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 Saturday, May 30, 2009
Best Tweets for Writers (week ending 5/29/09)
Posted by Jane
 I
watch
Twitter, so you don't have to. Visit every Friday for the week's best Tweets. (If I missed a great Tweet, leave
it in the Comments.) Apologies for the lag this week— catching up from our BEA event. Look for a recap with photos in the next few days. Best of Best54 Tips For Writers, From Writers
@MeghnaK
Five Novelists' Web Sites That Offer Great Writing Advice
@jharmonwriter
Amy Tan (TED): The Ted Commandments
@Krizanovich
Cory Doctorow: Writing in the Age of Distraction
@dbschlosser
Stand Alone (no links)
"Write down the thoughts of the moment. Those that come unsought for are commonly the most valuable." —Francis Bacon
@wayne1009
Be suspicious if your editor only corrects grammar, typos. The less you're outraged, the less it'll sell. Editing equals improving. @gyokusai
"Writing has got to be an act of discovery. I write to find out what I'm thinking about." —Edward Albee
@UpWritePress
To get ahead, at the very least, write out at night your next day's objectives. Writing focuses your energies to accomplish your tasks.
@yourdaytoshine
In writing fiction, finding "facts" to fit your narrative = recipe for success. In real life, not so much.
@dbschlosser
Your editors are like coaches: they know audience & reject writing for good reasons, even if you don't know specifics. —T. Whalin
@QuipsAndTips
Getting Published, Agents/EditorsWhy writers should avoid content aggregators such as Helium:
@milehighfool
Reality check from author: Getting published is just the beginning
@KFZuzulo
Tips for the editor/agent appts
@heatheragoodman
The Five Traits of a Successful Writer
@saithota
Ask the editor: Do publishers have rules about POV?
@kdwashburn
Wed writing exercise: historical figures in fiction, by the Donald Maass Literary Agency
@motsjustes
Craft & TechniqueThe key to prolific writing? Genre.
@motsjustes
How to salvage writing disasters by @quipsandtips
@motsjustes
How Screenwriting Broke My Writer's Block
@jharmonwriter
I wrote a guest post called Embracing a Million Crappy Words
@beagooddad
Tips for writing a killer opening line, via @mariaschneider
@motsjustes
To drop the F bomb or hold it in reserve: choosing when to cuss in your writing
@dbschlosser
"If the character does not change in the course of the writing, it is not fiction. It is information."
@jshelley78
One of the challenges of writing is ... writing. 13 Tips For Actually Getting Some Writing Done
@musicasmessage
Summarized Dialogue: The many uses in fiction and memoir.
@KimsCraftBlog
The yin and yang of characterization in writing
@dbschlosser
Marketing/PromotionThe author's own story. Marketing, conversations and lies.
@paperbackjack
How you can use eBooks and the Kindle to market your writing from @jakonrath
@benwhiting
Twitter on TwitterLiterary Tweets: 100+ of the Best Authors on Twitter
(via @tweetmeme)
@DebraMarrs
Check out "Best of Writing on Twitter"
@MeghnaK
News, Trends, Opinions
Why AmazonEncore matters (via @BubbleCow)
@thecreativepenn
Richard Curtis on changes to copyright due in 2013
@bookmarketology
"Demise of Writing Greatly Exaggerated" -- a teen is not deterred from pursuing her dream job
@motsjustes
Online & Offline Resources/Tools
@michellerafter reviews 10 great virtual hangouts for freelance writers
@milehighfool
Free Online Writing Courses (via @BubbleCow)
@thecreativepenn
101 Best Websites for Writers: Our 2009 list from the May/June mag issue.
@WritersDigest
Wired's Ebook reader buying guide - good roundup of current state of art.
@thecreativepenn
Random Writing Prompt Generators
@MeghnaK
PhilosophicalDo we Miss Authorial Omniscience?
@idtheory
How writing saved me from myself
@joanna_haugen
"to cast a spell [on the reader]–possess them, manipulate them, coerce them into turning another page"
@jshelley78
Writers Reveal the Book the Changed their Lives
@blogofinnocence
Looking for more social networking and updates from Writer's Digest?
Best of Twitter
Saturday, May 30, 2009 2:47:29 PM (Eastern Daylight Time, UTC-04:00)  Trackback
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Friday, May 29, 2009
Just a Start (How a Writer Builds Confidence)
Posted by Jane
 Today's guest post is from the lovely Jane Koenen Bretl—an aspiring author taking one day at a time, and
writing about it. Her blog, jane, candid, is a sometimes funny,
sometimes thoughtful, often irreverent account of one mom trying to
start a writing career and make the kids catch the bus. Really, it’s
just one jane’s look at life.
As someone just embarking on a new writing career, I am hard-pressed to offer hard-earned wisdom or sage writing advice. I have, oh, maybe 20 more years of rejection letters to look forward to before I will feel qualified to offer those nuggets of wisdom to the readers of this blog. What I can share is one jane's journey to become an Author, the kind I think of with a capital A.
Technically, I have no formal writing education. A business degree, ten years in the food industry, nearly a decade as a full-time mom, a children’s photography business of my own—none of these pursuits specifically qualify me to write more than newsletter cover articles and the Christmas card letter. Still, through career after career, one thought returns time and again—the desire to express myself through writing, and to ultimately be published. Sometimes it is better for me not to know how much I don’t know. The publishing industry might serve as a good example. However, a series of serendipitous events landed me in a writing course last June, where I finally found the courage to pursue my dream of becoming an author—to step off the ledge of comfort and face failure as a viable, admittedly probable, option … at least, I thought, until I figured out what I was doing.
Start by starting.
I worked on a few children’s book ideas, and threw myself into my new career the same way I did each one before it—by researching and reading and absorbing everything I could find about the topic. I had bookmarks of writing websites; the list was a mile long. I bought lots of books and writer's market guides and reference materials. The Elements of Style sat on my bedside table, as if the contents would continue to seep into my subconscious while I slept. All this research quickly led to lots of thinking about writing and reading about writing and planning for writing—without much actual writing about writing.
Did I mention start by starting?
I did submit one story to an anthology, because a writing instructor advised that anthologies were a good place to start building clips for a resume that had none. I wrote a second anthology piece but never bothered to send it in, since by then I hated the first submission and was seriously questioning the sanity of breaking into the publishing world in the first place. The more I read, the more intimidating the whole proposition seemed.
But I continued to read, read, read about writing until last December, when I signed up for the Writer’s Digest Editor’s Intensive event. How lucky that the F+W Media office is in my hometown! Serendipity strikes again! In my newbie enthusiasm, I glanced over one little detail: it is a really, really, REALLY good idea to have actually polished something before I sit down for 30 minutes with an editor.
Good thing we don’t know how much we don’t know or it would be hard to ever try something new.
So I showed up at the event, all bright eyed and shiny, ready to learn, learn, learn. It quickly became obvious (at least to me) that most everyone else in the room had several novels under their belt, had paid their dues, logged their hours, and were blogging or freelancing or had been writing full-time for years. I swear some attendees had tattoos with long-suffering potential book titles on their arms, and those were just the ones I could see. Oh, and they had actually written something great to discuss with the editor the next day.
Oops.
When I arrived for my 30-minute time slot, I wasn’t feeling so shiny. I did have a crackin’ query letter that received good feedback, but my chosen editor kindly and gently indicated the actual story needed a lot of work. Like the “start by starting over” kind of work. Not a surprise, really—after only a few months working on the story (in between all that reading), I already knew it was not ready for prime time. I did receive a wealth of helpful information and actionable advice from the editor. It was a great experience, even though I was secretly hoping the work contained a glimmer of brilliance somewhere deep down. Well, not this time. But the good news? I now had my first (albeit unofficial) "rejection" under my belt. Now I felt free to make more mistakes along the way. Rejection in any form, even the most kind, is painful yet still liberating. It was like that first scratch on a new car—it took away the need to worry about my mental bumpers.
So I listened, and I walked out the door with a new focus. Jane Friedman and the rest of the staff inspired me to join some social networks to build contacts and connections with other writers and potential readers. I could commit to writing (something) daily. I would start a blog (as soon as I figured out what a blog was) and use that as part of my daily writing practice, and as an idea incubator and network builder. I would start visiting lots of other blogs, leaving comments, and building up my own readership while creating more and more contacts along the way. Learning something new every day.
The fellow attendees of the conference? Several of them formed a Facebook discussion group, invited any attendee to join, and shared a heap of experience and information. And, of course, I learned that some of them shared my state of mind, the writer's blessing/curse to never think the words are quite right, yet. To keep revising and rewriting and wondering when. I wasn't alone with my doubts, or my over-active imagination. (I still wonder about the tattoos.)
That anthology piece? It was actually published this spring, and that gave me a shot in the arm. Actually it is still an IV drip of confidence as I keep the book next to my computer, there to remind me how I felt the day that book arrived in the mail. The book with my name in it. And my little story. Someday, my name could be on the cover, if I work hard.
Using Jane's advice to become more productive while becoming cyber-savvy, I started using (for the love of god) an RSS reader. Now I could satisfy my need to read voraciously about writing and still have time to write something. And, four months after its launch, I can say I truly enjoy the process of blogging and have, through that social media, found a new voice within myself. I just passed the 5,000 hit mark for jane, candid, a small number by many blog standards but a big milestone for me. I am not sure yet where this voice will take me. Actual income is a rational goal. I have to start by starting …
Craft & Technique | General | Getting Published | Guest Post
Friday, May 29, 2009 12:46:35 PM (Eastern Daylight Time, UTC-04:00) Trackback
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Friday, May 22, 2009
Best Tweets for Writers (week ending 5/22/09)
Posted by Jane
I
watch
Twitter, so you don't have to. Visit every Friday for the week's best Tweets. (If I missed a great Tweet, leave
it in the Comments.)
Best of Twitter
Friday, May 22, 2009 6:40:46 PM (Eastern Daylight Time, UTC-04:00) Trackback
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The Song of Writing
Posted by Jane
Today I am thrilled to present a guest post from
writer Darrelyn Saloom. I  met Darrelyn at a
recent Writer's Digest Editor Intensive, along with Deirdre Gogarty. These two amazing women are collaborating on a memoir about Deirdre, who is the 1997 Women's International Boxing Federation champion. You can follow Darrelyn on Twitter. (Photo shows Darrelyn in Cincinnati, with writers Barbara and Sean on either side, after the first day of the WD intensive event.)
It took me a long time to believe I could write. I’ve always enjoyed biographies and have read numerous lives of authors who lauded an educator in adolescence as their source of inspiration—a flash of insight burst forth while reading lines of dead poets: Shakespeare, Emerson, Dickinson, Keats. But no such teacher manifested for me in my teens or twenties (that would come later). For me, the muse bloomed with poetical songwriters of my generation: Smokey Robinson, Johnny Rivers, Bob Dylan, Joni Mitchell, and Carol King.
But it was my father, an encyclopedia salesman, who first planted the melodic seed. Filled with wanderlust, he never stopped traveling. Life with Daddy was spent in the backseat of a book-laden car, absorbing adventurous yarns, chirping along to Peter, Paul, and Mary. My Kentucky-born father crooned Stanley Brothers’ tunes and recited “The Raven.” Poe blended into a folk song of enchantment. So it was in the backseat of Daddy’s Ford Thunderbird (where my sisters and I hid kittens and candy) that I fell in love with the imagery of words, the rhythms of poetry, the song of writing.
But falling in love was easy. Hard was to realize I wanted to write. Harder was to believe that I could. The writers I craved were distinguished professors of the humanities. Columbia University PhDs or graduates and teachers of MFA programs; I had no degrees. I dropped out of high school, hitchhiked from the Louisiana bayous to the Oregon coast, picked beans on a farm, married young (and often) and birthed a family. But I grew restless for something unknown to me.
So I went to college in my thirties. I never finished. But now I could lay claim to teachers of literature and writing who encouraged me. Into my forties I continued to read and to study: The Southern Review, The Gettysburg Review, Glimmer Train, and—yes—Writer’s Digest (long before I ever met Jane Friedman). Circled words, underlined phrases and sentences, lists of definitions littered the backs of my books and magazines. I studied libraries on writing and punctuation, even The Chicago Manual of Style.
When I began to write narrative, my restlessness ceased. But did I believe in my ability? The stories I wrote were printed and stuffed into folders and drawers. A few were lost on an old hard drive. Yes, I was still intimidated by the MFAs and PhDs and only wrote for friends and family. But even with their praise, I did not believe in my ability. Belief would have to wait. (And to make things worse, I was about to turn fifty.)
Unable to submit my stories, I printed business cards and worked as a freelance editor. I excelled at spotting clients’ errors, picking apart proposals and briefs. Red ink pen in hand changed me. It improved my writing by opening my eyes to writers’ mistakes. Taught me that writing is a place I can never be impatient or lazy. For a writer must never stop learning. As for intimidation, it has started to slip away. Because now I know it’s hard work that conjures words into music and not a degree.
Here are two verses my father would often sing. I’ve started to wonder if he knew that one day (years after his passing) the lyrics would serve to sustain me. I can still hear his voice.
If I had the wings of an angel
O’er these prison walls I would fly
I would fly to the arms of my lover
And there I would lie till I die
Oh, meet me tonight in the moonlight
Meet me tonight all alone
For I have a sad story to tell you
It’s a story that’s never been told
(Researching this old ballad, I found as many versions as strings on three guitars. So I stuck to the only two verses and lyrics my father taught me when I was only two or three. It took me nearly fifty years to grasp that as a writer “belief” is like an angel’s wings. If you, too, struggle to believe in your writing ability, I hope this will inspire you to grow some wings and tell your stories.)
Craft & Technique | General | Guest Post
Friday, May 22, 2009 10:03:52 AM (Eastern Daylight Time, UTC-04:00) Trackback
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Thursday, May 21, 2009
5 Ways Writers & Book Publishers Need to Embrace Change NOW
Posted by Jane
In today's writing and publishing industry, knowing how to change and quickly adapt to change can be your biggest competitive asset.
This has been a key takeaway for me from the weekly Twitter editorchats that I started participating in last week.
The discussions often focus on industry change and trends, especially in relation to new media and technology. Part of the discussion last night was about the generation gap in publishing, sparked by Time's article on how by 2019, leaders will have to manage and motivate people in new ways due to generational changes.
I read the Time article and thought: Yes, but this kind of change can't wait 10 years! Just like magazine and book publishing can't wait 10 years to find a new model for survival.
The editorchat was insightful, but I don't see a generation gap. Rather I see a gap between those who can adapt to change and shape a new vision of the future (on a daily basis these days!), and those who get stuck and/or have pessimistic outlooks on the change.
There's a stereotype that "old" people can't adapt to change as well as "young" people—but my experience has shown it's more of a mindset or attitude.
Some people have the ability to act as soon as they know a change is needed, while others think so long and hard about making a change (in order to make the "right" decision and feel comfortable) that it's too late.
Here are 5 specific ways that writers/publishers need to embrace change now.
- Writers: The book is not the beginning or the end. Let me restate that: Do not make it your life's work to get that first book published. It's not the Holy Grail any longer (if it ever was to begin with). The book is only one piece of a much larger effort that you need to focus on. Stop thinking you need a book to accomplish your goals (E.g., "I can start speaking/promoting once I have a book.")
- Publishers: The act of reading is not tied to books. Stop thinking that if physical books disappear, that reading will also disappear, or that reading will be diminished, or that your jobs will evaporate. Books are not tied to the act or survival of reading. It's a romantic and lovely object, I agree, but it's merely one (sometimes limited) vehicle for something much, much bigger (storytelling, innovative ideas, inspiration, instruction).
- Writers: Power lies in your reach to readers, not in the prestige of your publisher. Kevin Kelley has become famous for saying that it only takes 1,000 loyal followers to really make a go of something. If you develop those followers, you can have a much more stable and rich career that is not dependent on publishers to distribute and sell your work—because you already know where and how to market to your audience.
- Publishers/agents: Be a true partner and add value to authors' careers. Or become irrelevant. Because of #3, publishers stand to suffer more in the long run, because today's (and tomorrow's) savviest authors already have the tools they need to be successful without a publisher's distribution strength. (Just not all of them have learned this yet!) Publishers who truly partner with authors, and start offering support in new and meaningful ways (see this great idea of a Digital Concierge over at PersonaNonData), will attract the best authors, the best content, the best value, the best readers, the best community.
- Publishers and authors alike should focus on vertical communities/niches. The more connected to a specific community you are, the more you understand what it values, what it is willing to pay for, and what sparks action. Paradoxically, the wider you cast your net in terms of audience, the harder it is to get anyone to notice or care.
When you take these 5 things together, I think authors will partner with publishers who offer a community of other like-minded authors (networking/growth potential), who offer diverse opportunities and methods of support, across all types of media, and who share the same values.
New media and technology has made the world transparent. Everyone is going to partner and invest based on mutual benefit/support and values. Those who don't stand for anything special, who lack a great story (or myth) to share, will struggle. (See this cover story from Inc. magazine for an example of a company and CEO who intimately understands this.)
The world is changing, and I'm grateful for it.
Digitization & New Technology | Getting Published | Industry News & Trends
Thursday, May 21, 2009 3:41:59 PM (Eastern Daylight Time, UTC-04:00) Trackback
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Wednesday, May 20, 2009
3 Reasons Why You Should NEVER Pitch at BEA
Posted by Jane
I've said it before—and many other people have said it, too—but it always bears repeating.
Do not go to the BookExpo America trade show to pitch your book or self-published book to a traditional publisher or to an agent.
The only exception to this rule are well-known authors who get into the trade show by invitation of a publisher, and are already networking/connecting with publishing professionals.
BEA is not a candyland of publishers and agents offering you a sweet opportunity to get your project noticed. It is NOT like shooting fish in a barrel, it is NOT fun, and it is likely to KILL your chances at a deal.
Three reasons why:
- Agents/editors do not like to be pitched on the show floor. Most have to take care of existing authors/clients and have many other obligations and meetings while at the show. We're also dirt-tired, thirsty, and cranky as the day wears on.
- The trade show is for and by publishing industry professionals. That's why it's called a trade show. You wouldn't go to a trade show for lawyers and prospect for a new lawyer, would you? You don't go to a trade show for publishers and do prospecting, either.
- If you decide you're the exception to the rule, and decide to pitch anyway, you'll have trouble finding the right people to pitch (very few editors actually attend BEA—it's mostly sales/marketing/executives), and once you DO find them, they will likely put a black mark next to your name, diminishing your chances of success later.
I've attended BEA for five years, and each year I am pitched on the show floor by people I don't know. I never enjoy it, and I have never pursued or signed a project as a result. The meetings that HAVE been productive (usually with authors and their agents) are those where an appointment was made well in advance of the show.
Apparently, BEA has recognized there is a contingent of attendees who are not bringing "value," and they have cut down the "miscellaneous industry professional" category by 1,350. You read more on BEA show director Lance Fensterman's blog. (And it will be a smaller show this year, for many reasons.)
 Recognizing that many writers were trying to use the trade show in hopes of advancing their careers, BEA partnered with Writer's Digest in 2003 to create a one-day conference for writers with an opportunity to pitch editors and agents. And so the BookExpo America / Writer's Digest Books Conference was born.
This year, even if not attending, you'll be able to follow along on Twitter: #wdbea09
A few of my favorite breakout sessions this year include:
- The Fire in Fiction by Donald Maass — based on Don's all-new book for us this spring. Don is known as a superlative speaker on the craft of fiction. Not to be missed.
- Self-Promotion & Social Networking by Alice Pope — one of our most active editors in social media will teach writers the ropes of using Facebook, Twitter, and blogs to help grow your career.
- The Closet Writer's Workshop: How to Write Fiction That Sells by N.M. Kelby — we're very proud to feature award-winning novelist N.M. Kelby at our conference for the first time this year. Later in 2009, Writer's Digest will release her craft & technique title, The Constant Art of Being a Writer.
The conference will also feature past favorites Christina Katz, with a super session on platform building; editor Chuck Sambuchino, who will help you practice your pitch; and yours truly, speaking on do-it-yourself publishing options. Plus nearly the entire Writer's Digest crew will be there! We can't wait to meet you. Read more about our program and pitch session.
Registration is still open! Click here.
Agents | Conferences/Events | Getting Published
Wednesday, May 20, 2009 1:49:41 PM (Eastern Daylight Time, UTC-04:00) Trackback
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Monday, May 18, 2009
Great Agent Advice from Pennwriters
Posted by Jane
This was my fourth year speaking at the wonderfully run Pennwriters annual conference. I gave a workshop on building platform, critiqued nonfiction with editor Matt Holliday (Pennsylvania magazine) and agent Uwe Stender of TriadaUS Literary Agency, and participated on a nonfiction Q&A panel with Matt.
Aside from Uwe Stender, other agents in attendance were:
You can read an account of the conference by one of the agents, Lucienne, who has a blog and posted here. (Colleen also blogs; if she decides to post, you'll find it here.)
Below are my notes from the agent panels (which are adapted from my live Tweets of the event):
Queries/submissions and what they're looking for
- Paige Wheeler gets 35 e-queries/day. Stender gets 135 queries/day. Colleen Lindsay is closed to submissions. Becca Stumpf and Lucienne Diver get queries through an agency system.
- Lucienne Diver: Only thing that matters is VOICE and characters to deeply care about. This can and should come through in the query letter.
- Colleen Lindsay looks for amazing characters she can get excited about every time she reads the story. No self-indulgent navel gazing.
- Colleen Lindsay says granting exclusives can be bad for your career. You can say no. If you say yes, limit to short period (e.g., a week and not a month).
Industry trends
- Uwe Stender has noticed an impact on business due to changes in the industry: two YA books would've sold without a problem a year ago, now there is hesitation and revision before an offer.
- What's? hot: romance!! Harlequin is doing very well.
- Editors seeking middle-grade books suitable for boys (boy voice/protagonist, still accessible for girls)
- Plentiful interest in urban fantasy from publishers
- Market has compressed for mystery. Really need great hook or high concept that WOWS - people MUST read when hearing it.
- Romantic suspense still popular, but tough for a new writer to break in unless you can really blow the agent away.
- Trend is toward DARK and sexy. (Or the polar opposite: inspirational)
- Platform is particularly important for anyone writing literary fiction. You need street cred, placement in great journals and magazines.
- Biggest seller of books is word of mouth, which is often driven by author platform rather than publisher's publicity. (And Jane says: A great author platform spreads word. Platform is developed over life
of career, not a one-time act, not overnight occurrence. A good
resource for platform building? Get Known Before the Book Deal by Christina Katz.)
Tools
- Colleen Lindsay recommends Online SF&F Workshop as a fabulous writing group with lots of success stories. Run by a former book editor.
- Online reviews for genre fiction are key. E.g., Dear Author and Smart Bitches are two of the greatest review sites for romance.
My heartfelt thanks to the conference organizers for another wonderful year, and also to the agents/editors who I had the chance to meet and chat with (and graciously put up with my constant sneezing, sniffling, and tissue trails).
Agents | Conferences/Events | Getting Published
Monday, May 18, 2009 5:06:39 PM (Eastern Daylight Time, UTC-04:00) Trackback
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Friday, May 15, 2009
Best Tweets for Writers (week ending 5/15/09)
Posted by Jane
I
watch
Twitter, so you don't have to. Visit every Friday for the week's best Tweets. (If I missed a great Tweet, leave
it in the Comments.) Best TweetGreat discussion on social media for book marketing
@joeljmiller
OthersRead @yodiwan on the level of professionalism publishers like to see from bloggers, even amateurs
@RonHogan
When will we evolve past “books”?
@jwikert
The future of publishing link list
@The_Rumpus
Do you ever just get overwhelmed by all this change going on?
Why I won't any more.
@thewritermama
Great blog post about whether a writer should post material, such as first chapters, online.
@KimsCraftBlog
Eight tips about writing, by Flannery O'Connor
@gretchenrubin
NYT on digital book piracy
@Joypress
Mistaking action for plot
@thecreativepenn
Print reference publishing in the age of the internet
@PublishersWkly
A contrary take on Anne Lamott's shitty first drafts. RT @MeghnaK: How Good is Your First Draft?
@motsjustes
How to "Trigger" your best writing
@paperbackjack
I am loving Roy Peter Clarks' writing skills podcasts (iTunes link).
@vickytnz
My new Locus column on extremely geeky writing techniques: (via @doctorow) excellent!
@thecreativepenn
Sketching villains - forget the diabolical laughter and read this (PDF download)
@janetlaneauthor
Embracing the Rewrite: A guest post by writer & all-around cool chick @annabdavid
@mariaschneider
great post by Sol Stein on writing character, story, & dialogue:
@heatheragoodman
Tackling character in Fiction: behaviors, desire, sympathy, action, contradiction.
@KimsCraftBlog
"Editorial Ass" has excellent posts on advice for authors going the big press route. (Yes, you need an agent.)
@KimsCraftBlog
Learn about the craft and business of writing on our podcast
@writersinthesky
good post on POV
@heatheragoodman
Looking for more social networking and updates from Writer's Digest?
Best of Twitter
Friday, May 15, 2009 3:36:15 PM (Eastern Daylight Time, UTC-04:00) Trackback
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Before You Decide to Pursue an MFA: 7 Essential Tips
Posted by Jane
 Today we have a guest post from Writer's Digest author Tim Lemire (I'm an English Major, Now What).
Getting your MFA degree in creative writing sounds alluring, especially with the job market in the doldrums: “I think I’ll take a couple years off and work on the Craft.” But before you pack your bags with unfinished fiction or poems, clean underwear, and a whole lot o’ dreams, consider these caveats.
1. “Great writer” doesn’t necessarily translate to “great teacher.” You may fantasize about studying with your literary hero or heroine, but if meeting your heroes is disappointing (and it often is), being critiqued by them won’t be a joy ride either. Pick your MFA program based on something more than its star prof: e.g., location, course requirements, cost, length of program, diversity of student body.
2. “Professor” doesn’t necessarily translate to “mentor.” You may dream of your esteemed writer/professor taking you under her wing, introducing you to her contacts in publishing, getting you an agent, and inviting you to parties, but none of this is in her job description. Your teachers are there to read what you put in front of them and offer feedback -- period. You may end up getting special attention, but don’t expect it.
3. Talk and ask questions. As you consider programs, contact faculty and schedule time for a phone chat, to get to know them better. Also ask to be put in touch with current MFA students or recent alumni. Take notes.
4. Ask about workshop philosophy. Your success in workshop will depend largely on the critical atmosphere the moderating teacher allows. Ask professors: Do they insist on discussions that are respectful and helpful, or do they enjoy watching students mix it up like cats in a sack?
5. If you’re writing fiction, show up with a novel in draft. Short fiction is wonderful, but it doesn’t sell. Your professors know this and will likely critique any longer manuscript you have ready. (Confirm this with them.) Having a novel manuscript to show publishers or agents will stand you in better stead than having just a handful of stories.
6. Prepare for a schedule change. Working 9-to-5 can be a grind, but it’s predictable and secure. The academic schedule changes daily. Teaching classes, attending classes, holding office hours, working a part-time job, and trying to be a literary genius on top of it all is no small organizational feat. You will need to be an expert budgeter of time and energy.
7. Lower your expectations of being “literary” with your program colleagues. You’re going to graduate school, not stepping back in time to some 1920s-era fantasy of expatriates in Paris. Check your pipe, cape and bon mots at the door: The MFA program will likely be more work than you imagine.
Finally, if you’re not accepted into any MFA programs, don’t take it as a sign from the heavens that you weren’t meant to be a writer. That decision is up to you, not Fate or Destiny or some committee. There’s always next year, and plenty of writers fared OK with that MFA degree.
Tim Lemire, a graduate of the MFA program in creative writing at the University of Michigan, is the author of I'm An English Major -- Now What? How English Majors Can Find Happiness, Success, and a Real Job (Writer's Digest, 2006). He also posts TIM'S ENGLISH, a weekly five-minute podcast about effective communication: http://timsenglish.blogspot.com.
Craft & Technique | Guest Post
Friday, May 15, 2009 1:27:54 PM (Eastern Daylight Time, UTC-04:00) Trackback
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Wednesday, May 13, 2009
News, Events, and Free Info at Writer's Digest
Posted by Jane
Today I'm taking a little break to let you know about some other stuff happening at Writer's Digest. Tomorrow I leave for the Pennwriters conference in Pittsburgh and will be Tweeting (@JaneFriedman) and blogging throughout the weekend.
Cool stuff on other WD blogs
- Interview with Poet Justin Marks. Good tidbit where he says, "I've been given such large heaps of bad advice over the years I'm hesitant to offer any of my own. So maybe my advice should be, 'don't take any advice.' Then again, I've also gotten some good advice that has often helped sustain me: Trust yourself. Don't let anyone or anything stop you. Be willing to change. Perservere. Stuff like that."
Free excerpts from new writing books
Upcoming events
- WDB/BEA Writers Conference (May 27). This is the big kahuna where you can pitch to 66 agents and 4 editors during a 2-hour window. Even if you aren't successful in your pitch attempts here, you will learn so many amazing things about what makes an agent or editor jump on a project. The interaction is invaluable and can shave years off your path to publication. The full day costs $199 and includes the pitch session (plus lunch and terrific networking). I'll be there, as will most of my colleagues from Writer's Digest.
- WD Editors' Intensive (June 20-21). Once again, we're opening up Writer's Digest HQ to 50 people for a personalized weekend of writing and publishing instruction. We spend a day coaching you about how to succeed in the changing landscape of publishing, then wrap it up with a one-on-one 30-minute appointment to discuss the first 50 pages of your manuscript or proposal. We've received excellent feedback from writers who've attended who love the up-close-and-personal interaction as well as the practical, hard-working information.
Online education
- Writer's Market editor Robert Brewer (also known for his Poem-a-Day Challenge at Poetic Asides) is hosting a live session on May 29 on how to get your poetry published. You'll never meet a better expert, and you'll get an opportunity to ask him any question you like on the topic during the live event. Again, visit this site for registration links.
- We're launching a new WOW course, Hooked, which is focused on how to craft an amazing beginning to your novel—one that will catch the attention of agents and editors. It's nearly full, but we're still accepting students. Class starts on May 28. Go here for more info.
Competition deadlines
- The deadline for the Writer's Digest International Self-Published Book Awards has been extended to May 20. Enter in 10 different categories, from poetry to humor. You could win $3,000, plus some winners are noticed by agents. (Yep, we have success stories of authors who have been picked up by a traditional house after winning this contest.) Click here for more information or to register your entry online.
- This Friday marks the deadline for our biggest contest of the year: The Writer's Digest Annual Writing Competition, now in its 78th year. Grand prize includes a trip to NYC with a Writer's Digest editor to meet with agents.
As always: You can sign up for the WD newsletter on the homepage and receive a free-book on 70 common writing mistakes. You can also sign up for musings strictly from me, on writing and publishing (launching July 1). Go here to register.
Photo credit: Sister 72
Agents | Conferences/Events | Craft & Technique | General | Getting Published | New Titles From Writer's Digest | Self-Publishing
Wednesday, May 13, 2009 4:49:40 PM (Eastern Daylight Time, UTC-04:00) Trackback
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