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 Friday, July 20, 2007
County Fairs and Poetry Revisited
Posted by Nancy
Yesterday when I posted about poetry at a local county fair I didn't realize that there's actually quite a bit of activity in this area. Out of curiosity, I entered "county fair poetry" into Google and came up with some interesting examples:
The Pike County Fair (Missouri) is holding their second poetry slam.
There's an Academic Rodeo for young people that includes a poetry contest at The Titus County Fair in Texas.
Taylor Co., Kentucky's 4-H not only has a poetry competition, the winners are published in an anthology of district winners.
Finally, one enterprising poet has devoted his efforts to introducing poetry into county fair competitions. His "How to Set Up Poetry Contests at Fairs" explains how poetry winds up in the craft division. I agree, though, that promoting literacy--and poetry--are worthy pursuits; just as long as one kind of poetry isn't being championed as the only kind.
--Nancy
Poetry News
7/20/2007 12:27:42 PM (Eastern Daylight Time, UTC-04:00)
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Okay, Harry Potter, Why Not
Posted by Nancy
I had a good time reading this post and (especially) the related comments at The Atlantic Online about who does and doesn't read Harry Potter. I don't like popcorn that much, but it made me want to settle in with a big bowl and watch the fireworks.
What struck me about the back-and-forth--not to mention the vitriol--in the comments is how much it reminds me of the discussions (read: arguments) poets get into about their preferred forms and schools. There are also the hot button topics: Are workshops just poet mills? Is "big poetry" out to squash the DIY publishing movement? [Insert your own pet topic here.]
What I never get about these discussions (Harry Potter or poetry) is why attack mode goes into overdrive to such an extreme. If you like a certain kind of poetry, can't you just enjoy and appreciate it without maintaining that everyone who doesn't like it is an idiot? Can't you rally around a certain school or style without declaring that everything else is inferior--or worse, doesn't qualify as poetry at all?
No wonder it's so hard to attract readers to poetry. Once they sense that one way or another they're going to get dragged into an intellectual throw-down ("Ewww, you read that guy?" "Oh, please--poetry that doesn't rhyme is just crap!"), they run for the hills.
By the way, since I don't care whether I read Harry Potter--including why or why not--I can't imagine anyone else does, either.
--Nancy Commentary
7/20/2007 11:13:27 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, July 19, 2007
The Importance of Setting Poetry Goals
Posted by Robert
This is probably a long overdue follow-up to Nancy's "Published is Published" post from 6/27/07, but late is better than never, right?
The whole issue of whether it's right or wrong for editors to consider poems posted on a blog or forum as published shouldn't be an issue. Editors have their personal opinions on the issue and will stick by them. What's more important is for poets to undertand what they want to achieve with their poetry and set forth on a course that will get them from point A to point B.
For instance, if you decide that your main goal as a poet is to just share your poems freely with as many people as will read them, then you'll want to get a blog, join forums, go crazy on social networking sites and whatever else you can do to spread your poetic gospel. If that's what you want, then good for you; the whole published is published debate doesn't have an effect on how you act online.
If you decide you want to get published in literary journals and print publications, then you may need to tread more lightly and consider how and where you post drafts of your poems. Because the editors of such publications often do care whether your poems have appeared online or print previously. Whether you agree with this or not, that's just how it is.
On the other hand, if your goal is to make millions of dollars writing poetry and use it as a platform to launch your own rock band--like Robert Lee Brewer & the Poets of Discontent--then you just might need to be pinched, because you're obviously dreaming. Poets don't make much money off publishing poetry, no matter where they're published.
So here's the bottom line: Consider what you want to accomplish as a poet. Then, make sure your online and print habits align with your long-term goals.
If you haven't already, you can check out Nancy's "Published is Published" post here.
Best,
Robert Advice | Commentary | Poetry Publishing
7/19/2007 3:28:25 PM (Eastern Daylight Time, UTC-04:00)
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County Fairs and Poetry
Posted by Nancy
Last night I went to the Warren Co. Fair here in southwestern Ohio with my mother to check on her entries in quilting and sewing. She won a bunch of ribbons of all colors (yay, Mom!), but while we were searching through the rows of craft entries, I noticed a couple of examples of poetry on display. They have a category for Creative Writing at the county fair--in the craft section, along with the ceramics and decorative painting and Christmas wreaths.
I'm still not sure how I feel about this. I'm all for acknowledging writing, especially poetry, in any way possible. And I love the idea of poetry being so mainstream that it's included in the competitions at the county fair. But as a craft entry?
And it was impossible to read any of the entries without a telescope, so the display wasn't attracting readers who could sample the work in the way that, say, quilt enthusiasts could study the fabric selections and stitching expertise of the quilt entries.
And who judged the creative writing? The same person who judged the mosaic picture frames and nature dioramas made out of twigs and mud?
Obviously I'm making too much out of one category with a handful of entries at a single county fair. I keep thinking, though, of the writers who entered. Do they really want to write, or was a poem something to throw in because the category exists? If the fair had a real writing competition, or a contest dedicated only to poetry, and made sure people know about it, how many more entries would they have had? (I'm not talking slam here, with poets reading on a mobile stage as gunning ride engines drown them out and impassive fairgoers stroll by. I'm referring to a real competition, where a knowledgeable judge assesses the entries and the winning poets get to read at an event that's on the official fair schedule, preferably in a more sheltered venue, such as whatever hall or tent the 4-H Club uses for project interviews.)
Speaking of 4-H, I've noted over the years that Creative Writing is now a regular 4-H project category along with sewing and woodworking. Again, someone viewing the entries doesn't get to read the writing, which which sits on remote exhibit shelves. Maybe someday (or maybe it's already happening in some 4-H clubs) the writing project will include DIY publishing, wherein the 4-H members put together and publish a chapbook of their writing, maybe even offered for sale at the fair to support the club (the way granges offer cookbooks for sale). That would certainly be taking poetry directly to the masses. Whether the masses would respond is another matter.
--Nancy
Note: If you think 4-H is all raising livestock and sewing projects, take a look at the national 4-H site. Talk about building a community. And who knew that 4-H members are now encouraged to blog?
Commentary | Personal Updates
7/19/2007 10:31:05 AM (Eastern Daylight Time, UTC-04:00)
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Two Early Morning Submissions
Posted by Robert
So I got up bright and early this morning to prepare a couple submissions (to The Journal and Black Warrior Review), which I sent out on my way in to work. My submission routine broke apart around the end of February this year, but I've been getting back into a rhythm here in July.
The difficult part about submitting poetry this time of year is that you have to pay extra close attention to the reading periods of some publications and journals. Many college journals, for instance, don't read submissions between May and September, because students are out for summer break. It's important you keep that in mind as you submit during the summer months.
Of course, college journals aren't the only publications to have reading periods. You are served well to always go to a publication's Web site (if one exists) to double-check current guidelines and make sure there is no specific reading period or hold put on submissions. Doing so will help you avoid getting rejected on a technicality. Advice | Personal Updates | Poetry Publishing
7/19/2007 9:06:53 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 18, 2007
Lyrics & poetry; birthdays
Posted by Robert
"Lyrics taught as poetry," by Anthony Geraci for Ohio State's The Lantern, looks at how one English professor attempts to build interest studying poetry in a new way.
***
Also, I'm shamelessly plugging my birthday, which is today. I promise I won't do this again for 366 days (due to 2008 being a leap year). :)
Click here to read more Poetry News. Personal Updates | Poetry News
7/18/2007 6:07:52 PM (Eastern Daylight Time, UTC-04:00)
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Occasional Poems: Or, Happy Birthday to Me!
Posted by Robert
Today is July 18th, otherwise known as my birthday. So, of course, my birthday got me thinking about occasional poems--poems that are written for specific occasions, including weddings, funerals, graduations, and birthdays (especially mine!).
There are no specific guidelines for occasional poems outside, except that they mark a specific occasion. The poems can be long or short, serious or humorous, good or bad (ha!)--just as long as they mark the occasion.
While it's fun and challenging to write occasional poems on your own, they also open themselves up well to collaborations with other writers who also experience the occasion. For instance, I recently collaborated with another poet to mark the marriage of two good friends. It was fun and a unique (and thoughtful) bonus gift to mark the union of two people.
I will not share that poem with you, but I will share an example of an occasional poem for, of course, my birthday!
"My Birthday"
Snuck up on me this year, the routine of growing older making me think my biggest achievement today was getting in to work on time. Well, that was good too, fine enough for another day where work sometimes feels like play.
(Okay, so I didn't re-write the "happy birthday" song. Cut me some slack; it's my birthday!)
Click here to check out some more Poetic Forms. Personal Updates | Poetic Forms
7/18/2007 1:57:12 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, July 17, 2007
Closed markets list from 2008 POET'S MARKET
Posted by Nancy
As I mentioned in this post, I planned to put up a list of journals, presses, and contests listed as "out of business" in the general index of the upcoming 2008 edition of Poet's Market.
As I gathered the information from the book's database, I discovered some other examples of listings coded in the index as "discontinued," "removal requested," "on hiatus," "no longer publishing poetry," and "overstocked." Consequently, I've broken the list below under those headings and added comments from editors and publishers wherever I'd received them.
This list reflects information we received during the most recent production cycle for Poet's Market--which began in November, 2006. Consequently, some of this information is old news for some readers, but I'm including everything for the sake of being complete. I've also included recent closings that I've posted on Poetic Asides. As additional news comes in, I'll post that information and link to this list in updated form.
OUT OF BUSINESS / DISCONTINUED
Arable: A Literary Journal
Blue Mouse, The
Chelsea
Crying Sky: Poetry & Conversation
Dana Literary Society Online Journal - due to personal time constraints
Dead End: City Limits
Entropy Magazine
Flesh and Blood: Quiet Tales of Dark Fantasy & Horror
Fresh Ground - has suspended publication "for now"
Gin Bender Poetry Review
Hard Row to Hoe - ceasing publication
McGinnis Award, The Tim
Nisqually Delta Review
P.D.Q. (Poetry Depth Quarterly)
Palanquin Press - "don't plan to be doing anything with the press
in the foreseeable future"
Pen & Inc Press
Poetry for Pets Contest - "cancelled"
Poets at Work
Pretext
Reactions
Red Owl Magazine
Speakeasy - print edition ceased with summer 2006 edition
Spire Magazine
True Poet Magazine
Zillah: A Poetry Journal & Newsletter
EDITOR/PUBLISHER REQUESTED REMOVAL
Bank Street Writers Competition
Borderlines - for 2008 edition
Fox Cry Review - publishing mostly regional writers and students
Generator / Generator Press
Loonfeather
Myeloma Awareness Open Poetry Competition
Naked Knuckle
One Trick Pony
Poet's Art, The - for 2008 edition
ON HIATUS
Cellar Door Magazine - length of hiatus undetermined
88: A Journal of Contemporary American Poetry - length of hiatus undetermined
Rhapsoidia - possibly permanent hiatus
RUNES, A Review of Poetry - temporary hiatus
NO LONGER PUBLISHING POETRY
Cezanne's Carrot
Over the Back Fence Magazine
OVERSTOCKED
Sakana - not printing any new issues "at the moment," doesn't need submissions
Weird Tales: The Unique Magazine - overstocked with poetry until January 2008
CLOSING POST 2008 EDITION (updated 9/19/07)
Diner
Pikeville Review, The
eye
--Nancy Journal Closings | Poet's Market updates
7/17/2007 4:14:44 PM (Eastern Daylight Time, UTC-04:00)
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Poetry binges; dramatic monologues; politics; and poetry slams
Posted by Robert
It's a busy Tuesday!
"The great poetry binge," by Sarah Crown for Guardian Unlimited, examines a change in how Crown began reading while judging a poetry contest.
***
"A Few Thoughts on the Dramatic Monologue," by Reginald Shepherd for his personal blog, describes what a dramatic monologue is, especially for poets, and provides examples from Robert Browning and Alfred, Lord Tennyson.
***
"Palestinian poet derides factions," from BBC News, covers a recent poetry reading by celebrated Palestinian poet Mahmoud Darwish who criticized the in-fighting between Hamas and Fatah.
***
News Release From the Writing Show: Announcing the First Ever Writing Show New Year's Poetry Slam. "We are looking for poets, judges, and sponsors for the event, which will be posted online on January 1, 2008." Poetry News | Poets
7/17/2007 12:49:56 PM (Eastern Daylight Time, UTC-04:00)
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DINER closing
Posted by Nancy
A reader has e-mailed me that she just received a letter from Diner announcing that the journal is no longer reading work and that the 2007 edition will be its last, due to funding.
--Nancy Journal Closings | Poetry News | Poet's Market updates
7/17/2007 9:56:36 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, July 16, 2007
Acrostic Poems & Poetry
Posted by Robert
Continuing on with the poetic forms available to poets, I have to discuss acrostic poetry. Acrostic poetry is very easy and fun. The most basic form spells words out on the left-hand side of the page using the first letter of each line.
I like to write Acrostic poems Mostly because Reading them Out loud is Bound to be fun.
If you notice, the first letter of every line makes the simple sentence, "I am Rob." It's very simple, and you can make it as difficult as you want--where the fun part begins.
The brave at heart can even try double acrostics--that is, spelling things out using the first and last letter of each line.
MonkeyS Yell and slaP Lions tO Offend micE Visiting the eleganT Elephant to heaR It hide and crY.
In this silly example, I've spelled out "My love is poetry."
The acrostic is easy to do in its simplest form, but ambitious poets could write a whole paragraph or stories using acrostics if they had enough spare time. Or even write a double acrostic sonnet or sestina.
Click here to see other Poetic Forms.
Poetic Forms
7/16/2007 6:25:58 PM (Eastern Daylight Time, UTC-04:00)
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Collectivistic Writing, Poetry From Conflict, and Vermont's New State Poet
Posted by Robert
"A Collectivistic Union of Writing Wisdom," by Kim Rush for the chance operations blog, reviews The Tale of Genji, by Murasaki Shikibu and translated by Royal Tylor. This piece includes some interesting thoughts on collectivistic and individualistic cultures and language, especially as it relates to poetry.
***
"Where we begin: Poetry forged from conflict," by Kaelen Wilson-Goldie for The Daily Star, reviews We Begin Here: Poems for Palestine and Lebanon, edited by Kamal Boullata and Kathy Engel, out now from Interlink Books. This review is very interesting, and the collection includes poets from all over the globe.
***
"Poetry flows from with for new state poet," by John Flowers for Addison Independent, profiles new Vermont State Poet, Ruth Stone, who still writes at 92 years old.
Poetry News | Poets
7/16/2007 12:20:04 PM (Eastern Daylight Time, UTC-04:00)
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A PROMPT RESPOSE: # 706 big summer sale
Posted by Nancy
Note: I'm going back and giving each prompt a number based on the date it was posted.
When I'm slow to get started on the writing of a poem, sometimes I'll use the old technique of beginning a statement with "Because…" or "And then…" and repeating until I have a page full of lines as raw material. Even though, in some instances, the poem would work leaving "Because" or "And then" at the start of each line, I usually wind up removing them.
For the #716 SPAM poetry prompt, I suggested writing 15 lines starting with "big summer sale" but added that you could write more or fewer lines--the 15 was an arbitrary number. The first thing that came to my mind when I wrote down "big summer sale" was the sidewalk sale they held at the mall (i.e., shopping center) where I hung out as a kid. I started writing, and when I'd run out of steam and began repeating myself, I went back and counted up 22 lines:
Big summer sale was a sidewalk sale.
Big summer sale took place at the shopping center.
Big summer sale gave the stores a chance to sell a lot of junk
for very little.
Big summer sale touted itself as a parade of bargains.
Big summer sale never began on time.
Big summer sale always took place on the hottest day in August.
Big summer sale had nothing of value.
Big summer sale got crowded on Saturday afternoons.
Big summer sale got in the way.
Big summer sale was a treasure hunt.
Big summer sale put merchandise in bins and piled on tables outside
Big summer sale was where we found a big map of the New York
World's Fair of 1964 for a quarter.
Big summer sale also offered ice balls and cold drinks for sale
Big summer sale was full of colored pennants
Big summer sale wasn't as big as we thought.
Big summer sale lasted two days
Big summer sale was a promotion to attract customers to the
shopping center
Big summer sale was a source of endless fascination
Big summer sale never materialized
Big summer sale burned hot as a grilled dog over white coals
Big summer sale was a lot of fun
Big summer sale was a good place to waste money
I removed "big summer sale" from the statements without reading them, then looked over the source material I had. I could have worked from that list as it was, but I decided to condense the statements into a paragraph:
was a sidewalk sale took place at the shopping center gave the stores a chance to sell a lot of junk for very little touted itself as a parade of bargains never began on time always took place on the hottest day in August had nothing of value got crowded on Saturday afternoons got in the way was a treasure hunt put merchandise in bins and piled on tables outside was where we found a big map of the New York World's Fair of 1964 for a quarter also offered ice balls and cold drinks for sale was full of colored pennants wasn't as big as we thought lasted two days was a promotion to attract customers to the shopping center was a source of endless fascination never materialized burned hot as a grilled dog over white coals was a lot of fun was a good place to waste money
I wasn't thinking about writing a prose poem necessarily; I just found it easier to organize my thoughts doing it this way. I then went through rearranging statements and crossing out those that were repetitious or that I thought would take the poem in a different direction from the one that was beginning to form:
was a sidewalk sale was full of colored pennants always took place on the hottest day in August burned hot as a grilled dog over white coals touted itself as a parade of bargains lasted two days was a promotion to attract customers to the shopping center took place at the shopping center gave the stores a chance to sell a lot of junk for very little put merchandise in bins and piled on tables outside never began on time had nothing of value got crowded on Saturday afternoons got in the way was a treasure hunt was where we found a big map of the New York World's Fair of 1964 for a quarter also offered ice balls and cold drinks for sale wasn't as big as we thought was a source of endless fascination never materialized was a lot of fun was a good place to waste money
From here I began to write and shape the poem. I let it cool over the weekend, did some tweaking, then completed the piece. I wound up taking out an entire stanza (about how we kids shopped at the sale) because the details weren't that intriguing and it detracted from the poem overall.
Here's what I determined was the "finished" poem for the purpose of posting it here as a response to the prompt. If this were a poem I planned to submit for publication, I'd let it cool for a few weeks and tweak some more.
A Map of the New York World's Fair 1964-65
The big sidewalk sale, festooned in colored pennants,
was a medicine show spread up and down
the open air sidewalks of Hyde Park Plaza.
It rolled out on a hot August Friday
and fleeced the shoppers until Saturday evening
with tables and bins spilling goods the merchants
had selected with an eye toward slashing their inventory,
or to whet the appetites of more discerning shoppers
who passed into the stores in search of something
that was worth spending money on.
Sometimes my mother purchased a generic,
utilitarian item at a discount--a pack of string dishrags
or a large bottle of aspirin. My father,
who believed an old promotional key chain
for a penny was found treasure, pawed enthusiastically
through the tangles of junk and was never disappointed.
He was especially proud of a dented cardboard tube
without a cap, something mysterious rolled up inside.
He paid a quarter. At home, he labored
with pliers and a butter knife until he'd extracted
an enormous map of the New York World's Fair.
It filled half the dining room table. We examined it
with a magnifying glass, reading the names
of pavilions and attractions, marveling at the
enormity of the exposition. None of us had ever
been to NYC, the fair closed in a few months,
but the map was as exotic as an atlas of Mars.
"And it only cost a quarter," my father repeated,
flushed and pleased. "I only paid a quarter!"
If you're interested, here's the stanza I deleted from the poem:
With change pried from our banks or doled from parents
who wanted us gone while they shopped for themselves,
we bulldozed through mountains of snagged sweaters
and mismatched flip-flops, desperate to mine gold
from cardboard cartons of yellowed coloring books,
from plastic trashcans brimming with cheap imitations
of the better toys we coveted. Before long
the ice balls and cold drinks hawked by the grocery
looked like a better deal for our cash.
--Nancy
Poetry Prompts
7/16/2007 10:30:20 AM (Eastern Daylight Time, UTC-04:00)
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 Saturday, July 14, 2007
Abstract or Sound Poetry
Posted by Robert
One thing I would like to do with this blog is present a picture of the different poetic forms available to poets. I will lump all these in the Poetic Forms category in the left-hand toolbar. By knowing the different forms, you can experiment and ultimately grow as a poet and as a writer.
In this post, let's look at Abstract or Sound Poetry. Apparently, abstract was a term used by Dame Edith Sitwell to describe poems in her book Facade. There are different definitions provided below, but this form of poetry is more about how sounds, rhythms, and textures evoke emotions than about the actual meanings of words.
For instance:
My rat-a-tat-tat hat was smacked and whacked by Thedulius Jack-a-bat-snat while holding his gat.
Obviously, the draw of these lines is the sounds produced more than figuring out who is doing what. Abstract or Sound Poetry is definitely a fun form to play around with.
And as promised, here are some definitions to check out (for poets who need meanings):
Poetry Craft Tips | Poetic Forms
7/14/2007 9:19:27 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, July 13, 2007
Friday SPAM poetry prompt #713
Posted by Nancy
SPAM prompt line: tired of being like that
This prompt is for a poem of self-examination. We all have habits, patterns, attitudes we want to change (or know we should change in the name of self-improvement). Write a poem of three stanzas, six lines per stanza, with the final line of each stanza using "tired of being like that" as the basis for a refrain. The first two stanzas describe the feelings, viewpoints, actions that you're tired of; the third stanza hypothesizes what you could/should do about it all (but still closing with the "tired of being like that" refrain, with whatever spin you want to give it).
If you're one of those poets who recoil from using "I" in a poem, write about yourself in the third person. And don't limit your self-analysis to the typical negative personality traits (tired of being lazy, pessimistic, overindulgent, crabby, fat--oops, that's my list). Maybe you're a go-to kind of person and you're sick of it. Maybe you try hard to look on the bright side in every situation and you're sick of it. Maybe you're a good little boy or girl who continually toes the line and does the "right thing," always, and you're sick of THAT. Tell the world how you're fed up with being good (or at least that person you're writing about is).
ALTERNATE PROMPT: If you're uncomfortable with writing in a confessional mode, use the same approach to write about a family member, friend, co-worker, or someone you've observed while you're out shopping, sitting in a coffee shop, or even watching TV.
EXPERIMENTS WHILE REVISING: Try a version where the "tired of being that way like that" line opens each stanza instead of closing it. Or remove the line entirely from the poem and see if you can make the poem stand on its own without it.
--Nancy
Poetry Prompts
7/13/2007 11:10:33 AM (Eastern Daylight Time, UTC-04:00)
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The Power of Poetry and an OpEd on Philip Booth
Posted by Robert
"The Power of Poetry," by Christopher Dickey for On Faith, discusses poetry in relation to religion. During the piece, Dickey does not appear to favor one religion over the other, but instead looks at the lyricism found within the original version of the various texts and how the poetry of the language is meant to move as much as the meanings behind the words.
***
The Bangor Daily News presents an OpEd, "Henry L. Miller: Philip Booth and his poetry." In the piece, Miller looks at one of Maine's more accomplished poets, emphasizing Booth's sensitivity for being observant and paying attention to detail--both in writing and sailing.
***
Also, a quick personal note: I posted a new poem by new poet Bob Boston at http://faultymindbomb.blogspot.com.
Best,
Robert Personal Updates | Poetry News | Poets
7/13/2007 10:54:56 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, July 12, 2007
Cut IT Out!
Posted by Robert
If you found "Put THAT Thing Away!" helpful at all, or at least interesting, then you should know another one of my pet peeves is the use of the word "it" in poems. I only became a stickler for "it" in the past few years, and I think my writing has benefitted from "it"--or the lack of "it," that is.
Let me show with an example. (Again, these examples I use are not meant to win any awards. They serve as a way to see how playing around can produce different results.)
Version 1:
"Listening"
It's easier said than done. It's so easy to let it all fall apart whenever it makes sense, like when somebody wants to dominate it all the time. I mean, is it so hard to practice it once in a while?
Ugh. That's some pretty "it"-plagued poetry going on there. And while I might be able to tell that the first "it" might refer to the title "Listening," I get totally confused after that. Here's a 2nd version after cutting some of the "it" clutter out.
Version 2:
"Listening"
Is easier said than done. It's so easy to let conversations crumble whenever somebody wants to dominate the talking time. I mean, is it so hard to practice listening once in a while?
Ridding this poem of "it"s resulted in some language changes and 2 less lines. Concise is always nice in poetry. But there's still room to remove "it" completely.
Version 3:
"Listening"
Is easier said than done; conversations crumble when someone wants to hog the talking time. I mean, is listening so difficult?
So yeah, this won't win any awards, but the piece is even more specific and more concise as a result of cutting "it" out of the poem. Imagine if you had a really good poem with a couple "it"s lurking in the shadows: You could turn that really good poem into a great one.
"It" takes a little work and patience, but "it"'s totally worth "it."
Best,
Robert Advice | Personal Updates | Poetry Craft Tips
7/12/2007 5:17:21 PM (Eastern Daylight Time, UTC-04:00)
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A Poet Laureate and a Well-Known Poet
Posted by Robert
Today, I've got two interesting pieces on poets.
In "Poet laureate shares her love of poetry," by Jennifer Bhargava for The Kansas City Star, the new Kansas poet laureate, Denise Low, is profiled. Low plans to focus on getting Kansas teens reading "contemporary" poetry, which I've mentioned before (and will mention again) is an important way to build an appreciation of poetry in this country.
Denise Low has two Web sites of interest:
***
In "Poetry Amidst the Kultursmog: An Interview With David Yezzi," by Bernard Chapin for mensnewsdaily.com, Yezzi, the well-known poet and Executive Editor of The New Criterion, gives some very candid answers to some very pointed questions about poetry and poets. Poetry News | Poets
7/12/2007 12:26:39 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 11, 2007
Literary Agents for Poets; National Book Festival; and a Report on Poetry in 2007
Posted by Robert
"Literary Agents for Poets," by Victoria Strauss from the Writer Beware blog, breaks down why "reputable" literary agents are never interested in "unknown" poets. This post also includes many links to other information of interest to poets as well.
***
Poets Jack Prelutsky, Kevin Prufer, Jon Stallworth, Anne Stevenson, and Diane Thiel will be reading at the 2007 National Book Festival on the National Mall in Washington, DC, on September 29.
Source: Library of Congress
***
"A report on poetry in 2007," by Todd Swift from Eyewear, looks at the current state of poetry in the United Kingdom from Swift's 20 years of experience as a writer, editor, etc. Swift also hypothesizes on why poetry is where it is. Advice | General | Poetry News | Poetry Publishing
7/11/2007 12:55:52 PM (Eastern Daylight Time, UTC-04:00)
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PIKEVILLE REVIEW closes
Posted by Nancy
I've received word from editor Sydney C. England that Pikeville Review is closing down. According to the e-mail, "…our small volunteer staff could not continue providing this service." Pikeville Review was verified for the 2008 edition of Poet's Market (on sale next month), so please make a note of this closure in your copy.
I'm planning to post a list of journals and presses that were listed as "out of business" in the 2008 Poet's general index. As I receive additional news of closures, I'll repost the list with each update. Watch for it in the next week or two.
--Nancy
Journal Closings | Poetry News | Poetry Publishing | Poet's Market updates
7/11/2007 9:57:57 AM (Eastern Daylight Time, UTC-04:00)
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