Wednesday, July 11, 2007
Literary Agents for Poets; National Book Festival; and a Report on Poetry in 2007
Posted by Robert

"Literary Agents for Poets," by Victoria Strauss from the Writer Beware blog, breaks down why "reputable" literary agents are never interested in "unknown" poets. This post also includes many links to other information of interest to poets as well.

***

Poets Jack Prelutsky, Kevin Prufer, Jon Stallworth, Anne Stevenson, and Diane Thiel will be reading at the 2007 National Book Festival on the National Mall in Washington, DC, on September 29.

Source: Library of Congress

***

"A report on poetry in 2007," by Todd Swift from Eyewear, looks at the current state of poetry in the United Kingdom from Swift's 20 years of experience as a writer, editor, etc. Swift also hypothesizes on why poetry is where it is.


Advice | General | Poetry News | Poetry Publishing
7/11/2007 12:55:52 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
PIKEVILLE REVIEW closes
Posted by Nancy

I've received word from editor Sydney C. England that Pikeville Review is closing down. According to the e-mail, "…our small volunteer staff could not continue providing this service." Pikeville Review was verified for the 2008 edition of Poet's Market (on sale next month), so please make a note of this closure in your copy.

I'm planning to post a list of journals and presses that were listed as "out of business" in the 2008 Poet's general index. As I receive additional news of closures, I'll repost the list with each update. Watch for it in the next week or two.

--Nancy


Journal Closings | Poetry News | Poetry Publishing | Poet's Market updates
7/11/2007 9:57:57 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Tuesday, July 10, 2007
Put THAT Thing Away!
Posted by Robert

Be careful; it's easy to do. That is, it's easy to write in a way that overuses that word "that." Or in other words, it's easy to overuse the word "that."

Look: I used to be a major offender myself. Of all places, a techincal writing course helped me improve my "that" problem across the board, not to mention turn me into a list consistency freak.

Here's a sample of how "that" can slow down a poem in a bad way:

The man ran miles and miles
for that woman that could've
done so much for him so that
he wasn't sure what he'd do
now that he spent his nights
alone listening to that same
old Louis Armstrong record
playing that "Mack the Knife"
song.

It's funny how once you get started on "that" word "that," it's often hard to stop. In line 2, "that" even took the place of what should be a "who." "That" is a very typical "that" problem, in fact. With a little cleaning, this could read as:

The man ran miles and miles
for the woman who could've
done so much for him he
wasn't sure what he'd do
now that he spent his nights
alone listening to the same
old Louis Armstrong record
playing "Mack the Knife."  

This little piece went from 6 uses of "that" to 1 through some simple clean up. While this piece is just an example and not meant to win any awards for great writing, it is definitely tighter for doing a "that" scan.

So be on the lookout for "that," because it could improve your writing just like "that." (Oh jeez, I'm coming up with some horrible "that" jokes, eh?)

Best,

Robert


Advice | Poetry Craft Tips
7/10/2007 2:03:09 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [3] 
We "heart" Brian Klems!
Posted by Nancy

 

For some reason we're having all kinds of tech troubles the past few days with the blogging software. (If you click on a link that takes you someplace unexpected, you've run into an example.)  Brian started blogging before we did with his Questions and Quandaries blog, so he's been offering us the benefit of his experience. For instance, he spotted that the system wiped out our "posted by" lines after post titles, so it's hard to tell who's posting what without additional signatures. We'll get that fixed ASAP (and thanks, Brian).

 

He's even more helpful when it comes to questions about writing and publishing. Be sure to check out Questions and Quandaries. (I think it's listed as The Mythical Land of Experts and More on the navigation bar. Hey, Brian--another tech glitch?)

 

--Nancy


General
7/10/2007 11:57:16 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
A PROMPT RESPONSE: #629 Short Sausage Man
Posted by Nancy

 

As promised, I'm going to try to write a poem for every Friday SPAM prompt I post. I've finally written one for the first prompt, "don't want no short sausage man" (go here for the original June 29 prompt). I've never attempted a blues poem before, but this prompt line just seemed to demand it. Of course, I'm not sure blues poems are supposed to be humorous, so my apologies if I've sullied the tradition:

 

SHORT SAUSAGE MAN BLUES

 

Don't want, don't want no short sausage man.

Don't want, don't want no short sausage man.

Don't want his tiny links messing up my frying pan.

 

Don't want him in my kitchen with his pound of greasy meat.

Don't want him in my kitchen with his pound of greasy meat.

Go back, sausage man, go back out on the street.

 

I found him on the corner, trying to sell his wares.

I found him on the corner, trying to sell his wares.

I bought what he was selling, and he followed me upstairs.

 

He's not that bad a looker, though he's short as he can be.

He's not that bad a looker, though he's short as he can be.

Size isn't everything--that's my philosophy.

 

But he's got a nasty temper, and his cooking's not that good.

He's got a nasty temper, and his cooking's not that good.

Don't want him in my kitchen. Don't want him in my neighborhood.

 

I don't want him, don't want no short sausage man.

No, I don't want, don't want no short sausage man.

That man and his sausage are heading for my garbage can.

 

NOTE: Yes, as I maintained here, I do now consider this poem disqualified for submission to journals that don't accept previously published poems. That's okay. I don't plan to submit any of my "SPAM prompt" poetry for publication; this is more about exploring how a poem can be inspired by a prompt, and having some fun while I'm at it.

--Nancy


Personal Updates | Poetry Prompts
7/10/2007 9:30:33 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Monday, July 09, 2007
The New 7 Wonders of the World Announced
Posted by Robert

The New 7 Wonders of the World was recently announced, and I thought it might be a good exercise for poets to try choosing a wonder and writing a poem inspired by it. Of course, ambitious poets could write a poem for each new wonder, or even one poem that incorporates all seven.

I've included the list below with links to pictures:

 


General | Poetry Prompts
7/9/2007 12:40:19 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [3] 
The Ghazal and Bad Boy Poetry
Posted by Robert

From Desicritics.org, "The Ghazal-An Odd Sort of Poetry," by Deepa Krishnan, is a nice tribute to poet Mirza Ghalib, as well as an educated discussion on the ghazal form of poetry. As I'm sure most poets do, I was thinking of the ghazal in relation to my own work as I read.

***

From the William & Mary Web site, "Victorian Poetry's Bad Boy," by Erin Zagurski, profiles scholar Terry Meyers and his pursuit of gaining more recognition for Victorian poet (and bad boy), Algernon Charles Swinburne. I'm always appreciative of scholars who work to keep lesser known poets from completely disappearing into the ether. Even if you're not interested in Victorian poets, the article itself is very interesting.

 


General | Poetry News
7/9/2007 11:02:42 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
News from poet Jared Carter
Posted by Nancy

I received an e-mail from Jared Carter over the weekend sharing the good news that his latest book, Cross this Bridge at a Walk (Wind Publications), is a poetry finalist for "Best Books of Indiana 2007." Poet's Market featured Jared in an Insider Report in the 2005 edition. Not only is he a wonderful poet, he's a lovely gentleman besides, and I loved Cross this Bridge at a Walk.

 

On the Jared Carter website, the book description says, "Its sixteen narrative poems recount incidents in America's history from the Revolution to the present, with cameo appearances by Mother Ann Lee, Emily Dickinson, Scott Joplin, and Bix Beiderbecke." The site includes sample poems from Cross this Bridge at a Walk, plus a generous selection of some of Jared Carter's earlier poems, not to mention lots of background information on the poet himself. If you're not familiar with Jared Carter's poetry, his website is an ideal introduction.

 

Regarding the "Best Books of Indiana 2007" awards, Jared says, "A number of books by Indiana authors or about Indiana, published between January 1 and December 31 of 2006, were among this year’s finalists. Categories include poetry, fiction, non-fiction, and children/young adult. Winners in the four categories will be announced at an awards ceremony on Thursday 19 July. If it’s geographically possible for you to attend, Diane and I would be most grateful. We’d love to see you there, and have a chance to say hello…The awards, now in their third year, are still relatively new. A large turn-out would give a considerable boost to contemporary poetry in Indiana, and also to the awards program…if you can’t make it, send us some good vibrations!" More information about the "Best Books of Indiana" awards may be found on their website.

 

If you're within driving distance of Indianapolis and want to attend, here are the particulars: The event is Thursday, July 19, at 3 p.m. at The Indiana State Library (140 N. Senate Avenue, Indianapolis 46204, west of the Statehouse); or check the library's website. You can also e-mail Ms. Dawn Lipp, coordinator, or phone her at (317)232-3699.

 

Congratulations to Jared Carter on a fine book and his "Best Books of Indiana 2007" finalist status--and best wishes for happy news at the awards ceremony.

 

--Nancy


Poetry News | Poets
7/9/2007 10:04:01 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Friday, July 06, 2007
Industrial Designers, Russian Poetry, and Britney Spears?!?
Posted by Robert

It must be Friday.

First off is "Emptying Space to Let Something In: What can poetry teach designers?," by Xanthe Matychak for CORE77, Industrial Design Supersite. The title pretty much says it all. I enjoyed reading this piece, and it makes me ponder the following question: If designers can learn from poets, and specifically Margaret Atwood, shouldn't poets be able to learn from designers?

The answer is, "Of course."

***

"The 'raging bull' of Russian poetry," by Dalia Karpel for Haaretz.com is a very interesting profile of an early 20th century Russian poet Vladimir Mayakovsky. To this day, there is speculation as to whether the poet's death in his 30's was a suicide or political assassination. This is a longer article, though well worth the read.

***

And since I only cover the most serious of breaking poetry news, I just had to share "Britney Spears attacks mother in a poem," by Jeannette Walls for MSNBC. According to the piece, Britney wrote a bitter poem to her mother, Lynne Spears, titled "Dear Mama."

It's not yet known if this poem will lead to a full-fledged collection of bitter poetry (maybe even with an accompanying CD set to music).

(p.s. That was a joke.)

(p.p.s. I think.)


General | Poetry News
7/6/2007 11:35:33 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
Friday SPAM poetry prompt #706
Posted by Nancy

SPAM prompt line: Big summer sale

 

Write fifteen statements that begin "Big summer sale." (The number is arbitrary. If you can't come up with 15 or want to keep going after 15, that's fine.)  When you're done, without reading what you've written, go through and delete "Big summer sale" from every line. Now take a look at what you have left and create a poem from that.

 

Happy writing...

 

--Nancy


Poetry Prompts
7/6/2007 11:32:09 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
TGIF!
Posted by Robert

In the mail last night, I found a package containing Words Dance 11. Edited by Amanda Oaks, this publication includes my poem "my sinister is sparking," along with poetry by many other good writers like Tammy Trendle, Pris Campbell, Luc Simonic, and S.A. Griffin--just to name a few. From the very first poem by Ray Sweatman to the very last poem by David Smith, it's a great read.

For more information, check out the Words Dance Web site.

***

On my way into work this morning, I sent out another submission--this time to The Sun, which is one of my favorite magazines. Based in Chapel Hill, this magazine always has stunning black & white cover photographs, engaging personal writing, and sometimes one of my favorite writers, Poe Ballantine, makes an appearance.

For more information on this magazine, go to The Sun Web site.

***

Of course, I should also mention that Nancy's Poet's Market is the best resource for poetry leads. The book is available at most local chains and online. Be sure to check out her Web site at http://www.poetsmarket.com and subscribe to her free biweekly newsletter.

 


Personal Updates | Poetry Publishing
7/6/2007 9:30:51 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Thursday, July 05, 2007
Grammar, Perfection, Bus Stops, and Walt Whitman
Posted by Robert

Here's some interesting stuff happening in poetry online recently:

"Egad! Poetry and the grammarian," by Michael Hickey, for the Naples Sun Times is an educational piece on grammar and its importance in poetry. Remember: It's always a good idea to know the rules before you decide to break them.

***

"What's a 'perfect line' in poetry?," by Nick Seddon, from Guardian Unlimited admits this is a "Preposterous question, of course, but appealing all the same." There are many interesting ideas introduced here, but one that stuck out for me is how most people recommend lines from dead poets over living poets.

***

"Poetry to brighten bus stops," by an anonymous reporter for the Watford Observer (England), shows another example of where poetry and bus transportation intersect. Something unique in this case is how actual Watford residents' works are to be featured at Watford bus shelters. What a novel way to spread the joy of poetry! Contemporary and local poetry even!

***

"Walt Whitman and American Independence," by Edward Byrne, from One Poet's Notes recommends a little Walt Whitman to celebrate yesterday's firecracker holiday. Since Whitman is also a favorite of mine, I second the nomination.

 


Poetry News
7/5/2007 2:11:16 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Tuesday, July 03, 2007
Some Pre-4th Notes
Posted by Robert

I made a couple submissions today: one to MARGIE and another to Asheville Poetry Review.

These are my first individual poetry submissions since February, which means I've been good for making excuses not to submit during a 4-month stretch of time. But no more; totally getting back to submitting. And as I submit places, I'll be sure to link to their sites--so you can use them as leads for your own submissions.

Submissions to:

***

On another note, the little poetry journal I edit Faulty Mindbomb has a new featured poet/poem. I'm always looking for some good additions to my lineup; so feel free to submit there as well.

Go to http://faultymindbomb.blogspot.com

***

Have a happy 4th! (It's my little brother's birthday; that's right, he's a firecracker baby.)

Best,

Robert

 


Personal Updates | Poetry Publishing
7/3/2007 10:51:05 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
Visual Poetry vs. Digital Poetry?
Posted by Robert

There's an interesting tribute to the late visual poet and editor Mary Ellen Solt at dbqp:visualizing poetics.

"Why Suddenly the Visual Poem? Why Suddenly a Death?," by Geof Huth, looks at Mary Ellen Solt and visual poetry, including some thoughts on its relationship to digital poetry.


General
7/3/2007 10:22:21 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Monday, July 02, 2007
The deadline has already passed...
Posted by Robert

...for anyone else interested in entering, but I submitted a manuscript for the 3rd Annual Burnside Review Chapbook Contest to be judged by Dorianne Laux. I'm pretty proud of the entry I put together, but I'm not expecting to win, since I know the competition will be fierce.

To check out the Burnside Review, click here.

Best,

Robert


Personal Updates
7/2/2007 5:11:11 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
Poet's Market newsletter
Posted by Nancy

Robert reminds me that I've been lax in promoting the Poet's Market newsletter. It's free and it's sent to your inbox every two weeks. You can go here to sign up. What's in it? Frankly, I'll probably be as surprised as you as each issue develops (we sent out the first one last Friday). One regular feature, though, is Take Their Advice, the wise words from editors and publishers who contribute their thoughts to the "Advice" section in the Poet's Market listings, a different quote in each issue. Come on by, we'd love to include you in the next mailing.

--Nancy


General
7/2/2007 1:37:12 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
Is reading in public "publishing" your poem?
Posted by Nancy

In the lively discussion regarding Published is Published, the subject of public readings came up. I mentioned in comments (here and on Reb Livingston's Homeschooled by a Cackling Jackel) that recently I'd heard that a lawyer had advised a poetry group that public readings constituted putting work "out there" in the same manner as publication. It was news to me, too, and rather alarming. Commenter Elissa Malcohn provided the following valuable information:

Unless I'm misinterpreting, open readings do not constitute publication unless they are recorded for public consumption, i.e., placed in fixed form and thereby copyrighted. In its "Copyright Office Basics" (http://www.copyright.gov/circs/circ1.html) the U.S. Copyright Office quotes the 1976 Copyright Act definition of "Publication" as follows: 

"'Publication' is the distribution of copies or phonorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display constitutes publication. A public performance or display of a work does not of itself constitute publication."

 

Obviously the media cited in the definition need to be updated, but I believe that the operative term here (used elsewhere in the circular) is "fixed form." I would argue that the term applies to Internet postings, which can be downloaded and printed easily enough. Radio programs are usually recorded. But given the above, saying that a non-recorded public reading constitutes "publication" is like saying that having a table at a public reading festival where I've displayed an anthology in which my poem has appeared is equivalent to having that poem "republished."

 

Thank you to Elissa for her insights!

 

--Nancy

 


Advice | Poetry Publishing
7/2/2007 10:11:57 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
Start 'em when they're young
Posted by Robert

I don't know about you, but I was not exposed to a lot of contemporary poetry growing up. In junior high school and high school, I studied poets like Emily Dickinson, Edgar Allan Poe, Walt Whitman, Homer, and Robert Frost. In college, I studied many dead poets too.

In fact, it was only through creative writing classes in college that I began reading contemporary poets. As much as I love the late greats, how amazing it was to read Gwendolyn Brooks, Louise Gluck, J.D. McClatchy, Charles Wright, Donald Hall, Jean Valentine, and so many others. How liberating!

Suddenly, poetry took on a whole new meaning for me. There were so many new avenues I could travel upon to get to where my muse might be hiding at the time. It was incredible at the time, but it's also sort of depressing that it's so hard to find. Part of me felt kind of cheated and still feels cheated that others don't know how accessible and brilliant contemporary poetry can be.

So I do my small part by reading age appropriate poetry to my sons. I also write them little stories and poems that make them laugh and giggle. It's small, but it's something. I encourage you to try and make an impact--big or small--on sharing contemporary poetry with others--young or old.

Here are two recent articles where two people are doing just that:

"Their poetry screams to be set free," by Marc Cabrera, shows how poetry affects young men and women at the Monterey County Youth Center. Read the article at Monterey Herald.

"New poet laureate has a passion," by Meera Pal, is about a new local poet laureate, Martha Meltzer, who is also an elementary school librarian. As poet laureate she will try to spread the love of poetry to all, but she's in a unique position to help with children. Read the article at Contra Costa Times.

 


General | Personal Updates | Poetry News
7/2/2007 9:38:39 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Friday, June 29, 2007
Friday SPAM Poetry Prompt #629
Posted by Nancy

Welcome to the first in a regular series of Friday postings--the SPAM poetry prompt of the week. I started saving weird subject lines from SPAM and PHISH e-mails when F&W established a program wherein we review a daily list of blocked e-mails to see if any need to be un-blocked. Since I oversee four different company mailboxes, that's a lot of SPAM. Of course, some of the wording really is colorful, so I started saving choice subject lines in a Word document with the thought that I would someday make up poetry prompts from them.

 

That day has arrived. Each Friday I will post one of these prompts. Here are some general guidelines:

 

1) Prompts are simply to get you going. Don't feel you have to stick to the wording, directions, or spirit of the prompt if your writing begins to take you in a different direction.

 

2) If you don't like my "take" on the prompt, make up your own!

 

3) Do not post your poems in comments if you hope to submit them for publication or as entries in a poetry contest. My view (see Published is Published below), shared by many poetry editors and contest coordinators/judges, is that poems posted in "comments" are considered published. Whether you agree or disagree, consider whether this is really the venue where you want to share you work.

 

4) I promise to subject myself to--er, try to create something from these prompts as well.

 

If this all turns out to be one miserable exercise in lame-isity, I will stop. Polite comments will suffice; threats and petitions will not be necessary.

 

So, here goes with prompt #1:

 

Don't want no short sausage man.

 

Yeah, we know what they're really talking about. But let's regard this statement literally, i.e., don't want no short man selling sausage. Why not? Who is he? What does he look like? Where is he selling the sausage? In a butcher shop? At a festival concession stand? On a street corner? Why don't you "want" him? What don't you want him to do? 

 

After you've thought about it (or not--thinking too much can be the bane of creativity), try using this line as the start of a nursery rhyme, nonsense verse, or blues poem. Or simply follow your free-writing and see where it takes you.

 

--Nancy


Poetry Prompts
6/29/2007 11:52:03 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
Poet's Idol?
Posted by Robert

It's definitely an interesting idea that Jeannine Hall Gailey raises. I've actually pondered this myself before as a way to bring contemporary poetry to the masses.

Jeannine says her dream panel of judges would include Bob Hicock, Denise Duhamel, and either Louise Gluck or Margaret Atwood (heck, why not both?).

Two of these poets would definitely be on my dream panel too. And then I'd throw in someone random like Paris Hilton or Hulk Hogan. Just to boost ratings, of course.

Who would be on your panel?

Source: Jeannine Blogs


General
6/29/2007 9:53:01 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]