Thursday, July 26, 2007
The Blogging Side of Poetry
Posted by Nancy

The new 2008 edition of Poet's Market offers "Roundtable: Poets and Blogs" by Anne Bowling. Featured are bloggers Amanda Johnston, C. Dale Young (Avoiding the Muse), Kate Greenstreet (Every Other Day), Janet Holmes (Humanphone), Reb Livingston (Home-Schooled by a Cackling Jackal), and Jilly Dybka (Poetry Hut Blog).

 

Regarding the question, "What would you warn a potential poet-blogger against?", each blogger had this to say:

 

Johnston: A blog is a public space--always remember that. Know that thousands of people could potentially read and respond to your work. This really is no different than publishing work in books or anthologies, but publishing work to a personal blog makes you more vulnerable; it's more of a risk. 

 

Holmes: Excessive self-exposure. I've seen a few young poets make some very foolish statements on their blogs that will likely haunt them for some time.

 

Dybka: I would caution them against some of the same things that one should be aware of on the Internet in general. Be careful what kind of information you share. Also, have some decorum.

 

Livingston:  Nobody wants to read a blog if it's just a list of publications, accomplishments and upcoming appearances. If that's the only goal, a general Web site is the way to go. Yes, there's a lot of opportunity to direct people to one's work, but if one doesn't have something to contribute, ideas or commentary, a reason for why readers would want to read your blog, there's no purpose in blogging.

 

Young: No warnings. I am always telling people to write what they want to write. If there is an audience for it, they will find you. I tell folks the same thing about writing poems.

 

Additional questions Bowling asks of her panel include "What do blogs offer that general Web sites do not?", "Has blogging affected the form of poetry?", and "Is blogging a helpful tool toward publication." See the 2008 Poet's Market for the entire discussion.

 

--Nancy


General | Poets
7/26/2007 4:09:11 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
 Wednesday, July 25, 2007
Poetry news from here and there
Posted by Nancy

If you live in the Boston, MA area or will be visiting in early November, mark your calendar for The Somerville News Writers Festival V, to be held at the Jimmy Tingle Theater on November 11 at 7 p.m. Featured poets include Gloria Mindock, Dainelle Legros Georges, Irene Koronas, La Galluccio, and Douglas Holder. The 2007 Ibbetson Street Lifetime Award will be presented to Robert Pinksy, former U.S. Poet Laureate and founder of The Favorite Poem Project.

 

A classic 1994 Dave Barry column explores the poetry anthology biz.

 

The poems are out there: poetry about aliens.

 

--Nancy

 

UPDATE FROM LO (not "LA") GALLUCIO (with apologies):

 

Thanks for the mention. I only wanted to let you know that my name is actually Lo Galluccio, not La Galluccio. Although I kind of like your variation. I also have an Italian website at http://unofficiallogalluccio.atspace.com. I'll be reading at Out of the Blue Gallery with Edward J. Carvahlo on August 18th. Again, thanks for the mention and your publicizing the Writer's Festival which I am proud to be part of this year.


Poetry News
7/25/2007 11:25:42 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Tuesday, July 24, 2007
Some Good News!
Posted by Robert

Yes, I'm on vacation, but I also have Internet access tonight. So, of course, I have to share some good news from today. You see, I received my contributor copy of Otoliths issue 5, part 1. To check out the issue online, go to http://the-otolith.blogspot.com and click on the Contents link. Good stuff.

For me, it was a real treat to be published in an Australian publication. Makes me feel all Internationale!

*****

Also, I recently posted another poem on my Faulty Mindbomb project. This time from David LaBounty, who I've seen published more and more recently. Click here to check out his poem "Nails."

*****

Okay, I think I might be leaving soon, and I'm pretty sure I won't have Internet access after tomorrow morning. ;)

 


Personal Updates
7/24/2007 9:36:36 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Monday, July 23, 2007
Bon Voyage, Robert!
Posted by Nancy

As Robert notes below, he's going on vacation. I'm sure readers will miss him, and I definitely will! The nice thing about a blog done in partnership is the advantage of presenting two separate voices--and Robert's voice will be regrettably missing over the next several days.

 

I'd like to add that there's no one who deserves some R&R right now as much as Robert Brewer. He puts forth unimaginable effort editing Writer's Market and WritersMarket.com and deserves high praise for his dedication and the quality of his work. Then he willingly added to his responsibilities by founding this blog and taking super initiative to get it going with regular posts--not an easy thing when you're also doing customer service on your book and website, editing material, working on a newsletter, and more things in one day than you probably want to hear about.

 

Have fun, Robert. And be sure to let us know all about it when you get back!

 

--Nancy


General | Personal Updates
7/23/2007 3:36:19 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
How Thunder Gets Stolen
Posted by Nancy

I came across this interesting post by Pamela Redmond Satran (hat tip to The Poetry Foundation's Dispatches: News feature online) about "Maya Angelou's Best Poem Ever"--which was actually written by Satran as a list column for Glamour in 1997.

 

Satran's experiences, including having the "poem" produced as a book and poster for sale by third parties without credit to her, sound like the kind of worst case scenario nightmare beginning poets envision when they contact me about copyright, publishing rights, having work stolen, etc. If anything, Satran's list proves that rights and original source of publication don't have much impact. If your work isn't safe from being stolen, borrowed, or misidentified when it's been published in something as high profile and commercial as Glamour, you're probably really up the creek when you publish in small journals or post your poems online.

 

Note that I definitely am NOT saying you shouldn't publish in small journals or post your poems online. My caveat is more about not wasting too much energy worrying about someone stealing your work, a favorite obsession of beginning and unpublished poets (and possibly some experienced ones, too, if they were honest about it). Deal with it if and when it happens, but don't inhibit yourself with too much fretting about it.

 

There are a lot of issues associated with Satran's incident that are prime discussion material: intellectual property rights (no matter which side of the fence you're on about that), the viral nature of e-mails and the Internet, whether the "fame" of the work should be weighed against the notoriety the original author is cheated out of. I certainly sympathize with Satran--I guess I'm one of those egotists who wants my name associated with something I wrote, if it originally appeared with a byline. But it also steams me that when something gets passed on and on as a "poem," so often it turns out not to be a poem at all--while there are so many great poems, old and new, that do deserve to go viral. (As Satran says regarding her frustrations in trying to regain credit for the piece, "People believing that's Angelou's best poem ever, I figured, is justice enough.")

 

Pamela Redmond Satran's website has more information about the author and her work--beyond "Maya Angelou's Best Poem Ever."

 

--Nancy


Commentary
7/23/2007 3:02:47 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
Mathematics and poetry, as well as 2 tributes
Posted by Robert

Before I launch into the news today, I should let you know that I may not be posting much between now and next Tuesday. 'Tis the season for summer vacations, and my time has come up. I'll be haunting the Appalachians of Tennessee and Georgia over the next week or so. I'm sure I won't be missed too much though with Nancy holding down the fort. :)

*****

"60 Second Interview," by Alistair Baptista for Gulf Daily News, features an interview with mathematics professor and poet Dr. Khalid Amin, who draws comparisons between math and poetry.

*****

"Tragic vision of poetry," by Muhammed Nafih for Deccan Herald, provides a short tribute of the Iraqi poet Nazek al-Malaika, who passed away recently at the age of 85.

*****

"IU professor emeritus was pioneer in concrete poetry movement," by Sarah J. Deuser for the Indiana Daily Student, looks at poet and critic Mary Ellen Solt, who passed away on June 21 at age 86.

*****

Click here to read more Poetry News.


Personal Updates | Poetry News | Poets
7/23/2007 1:03:06 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Friday, July 20, 2007
Friday SPAM poetry prompt #720
Posted by Nancy

SPAM prompt line: Are you still with short ramrod?

 

(Sorry for the late prompt post--it was a distracting day.)

 

That squirt Ramrod. What a character! Everyone in your class got a kick out of Ramrod, he wasn't like anyone else. What a shock when he got together with HER. Did they marry? Did it last? What did their kids look like?

 

Look into your past and see if you can identify a "Ramrod" kind of guy: rather unattractive yet appealing, always kept things lively, maybe foreshadowed a loser taint that would pull him down over the years. And then somehow he made a romantic match with an unlikely partner--amazing everyone and generating buzz that never completely died down.

 

Write a poem, any style, any form, about a Ramrod-esque person you knew, or knew of. Don't write an epic. Portray "Ramrod" as deftly as you can while exploring the ironies and mysteries of true love.

 

--Nancy

Go here for more poetry prompts...


Poetry Prompts
7/20/2007 11:34:43 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [4] 
County Fairs and Poetry Revisited
Posted by Nancy

Yesterday when I posted about poetry at a local county fair I didn't realize that there's actually quite a bit of activity in this area. Out of curiosity, I entered "county fair poetry" into Google and came up with some interesting examples:

 

The Pike County Fair (Missouri) is holding their second poetry slam.

 

There's an Academic Rodeo for young people that includes a poetry contest at The Titus County Fair in Texas.

 

Taylor Co., Kentucky's 4-H not only has a poetry competition, the winners are published in an anthology of district winners.

 

Finally, one enterprising poet has devoted his efforts to introducing poetry into county fair competitions. His "How to Set Up Poetry Contests at Fairs" explains how poetry winds up in the craft division. I agree, though, that promoting literacy--and poetry--are worthy pursuits; just as long as one kind of poetry isn't being championed as the only kind.

 

--Nancy


Poetry News
7/20/2007 12:27:42 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
Okay, Harry Potter, Why Not
Posted by Nancy

I had a good time reading this post and (especially) the related comments at The Atlantic Online about who does and doesn't read Harry Potter. I don't like popcorn that much, but it made me want to settle in with a big bowl and watch the fireworks.

 

What struck me about the back-and-forth--not to mention the vitriol--in the comments is how much it reminds me of the discussions (read: arguments) poets get into about their preferred forms and schools. There are also the hot button topics: Are workshops just poet mills? Is "big poetry" out to squash the DIY publishing movement? [Insert your own pet topic here.]

 

What I never get about these discussions (Harry Potter or poetry) is why attack mode goes into overdrive to such an extreme. If you like a certain kind of poetry, can't you just enjoy and appreciate it without maintaining that everyone who doesn't like it is an idiot? Can't you rally around a certain school or style without declaring that everything else is inferior--or worse, doesn't qualify as poetry at all?

 

No wonder it's so hard to attract readers to poetry. Once they sense that one way or another they're going to get dragged into an intellectual throw-down ("Ewww, you read that guy?" "Oh, please--poetry that doesn't rhyme is just crap!"), they run for the hills.

 

By the way, since I don't care whether I read Harry Potter--including why or why not--I can't imagine anyone else does, either.

 

--Nancy


Commentary
7/20/2007 11:13:27 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Thursday, July 19, 2007
The Importance of Setting Poetry Goals
Posted by Robert

This is probably a long overdue follow-up to Nancy's "Published is Published" post from 6/27/07, but late is better than never, right?

The whole issue of whether it's right or wrong for editors to consider poems posted on a blog or forum as published shouldn't be an issue. Editors have their personal opinions on the issue and will stick by them. What's more important is for poets to undertand what they want to achieve with their poetry and set forth on a course that will get them from point A to point B.

For instance, if you decide that your main goal as a poet is to just share your poems freely with as many people as will read them, then you'll want to get a blog, join forums, go crazy on social networking sites and whatever else you can do to spread your poetic gospel. If that's what you want, then good for you; the whole published is published debate doesn't have an effect on how you act online.

If you decide you want to get published in literary journals and print publications, then you may need to tread more lightly and consider how and where you post drafts of your poems. Because the editors of such publications often do care whether your poems have appeared online or print previously. Whether you agree with this or not, that's just how it is.

On the other hand, if your goal is to make millions of dollars writing poetry and use it as a platform to launch your own rock band--like Robert Lee Brewer & the Poets of Discontent--then you just might need to be pinched, because you're obviously dreaming. Poets don't make much money off publishing poetry, no matter where they're published.

So here's the bottom line: Consider what you want to accomplish as a poet. Then, make sure your online and print habits align with your long-term goals.

If you haven't already, you can check out Nancy's "Published is Published" post here.

Best,

Robert


Advice | Commentary | Poetry Publishing
7/19/2007 3:28:25 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
County Fairs and Poetry
Posted by Nancy

Last night I went to the Warren Co. Fair here in southwestern Ohio with my mother to check on her entries in quilting and sewing. She won a bunch of ribbons of all colors (yay, Mom!), but while we were searching through the rows of craft entries, I noticed a couple of examples of poetry on display. They have a category for Creative Writing at the county fair--in the craft section, along with the ceramics and decorative painting and Christmas wreaths.

 

I'm still not sure how I feel about this. I'm all for acknowledging writing, especially poetry, in any way possible. And I love the idea of poetry being so mainstream that it's included in the competitions at the county fair. But as a craft entry?

 

And it was impossible to read any of the entries without a telescope, so the display wasn't attracting readers who could sample the work in the way that, say, quilt enthusiasts could study the fabric selections and stitching expertise of the quilt entries.

 

And who judged the creative writing? The same person who judged the mosaic picture frames and nature dioramas made out of twigs and mud?

 

Obviously I'm making too much out of one category with a handful of entries at a single county fair. I keep thinking, though, of the writers who entered. Do they really want to write, or was a poem something to throw in because the category exists? If the fair had a real writing competition, or a contest dedicated only to poetry, and made sure people know about it, how many more entries would they have had? (I'm not talking slam here, with poets reading on a mobile stage as gunning ride engines drown them out and impassive fairgoers stroll by. I'm referring to a real competition, where a knowledgeable judge assesses the entries and the winning poets get to read at an event that's on the official fair schedule, preferably in a more sheltered venue, such as whatever hall or tent the 4-H Club uses for project interviews.)

 

Speaking of 4-H, I've noted over the years that Creative Writing is now a regular 4-H project category along with sewing and woodworking. Again, someone viewing the entries doesn't get to read the writing, which which sits on remote exhibit shelves. Maybe someday (or maybe it's already happening in some 4-H clubs) the writing project will include DIY publishing, wherein the 4-H members put together and publish a chapbook of their writing, maybe even offered for sale at the fair to support the club (the way granges offer cookbooks for sale). That would certainly be taking poetry directly to the masses. Whether the masses would respond is another matter.

 

--Nancy

 

Note: If you think 4-H is all raising livestock and sewing projects, take a look at the national 4-H site. Talk about building a community. And who knew that 4-H members are now encouraged to blog?

 


Commentary | Personal Updates
7/19/2007 10:31:05 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
Two Early Morning Submissions
Posted by Robert

So I got up bright and early this morning to prepare a couple submissions (to The Journal and Black Warrior Review), which I sent out on my way in to work. My submission routine broke apart around the end of February this year, but I've been getting back into a rhythm here in July.

The difficult part about submitting poetry this time of year is that you have to pay extra close attention to the reading periods of some publications and journals. Many college journals, for instance, don't read submissions between May and September, because students are out for summer break. It's important you keep that in mind as you submit during the summer months.

Of course, college journals aren't the only publications to have reading periods. You are served well to always go to a publication's Web site (if one exists) to double-check current guidelines and make sure there is no specific reading period or hold put on submissions. Doing so will help you avoid getting rejected on a technicality.


Advice | Personal Updates | Poetry Publishing
7/19/2007 9:06:53 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Wednesday, July 18, 2007
Lyrics & poetry; birthdays
Posted by Robert

"Lyrics taught as poetry," by Anthony Geraci for Ohio State's The Lantern, looks at how one English professor attempts to build interest studying poetry in a new way.

***

Also, I'm shamelessly plugging my birthday, which is today. I promise I won't do this again for 366 days (due to 2008 being a leap year). :)

Click here to read more Poetry News.


Personal Updates | Poetry News
7/18/2007 6:07:52 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
Occasional Poems: Or, Happy Birthday to Me!
Posted by Robert

Today is July 18th, otherwise known as my birthday. So, of course, my birthday got me thinking about occasional poems--poems that are written for specific occasions, including weddings, funerals, graduations, and birthdays (especially mine!).

There are no specific guidelines for occasional poems outside, except that they mark a specific occasion. The poems can be long or short, serious or humorous, good or bad (ha!)--just as long as they mark the occasion.

While it's fun and challenging to write occasional poems on your own, they also open themselves up well to collaborations with other writers who also experience the occasion. For instance, I recently collaborated with another poet to mark the marriage of two good friends. It was fun and a unique (and thoughtful) bonus gift to mark the union of two people.

I will not share that poem with you, but I will share an example of an occasional poem for, of course, my birthday!

"My Birthday"

Snuck up on me this year,
the routine of growing older
making me think my biggest
achievement today was
getting in to work on time.
Well, that was good too, fine
enough for another day
where work sometimes feels like play.

(Okay, so I didn't re-write the "happy birthday" song. Cut me some slack; it's my birthday!)

Click here to check out some more Poetic Forms.


Personal Updates | Poetic Forms
7/18/2007 1:57:12 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
 Tuesday, July 17, 2007
Closed markets list from 2008 POET'S MARKET
Posted by Nancy

As I mentioned in this post, I planned to put up a list of journals, presses, and contests listed as "out of business" in the general index of the upcoming 2008 edition of Poet's Market.

 

As I gathered the information from the book's database, I discovered some other examples of  listings coded in the index as "discontinued," "removal requested," "on hiatus," "no longer publishing poetry," and "overstocked." Consequently, I've broken the list below under those headings and added comments from editors and publishers wherever I'd received them.

 

This list reflects information we received during the most recent production cycle for Poet's Market--which began in November, 2006. Consequently, some of this information is old news for some readers, but I'm including everything for the sake of being complete. I've also included recent closings that I've posted on Poetic Asides. As additional news comes in, I'll post that information and link to this list in updated form.

 

OUT OF BUSINESS / DISCONTINUED

 

Arable: A Literary Journal

Blue Mouse, The

Chelsea

Crying Sky: Poetry & Conversation

Dana Literary Society Online Journal - due to personal time constraints

Dead End: City Limits

Entropy Magazine

Flesh and Blood: Quiet Tales of Dark Fantasy & Horror

Fresh Ground - has suspended publication "for now"

Gin Bender Poetry Review

Hard Row to Hoe - ceasing publication

McGinnis Award, The Tim

Nisqually Delta Review

P.D.Q. (Poetry Depth Quarterly)

Palanquin Press - "don't plan to be doing anything with the press

                                   in the foreseeable future"

Pen & Inc Press

Poetry for Pets Contest - "cancelled"

Poets at Work

Pretext

Reactions

Red Owl Magazine

Speakeasy - print edition ceased with summer 2006 edition

Spire Magazine

True Poet Magazine

Zillah: A Poetry Journal & Newsletter

 

EDITOR/PUBLISHER REQUESTED REMOVAL

 

Bank Street Writers Competition

Borderlines - for 2008 edition

Fox Cry Review - publishing mostly regional writers and students

Generator / Generator Press

Loonfeather

Myeloma Awareness Open Poetry Competition

Naked Knuckle

One Trick Pony

Poet's Art, The - for 2008 edition

 

ON HIATUS

 

Cellar Door Magazine - length of hiatus undetermined

88: A Journal of Contemporary American Poetry - length of hiatus undetermined

Rhapsoidia - possibly permanent hiatus

RUNES, A Review of Poetry - temporary hiatus

 

NO LONGER PUBLISHING POETRY

 

Cezanne's Carrot

Over the Back Fence Magazine

 

OVERSTOCKED

 

Sakana - not printing any new issues "at the moment," doesn't need submissions

Weird Tales: The Unique Magazine - overstocked with poetry until January 2008

 

CLOSING POST 2008 EDITION (updated 9/19/07)

 

Diner

Pikeville Review, The

eye

 

--Nancy


Journal Closings | Poet's Market updates
7/17/2007 4:14:44 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
Poetry binges; dramatic monologues; politics; and poetry slams
Posted by Robert

It's a busy Tuesday!

"The great poetry binge," by Sarah Crown for Guardian Unlimited, examines a change in how Crown began reading while judging a poetry contest.

***

"A Few Thoughts on the Dramatic Monologue," by Reginald Shepherd for his personal blog, describes what a dramatic monologue is, especially for poets, and provides examples from Robert Browning and Alfred, Lord Tennyson.

***

"Palestinian poet derides factions," from BBC News, covers a recent poetry reading by celebrated Palestinian poet Mahmoud Darwish who criticized the in-fighting between Hamas and Fatah.

***

News Release From the Writing Show: Announcing the First Ever Writing Show New Year's Poetry Slam. "We are looking for poets, judges, and sponsors for the event, which will be posted online on January 1, 2008."


Poetry News | Poets
7/17/2007 12:49:56 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
DINER closing
Posted by Nancy

A reader has e-mailed me that she just received a letter from Diner announcing that the journal is no longer reading work and that the 2007 edition will be its last, due to funding.

--Nancy


Journal Closings | Poetry News | Poet's Market updates
7/17/2007 9:56:36 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Monday, July 16, 2007
Acrostic Poems & Poetry
Posted by Robert

Continuing on with the poetic forms available to poets, I have to discuss acrostic poetry. Acrostic poetry is very easy and fun. The most basic form spells words out on the left-hand side of the page using the first letter of each line.

I like to write
Acrostic poems
Mostly because
Reading them
Out loud is
Bound to be fun.

If you notice, the first letter of every line makes the simple sentence, "I am Rob." It's very simple, and you can make it as difficult as you want--where the fun part begins.

The brave at heart can even try double acrostics--that is, spelling things out using the first and last letter of each line.

MonkeyS
Yell and slaP
Lions tO
Offend micE
Visiting the eleganT
Elephant to heaR
It hide and crY.

In this silly example, I've spelled out "My love is poetry."

The acrostic is easy to do in its simplest form, but ambitious poets could write a whole paragraph or stories using acrostics if they had enough spare time. Or even write a double acrostic sonnet or sestina.

Click here to see other Poetic Forms.

 


Poetic Forms
7/16/2007 6:25:58 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
Collectivistic Writing, Poetry From Conflict, and Vermont's New State Poet
Posted by Robert

"A Collectivistic Union of Writing Wisdom," by Kim Rush for the chance operations blog, reviews The Tale of Genji, by Murasaki Shikibu and translated by Royal Tylor. This piece includes some interesting thoughts on collectivistic and individualistic cultures and language, especially as it relates to poetry.

***

"Where we begin: Poetry forged from conflict," by Kaelen Wilson-Goldie for The Daily Star, reviews We Begin Here: Poems for Palestine and Lebanon, edited by Kamal Boullata and Kathy Engel, out now from Interlink Books. This review is very interesting, and the collection includes poets from all over the globe.

***

"Poetry flows from with for new state poet," by John Flowers for Addison Independent, profiles new Vermont State Poet, Ruth Stone, who still writes at 92 years old.

 


Poetry News | Poets
7/16/2007 12:20:04 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
A PROMPT RESPOSE: # 706 big summer sale
Posted by Nancy

Note: I'm going back and giving each prompt a number based on the date it was posted.

 

When I'm slow to get started on the writing of a poem, sometimes I'll use the old technique of beginning a statement with "Because…" or "And then…" and repeating until I have a page full of lines as raw material. Even though, in some instances, the poem would work leaving "Because" or "And then" at the start of each line, I usually wind up removing them.

 

For the #716 SPAM poetry prompt, I suggested writing 15 lines starting with "big summer sale" but added that you could write more or fewer lines--the 15 was an arbitrary number. The first thing that came to my mind when I wrote down "big summer sale" was the sidewalk sale they held at the mall (i.e., shopping center) where I hung out as a kid. I started writing, and when I'd run out of steam and began repeating myself, I went back and counted up 22 lines:

 

Big summer sale was a sidewalk sale.

Big summer sale took place at the shopping center.

Big summer sale gave the stores a chance to sell a lot of junk

     for very little.

Big summer sale touted itself as a parade of bargains.

Big summer sale never began on time.

Big summer sale always took place on the hottest day in August.

Big summer sale had nothing of value.

Big summer sale got crowded on Saturday afternoons.

Big summer sale got in the way.

Big summer sale was a treasure hunt.

Big summer sale put merchandise in bins and piled on tables outside

Big summer sale was where we found a big map of the New York  

     World's Fair of 1964 for a quarter.

Big summer sale also offered ice balls and cold drinks for sale

Big summer sale was full of colored pennants

Big summer sale wasn't as big as we thought.

Big summer sale lasted two days

Big summer sale was a promotion to attract customers to the

     shopping center

Big summer sale was a source of endless fascination

Big summer sale never materialized

Big summer sale burned hot as a grilled dog over white coals

Big summer sale was a lot of fun

Big summer sale was a good place to waste money

 

I removed "big summer sale" from the statements without reading them, then looked over the source material I had. I could have worked from that list as it was, but I decided to condense the statements into a paragraph:

 

was a sidewalk sale took place at the shopping center gave the stores a chance to sell a lot of junk for very little touted itself as a parade of bargains never began on time always took place on the hottest day in August had nothing of value got crowded on Saturday afternoons got in the way was a treasure hunt put merchandise in bins and piled on tables outside was where we found a big map of the New York World's Fair of 1964 for a quarter also offered ice balls and cold drinks for sale was full of colored pennants wasn't as big as we thought lasted two days was a promotion to attract customers to the shopping center was a source of endless fascination never materialized burned hot as a grilled dog over white coals was a lot of fun was a good place to waste money

 

I wasn't thinking about writing a prose poem necessarily; I just found it easier to organize my thoughts doing it this way. I then went through rearranging statements and crossing out those that were repetitious or that I thought would take the poem in a different direction from the one that was beginning to form:

 

was a sidewalk sale was full of colored pennants always took place on the hottest day in August burned hot as a grilled dog over white coals touted itself as a parade of bargains lasted two days was a promotion to attract customers to the shopping center took place at the shopping center gave the stores a chance to sell a lot of junk for very little put merchandise in bins and piled on tables outside never began on time had nothing of value got crowded on Saturday afternoons got in the way was a treasure hunt was where we found a big map of the New York World's Fair of 1964 for a quarter also offered ice balls and cold drinks for sale wasn't as big as we thought  was a source of endless fascination never materialized was a lot of fun was a good place to waste money

 

From here I began to write and shape the poem. I let it cool over the weekend, did some tweaking, then completed the piece. I wound up taking out an entire stanza (about how we kids shopped at the sale) because the details weren't that intriguing and it detracted from the poem overall.

 

Here's what I determined was the "finished" poem for the purpose of posting it here as a response to the prompt. If this were a poem I planned to submit for publication, I'd let it cool for a few weeks and tweak some more.

 

A Map of the New York World's Fair 1964-65

 

The big sidewalk sale, festooned in colored pennants,

was a medicine show spread up and down

the open air sidewalks of Hyde Park Plaza. 

It rolled out on a hot August Friday

and fleeced the shoppers until Saturday evening

with tables and bins spilling goods the merchants

had selected with an eye toward slashing their inventory,

or to whet the appetites of more discerning shoppers

who passed into the stores in search of something

that was worth spending money on.

 

Sometimes my mother purchased a generic,

utilitarian item at a discount--a pack of string dishrags

or a large bottle of aspirin. My father,

who believed an old promotional key chain

for a penny was found treasure, pawed enthusiastically

through the tangles of junk and was never disappointed.

He was especially proud of a dented cardboard tube

without a cap, something mysterious rolled up inside.

He paid a quarter. At home, he labored

 

with pliers and a butter knife until he'd extracted

an enormous map of the New York World's Fair.

It filled half the dining room table. We examined it

with a magnifying glass, reading the names

of pavilions and attractions, marveling at the

enormity of the exposition. None of us had ever

been to NYC, the fair closed in a few months,

but the map was as exotic as an atlas of Mars.

"And it only cost a quarter," my father repeated,

flushed and pleased. "I only paid a quarter!"

 

 

If you're interested, here's the stanza I deleted from the poem:

 

With change pried from our banks or doled from parents

who wanted us gone