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    <title>Poetic Asides with Robert Lee Brewer - Poetic Terms</title>
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                        <p>
The young woman says, "July is over,<br />
but you don't have to go on and<br />
on about it. There's always August."
</p>
                        <p>
And with these three lines, I'm prepared to lay out the difference between using an
end-stop or enjambment at the ends of your lines. Want to really impress and flatter
a fellow poet at the same time? All you need to do is talk up their wonderful use
of enjambment.
</p>
                        <p>
Lines 1 and 3 in the above example use an end-stop, which just means that your line
finishes its thought (often with the use of punctuation) before moving on to the next
line.
</p>
                        <p>
Line 2 uses enjambment by running over into line 3. That's right, enjambment is when
you run your idea from one line into another (or many others).
</p>
                        <p>
So, why use one over the other? Well, the way you use end-stops and enjambment can
affect the speed readers move through your poem. End-stopping tends to slow down the
pace, while enjambing picks it up. Personally, I like to mix it up some to achieve
certain effects within my poems, especially if I want to emphasize certain ideas or
images.
</p>
                        <p>
If you haven't tried using end-stops and enjambment before (or haven't thought about
it since "the good old days" of school), then you might want to try playing around
with these tools in your poems. If nothing else, you can now start complimenting other
poets' end-stops and enjambments--and actually know what you're talking about.
</p>
                        <p>
 
</p>
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      <title>Poetic Terms: End-stops and Enjambment</title>
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      <link>http://blog.writersdigest.com/poeticasides/2008/07/31/PoeticTermsEndstopsAndEnjambment.aspx</link>
      <pubDate>Thu, 31 Jul 2008 17:58:23 GMT</pubDate>
      <description>&lt;div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;div&gt;
&lt;p&gt;
The young woman says, "July is over,&lt;br&gt;
but you don't have to go on and&lt;br&gt;
on about it. There's always August."
&lt;/p&gt;
&lt;p&gt;
And with these three lines, I'm prepared to lay out the difference between using an
end-stop or enjambment at the ends of your lines. Want to really impress and flatter
a fellow poet at the same time? All you need to do is talk up their wonderful use
of enjambment.
&lt;/p&gt;
&lt;p&gt;
Lines 1 and 3 in the above example use an end-stop, which just means that your line
finishes its thought (often with the use of punctuation) before moving on to the next
line.
&lt;/p&gt;
&lt;p&gt;
Line 2 uses enjambment by running over into line 3. That's right, enjambment is when
you run your idea from one line into another (or many others).
&lt;/p&gt;
&lt;p&gt;
So, why use one over the other? Well, the way you use end-stops and enjambment can
affect the speed readers move through your poem. End-stopping tends to slow down the
pace, while enjambing picks it up. Personally, I like to mix it up some to achieve
certain effects within my poems, especially if I want to emphasize certain ideas or
images.
&lt;/p&gt;
&lt;p&gt;
If you haven't tried using end-stops and enjambment before (or haven't thought about
it since "the good old days" of school), then you might want to try playing around
with these tools in your poems. If nothing else, you can now start complimenting other
poets' end-stops and enjambments--and actually know what you're talking about.
&lt;/p&gt;
&lt;p&gt;
&amp;nbsp;
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      <comments>http://blog.writersdigest.com/poeticasides/CommentView,guid,bde59e38-e8f5-4046-b984-fff47b4e1234.aspx</comments>
      <category>Poetic Terms</category>
      <category>Poetry Craft Tips</category>
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          <p>
While this might be too basic for some of the blog readers, I thought it wouldn't
hurt to share some poetic terms for poets who've not taken formal courses in
poetry. Personally, I love knowing more about the various terms, and I've got such
a bad memory that sometimes it's good for me to have a refresher or two on the basics.
</p>
          <p>
The <em>stanza</em> in its most basic sense is each group of lines in a poem. For
instance, in a sestina there are 7 stanzas with the first 6 stanzas containing 6 lines
and the final stanza consisting of 3 lines.
</p>
          <p>
Stanzas can come in several different lengths, from one to one million (or more) lines
in length. In fact, some of the shorter stanzas have official names that can be applied
to them.
</p>
          <p>
1-line stanzas are <em>monostich</em>.
</p>
          <p>
2-line stanzas are <em>couplets</em>.
</p>
          <p>
3-line stanzas are <em>tercets</em>.
</p>
          <p>
4-line stanzas are <em>quatrains</em>.
</p>
          <p>
5-line stanzas are <em>quintains</em> (or <em>cinquains</em>).
</p>
          <p>
6-line stanzas are <em>sixains</em> (or <em>sestets</em>).
</p>
          <p>
7-line stanzas are <em>septets</em>.
</p>
          <p>
8-line stanzas are <em>octaves</em>.
</p>
          <p>
So, getting back to the sestina, we could be all smart and say it is composed of six
sixains followed by a tercet.
</p>
          <p>
Or we could just say a sestina is composed of a sadistic pattern of end words
that leave many poets curled up in a fetal position chanting, "There's no place
like home," while clicking their heels together with their eyes shut tight against
the world.
</p>
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      </body>
      <title>Poetic Terms: The Stanza</title>
      <guid isPermaLink="false">http://blog.writersdigest.com/poeticasides/PermaLink,guid,53b417af-402b-4c6c-a128-c5985cfb043a.aspx</guid>
      <link>http://blog.writersdigest.com/poeticasides/2008/07/24/PoeticTermsTheStanza.aspx</link>
      <pubDate>Thu, 24 Jul 2008 14:48:43 GMT</pubDate>
      <description>&lt;div&gt;
&lt;p&gt;
While this might be too basic for some of the blog readers, I thought it wouldn't
hurt to share some poetic terms for poets who've not&amp;nbsp;taken formal courses&amp;nbsp;in
poetry. Personally, I love knowing more about the various terms, and I've got such
a bad memory that sometimes it's good for me to have a refresher or two on the basics.
&lt;/p&gt;
&lt;p&gt;
The &lt;em&gt;stanza&lt;/em&gt; in its most basic sense is each group of lines in a poem. For
instance, in a sestina there are 7 stanzas with the first 6 stanzas containing 6 lines
and the final stanza consisting of 3 lines.
&lt;/p&gt;
&lt;p&gt;
Stanzas can come in several different lengths, from one to one million (or more) lines
in length. In fact, some of the shorter stanzas have official names that can be applied
to them.
&lt;/p&gt;
&lt;p&gt;
1-line stanzas are &lt;em&gt;monostich&lt;/em&gt;.
&lt;/p&gt;
&lt;p&gt;
2-line stanzas are &lt;em&gt;couplets&lt;/em&gt;.
&lt;/p&gt;
&lt;p&gt;
3-line stanzas are &lt;em&gt;tercets&lt;/em&gt;.
&lt;/p&gt;
&lt;p&gt;
4-line stanzas are &lt;em&gt;quatrains&lt;/em&gt;.
&lt;/p&gt;
&lt;p&gt;
5-line stanzas are &lt;em&gt;quintains&lt;/em&gt; (or &lt;em&gt;cinquains&lt;/em&gt;).
&lt;/p&gt;
&lt;p&gt;
6-line stanzas are &lt;em&gt;sixains&lt;/em&gt; (or &lt;em&gt;sestets&lt;/em&gt;).
&lt;/p&gt;
&lt;p&gt;
7-line stanzas are &lt;em&gt;septets&lt;/em&gt;.
&lt;/p&gt;
&lt;p&gt;
8-line stanzas are &lt;em&gt;octaves&lt;/em&gt;.
&lt;/p&gt;
&lt;p&gt;
So, getting back to the sestina, we could be all smart and say it is composed of&amp;nbsp;six
sixains&amp;nbsp;followed by a tercet.
&lt;/p&gt;
&lt;p&gt;
Or we could just say a sestina is composed&amp;nbsp;of a sadistic pattern of end words
that leave many poets curled up in a fetal position&amp;nbsp;chanting, "There's no place
like home," while clicking their heels together with their eyes shut tight against
the world.
&lt;/p&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://blog.writersdigest.com/poeticasides/aggbug.ashx?id=53b417af-402b-4c6c-a128-c5985cfb043a" /&gt;</description>
      <comments>http://blog.writersdigest.com/poeticasides/CommentView,guid,53b417af-402b-4c6c-a128-c5985cfb043a.aspx</comments>
      <category>Poetry Craft Tips</category>
      <category>Poetic Terms</category>
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