There Are No Rules - Wednesday, October 14, 2009

I'm on an inspirational kick this week.

I recently connected on LinkedIn with my very first boss at F+W.

I always remember the advice he repeated to me that went something like: "Imagine you're 80, looking back on the fulfilling, beautiful life you've led. Now go do that."

I come across too many people who append a condition to their writing or creative life. Do you say these things?

I'll write when … (waiting for perfect conditions)
I'll write if … (waiting for some thing or someone else to act/decide/validate)

Or maybe something like:

I'll never be as good as … (denying the fact each person is unique and has something to offer -- and ignoring the hard work of self-knowledge and writing practice to help identify what makes you unique as a writer)
I don't have the patience … (for those who know the time it takes and the difficulties involved—but this forgets the preciousness of the journey and only considers the goal)

And most evil of all:

When I have enough time (we're all given the same amount of time in a day, but also we don't know how much time we're given overall)

Lately, I've come across two quotes from famous folks, echoing my former boss's sentiment. Nothing earth-shattering, but still …

Here's what Steve Jobs said when he addressed Stanford's graduating class a few years ago:

... for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something.

And Seth Godin wrote (around the same timeframe):

The thing is, we still live in a world that's filled with opportunity. In fact, we have more than an opportunity -- we have an obligation. An obligation to spend our time doing great things. To find ideas that matter and to share them. To push ourselves and the people around us to demonstrate gratitude, insight, and inspiration. To take risks and to make the world better by being amazing. ... You get to make a choice. You can remake that choice every day, in fact. It's never too late to choose optimism, to choose action, to choose excellence. The best thing is that it only takes a moment -- just one second -- to decide.

Photo credit: Let Ideas Compete

Craft & Technique | General | Getting Published

Tuesday, October 13, 2009 5:39:34 PM (Eastern Daylight Time, UTC-04:00)

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Monday, October 12, 2009

It's Not Business As Usual--Stop Acting Like It
Posted by Jane

In my role at Writer's Digest I balance two key objectives that's an odd, meta-publishing endeavor:

Help aspiring writers succeed in the publishing arena
Keep the Writer's Digest business—as a publishing and/or content business—viable

Because of my position within the publishing industry, I see up-close the effects of hard economic times, transformational technology, and increased pressure to produce more with less. Friends lose jobs, businesses fold, we try to follow the cliche "work smarter, not harder," and remind ourselves of the heartfelt reasons we're in the business in the first place.

Here are some recent thoughts from others, from a variety of perspectives:

Daniel Menaker (former Executive Editor-in-Chief of Random House)

I believe that this impending Gutenberg-level shift in reading culture, along with the economic disasters of the last two years, render the challenges of present-day hard-copy publishing all the more agonizing, immediate, and dramatic. At least in the abstract, and especially in this economic climate, most other professions pose some of the same problems for those who pursue them, no doubt. But the tectonically opposing demands on publishing -- that it simultaneously make money and serve the tradition of literature -- and its highly unpredictable outcomes and its prominence in the attention of the media have made it a kind of poster adult for capitalism and the arts in crisis. [click here for full article]

Guy Gonzalez (F+W community leader behind Digital Book World)

For all the talk of publishing’s supposedly imminent demise, there are far too many passionate people working in and around the industry, at every level, to let that happen. And whether they realize it or not, it doesn’t matter if they’re working for one of the major publishers or an independent press, in senior management or as an editor, author or bookseller — there’s a wide and fertile common ground we all share and it’s best represented by the community we all serve: the readers.

Ultimately, it’s readers’ changing habits that are driving the fundamental changes in the publishing industry – everything from the types of books they’re reading to the formats they prefer reading them in – and as a result, it’s the current business model of most publishers that’s under stress, not the community service of publishing itself.
[click here for full post]

From Mark Barrett at DitchWalk.com

Everyone in the new content pipeline must demonstrate added value in order to be embraced by both authors and readers. As an author, if you are not helping me monetize my content in some way, I have no valid business reason for partnering with you or hiring you. As a reader, if you are not providing me a service I need at a competitive price I will simply go elsewhere.

… As a writer, questions of cost and profit and revenue are of interest to me because I now have a direct pipeline to readers. I know I can reduce my costs to something approaching zero, so the question of most concern to me is how to generate revenue. I know I need help to monetize my content. I need sites that will host it and promote it, readers that will recommend it, and publishers who will do the same if I want to reach the widest possible audience.

I want to make deals with business partners in order to accomplish these goals. I want to have the money to hire professionals like editors and designers to help me produce the best work I can. And I want publishers to help me reach the widest market if that makes sense to both of us. [click here for full post]

***

I frequently encounter these two groups:

The writers/authors who read all of this, who do comprehend what's going on, but seem unwilling or unable to adjust their expectations of a publisher or their own responsibility for success
The agents, editors, and other publishing insiders who also comprehend what's going on, yet expect or demand business as usual when it comes to book deals, contracts, and other partnerships

There are also the people who say, quite rightly, that writing and publishing a "real" book is still the big dream, and people will keep chasing that dream no matter how much we all argue that the book is dead, that times have changed, that no one reads any more, etc.

Yes, the dream will always remain. As far as I can tell, it has been a dream for more than a century (The Writer, a competitor to Writer's Digest, has been in business for more than 120 years).

But achieving that dream is going to take many more shapes, and look a lot different, than it did even 5 or 10 years ago.

Most of all, I want YOU to see, really see, what's possible (now & in the future—see The Art of Possibility), identify what you can achieve, and understand tactics to get things done.

I'm trying to do these things, too—along with care for the morale of the people I work with at Writer's Digest and F+W.

I am reminded of Kenny Moore's words:

Morale continues to remain dismal in most companies and employee surveys reveal three disturbing trends: nobody trusts, workers don’t believe senior management and employees are too stressed out to care. Problems with trust, belief and caring. When I lived behind the cloistered walls, we referred to these dynamics as a crisis of Faith, Hope and Charity. As the Recession continues to take its toll, the business world is facing a spiritual problem as much as a fiscal one. Napoleon once said that leaders are dealers in hope. That sounds like a sacred quality to me.

Monday, October 12, 2009 5:31:45 PM (Eastern Daylight Time, UTC-04:00)

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Friday, October 09, 2009

15 Worthy Blogs I Just Discovered
Posted by Jane

I recently received the "One Lovely Blog Award" from Jillian Livingston (go check out isdisnormal—and you must if you are a mom). My thanks to her for introducing me to this concept.

As a result of being honored, I've been asked to note 15 blogs I recently discovered that I find worthy of the award.

(Photo above: A sign at a Buddhist temple advises that those with good eyes are inclined to fall into deep wells—which is how I feel when I discover a great new blog!)

So: here are blogs I've added lately to my Google Reader. (You can see my shared items from Google Reader here, and I accept sharing requests too if you use Google Reader.)

(1) Digital Book World
This is the newest blog launch from F+W, but it's backed by the inimitable Guy Gonzalez. A good read for savvy writers who want a larger understanding of publishing industry challenges. (Note: Digital Book World is offering a free webinar on "The Truth About eBooks" on October 21.)

(2) When Fridays Were Fridays
Written by someone who started working for a large company right out of college and stayed 30 years. I feel a cosmic connection to this person, because in 17 years, I wonder if my "About Me" will look exactly the same. I particularly like her post Have You Ever Faked It?

(3) What Consumes Me by Bud Caddell
You'll love it at first sight.

(4) Kenny Moore
Kenny is the co-author of The CEO and the Monk. I love how compassionate and human his advice is, while still being practical and appropriate for a corporate setting.

(5) Start Up Blog
I feel like I'm getting a better business training here than I would at a university.

(6) Self-Publishing Review
A site that benefits from a multitude of contributors. Professional and quality information, with a bit of magazine style to it (lead stories, resources, features).

(7) Fiction Matters
And it's not here just because they complimented me lately (or because of a bourbon affinity discovered on Twitter … well, maybe a little). Check out their guidebook, then peruse tips.

(8) My Name Is Not Bob
By the charming Robert Brewer, editor of WritersMarket.com. He is also blogger at Poetic Asides, but this is his personal blog, just launched on August 14. He's been a little quiet lately, but I know he'll be active again.

(9) The Sound and Furry
And this one is by the customer service rep behind WritersMarket.com, who is herself an aspiring children's writer. Great tips here for writers, plus cats (a great accent for every blog).

(10) Information Is Beautiful
Always amazing and share-worthy posts.

(11) Clay Shirky
Very infrequent posts, but outstanding quality when it comes to contemplating the future of media.

(12) The Book Oven
Something for everyone—especially writers—to keep an eye on.

(13) Publishing Trends
Their best content will cost you, but they still post really wonderful insider information for free.

(14) Bad Pitch Blog
While not directly tied to writing/publishing, read this long enough and you'll become a better salesperson and promoter of your ideas. A totally new find and I love it.

OK, I purposely stopped at 14. You tell me what No. 15 should be—based on the best last blog that's been added to your RSS reader or bookmark list. (Wondering about RSS readers? Read my tip on how to save time with an RSS reader.)

Friday, October 09, 2009 1:10:37 PM (Eastern Daylight Time, UTC-04:00)

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Tuesday, October 06, 2009

The Secrets to Publishing Success (Jane's 2009 Tough Love Guide)
Posted by Jane

Above: Jane looks at you expectantly with the tough-love stare. Don't disappoint her.

--

This past year, I've posted a ton of information on how you can

(1) ensure your work is the best it can possibly be
(2) build an audience and create demand for your work
(3) take advantage of technology to push your career forward

At the Editor Intensive last weekend, I found myself referencing numerous blog posts I'd made, and thought it was time to compile what I'd consider the "guide" for 2009 on how to succeed in the new publishing landscape (because the industry ain't what it used to be).

This is a perfect reference guide for anyone who's attended the Intensive and wants a refresher—or an excellent accelerated course for anyone who hasn't.

I would love your feedback on what topics you'd like covered in more detail in the coming months!

P.S. Reviewing these, I clearly like the number 5.

--

THE SECRETS TO PUBLISHING SUCCESS: Jane's 2009 Tough Love Guide

Editing and Revising

The First Five Minutes: How Editors Evaluate Your Manuscript

Avoiding Red-Flag Mistakes on Your First Page

Secrets of Great Storytelling (Particularly for Memoirists)

5 Common Flaws in Memoir Projects

Not All Books Need to Be Well-Written to Sell

Your Protagonist Must Have a Goal (by guest Jim Adam)

Hiring a Professional Editor vs. Getting Amateur Critiques

The Golden Rule About Nonfiction Books

Querying / Submitting

Persistence Doesn't Matter If You Make This Common Mistake

5 Questions to Ask Yourself After Hearing: We Can't Sell Enough to Justify Publishing It

5 Elements of Query Letters

The Art of Live Pitching: 3 Rules

Audience Development / Platform Building

The Hardest Part About Developing Platform

The Four Stages of Marketing & Promotion

5 Questions for Those Who Don't Have Time to Market/Promote

Hard-Core Tactics for Authors Developing Audience

Fiction Writers Need Platforms, Too

Online Audience Building

Hey, Writers: What's Your Online Strategy? What Are You Waiting For?

Make Waves Online to Create a Path to Print Publication

Should Your Book Really Be a Book? How About a Website First?

What Does It Take for a Blog to Become a Book?

Should You Blog? And If So, What Are Best Practices?

How Writers Can Start Blogging in a Meaningful Way

The Benefits of Blogging (Especially for Unpublished Writers)

The Essential Components of an (Unpublished) Author's Website

How Twitter Is Helpful for Aspiring Writers

Figuring Out Your Facebook Strategy: 3 Essential Tips

Indie Publishing

Everything You Need to Know About Self-Publishing (Sort of)

My Big Rant on Self-Publishing

Big Picture

5 Ways Writers & Book Publishers Need to Embrace Change NOW

Are You Ready to Be a Bestselling Author? Then Listen to Alec Baldwin

That Unquantifiable Factor That Helps You Get Published and Succeed

Read My Writing and Tell Me What to Do

Tuesday, October 06, 2009 1:35:25 PM (Eastern Daylight Time, UTC-04:00)

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Saturday, October 03, 2009

How Twitter Is Helpful for Aspiring Writers
Posted by Jane

At this weekend's Editors' Intensive, Alice Pope & I were trying to explain how Twitter works and how it can be helpful for writers.

There were many skeptics in the audience. So I posed the question to my friends/followers on Twitter: How has Twitter helped you as a writer?

I love the responses I received, so I'm sharing with all. Thank you for your generous tips—and if you have more to say beyond 140 characters, you have the comments to elaborate!

Twitter's let me meet writers, editors, & agents I might not have, & helped me understand all aspects of the business better.
@littlefluffycat

Contacts, sources and community - it's a digital moveable feast
@FictionMatters

I've met editors, agents, big authors, up & coming authors, spread the word about my blog, made wonderful friends!
@RachelJameson

The connection/interaction to other writers, editors, even agents has been hugely enlightening.
@jdistraction

Twitter helped me meet ppl I wouldn't have had access to otherwise. Casual format makes asking questions less intimidating.
@RocchiJulia

Twitter has helped me connect with other writers like me. We encourage each other--writing is no longer a lonely occupation.
@TboneJenkins

Twitter has helped me learn more about specific agents and enabled me to make a better decision on if they're right for me.
@HeatherMcCorkle

Twitter also keeps me updated on the writing industry & has helped me meet great writers I wouldn't have otherwise met.
@HeatherMcCorkle

Met many writers and authors I never would have met on Twitter.
@lafreya1

How has Twitter helped? Connected to writers, pubs, opportunities, promotion - gotten more readers on blog, my novel, etc
@tericoyne

Twitter helped me find an excellent guide in southern Austria on a research trip for my next historical novel.
@KarenEssex

Twitter helps me observe the minds of literary agents! I've discovered those not living in New York are almost normal, almost!
@kenkanten

Inspiration: microfiction and poetry at my fingertips, showing how much can be conveyed in 25 words.
@amgamble

Networking in a telecommuting industry. Editing for concise: make cuts and preserve meaning. Best clipping service ever.
@amgamble

Writing community with support and very imp. info re: today's publishing world.
@jessrosenbooks

Twitter gives affirmation of what I know and information about what I don't. Networking allows pub. & unpub. to come together.
@jessrosenbooks

I agree with everything @jessrosenbooks says about writers & twitter. Support, info & encouragement is incredible, even for a rookie :)
@CafeNirvana

I am learning a lot from twitter friends and people who share info through twitter. And I'm getting to know fantastic people.
@mariblaser

Twitter has taught me about platforms, promotion, community, and audience.
@alittlesandy

I've had hot scoops from tweeters in other countries, I've met ace journos i never would have otherwise ... I've been filming a Lisbon city guide using nothing more than my phone, mostly twitter, no printed research, guides etc.
@UKtraveleditor

Twitter helps me connect with fellow writers in a fun and collegiate way
@Debs1

Networking, research, discovering new things, calling attn to my blog has been ESSENTIAL to my work flow.
@jenzug

Learned of an online auction, bid for crit from my dream editor, won, got crit & a request for full!
@AuntBirdseed

Still learning Twitter, but like the opportunity to follow info on specific subjects from lots of sources in one place.
@meredithrmorgan

From @DavidRozansky:

I have acquired more than a dozen potential new authors for our house via Twitter pitches.

Linking to articles via Twitter has increased blog traffic by 900%.

Twitter keeps tabs on rival publishing houses & client bookstores.

By following industry experts, knowledge of books industry grows exponentially.

Links to books on Twitter results in increased book sales.

I've built platform of 2,600 Twitter followers in only 5 months, no gimmicks.

I run #scifichat, a weekly scifi books group discussion, Fri. 2-4 pm.

Twitter gives me ideas for books and marketing before competition.

Through Twitter, I am first to learn of trends and news in the books industry.

The best thing-I make friends with fab people in the industry, like yourself!

Leave your tips and thoughts in the comments!

Don't forget:

Follow Writer's Digest and our editors on Twitter: @writersdigest @JaneFriedman @brianklems @robertleebrewer @alicepope @kmnickell @mfaconfidential
Become a fan at our Facebook page

Best of Twitter | Conferences/Events | Digitization & New Technology

Saturday, October 03, 2009 8:05:17 PM (Eastern Daylight Time, UTC-04:00)

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Thursday, October 01, 2009

Gift Ideas for Writers
Posted by Jane

As many of you know, it was my birthday on Monday, and The Conductor—who treats gift-giving as a dramatic art—always looks for ways to surprise and delight.

For this gift-giving occasion, he chose the New Yorker as his theme, so I received enough New Yorker product (calendar, book anthologies, and cartoons) to probably keep Conde Nast in the black for a month.

The hard part is, and don't tell The Conductor, is that buying books for someone in the book business isn't always a sure bet. Yes, I love books of course, but sometimes the last thing I need is another book to read. (Note to Kelly: There are always exceptions.)

In any case, I was thinking a lot about gift-giving this week, and the holidays are approaching.

Writer's Digest editor Zachary Petit asked the staff months ago for gift recommendations in the November/December issue of the magazine. I sent him several recommendations (though only one is included in the issue). So in this blog post I'll mention them all.

Personalized Stationery
I've been known to spend about $500 on personalized notecards, which I consider to be one of the classiest statements a writer can make. (And, sadly, I am out of them at the moment, so I can't snap a photo for you.) I use FineStationery.com where it’s fun to create mock-ups. To really splurge, choose a letterpress printing option. Unforgettable.

Poems For All
This is a cheap (free!) but thoughtful gift for writers and readers. I hope one day they make them available for bulk purchase.

iPhone
I can’t think of a better all-in-one device for a writer. Aside from the standard phone call, you can use it for e-mail, surfing the web, downloading music, Kindle reading, instant messaging, note taking, voice recording, and a million other things through iPhone apps. The only way you could make it more useful is if there were a small, external keyboard to plug into it. (Then it could act as a mobile word processor.)

Knock Knock
Very hip and humorous productivity tools as well as eclectic gifts.

And finally, I would be remiss if I didn't mention that the parent company of Writer's Digest, F+W Media, just launched a gift site, SayItWithBooks.com. The cool part is that all purchases are gift-wrapped for free. (And for readers of this blog, use code PROMO25 for 25% off an order.)

P.S. Perhaps obvious, but Writer's Digest and WritersMarket.com subscriptions are always good gifts too! Soon we'll be rolling out a new VIP program that includes subscriptions to both, plus year-long discounts in our Shop. Stay tuned for a formal announcement in the next week.

Fun | General

Thursday, October 01, 2009 6:31:31 PM (Eastern Daylight Time, UTC-04:00)

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Wednesday, September 30, 2009

Don't Fall in Love With Your Research
Posted by Jane

In the monthly Glimmer Train bulletin, you'll find some fabulous advice from working writers. Here's a bit of what novelist Eric Wasserman had to say about research (Eric pictured above):

Fiction writers can easily write themselves into a corner. For the writer of the researched story it almost inevitably happens when the details cease to be attached to characters, particularly when writing historical fiction, which is what I have been engaged in for a number of years. My manuscript reached over 1,000 pages at one point. Of the 450 pages I cut, the majority were sections where I had fallen in love with my research.

Also read J.P. Lacrampe on Humor in Fiction.

And more juicy advice, all free, in Bulletin 33 from Glimmer Train.

Craft & Technique

Wednesday, September 30, 2009 8:40:41 AM (Eastern Daylight Time, UTC-04:00)

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Tuesday, September 29, 2009

The Distribution Barrier for Self-Publishers: Less of an Issue?
Posted by Jane

When I started at Writer's Digest in 2001, my first assigned beat was the self-publishing scene. I was given Dan Poynter's Self-Publishing Manual and The Complete Guide to Self-Publishing by Marilyn & Tom Ross, as primers on the topic.

I edited the magazine's column on self-publishing (discontinued), the newsstand-only special issues on self-publishing (also discontinued), and helped coordinate the judging for the Self-Published Book Awards (still going strong).

Back then, one of the biggest hurdles for any self-published author was securing bookstore distribution for a printed book—a near impossibility unless you could strike a deal with a wholesaler or distributor (also nearly impossible).

Much of the advice we gave in the magazine, and elsewhere, focused on how you could distribute and sell your book directly to readers, or through specialty sales channels. (Fortunately, 50% of books sold in this country are through specialty and mass-merchant accounts. A few examples of a specialty account: Michael's craft store, salons, gift shops.)

The indie scene is much different now for a few reasons:

(1) It is easier to take a risk on self-publishing your work electronically since there is usually very little upfront investment.

(2) You can e-publish your work for a variety of channels
(including the free-to-use Amazon DTP program), without securing an ISBN, and without granting exclusivity to any one channel or retailer.

(3) Avid readers are beginning to buy and even prefer books in electronic format, whether through Kindle, Sony Reader, or mobile devices.

That said, don't take this as a sign that it's easy to realize overnight success through self-publishing options, whether electronically based or not. I really love Christina Katz's "back to reality" advice, Good-bye, Cinderella: Self-Publishing Isn't the Only or Always the Best Choice for Writers.

There are many viewpoints, and there are just as many changes taking place daily in the industry. Just take the latest announcement today from Smashwords, Sony Reader, and AuthorSolutions. People who use Smashwords or AuthorSolutions to publish their work can have their e-book made available on the Sony Reader.

I spoke to Smashwords founder Mark Coker yesterday about the news, and it's impressive to see what his service can now offer an indie author (for free!):

Your e-book available for sale (or you can make it free to readers) in nine different formats, including HTML, JavaScript, Kindle (.mobi), Epub, PDF, RTF, LRF (for Sony), Palm Doc, and plain text (download or online view). This conversion process is totally automated, very fast (minutes), and based on a Word document that you submit to Smashwords.
Automatic distribution to people who use iPhones or Android-based phones.
Distribution to BarnesandNoble.com, including Fictionwise and their eReader app (distribution to B&N is contingent upon your files meeting format requirements, e.g., having a proper cover image and copyright page)
And, as of today, distribution to people using Sony Reader.

Mark says that he's in talks with other major online retailers for even more distribution opportunities. (I bet you can think of at least one major book retailer not listed above.)

I see physical distribution becoming less of a meaningful barrier as authors can distribute e-books in all the same places that traditional books are sold.

It doesn't equate to instant or even easy success, but authors who are able to create demand for their work, and aren't afraid of sweat-equity, have the potential for success if happy readers (fans!) help spread the good word.

Do you have an e-publishing experience to share? Or what questions does this raise for people who are wondering if this path is worth the time and energy?

For more:

My previous blog post: Do Writers' Futures Lie in Indie E-Publishing Platforms? (includes interview with Mark Coker)
Feature package on self-publishing from March/April issue of Writer's Digest magazine
My previous rant on self-publishing
How to publish on Smashwords (at their site)

Digitization & New Technology | Getting Published | Industry News & Trends | Self-Publishing

Tuesday, September 29, 2009 8:04:41 PM (Eastern Daylight Time, UTC-04:00)

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Monday, September 28, 2009

Excellent (and Free) Presentation on Self-Publishing
Posted by Jane

At our conference last week, April Hamilton gave an in-depth presentation on the basics of getting started in self-publishing—or as an indie author.

Click here to download her presentation as a PDF file.

I blogged some tips from her session on the Writer's Digest Conference blog, which I'm reposting below.

April's definition of an indie author
An indie author is not someone who is using self-publishing as a desperation move, but as a carefully considered and conscious decision to self-publish. An indie author is a businessperson and an entrepreneur.

Some easy ways to create e-books

Easy-easy (one-click publishing): Scribd
Easy-easy (one-click publishing): Smashwords
A little more complicated: Amazon DTP (Kindle)
Add-on option with POD services like Lulu

Choosing a POD or self-pub service
April gets down to brass tacks when it comes to choosing a publishing/POD service based on the upfront costs and back-loaded fees—plus how you want (or they want!) to price your book. Lots of useful charts and graphs in her presentation showing how to do the math.

You can get a taste of this by looking at her blog post that compares Lulu and CreateSpace.

If you're considering self-publishing, be sure to check out April's community site devoted to your indie-author options: Publetariat.

(I also recommend Self-Publishing Review.)

Conferences/Events | Digitization & New Technology | Getting Published | Self-Publishing

Monday, September 28, 2009 3:14:38 PM (Eastern Daylight Time, UTC-04:00)

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Best Tweets Returns Mid-October
Posted by Jane

Due to Writer's Digest events & other travel (my birthday travel & my mother's birthday travel), Best Tweets is on hiatus until the week ending October 16. Those who have been sending recommendations: I still have them on tap and will see if they're still appropriate for the next round-up.

Thankfully, after this hiatus, I expect Best Tweets to continue uninterrupted until the December holidays.

In the meantime:

Follow us on Twitter: @writersdigest @JaneFriedman @brianklems @robertleebrewer @alicepope @kmnickell
Become a fan at our Facebook page

Below: Jane sprouts a birthday flower from her head.

Best of Twitter

Monday, September 28, 2009 3:02:45 PM (Eastern Daylight Time, UTC-04:00)

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