Thursday, July 31, 2008
Poetic Terms: End-stops and Enjambment
Posted by Robert

The young woman says, "July is over,
but you don't have to go on and
on about it. There's always August."

And with these three lines, I'm prepared to lay out the difference between using an end-stop or enjambment at the ends of your lines. Want to really impress and flatter a fellow poet at the same time? All you need to do is talk up their wonderful use of enjambment.

Lines 1 and 3 in the above example use an end-stop, which just means that your line finishes its thought (often with the use of punctuation) before moving on to the next line.

Line 2 uses enjambment by running over into line 3. That's right, enjambment is when you run your idea from one line into another (or many others).

So, why use one over the other? Well, the way you use end-stops and enjambment can affect the speed readers move through your poem. End-stopping tends to slow down the pace, while enjambing picks it up. Personally, I like to mix it up some to achieve certain effects within my poems, especially if I want to emphasize certain ideas or images.

If you haven't tried using end-stops and enjambment before (or haven't thought about it since "the good old days" of school), then you might want to try playing around with these tools in your poems. If nothing else, you can now start complimenting other poets' end-stops and enjambments--and actually know what you're talking about.

 


Poetic Terms | Poetry Craft Tips
7/31/2008 1:58:23 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [5] 
 Thursday, July 24, 2008
Poetic Terms: The Stanza
Posted by Robert

While this might be too basic for some of the blog readers, I thought it wouldn't hurt to share some poetic terms for poets who've not taken formal courses in poetry. Personally, I love knowing more about the various terms, and I've got such a bad memory that sometimes it's good for me to have a refresher or two on the basics.

The stanza in its most basic sense is each group of lines in a poem. For instance, in a sestina there are 7 stanzas with the first 6 stanzas containing 6 lines and the final stanza consisting of 3 lines.

Stanzas can come in several different lengths, from one to one million (or more) lines in length. In fact, some of the shorter stanzas have official names that can be applied to them.

1-line stanzas are monostich.

2-line stanzas are couplets.

3-line stanzas are tercets.

4-line stanzas are quatrains.

5-line stanzas are quintains (or cinquains).

6-line stanzas are sixains (or sestets).

7-line stanzas are septets.

8-line stanzas are octaves.

So, getting back to the sestina, we could be all smart and say it is composed of six sixains followed by a tercet.

Or we could just say a sestina is composed of a sadistic pattern of end words that leave many poets curled up in a fetal position chanting, "There's no place like home," while clicking their heels together with their eyes shut tight against the world.


Poetry Craft Tips | Poetic Terms
7/24/2008 10:48:43 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [11]