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 Tuesday, April 08, 2008
Robert Hass and Philip Schultz claim the 2008 Pulitzer in Poetry
Posted by Robert
Hass' collection Time and Materials earned him the 2007 National Book Award and now he's the recipient of the 2008 Pulitzer in Poetry. I remember reading this collection around 10 months ago--because it was the only collection of poems "buzzed" at the BookExpo America's book buzz session along with some very strong fiction and nonfiction titles--and thinking this is really a great collection. Apparently, everyone else has been thinking the same thing.
I haven't read Schultz's Failure (boy, that sounds kind of like the wrong title for a Pulitzer-winning collection, huh?), but I'm now very interested in finding a copy.
Also, Ellen Bryant Voigt's Messenger: New and Selected Poems, 1976-2006 received a Finalist nod. Btw, that collection has spent a lot of time on shortlists all year as well.
To find the full Pulitzer List, check out this link.
Poetry News | Poets
4/8/2008 1:01:57 PM (Eastern Daylight Time, UTC-04:00)
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April PAD Challenge: Day 8
Posted by Robert
Eight rhymes with great, which is what you are if you've been keeping up with the PAD challenge so far. Today is a Tuesday--sooooooo, that means you will get to choose from two prompts this morning. Actually, you'll get to choose from two paintings, because today's prompt asks you to write a poem that is inspired by one of the two paintings linked below. Please indicate the title of the painting or the artist's name somewhere in your comment as well. Of course, there is also the possibility that you could blend the two together. Hmmm...
Anyway, here are the paintings:
Painting #1: Piazza d'Italia, by Giorgio de Chirico
Painting #2: The Little Deer, by Frida Kahlo
And here is my little poem (size doesn't matter, does it?), which is inspired by Painting #1.
"Piazza d'Italia"
Everything felt off that day. Maybe in the distance the perspective bent the two men into a handshake beside the lazy statue. Maybe the green sky told the train to arrive beside the columns, beneath yellow flags. Maybe we hid ourselves from the sun.
Poetry Challenge 2008 | Poetry Prompts
4/8/2008 10:10:51 AM (Eastern Daylight Time, UTC-04:00)
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Day 1 Highlights
Posted by Robert
As promised, here are some highlighted poems from the Day 1 prompt, which was a "2 for Tuesday" treat where poets could either write about a first or beginning OR they could write an April Fool's poem. The poems I've highlighted aren't necessarily better than poems I didn't highlight; they're just some (of many) that spoke to me. Hope you enjoy them as much as I do.
(Also, these highlighted poems aren't listed in any kind of ranking system. They're in the same order as they appear in the Comments for the first day's prompt.)
(Double also, if you especially enjoy any of these poems, why not do your good deed for the day and send an email or make a comment below to let them know? I'm sure you could totally make someone's week by doing so.)
*****
MY FIRST BICYCLE
Had a removable boy’s bar,
Doubling as a girl’s bike.
Last night, at a Valentine’s
Party, I sat in a kissing
Booth kissing boys the way
I kiss girls when I know
Them well . . . when I was
Little I never considered
Removing the bar so I could
Jump higher, but every so
Often I wonder why I never did.
AARON FAGAN
Aaron Fagan |faganismAT NOSPAMgmail dot com
*****
my first marriage
was on a steep
hill in the third
grade: we were adjacent
to recess, asphalt
hopscotch and four-
square
i wore a crown
of weeds tethered
together with an 8-year
old’s precision
and striped culottes
that would be ridiculed
the following year
a small crowd surrounded
me and my sunny-shirted
groom in giggles; all
of us the kids and the colors
of a Peanuts comic strip
our makeshift minister
was a boy who once threw
up what looked like half
of a peach floating
in syrup which sat
under the morning
bell in sawdust
until a reluctant custodian
removed it from sight
a day later
down the aisle
i was a nervous
child bride; stepping
cautiously remembering
that once a girl with blonde
pigtails and a perfect Charlie
Brown-round head
did a somersault there
and landed in dog shit
after our dramatization
of what we thought
was committment, the kiss
landed on my lips
then we held hands
for a few minutes
we were divorced
by the time the bus
took us home; no honey-
moon on the jungle gym
or imaginary cruise--
just a tearful me
when i saw him
with a girl taller
than me the next day
k weber |ilovehateyouAT NOSPAMhotmail dot com
*****
Firsts
Furtively, I took my father's double-edged
blade and crept to the bathtub,
sure, for some reason, I'd be told
I was still too young
to look like the other girls,
so sleek, so acceptable.
I touched it to my ankle
and immediately, blood
spurt out on white porcelain,
a chunk of skin and some flesh
detached and lying on the drain.
Now I'd have to get help and confess:
I tried to shave my legs.
Robin Morris
Robin Morris |momewraths2002AT NOSPAMyahoo dot com
*****
First Rites
At seventeen, we were far enough
from home to keep secrets.
We fumbled the poles into their snaps and loops,
arcing, stretching the tent like a drum
between. I wanted to be a man
so I gathered sticks and fallen
branches, cussed and cussed and cussed till the matches
took.
With the cottonwoods and the light
failing fast it became difficult
to talk. I laughed too loud. Fussed
too much with the little flame. We both
pretended to love the taste
of Winstons. I waited for you
to say you were cold. You waited for me
to ask.
We might have looked
more narrowly into the fire,
seven wood spokes
gone coal, nightbirds
somewhere softly arguing
I will I will I will
swear to God
I will.
Scott Coykendall |scoykenAT NOSPAMyahoo dot com
*****
First Day of Summer
We throw the bag
into the back of the van
and head out, laughing.
The radio shares
our excitement
as we sing along,
off key and very loud.
Greeted by
shimmering water,
shovels, pails,
and laughing children.
Sand between our toes,
warm and scratchy.
Sun on our necks,
hot and dry.
We drop everything
and jump into the water.
Refreshed.
Lori |brightiiizAT NOSPAMaol dot com
*****
First rodeo
Head full of tequila
New cowboy boots full of sore feet,
I stumbled and fell
on the railroad tracks
before I even had the chance
to get thrown from a horse.
Somewhere John Wayne
shakes his head and walks away
into the sunset
Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com
*****
Thaw
How excited everything is to live
after so many long, cold months.
Even the crocuses begin the surface ascent,
the stems finding their pitch against a stiff April wind
while the birds sing their deliberate song for no one,
not even the world with all of its exaggerated beauty.
They are as much the notes not sung
as the ones that are. Let them praise only themselves,
and if the crocuses take credit, so be it.
Let them grip the wet dirt in their silent blooming.
January |jgill27494AT NOSPAMaol dot com
*****
First Catch
I watched him as he paused,
hoped as he considered,
waited until he decided.
He picked up the ball
and ran back to me.
He dropped it at my feet,
slightly soggy.
I felt wonderfully complete!
Then...
he snatched it back.
As he ran away with it,
I swear I could hear him laugh.
Tonica |tonihall2003AT NOSPAMyahoo dot com
*****
First Love
Not the buxom blond
from high school or
the yellow convertible with
red leather upholstery and
not the teacher who paid
attention to me after my
years of being ignored but
that love that never ends,
that gives without expecting
anything in return,
that wonder of
all passions,
CHOCOLATE.
Alfred J Bruey |ajbrueyAT NOSPAMaol dot com
*****
First Kiss
Your name was Roger
Tall boy, quiet boy
Third grade girl & boy--
Why you? We planned it
like a surgical procedure.
We hid in the ravine
so no one would see.
No one could see
nose bumping on nose
glasses clinking glasses
the first time.
So we had to try again.
This time you tilted
your head and the kiss
planted just right.
The Arctic breeze
couldn't reach down
there, deep by the
frozen creek.
We walked back up
the hill to report
our findings.
Elizabeth |lilyclarissaAT NOSPAMhotmail dot com
*****
First Day of College
Dad and Mom are in the front seat
I am wedged in the back between
boxes and bags filled with towels
comforters, pillows, a hot pot,
a study lamp, and clothes that
I don't want to wear anymore
Pittsburgh is a thousand miles away
as we cross the Verrazano in our borrowed car
on our way to Greenwhich Village and my dorm
The sky is as bright as the idea I had
to have a different kind of life
"what was I thinking?" harmonizes with
"if I can make it here I'll make it anywhere"
in my brain as I feel the air thicken
and the pace quicken
Dad catches my eye in the rearview mirror
as the New York skyline dares me to enter
will I be swallowed whole or embraced
there is no way to know
"is this a big enough campus for you?"
he asks
I smile weakly
wanting despeartely to be the girl
who I was when this was just a dream
and not the one who is carsick and scared
"Just remember," Dad says, "always act like you know
where you are going and no one will stop you."
No one ever did.
Teri Coyne |tmc329AT NOSPAMaol dot com
Poetry Challenge 2008 | Poets
4/8/2008 9:48:41 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, April 07, 2008
April PAD Challenge: Day 7
Posted by Robert
Today's prompt is to write a "ramble poem." That is, I want you to write a poem where you just start rambling without worrying about where you're headed. Very interesting things can happen in these poems. And don't worry about the interesting things, because they tend to just happen if you let yourself ramble.
While these poems can often be wordy on the early drafts, they can produce wonderful final drafts after going through a few rounds of revision (remember May is my unofficial poem revision month). Ramble poems can be made interesting by somehow rambling off and then coming back to where you began AND by rambling from point A to point Z without tying anything up completely. Plus, they're really fun to write.
In the spirit of the ramble poem and of not worrying about revision until next month, here are my words for today:
"Drinking liquids that are green and blue"
Has always appealed to me since my youth so much that I'm surprised I never poisoned myself making odd "scientific" concoctions with my brothers with the chemicals hiding under our bathroom sink. We thought we would raise the dead or find a cure to something. Maybe our boredom. Like how, as a teen, we'd drive around and loiter at parks and outside the doughnut shop because we could find nothing better to do at night. Full of energy and ambition and the world was never going to slow us down for nothing. At the all ages shows, on the trails, in the air descending to the river below, we knew we didn't want to be our parents, but beyond that we couldn't see. And so there was blue juice and Hi-C's Ectoplasm drinks. And so there was a reason to drink liquids that looked like they might kill us because we wanted to prove we were better and that we would live forever. And so our children will want green and blue, too.
*****
I'm going to try and post up some of the first day's highlights later today in a separate post. I'm so proud of the work everyone's done up to this point. And now we've made it through our first week together. Personal Updates | Poetry Challenge 2008 | Poetry Prompts
4/7/2008 7:46:52 AM (Eastern Daylight Time, UTC-04:00)
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 Sunday, April 06, 2008
April PAD Challenge: Day 6
Posted by Robert
As mentioned in the previous post, today's prompt involves recording all the details of your day and generating a poem from that material. To make the poem interesting, you probably do NOT want to just list out everything from the beginning of the day to the end. But then again, you could prove me wrong on that--list poems can be very effective and engaging when done right.
As far as myself, here's what I came up with today on my way up from Tennessee to Ohio:
"We woke up and fell asleep"
"Sleep pretty darling--do not cry--and I will sing a lullaby." -the Beatles "Golden Slumbers"
We are born every morning with or without the ones we love. She smiles and tells me the world can wait before we walk the dog. Then, we dress and go to church. Faith is surrender, says the pastor. We are all raised from the dead. She hands me her pen when I can't find mine. We sing a few hymns. Then, we eat lunch. Surrender is lying on my back and listening to her write; surrender is driving north as she heads south mouthing I love you.
*****
I hope everyone had a great weekend. And I'm proud of everyone who's made it this far in the challenge. We're now 20% of the way there!
Personal Updates | Poetry Challenge 2008 | Poetry Craft Tips | Poetry Prompts
4/6/2008 10:00:37 PM (Eastern Daylight Time, UTC-04:00)
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 Saturday, April 05, 2008
April PAD Challenge: Day 5 (& possibly 6)
Posted by Robert
Okay, apparently libraries are not open in Eastern Tennessee on Saturdays. I'm currently coming to you live from an arcade in a tiny mall on the main strip of Gatlinburg, Tennessee. Woo-hoo!
The Day 5 prompt is to write a poem of worry. Also known as a worry poem. Anything that causes you worry can be used to help you write this poem. For instance, are you worried about clowns? Because I know I am. Write a poem about your worry of clowns.
Here's what I've got for today--written across the street at the Gatlinburg Pizza Hut. :)
"Gone Fishing"
And when we got back, there was a message waiting for me, but I was told to sit down first, it was something bad, and so I knew it had to be something to do with my wife, or with our son she'd been carrying for six months; I knew it had something to do with one of them, or both of them; that's the only reason someone would call up to these fishing cabins in Canada-- because no one had ever called in more than 20 years of fishing trips. So I knew it was something bad-- they were both dead-- killed, perhaps, in a traffic accident-- or she lost Ben in some complication-- or Ben was born but she was dead. I knew; I knew; it was something bad, but I breathed a sigh of relief when I realized it was just my grandfather who'd died.
Now this story above is true. The poem is bad. But I should mention that I immediately felt guilty and cried myself to death while taking a shower before driving from Northern Canada to where I am today--Eastern Tennessee. But for a brief moment I was so concerned with my family unit that I did have a moment of relief that it wasn't one of them. Okay--enough of that. Heavy stuff.
*****
Day 6's prompt needs a little warning, because it is a prompt where you record events that happen to you during the day and then create a poem from them. I'm going to post my poem sometime tomorrow, though I don't know if it will be in the morning, day time or evening. I will be back in Ohio tomorrow night--so if I can't find a connection before then, well, you know. Keep an eye out for me. :)
Hope everyone is having a great weekend. I know I am. Now, time to head up into the mountains and hike around.
Personal Updates | Poetry Challenge 2008 | Poetry Prompts
4/5/2008 4:52:52 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, April 04, 2008
April PAD Challenge: Day 4
Posted by Robert
Sorry for the late post today. It's been a doozy of a morning. First, the power was knocked out by some intense storms early this morning, so my alarm did not wake me up this morning. Luckily, my girlfriend called--giving me just enough time to rush over and make my oil change appointment (in a very disoriented state of mind). Once at the dealership, I was told the average oil change wait time is 30-45 minutes. "Good, good," I thought, "that'll give me just enough time to get a start on my poem for today." So anyway, I guess I should've been trying to get a start on my Great American Novel, because 105 minutes later I'm politely asking if maybe they called my name and I didn't hear them. "Actually, no," they said--also politely, "The car in line before you had problems getting off THE RACK." So yeah, I'm not one to make a big fuss, so I said, "Cool," and sat back down worried about posting for y'all (because I'm always thinking of my wonderful blog readers) and just attributed it to some weird Friday bad luck. Anyway, 2 hours after arriving, they finally had me set to go. I pull out my wallet and find out that all I have to do is sign my name and leave. The service guy didn't even bother telling me it was on the house, and--as mentioned earlier--I'm not one of those people who pushes for that kind of stuff. So, yeah, nice ending to a weird morning. I'm thankful for the way they treated me without forcing me to be a jerk--and without making a big "to do" about how they were giving me excellent customer service by putting it on the house. It's the little things really. Anyway, that was a huge ramble. And now, on to the prompt!
*****
Actually, that ramble kind of perfectly fits in with today's prompt, which is to write a thankful poem (at the time, I was thinking TGIF=thankful poem?). Another option is to write a tribute poem. The thankful/tribute poem can be dedicated to a person, an inanimate object, an idea, a day of the week, etc.
For my part, I used this prompt to write a poem on a subject that I've just never been able to tackle: my mother. She's one of those people who is so perfect that every poem I've ever tried writing about her has been kind of blah. But you know what, who cares? So here goes:
"My Mother"
She began working in a car factory at 18, got married, had 3 boys, and thought of eventually doing something other than working in a car factory. But she believed in providing. Even after the divorce, she worked and worked and did not let it keep her from shuttling 3 boys between practices and events; she did not let it keep her from attending those events and getting to know the boys' friends; and she never once complained "it's not fair." She was the only parent to be so involved who also gave her children the freedom to grow up at indie rock shows and staying out late at night. "Just wake me when you get in," she'd say, "so I don't wake up worried." She worked and cared for 3 sons, who went on to become 3 successes--who had 1 parent to thank for everything.
This poem is sappy and personal and the kind of poem many serious poets would attack as not poetry. I would seriously dispute any such claim. I agree that this is not "publishable poetry," but it is still poetry. Just because a poem is not meant for The New Yorker or The Atlantic, it doesn't mean that it's not a poem--or even that it's not a good poem. For instance, this poem really helped remind me just how thankful I am for my mother and how much she means to me. And when I read it to her tonight, I know she'll realize just how much she means to me as well. So even though this poem is only intended for an audience of 2--it scores a 100% for those two. Don't value your poetry solely off your publication credits and rejection slips; by writing and sharing your writing, you are doing something great. For real.
I'm sorry; I'm totally rambly and sentimental this morning/early afternoon. :)
*****
Some quick notes: First, I'm going to be visiting my grandmother in the Gatlinburg, Tennessee, area this weekend. She doesn't have a computer; and I've never tried locating the Internet down there--so my posts this weekend may be a bit on the inconsistent side. I'm going to try and keep them coming in the mornings though.
Second, due to popular request, I'm going to randomly provide posts with poems that I've particularly liked from each day's prompt--probably grouping a few prompts together. So on Monday, I'll see if I can get that first batch together.
Third, I'm very thankful to all of you who've been participating in this challenge with me. Your responses have totally overwhelmed me (in a fantastic way). Let's keep at it!
Advice | Commentary | Personal Updates | Poetry Challenge 2008 | Poetry Prompts
4/4/2008 12:36:03 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, April 03, 2008
April PAD Challenge: Day 3
Posted by Robert
As with many programs, getting through the 3rd day is usually the toughest. So I'm going to try and make Day 3 a little easier to help everyone complete the first 10% of our challenge. The way I look at it 3 days should equal 3 lines; in other words, today we'll be writing a haiku.
The official Day 3 prompt: write a haiku.
Now, you ask: What constitutes a haiku? (Very good question, by the way.)
Here are some previous posts I've made about this form:
* Haiku: Easy or Hard?
* Haiku Revisited
* Haiku on September 11 (posted by Nancy Breen)
If you're not big on researching the haiku, here's a quick primer on what constitutes a haiku:
1. It's a 3-line poem.
2. While many think the lines should be 5-7-5 syllables, that's actually not true. It's 5-7-5 "sounds" if you're writing in Japanese. For English purposes, it tends to be a shorter 1st and 3rd line--with a slightly longer 2nd line.
3. The haiku describes nature--with an emphasis on description. Haiku do not rhyme or use metaphors and/or similes.
4. Haiku includes a word to indicate season. For instance, the word "frog" might indicate spring; the word "snow" might indicate winter.
5. There's also usually a juxtaposition of two sensory images. For instance, the most famous haiku involves a frog jumping into a pond as the first sensory image--the water's sound as the second. When put together, the sensory images turn a very simple moment into a profound poem.
There are more rules--if you want to do the research--but this gives a good enough outline of what makes a haiku. For writing your own, it's best to just observe the world around you, make notes, and see if you can spot connections that help you understand nature and the world around you better.
Here's my attempt:
Plastic bag caught in the tree branches; birds build their nests.
Now get haiku-ing! Advice | Personal Updates | Poetic Forms | Poetry Challenge 2008 | Poetry Craft Tips | Poetry Prompts
4/3/2008 8:52:26 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, April 02, 2008
April PAD Challenge: Day 2
Posted by Robert
Wow! Y'all came through in a big way yesterday. I'm so pleased that I nearly had a heart attack coming in this morning and seeing the response. Woo-hoo!
Before I get into the prompt, I wanted to address a few questions that came up yesterday. First off, yes, you can add your poem after midnight of the day of the prompt. That means you can play "catch up" later in the month if you ever fall behind. Thinking long term, all poems should be in by the first weekend of May at least.
Second, I don't care if you post previous poems if they align with the challenge, but just remember: That kind of defeats the purpose of this challenge, since we're concerned with writing new material. As we would say in track practice, "You'll only be cheating yourself."
Third, poems should be posted in the Comments here. If you try multiple times and still have problems posting, feel free to email your poem to me (robert.brewer@fwpubs.com) with "Poetry Prompt Response" in the subject line--along with which prompt (by number) it goes with and your name. Then, I'll paste those into the comments myself.
*****
Okay, then. So here we go with Prompt #2: Put yourself in someone (or something) else's skin and write a poem about the experience. Who (or what) ever you become, please make that the title of the poem. If you're Buddy Holly, your poem should be called "Buddy Holly." If you're the Bates Motel, your poem should be called "Bates Motel." And so on.
Think hard on this one. My first attempt did not work out as well as I thought it might (imagining I was Dolly Parton). However, I think I'm good with my second subject, which is...
"Godzilla"
I was raised by whales-- maybe why I hide under water; that and the fact those people always-- and I mean always-- shoot stuff at me.
Bad enough I'm constantly catching their little buildings-- awkward as they are-- between my toes, but when I try to speak, when I try to say, "I just want to get along," all that comes out is my mother tongue, straight up whale, which, contrary to popular belief, sounds terrifying out of water.
For instance, I love you becomes, "Aaaiiiaraiargaiaiarrrrrr..."
*****
For another example and an even better Godzilla poem, check out this one by Aaron Belz. (If I'd known this existed earlier, I would've written a King Kong poem.) ;)
Personal Updates | Poetry Challenge 2008 | Poetry Prompts
4/2/2008 9:45:24 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 01, 2008
April PAD Challenge: Day 1
Posted by Robert
Soooooo, time to begin the April Poem-A-Day challenge! I can tell from the site traffic and personal emails waiting for me this morning that everyone is chomping at the bit to get started. I don't blame you. This is exciting for me as well.
We'll start off with a softball (no reason to pull any muscles on the first day of the challenge, right?): Since today is the first day of the month, write a poem about a first or a series of firsts. This first could be a first love, first job, first funeral, first marriage, first divorce, first child, first Wal-Mart shopping experience, etc. You could also flip this around to be a poem about beginnings (after all, the beginning of anything is also a first step in a process).
Since I promised I would write a poem-a-day to match the prompt-a-day, here's a little poem I put together this morning about my first (and luckily only) cast.
"The Cast"
We kept it in a plastic bag as if it were a comic book or meat that needed freezing; it hooked around my thumb and traveled to my elbow-- the result of jumping a fence too fast to chase down a ball hit for a homer, my shoestring caught and swung me to the ground where a stone waited to fracture. The rest of that summer, I batted one-handed, played catcher, and let everyone sign it. I've never needed another, and we never did find that ball.
Remember: You don't need to write a "revised" poem; you just need to write a draft. Revision can wait until May.
Once you finish the poem, paste it into the comments below. Heck, you could just type the first draft right into the comments box. (If you do this though, copy and paste the draft somewhere else before posting--just in case any technical glitches erase your comments.)
But wait! There's more!
Since I like to listen to classic rock stations that offer "Two for Tuesday" songs by the same band on Tuesday, well, I'm going to offer "Two for Tuesday" prompts. Woo-hoo!
If you're not feeling that initial prompt, you can try this one instead. (But don't feel obligated to write a poem for both prompts--unless you're an overachiever.)
Extra prompt: Since today is also April Fool's Day, write a prank poem. This could get very fun and very creative.
Okay, that's enough for now. Get at it! Personal Updates | Poetry Challenge 2008 | Poetry Prompts
4/1/2008 9:49:16 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, March 28, 2008
Poem-a-day in April: Write, Read, Etc.
Posted by Robert
So I've been going out of my way to build excitement about my write a poem-a-day challenge in April. Should be big-time fun for all.
But the Academy of American Poets has announced you can also read a poem-a-day in April. Just go to http://www.poets.org/poemaday, and enter your e-mail address.
Their newsletter claims you can expect work from poets, such as Charles Simic, James Tate, Caroline Knox, Cate Marvin, and many more.
It only took me about 5.6 seconds to sign up. Very fast. Very easy. General | Poetry News | Poets
3/28/2008 1:52:25 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, March 27, 2008
Why there's no one true form of poetry (and why there shouldn't be)
Posted by Robert
Stumbled upon "Japanese Poetry Persists in Korea, Despite Disapproval," by Choe Sang-Hun from The New York Times, and found myself going back over that dangerous territory of what the purpose of poetry might be, could be and should be.
In this case, the poetic forms used by Korean poets can actually cause public shame and disapproval. Imagine getting dissed at a writers conference because you write triolets or kyrielles--not because they're bad poems, but because they're poetic forms with French origins. Such actions take poetry out of the realm of "just words" and makes it a very human activity.
Poetry is always important, but it reaches a new level when poets feel they have to hide their tanka and haiku out of fear and/or shame.
So read the article and think about it; talk about it with your friends; and keep it in mind throughout National Poetry Month (April here in the States).
Commentary | Poetic Forms | Poetry News | Poets
3/27/2008 3:40:59 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, March 26, 2008
Is poetry a collectible commodity?
Posted by Robert
There's nothing especially unique about this news story about Eureka Books celebrating national poetry month. I mean, many poets (including me) have their plans for getting through April. But reading the article kickstarted my brain into motion: Can poetry be a collectible commodity?
It's so obvious that the answer is yes. But even with my background in collecting bubble gum cards and comics I still had trouble seeing the forest from the trees. I, of course, know the value of a first edition of books, but most trade books are not printed with the intent of becoming a collectible--it's just something that happens when an unknown author suddenly finds him or her self in the position of being Stephen King or J.K. Rowling. If the publishers knew they were going to sell 500,000 copies initially, then they would've printed them up that way (notice the difference in how many first edition copies of Harry Potter were printed between Potter's first year and seventh at Hogwarts).
Anyway, I'm getting off topic. In the article above, Jack Irvine says, "Broadsides have become very popular among collectors, because it's an affordable way to get a signed, limited edition work by a favorite author. It's a great way to display a work of literature on the wall, and they do frame up very nicely."
I found speaking about poetry in this way very interesting. It sounds as if the broadsides could be framed as works of art. Imagine someone visiting your house and admiring your framed paintings and then stopping to read a very moving poem--with maybe some cool design elements to complement the work. Now that's art! And that's a collectible, for sure.
So maybe this is yet another avenue for poetry. I know savvy publishers have been going this route for ages, but still. Let me have my epiphanic moment. Okay. Done.
I just wonder if we can ever get to a point where 10-year-old boys and girls are swapping a Bob Hicok and Gwendolyn Brooks for a Louis Gluck and William Carlos Williams. One can always hope.
Commentary | Personal Updates | Poetry News | Poetry Publishing
3/26/2008 4:43:26 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, March 25, 2008
Exclusive Interview With Up-and-comer Jillian Weise!
Posted by Robert
My girlfriend and I are both poets. As a result, we share our writing with each other, as well as the writing of other poets we admire or discover. Recently, my girlfriend happened upon The Amputee's Guide to Sex, by Jillian Weise from Soft Skull Press, and she's read me about every single poem out of that collection and with good reason: It rocks!
At 26, Weise has been shooting through the academic and poetic stratosphere. After graduating from Florida State and getting her MFA at the University of North Carolina at Greensboro, Weise is currently finishing up her PhD at the University of Cincinnati and plans on teaching at Clemson in the fall. She's also managed to find the time to work as an editorial assistant at The Paris Review and has had two collections of poems published, as well as four one-act plays produced. I'm not even going to get into her fellowships & awards--it's too exhausting. And did I mention that Weise is an amputee herself (an above-the-knee amputation as the result of a birth defect)?
It's easy to get distracted by all the success surrounding Weise and forget about her actual writing, but that would be a mistake. In The Amputee's Guide to Sex, Weise mixes sadness with black humor and writes candidly about the confines of the human body--something everyone can relate to, whether an amputee or not.
One passage, in particular, which I love is from "I Want You to Know This."
He's afraid to hold my hand because he thinks it might throw me off balance. Hand-holding doesn't throw me off balance. I wanted you to know this, because maybe you wondered about people with fake legs; maybe you wanted to hold their hand but you didn't because you thought you might trip.
And with that, let's take a trip with Weise through one of the more energetic interviews I've had in a while.
When and why did you start writing poetry?
I started writing on a dare from this guy who goes by Slick Daniels. We were taking a survey course at FSU when we ran into the Modernists. Slick said he was taking Poetry Workshop and dared me. The class was taught by Cynie Cory, who has the same enthusiasm for poems as Noah did for animals. We read lots of alive writers, which was more exciting than ever--that these guys were alive, and you could e-mail them.
We ended up under a tin roof, blazing through stacks of journals, heard the hoot of the Sirens, drove out to St. George’s Island, the whole time asking: How did you do that in the poem? And how does Tate do what he does in poems? And isn’t it effing cool? But what does it mean? And are you going to kiss me or something?
You mentioned that your first poem accepted for publication was to The Atlantic. Could you explain your submission process at that time? How long did you submit poems before that first acceptance? Has your
submission process changed any since then?
Slick Daniels sent his poems to one journal at a time while I was shadier about it. I had poems out--who knows which ones and who knows where.
When the rejections came, we shellacked them to stools & sat on them. This plan did work. I sent the same batch of poems to ten journals a month, for about six months, before The Atlantic acceptance. I didn’t know The Atlantic so I looked it up in Poet’s Market. Now I submit where poets I like publish. If Priscilla Becker or Josh Bell or Matthew Dickman or Tim Earley or Kristi Maxwell or Ben Mirov or Abe Smith or Craig Teicher is there, then I want to be there. It’s like calling ahead of time to see who’s at the party.
Creative writing teachers often chant, "Write what you know," to their creative writing students, especially at the beginning levels. With two published collections dealing with the body, do you agree with
this mantra?
Maybe what teachers mean when they say that is don’t write about the fields of sea lilies stretching for hundreds of yards across the ocean floor if you are not an oceanographer. I say go ahead & write your sea lily poem. The worst thing that can happen is it’s a bad poem. The best thing that can happen is you are the next Hilda Doolittle.
I was told to write poems that cost me something to write them. They cost me a lot. Too much? I’m still carrying ones and zeros on the budget. I go to poems looking for heart. You can tell when a poet has put a lot of heart into the poem and you can tell when they left it out. Some of them favor brain. But for me, all brain is no ache but headache.
In The Amputee's Guide to Sex, you deal with the body from a perspective most readers have never experienced. Yet, the collection is surprisingly accessible, perhaps because of the very direct and honest way you treat your subject. Do you feel writing honestly, even if the reader has never experienced it, helps make subject accessible for everyone?
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