Day challenge). We also frequently link to other (free/paid) resources that compete against us, in the name of serving the community. Best Tweets for Writers and 101 Best Websites (2009 list coming soon!) are good examples of this.

WD.com. All content here is free, and there is a ton of it (although admittedly it can sometimes be hard to find). You can find most of of the magazine's content here 1-2 months after the issue has released, as well as book excerpts (click here for a starter list). There is also an active forum where we regularly bring in guests to answer questions.

Your Story. This is a free contest we run every issue of the magazine that offers an opportunity to get published with us.

Newsletters. You can sign-up for our weekly newsletter with tips/prompts at our homepage, and get a free e-book (on common writing mistakes) while you're at it. There's also a free newsletter associated with WritersMarket.com.

Twitter/Facebook. There are unique opportunities to interact with Writer's Digest editors through Twitter and Facebook. I've managed to answer some questions in 140 characters or less, and also learned a lot from the community in the process. It's a two-way street.
I do hope that the accessibility of our editors online (for free) helps alleviate this feeling that we're only here to make a buck. It's also important to us that you find value in the content that does have a price tag, and that you feel you've made a great investment in your writing and your career.

We work to deliver a good experience. It's why I get up in the morning.

F+W Life | General
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Tuesday, May 05, 2009 5:43:56 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] Trackback
# Monday, May 04, 2009
Are You Ready to Be a Bestselling Author? Then Listen to Alec Baldwin
Posted by Jane

When I'm feeling stressed at work, I love watching this clip from Glengarry Glen Ross, where Blake (played by Alec Baldwin) walks into a real-estate office on a rainy night to give everyone a little "pep" talk. (Warning: Strong language ahead.)



I've never had a sales job (and never want a sales job!), but listening to this reminds me of the ground rules about working in any business. For writers who are trying to succeed at writing as a business, maybe you'll find this helpful too. Below I've extracted the writing pearls of wisdom from the best parts of Blake's talk.

Note: I have cleaned up the language to keep this at least PG-13.
Blake
Let me have your attention for a moment! So you're talking about what? You're talking about that sale you shot, some SOB that doesn't want to buy, somebody that doesn't want what you're selling, some broad you're trying to screw and so forth. Let's talk about something important. Are they all here?

Lesson #1. Where You Expend Your Energy Is Vital
If you want to sit around and complain about your situation, is that helping you succeed? No. If you go to a writers conference or critique group, or to an online forum, are you the type of person who's just there to air complaints and talk about how rough you've had it? ("You're talking about that pitch you shot, some editor that doesn't want to buy, somebody that doesn't want your novel?")

It's time for self-reflection. How can you be productive with your time, and put your energy into something positive?

Blake
Let's talk about something important! (to Levene) Put that coffee down!! Coffee's for closers only. Do you think I'm messing with you? I am not messing with you.

Lesson #2. Coffee Is for Closers

Actually, there is no lesson here. It's just one of the best lines of the whole scene.

Blake
... The good news is -- you're fired. The bad news is you've got, all you got, just one week to regain your jobs, starting tonight. Starting with tonight's sit. Oh, have I got your attention now? Good. 'Cause we're adding a little something to this months sales contest. As you all know, first prize is a Cadillac Eldorado. Anyone want to see second prize? Second prize's a set of steak knives. Third prize is you're fired.  

You got leads. Mitch and Murray paid good money. Get their names to sell them! You can't close the leads you're given, you can't close, hit the bricks pal and beat it 'cause you are going out!!!

Lesson #3. Know When to Fire Yourself
In sales, call volume is important. The more calls you make, the more sales you make. It's important to spend time on the phone.

In writing, butt-in-chair is important. The more consistent time you spend writing, the better you get, the more you produce. Think about how much time you spend on your writing. Do you deserve to be fired, or are you proud of your production?

In publishing, pitching is important. Have you found the right leads? Or are you indiscriminately opening up a market directory and sending generic queries? Do you buckle under rejection, or can you keep going? If you can't face rejection, if you can't learn to pitch agents/editors, you will indeed hit the bricks, at least in terms of writing as a business pursuit.

Blake
… you drove a Hyundai to get here tonight, I drove a eighty thousand dollar BMW. That's my name!! (to Levene) And your name is "you're wanting." And you can't play in a man's game. You can't close them. (at a near whisper) And you go home and tell your wife your troubles. (to everyone again) Because only one thing counts in this life! Get them to sign on the line which is dotted! You hear me?

Lesson #4. Success Calls for Thick Skin
Writers who can't be edited, who faint at red marks on the page, who think their writing can't be improved (yet in the same breath complain that editors don't edit any more): You can't effectively play at this publishing game if you're this sensitive. If you can't adjust and compromise (when necessary) to close a deal, it's time to exit the game. Of course, if you're asked to compromise so much that it's a bad deal, find yourself another lead.

(Blake flips over a blackboard which has two sets of letters on it:
ABC, and AIDA.)

 
Blake
A-B-C. A-always, B-be, C-closing. Always be closing! Always be closing!! A-I-D-A. Attention, interest, decision, action. Attention -- do I have your attention? Interest -- are you interested? I know you are. You close or you hit the bricks! Decision -- have you made your decision for Christ?!! And action. A-I-D-A.

Lesson #5. Always Be Closing
Before you even write the first word of your manuscript, you should have an audience/readership in mind, and know how to close agents/publishers on buying your work, but more importantly, your readers. AIDA!

Blake
You think this is abuse? You can't take this -- how can you take the abuse you get on a sit?! You don't like it -- leave. I can go out there tonight with the materials you got, make myself fifteen thousand dollars! Tonight! In two hours! Can you? Can you? Go and do likewise! A-I-D-A!! Get mad you SOBs! Get mad!!

Lesson #6. Get Mad
Sometimes it's necessary to get angry or fired up (over rejection, over poor treatment from a publisher/agent, over lack of sales) to get the more successful outcome you want. You can't sit back and play the victim and expect to be successful. Don't expect others to do the work for you. Are you making the most of  the tools you have? Could someone else do better with your tools, if they had more confidence, energy, and drive?

Blake
The money's out there, you pick it up, it's yours. You don't--I have no sympathy for you. You wanna go out on those sits tonight and close, close, it's yours. If not you're going to be shining my shoes. Bunch of losers sitting around in a bar, (in a mocking weak voice): "Oh yeah, I used to be a salesman, it's a tough racket."

Lesson #7. Writing and Publishing Is a Tough Racket. So What?

The percentage of writers who eventually get published is very small. The percentage of writers who publish and manage to make a living at it is even more miniscule. But there are new authors who manage to do it everyday, through traditional and nontraditional (self-publishing) means. You can complain all you want about it being a tough or unfair racket, but that doesn't get you any closer to success. If you want to be in the game, these are the rules.

 Would you know what to do with good luck if you got it? I hope so! Go and close!


Getting Published
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Monday, May 04, 2009 4:24:38 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [3] Trackback
# Friday, May 01, 2009
Best Tweets for Writers (week ending 5/1/09)
Posted by Jane



I watch Twitter, so you don't have to. Visit every Friday for the week's best Tweets. (If I missed a great Tweet, leave it in the Comments.)

Best Tweet

All you authors still wondering what a "platform" is and why you need one ... be sure to read @MichaelHyatt post
@jwikert

Others
Literary agent Ashley Grayson on the Google Books settlement. If you are in publishing, GO READ IT.
@ZeppelinBooks

Essential Blogging Question: How Can You Help Your Readers Today?
@gabrielleadams

Interesting way to write a novel piece by piece as blog posts.
@mariaschneider

Amazon Acquires Stanza: What Does It All Mean?
@readerville

Seth Godin's Advice for Authors
@WeberBooks

Interesting find during query research. From this month's issue of The Writer: "Always send in simultaneous submissions."
@milehighfool

How to turn your real life story into a novel. A Q&A with writer Susan Shapiro.
@mariaschneider

10 TWITTER Tools for Writers
@technicalwriter

A blog that contains info on creative writing contests.
@WriteSuccess

Editor/Author Rakesh Satyal on finding time to write.
@NathanBransford

I not only RT-ed but bookmarked this 39-step primer on writing.
@kate_mckean

Agents talk about publishing, queries, and writing (from Poets & Writers) @heatheragoodman

The 12 1/2 Writing Rules You'll Ever Need (awesome!!! Let's get started!)
@theelfinpoet

Why Does Persistence Pay in Life? The Mathematical Proof
@technicalwriter

Five things publishers (and agents) hate
@Bookgal

Why serious bloggers should avoid Google AdSense by @Human3rror
@MichaelHyatt

Looking for more social networking and updates from Writer's Digest?



Best of Twitter
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Friday, May 01, 2009 3:58:43 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] Trackback
# Thursday, April 30, 2009
Warning: You Don't Want to Miss the Best Content of the Year
Posted by Jane



This week marks the 1-year anniversary of this blog, There Are No Rules. I am still finding the right combination of content and perspective that will help you, so on this anniversary, I offer this invitation:
  • What questions, topics, and subjects do you want me to cover in the year ahead?
  • What do you need the most help with?
  • What has been most helpful to you in the past year, to help you advance your writing career (from anywhere!)?
  • What would you like more of?
  • What could you do without?
  • What information do you usually remember most from this blog? Why do you read it?
Everyone who comments on this post (and includes their e-mail address), will receive, in PDF form, my presentations and handouts from my talks on how to succeed as a writer in a transformational time in publishing.

The best commenter (as judged by me!) will have a choice of a 15-minute phone consultation, a query letter critique, or a first-page critique.


Now, to celebrate my best content from the past year, in case you missed it!

2 Most Popular Posts of All Time
8 Articles/Posts All Writers Should Have Read in 2008
FYI, if you're a blogger, you should know by now that list posts almost always perform better than all others.

On Being One of 100,000+ People Stranded in Thailand
Of course a tale of my misadventure would do well! As the Brazen Careerist has said, it's the personal element that often brings your readers back for more. (True?)

Series Posts
Save Time Tips (using Google tools and other tech solutions). After the first tip that's linked here, look for two more tips immediately after.

How to Avoid Sabotaging Your Writing Career (1-7)
Here's #7, with a link to the others at the bottom of the post.

10 Years in Publishing: What I've Learned (1-5)
Here's #5. Click on nearest preceding days for 1-4.

Biggest Traffic Generator in One Day
My Big Rant on Self-Publishing

Best Practical Answers/Solutions for Writers
5 Questions to Ask Yourself After Hearing: We Can't Sell Enough to Justify Publishing It

Useful Google Tools You've Never Heard Of

The Essential Components of an (Unpublished) Author's Website

Best Big-Picture Views for Writers
Do Writers' Futures Lie in Indie E-Publishing Platforms?

How Writers Can Start Blogging in a Meaningful Way

Fiction Writers Need Platforms, Too

The 3 Types of Writer—Which Are You?

Posts With Hidden Content You Might've Missed
WD Editors' Intensive Cheat Sheet (great links to how-to-get-published, plus how to get connected)

Recap: Harriette Austin Writers Conference (red flags in first 15 pages, PDF download of my workshop on honing a great nonfiction book concept)

Get a List of All the Sites I Follow

Best Fun
How Many Editors to Screw in a Lightbulb?

Time to Get a Tattoo?

Want to guest blog here? I'd like to extend an invitation to writers (whether you blog or not): If you have tips, advice, success stories, or not-so-successful stories to share, let me know privately via e-mail, Facebook, or Twitter. (You can also reach me through this portal.) I'm starting a guest series on Fridays and would love to feature all kinds of perspectives.

Photo credit: Sandra

F+W Life | General | Getting Published | Industry News & Trends
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Thursday, April 30, 2009 4:20:20 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [9] Trackback
# Friday, April 24, 2009
Best Tweets for Writers (4/24/09)
Posted by Jane



I watch Twitter, so you don't have to. If I missed a great Tweet, leave it in the Comments. From now on, I will run this feature on Fridays only.

Just a couple today … people must be enjoying the good weather.
How to create a really memorable voice, for memoir or fiction.
@KimsCraftBlog

Writer's First Aid: Fear, perfection, and more.
@EmeryRoad

Looking for more social networking and updates from Writer's Digest?


Best of Twitter
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Friday, April 24, 2009 5:04:18 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] Trackback
Monthly News from Glimmer Train
Posted by Jane

logo01.jpg Glimmer Train has just chosen the winning stories for their February Very Short Fiction Award. This twice yearly competition is open to all writers for stories on any theme, with a word count range of 500-3,000. Monthly submission calendar may be viewed here.

First place
Rolaine Hochstein of New York, NY, wins $1200 for “Virtuous Woman”.  Her story will be published in the Summer 2010 issue of Glimmer Train Stories, out in May 2010.
 
Second place
Anne de Marcken of Olympia, WA, wins $500 for “Best Western”.  Her story will also be published in an upcoming issue of Glimmer Train Stories, increasing her prize to $700.
 
Third place
Evan Christopher Burton of New York, NY, wins $300 for “Levitation”.
 
A PDF of the Top 25 winners can be found here.

Also: Family Matters competition (deadline soon approaching! April 30). Glimmer Train hosts this competition quarterly, and first place is $1,200 and publication in the journal.  It’s open to all writers for stories about family. Word count range 500-12,000. Click here for complete guidelines.
 
--
 

If you didn't know, Writer's Digest partnered with Glimmer Train to publish two compilation volumes of the best stuff from their Writers Ask newsletter. Be sure to check them out.
 


General | Getting Published
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Friday, April 24, 2009 10:17:37 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] Trackback
Avoiding Red-Flag Mistakes on Your First Page
Posted by Jane



Yesterday, I presented a webinar on how you can critically review your manuscript (particularly the first pages) for red flags that lead to a rejection from an editor or agent. My thanks to the 25 participants who were courageous enough to allow us to critique their first pages.

For my blog readers, here are the common problems that we identified during the webinar:
  • Flashback on first page
  • Too much backstory or explanation, slowing story down
  • Waiting for the protagonist to appear (or unclear protagonist)
  • Starting with an alarm clock or ringing phone
  • Lots of characters introduced on first page
  • Ordinary day stuff (getting out of bed, walking to kitchen, etc)
  • Ordinary crisis moment without distinct voice or twist
  • Too much telling about the story, not enough showing
  • Nothing happens -- no action or problem
  • Interior monologue: in character's head, just lots of thinking, no acting or interaction with anyone else
  • Predictable story start or story line without a unique take
  • More of a journal entry (stream of consciousness), and not a story
  • Wrong starting point; not starting at a point of change
  • Too confusing, not enough reason or motivation to figure out what's happening
Here are other excellent resources:

Agent/Query Research
AgentQuery.com
QueryShark

If you attended the webinar, I hope you found the information you were looking for. Don't forget to network with me on Facebook, Twitter (@JaneFriedman), and LinkedIn; I regularly post and share information of interest to writers seeking publication.

Check out next online event! How to Land a Literary Agent

Future webinars also include:
  • The Dreaded Synopsis
  • How to Get Your Poetry Published
Click here to view details on all upcoming online events.



Conferences/Events | Craft & Technique | Getting Published
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Friday, April 24, 2009 9:47:33 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] Trackback
# Thursday, April 23, 2009
Best Tweets for Writers (4/23/09)
Posted by Jane



I watch Twitter, so you don't have to.
If I missed a great Tweet, leave it in the Comments.

Most valuable Tweet of the day:
100 Creative Writing Blogs (From February, but I just found it!)
@nicoledenae
The rest:
Off to teach dialogue to creative nonfiction workshop. See my post from last fall on this subject. @KimsCraftBlog

Further on creative nonfiction/memoir: See my post on tense problems in memoir. @KimsCraftBlog

Do you really know where the emphasis is in your writing? Wordle.net creates beautiful word clouds. @tnisly

Contrary to all the advice I've ever been given, on NOT calling yourself a writer. @motsjustes

Put character flaws and conflict in opposition for dynamic writing, from @FictionMatters

Currently reading: (Writing Fiction) Dialogue in fiction @theseventhl

Looking for more social networking and updates from Writer's Digest?


Best of Twitter
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Thursday, April 23, 2009 11:07:40 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] Trackback
# Wednesday, April 22, 2009
Best Tweets for Writers (4/22/09)
Posted by Jane



I watch Twitter, so you don't have to.
If I missed a great Tweet, leave it in the Comments.

Note: I partly decided to undertake this Twitter round-up to show writers why they might be interested in Twitter. I hope that the point has been made.

After this Friday, I'll check in every week with only the most remarkable Tweets I saw over a 7-day period. (That is: I need some time to contribute other content for this blog!)

Most valuable Tweet of the day:
49 ways to profit from content marketing @dmnguys
The rest:
5 Things to Do Before You Create Your Freelance Business Website @FreelanceSw

Write or Die: Electric shock mode! @MichelleLDevon

The tweet is a merciless editor; list of authors on Twitter. (From latest Poets & Writers) @AlanKercinik

Editing: a gratifying & horrifying experience. @suvudu

Stupid gun mistakes every writer makes @AnthonyGOReilly

Looking for more social networking and updates from Writer's Digest?


Best of Twitter
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Wednesday, April 22, 2009 8:16:48 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] Trackback
# Tuesday, April 21, 2009
Best Tweets for Writers (4/21/09)
Posted by Jane



I watch Twitter, so you don't have to. If I missed a great Tweet today, leave it in the Comments.

Most valuable Tweet of the day:
Hilari Bell has posted her tips on how to pitch a novel @xenabelle
The rest:
Ripe for Writers: Love is that sound molecules make before bonding; can you hear it as your ink sticks to the page? @JoshuaPayton

Three Techniques to Avoid Being a Boring Writer @MeghnaK

Hooking Them From the Start @RGregoryBrowne

50 Trigger Words and Phrases for Powerful Multimedia Content — Copyblogger @MeghnaK

Vonnegut's 4th rule of #writing by @FictionMatters @motsjustes

5 Authors on Twitter Who Are Getting it Right @mariaschneider

Use an enneagram for character development @motsjustes

Looking for more social networking and updates from Writer's Digest?



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Tuesday, April 21, 2009 8:08:48 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] Trackback


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