Monday, May 19, 2008
Exclusive Interview With Poet Helene Cardona
Posted by Robert

It sometimes seems like all published poets wear many different hats in addition to their poetry cap. Helene Cardona exemplifies this as much (if not more) than any poet. When she's not a poet, she's an actress with credits in movies such as Chocolat and Mumford. She's also an equestrian, dancer, dream analyst, and yoga practitioner. When she's not speaking English, she's speaking one of a handful of other languages--and has worked as a translator/interpreter for several different groups.

For her collection, The Astonished Universe (Red Hen Press), Cardona put together a wonderful group of poems--written in both English and French (of course). After all, where's the challenge in writing a collection of poems in only one language. (Note: During some of these interviews, I feel like Wayne from Wayne's World--ready to fall to my knees and say, "I'm not worthy; I'm not worthy.")

Here is the interview.

The Astonished Universe is an intentionally bilingual collection of poetry. Why did you decide to do this? 

 

I wrote The Astonished Universe in English. I did not originally intend it to be a bilingual collection. English is my fifth language, but it has been my language of choice for a long time now. I can say it chose me. I presented the manuscript, in English, to the publisher. They came back to me and said they would be interested in publishing it as a bilingual collection in French and English. At the time they had a collection in Spanish and English, and one in German and English, but none in French. So I went back to work and translated it into French. It was fascinating for me, because it rekindled my love of the French language and of writing in French again. The French translation absolutely informed the English version. As I was making discoveries with the French, I came to realize that some of the English could be improved. It became a dance between the two languages. I also felt more freedom than if I were translating someone else, because it was my own text.

 

Your father is a poet. How did he influence you as a writer?   

 

My father is a Spanish poet. He was born on the island of Ibiza. His mother was from Madrid, and his father from Barcelona. He was nicknamed “el cisne vallisoletano”, the swan from Valladolid. This is because they say that the Spanish from Valladolid is the purest. His command of the Spanish language is extraordinary. I could say he instilled in me a love for words.

 

You’re an actress. Do you find that helps or hinders the poetic process?

 

It helps. Acting and poetry are simply two different forms of artistic expression. As an actress I am very drawn to films that are visually beautiful and poetic. At the same time, I always pay close attention to the screenplay. It is the backbone of the film. I was lucky to work with Lawrence Kasdan (Mumford). He writes all his screenplays, and they’re usually original screenplays. He’s a terrific writer and director. I was also lucky to work on Lasse Hallström’s Chocolat. Robert Nelson Jacobs’s screenplay was nominated for an Oscar and won the BAFTA award. Great writing helps the actor. To go back to your question, they both raise your consciousness and in that sense, enhance one another.

 

You’re a very well-traveled poet who is able to speak several languages. Which languages can you speak? Do you think travel and a knowledge of languages helps your poetry?

 

I was born in Paris. French is my mother tongue. I learned Spanish at home before I went on to study it more formally at the Sorbonne and the universities of Santander and Baeza.  My mother was Greek and taught me her language. I started learning German when I lived in Geneva, and studied it more thoroughly at the Goethe Institutes in Paris and Bremen, Germany. Switzerland is a tri-lingual country, so I picked up Italian there, and then studied it more when I decided to work as a tour guide in Italy. Of course knowing multiple languages is a great advantage to writing poetry. It develops a musical ear for sounds, and gives flexibility with words and the thoughts that underlie them. Travel opens your mind and imagination.

 

How did you go about getting The Astonished Universe published?

 

It all started when I met Red Hen’s managing editor at a PEN USA event. We had a subsequent meeting at a restaurant and she suggested I send her the manuscript.

 

If you could share only one piece of advice with other poets, what would that advice be?  

 

Do things that inspire you. 

 

*****

 

To check out more information on Helene Cardona, visit her Web site at www.helenecardona.com.

 

*****

 

If you're interested in checking out other exclusive interviews with poets, including Dorianne Laux, Julianna Baggott, Jillian Weise, and more, just check 'em out here.

 

*****

 

If you're a publisher or well-published poet who's interested in giving an interview, check out my Call for Poets here.


Poet Interviews | Poets
5/19/2008 9:39:48 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [6] 
 Friday, May 16, 2008
Poetry Publishing Basics
Posted by Robert

Many new poets have become readers of Poetic Asides since when it began more than 10 months ago. And with close to 300 total posts, it's not a good idea for me to expect you to dig around looking for helpful publishing information. So, I'm going to give a real quick Poetry Publishing 101. (If you find it helpful, I suggest bookmarking this post.)

*****

Before you attempt any publishing, you need to read a lot of poetry and write a lot of poetry. I put reading a lot poetry first--and by reading poetry I mean reading poetry by contemporary poets--because this is truly the best way to learn how to write effective poems. Successful poets pay attention to what they like in poems and spin it around in a new direction. Of course, you should also write--daily, or at the very least, weekly. If you frequently go longer than a week without writing, you might want to try setting up a writing routine or even reading more poetry (because reading poetry often sparks new poetry).

Avoid rushing into publishing before you've worked on your craft for a while. For instance, I worked on my poetry for more than 12 years and wrote thousands of poems before I felt comfortable enough to try getting published. Even after that lengthy apprenticeship, I've still had more than my share of rejection slips. The competition is fierce, so to spare your ego (of rejection) and your bank account (of postage expenses), I recommend you exercise a little bit of patience in your pursuit of becoming a world famous poet.

*****

When you think you're ready to get published, start off by submitting to magazines and journals that accept poetry. Too many poets come to me asking how they can get their whole collection of poetry published when they haven't even published a single poem. (Of course, it should be noted that this is a natural way to think if you don't know the business of poetry publishing--so don't feel bad if I'm describing you.)

If you're not sure where to find magazines or journals that accept poetry, then I suggest checking out the most recent copy of Poet's Market. (Full Disclosure: I work on Writer's Market and recently have been going over pages of Poet's Market--and I edit the resurrected Poet's Market newsletter. So, yes, I'm a little biased to which reference I direct you.) You can pick up a copy at your local library or bookstore--or you can order online at http://www.fwbookstore.com/product/1538/23.

In this guide, you'll get more than 1,600 listings for magazines and journals, presses, contests, workshops, etc. But even more important for the poet new to publishing, it is loaded with practical articles and interviews that show you how to properly submit your poems.

*****

If you've already been published in several journals and think you have enough poems to put together a collection, the best way to get that collection published nowadays is through poetry book and chapbook competitions. Chapbook competitions tend to be for collections of less than 48 pages (usually 24-40 pages is the norm), while full book length collections trend over this 48-page threshold. Neither type of competition is easier or harder to win--so don't enter the chapbook competitions thinking it'll be a cakewalk because the size of the manuscripts are smaller.

*****

Of course, more and more poets are bypassing the traditional means of publication and doing it themselves. This tradition dates back as far as any poet can remember. Even America's great poet, Walt Whitman, was a self-publisher. But if you decide to go this route, make sure you can look yourself in the mirror and say that you're self-publishing for the right reasons. Don't do it just because it's the easy (or lazy) way of getting published if you actually want to build a readership over time. While saying you've got a book published can feel fulfilling, it loses its luster if the only people who own a copy of your poems are you, your mom, and your garage.

*****

Finally, I'm not gonna get into the whole can of beans with those FREE poetry contests you can find in the backs of magazines and online. Not in this post. Instead, here's my account of my first publishing experience before I decided to get patient (that's right I was full of ambition at 16--and learned a valuable lesson as a result): http://blog.writersdigest.com/poeticasides/Im+Coming+Out+Of+The+Closet.aspx.


Advice | Personal Updates | Poetry Craft Tips | Poetry Publishing
5/16/2008 1:10:58 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Thursday, May 15, 2008
Newspaper Blackout Poetry
Posted by Robert

Before getting into the cool news, I just wanted to let everyone know who's been looking for the rest of the April Highlights (Days 21-30) that I am still going to post them. I've just been busy supremo working on the 2008 Poet's Market, which will be going to production on June 5. Of course, the one complicating factor is that I'll be out the entire last week of May because of Memorial Day and the BookExpo America/Writer's Digest Books writer's conference in Los Angeles, California. So the highlights are coming--just trying to fit 'em in with the rest of my "day job" stuff.

*****

So now on to this really cool newspaper blackout poetry stuff done by writer/artist Austin Kleon, who is based in Austin, Texas. (Note: It's funny how cool news travels. For instance, this was passed on to me by WritersDigest.com editor Brian Klems through HOW magazine editor Bryn Mooth who heard it on NPR--one more reason to support public radio, right?)

Anyway, Kleon grabs the newspaper and a permanent marker and starts scribbling out words until a poem emerges. In many cases, the poems actually turn out quite beautiful.

Check them out at: http://www.austinkleon.com/category/newspaper-blackout-poems/.

If you want a Weekend Warrior poetry prompt, this is a definitely a good exercise: Buy a local newspaper and sculpt poems out of newsstories. If you come up with anything good, post them in the comments below.

 


Personal Updates | Poetry Craft Tips | Poetry News | Poetry Prompts | Poets
5/15/2008 9:59:28 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [14] 
 Wednesday, May 14, 2008
Wednesday Poetry Prompts: 002
Posted by Robert

I had to drive into work in a steady rain this morning. Those who know me very well know that I loathe driving on the Interstate in the rain, because of a hydroplaning experience I had several years ago in southern Kentucky. Ever since that crash (no one was seriously injured), I've had this phobia when it comes to driving in inclement weather.

Which leads me to today's prompt, I want you to write a poem that deals with one or more of your own phobias. Or--if you are truly without fear--write about someone else's phobias. Or--if you and everyone you know is without fear--write about an imagined phobia (or write about my phobia of driving in inclement weather).

Here's my attempt, which actually deals with one of my other phobias (yes, I'm suddenly feeling like Charlie Brown, who carries around the fear of everything): heights.

"Control"

Rollercoasters, elevators,
unenclosed stair cases,
railings, cliffs, airplanes--
I'm afraid of how I have
no control over gravity.
If I fall, I can only fall
and let myself be caught
by the earth below. It's
simple really, but I worry
about the "what if"s when
I should just enjoy the ride.

 


Personal Updates | Poetry Prompts
5/14/2008 9:52:24 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [113] 
 Tuesday, May 13, 2008
Free poetry CD download!
Posted by Robert

The Academy of American Poets is getting into its bag of poetic tricks again (always in a good way). After offering up a poem-a-day by well known poets through April, they're now allowing poets to download an 11-track CD, recorded last month during their National Poetry Month reading series--completely free.

To download it, visit: www.poets.org/freecd


Poetry News | Poets
5/13/2008 3:28:47 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
 Monday, May 12, 2008
Exclusive Interview With Poet Julianna Baggott
Posted by Robert

My first experience with Julianna Baggott was on my first edition as editor of Writer's Market (Writer's Digest Books). I asked her to write a diary style piece on how she published her first and best-selling novel, Girl Talk (Washington Square Press). It was my first risk as an editor, and Julianna made me look like a genius, because she turned in a great story.

At the time, she mentioned she also wrote poetry and stories for "the younger set" under the pen name N.E. Bode. So Julianna was one of the first poets I thought to ask for an interview when I decided to do these poet interviews on the blog. Unfortunately, I'm a bit of a procrastinator at times, and put it off for awhile. After finally getting a hold of her, I then took forever sending her the questions. Fortunately, she's always quick to get things turned around (and she never gives me a hard time about how long I'm taking on my end).

Baggott is the author of three collections of poetry: This Country of Mothers and Lizzie Borden in Love (both published by Southern Illinois University Press, 2001 and 2006 respectively), as well as Compulsions of Silk Worms & Bees (Pleiades Press, 2007). The words in her poems are often funny, at times confrontational, and always immediate. Working in several different writing genres seems to give Baggott an especially keen sense of what makes great poetry.

Here's a favorite passage of mine from Compulsions of Silkworms & Bees from the poem "1. Poetry Addresses Her Sister, the Novel":

You need to learn to whittle soap
                                            to a narrow bone, to live in steam
so the wool shrinks to a toughened swatch,
not a sweater, not a mitten, something otherworldly.
                    Why do you want so much?
I say little, but my memory is stained so deeply
                                                                    it glitters.

Of course, Baggott then offers a great response in the very next poem "2. The Novel Responds to Her Sister, Poetry":

It isn't as easy as you'd think
to take the reader's hand, hang his hat
on the rack, to offer a seat.
Manners. I pass around tea and cakes.
Have you ever allowed these comforts?
You let them wander rooms, disoriented.

Hopefully, I'm not disorienting you by jumping straight into the interview.

What have you been up to recently? Do you have anything coming up soon that people should be looking out for?

 

The last two years have been heavy on poetry what with the publications of Lizzie Borden in Love and Compulsions of Silkworms and Bees. I've been writing sonettos -- odd ones -- but my books of poems take a few years and this new one isn't fully fleshed. I have two novels coming out next year, though. One for adults called My Husband's Sweethearts (under pen name Bridget Asher) and a novel for kids and Red Sox fans The Prince of Fenway Park

 

Compulsions of Silkworms & Bees was selected for the Lena-Miles Wever Todd Poetry Series and Lizzie Borden in Love was selected by the Crab Orchard Series in Poetry. What do you think helps make a winning collection of poetry? Good solitary poems? Great connective tissue between poems? Something else entirely?

 

Readers you trust. I handed both books over to other poets I deeply trusted -- namely Frank Giampietro, whose first book Begin Anywhere (Alice James Books) comes out this fall, and Jennifer McClanahan a wonderful young poet. They came back to me differently imagined and I needed someone else's eyes.

 

In Compulsions of Silkworms & Bees, you assembled a collection of poems about poems, poetry and the craft of writing. Writing about the process of writing can be dangerous territory, but you seem to weave through it with a tense dance of serious humor. Do you try to hit certain benchmarks when writing your poetry? If so, what?

 

I'm not sure why it's dangerous territory. I always miss the memos on stuff like this. Writing is my obsession, my passion. My relationship with it is one of the most complex and agonizing and richly vexing that I have in my life. I don't know how not to write about it. And so I do, without any notions of benchmarks.

 

Are there things you absolutely try to avoid in your poetry? Explain.

 

Being a lazy fiction writer. I have an outlet for prose -- I write it. So what I don't want is to shove what should just be prose into the poetic form.

 

It seems you often put yourself in the skin of another to write your poems, whether you are Mary Cassatt or Poetry addressing her sister, the Novel. What do you feel are the benefits of writing from within another person or thing? Explain.

 

Now this is from my fiction roots, I suppose. I didn't start writing so that I could more deeply know myself. I was bored of myself, my life, my childhood, my hometown. I started writing as a way to know others, to get away from myself. And so I still do that. Of course, I've found that it's much easier to reveal yourself when you think you're revealing someone else.

 

Have you been reading any specific poets recently? If so, who and what do you like (or, I guess, even dislike) about their work?

 

Yes, yes. New poets. I always love new poets. I oversee the Southeast Review's Online Companion (www.southeastreview.org) and get to read tons of interviews and those names pack much of this list: Frank Giampietro, I mentioned above -- Begin Anywhere. Martha Silano -- Blue Positive. Charlotte Matthews' second book -- Still Enough to be Dreaming. Erin Murphy's third book -- Dislocation. Norman Minnick -- To Taste the Water. And we recently ran an interview with Rick Campbell who's a poet who deserves a much wider audience. His latest, Dixmont, is incredible.

 

When you're not writing award-winning poetry, you're writing bestselling fiction or writing novels for younger readers under the pseudonym N.E. Bode. I've also read that you've written screenplays based off your novels. How do you decide what goes where? That is, when do you know you're working on a poem instead of a short story?

 

I don't always know. I sometimes pick my poems up and put them into my fiction. I sometimes write a poem and then realize that it's a story. I have a story in the anthology Surreal South that began as a poem and took on a different, unexpected life in fiction. I'm toughest on the poems, though. The white gathered around a poem on the page, like a held breath, demands it.

 

If you could only impart one nugget of wisdom to another poet, what would it be?

 

Drown yourself in it -- all of it. Read like mad -- at least ten books of poems a week. Don't love everything. Hating certain types of poetry helps define your own aesthetic. Be daily. (Check out the Southeast Review's Daily Writing Regimen for a shove -- http://southeastreview.org/regimen.php.) Go forth boldly.

 

*****

 

Check out Julianna Baggott's Web site at www.juliannabaggott.com.

 

*****

 

Here are some links to some of her poems (for further reading):

 

* "Blurbs"

* "Nights in Tijuana"

* "What Poets Could Have Been"

* "Q and A: Do you have any tips? Answer #2"

 

*****

 

Check out other Poet Interviews here.


Poet Interviews | Poetry Craft Tips | Poetry News | Poetry Publishing | Poets
5/12/2008 11:26:02 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [3] 
Day 20 Highlights
Posted by Robert

On Day 20, I asked you to write a Love poem. And the sparks started flying immediately. There's no better way to start a week than with a little love, so without further ado.

*****

 

Helping Hands

 

It would be better to think

you were made for me

a custom order

handcrafted to please

those hands that have held babies

carried groceries

and tarped roofs

were just praciting

for that day in the yard

when you reached out

to steady me

and keep me from falling

 

 

Teri Coyne |tmc329AT NOSPAMaol dot com

 

*****

 

After the Whole Day

 

Let me feed you

cheeses on a plate.

Let me roll for you

raviolis of gorgonzola,

swirled in a cream sauce

with walnuts, tarragon.

See how the water simmers.

See how the windows steam.

Let me serve you a salad--

frisee and pear,

delicate curls of pecorino,

a whisper of truffle oil.

I have in my kitchen

scallops to sear,

chicken to roast,

and a medley of roots

tossed with oregano, balsamic,

and then a little lemon tart.

When you come home

with the sound of the saw in your ears

and mahogany dust in your hair,

let me pour you a glass of Champagne,

let me take your hands

and lead you to the table you made.

Let me feed you, fill you.

 

 

Joannie Stangeland |joannieksAT NOSPAMmsn dot com

 

*****

 

My Mistake

 

Tentative touches cannot explain

how much you've actually

changed me.

 

Long, light strokes down

a make-up smeared cheek

try to tell you that

I care.

 

Finger tips pressing lasciviously

into firm thighs attempt

to get you to realize

that I do want you.

 

It was a mistake to try and

send you out of my life -

to try and hide the fact

that I do, love you.

 

It's too late for me to

try and take that back;

to un-tell you that I can't

have you, have these

feelings.

 

But I can try to win back

your favor, your desire

with the slightest whisper

of a kiss on your painted mouth,

promising much more than

words ever could.

 

 

Kateri Woody |kwoody66AT NOSPAMutica dot edu

 

*****

 

One Incarnation of Love

 

cleans the litter-box,

cackles, wakes me up with

political commentaries,

of a world pregnant

with entropy, a blue rose with warts.

 

Good love is a mentholated powder

on the prickly heat of this world.

 

 

Maria Jacketti |medusashairdresserAT NOSPAMmsn dot com

 

*****

 

I Miss My True Love

 

Once again, dear, you’re on the road.

We’re separated by miles and highways,

But linked by cell.

Several times a day, we’ll talk,

But the other half of the bed tonight

Will stay cool, empty, and neat.

I should be used to kissing you goodbye

By now.

But I’m not.

I want you to come home, kiss me good-night,

And lie beside me till I hear the reassurance

Of your warm breathing,

The rhythm of your sleep,

The sure, sweet, safe knowledge

That you are here

And always will be.

 

 

Karen |kphillipsoAT NOSPAMaol dot com

 

*****

 

Awaken

 

The Man in the Moon knows.

He stays up past dawn

To watch us.

 

The morning doves

Nest near our window

For inspiration.

 

And daffodils

Bow in our direction,

Accepting the warmth.

 

While the world

Is aware of

Our love,

 

We are oblivious

To all but

Each other.

 

 

Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com

 

*****

 

How to Write a Love Poem

 

Choose an iambic vessel for your pleasure

An octave and sestet for good measure

A dash of onomatopoeia will suffice,

Boom Boom,’s too much, but pit-a-pat is nice.

Ask for my heart. Surely I’ll recognize

Synecdoche and give the rest as prize.

Love, dove; strife, life—use no rhymes so cliché;

Choose simplest words for what you have to say.

 

Give love its legs, you must personify

A living thing, but do not let it die.

Don’t mix your metaphors, but be direct

Use similes as well that may reflect

A view of love by what it most resembles

And spice it up with literary symbols.

 

But don’t dare use the least hyperbole

If you want to get within a million miles of me.

 

 

Nancy |nposeyAT NOSPAMembarqmail dot com

 

*****

 

Tell me Saturday,

Monday, Wednesday afternoon;

Tell me riverside,

Mountain, desert canyon, sea.

Lover, tell me – and soon, soon.

 

 

ck |kephartceAT NOSPAMhotmail dot com

 

*****

 

Sweet apple blossoms

and succulent plums

sit tired and spent beside us

on a now stained picnic

blanket. And you lace

flowering white in my hair

as the pulpy red hearts

disappear across the grass.

And we wrap ourselves in sheets

of light and hold each other

firmly by the core.

And the sun sinks into universal dawns

as you whisper those

plum somethings in my

blooming ear.

 

 

Khara House |leftnwrite08AT NOSPAMyahoo dot com

 

*****

 

The volume could be lower.

Silence would be best.

Tonight the History channel

vies with ESPN. World War II

echoes around me as I try

to write a love poem, today’s

poetic aside.

 

Serious tones announce German attacks.

Next voices rise with excitement:

the 76ers have won a NBA game. Innings pass;

76,000 men are taken prisoners.

I think love is here

in this rented room,

in the words I do not speak,

in the poem I don’t write.

 

 

Beth Camp |bluebethleyAT NOSPAMyahoo dot com

 

*****

 

I’d Like To Take You To Dinner

 

At the Rockin’ Comet Diner

the waitresses wear t-shirts

that say, “Nothin’ could be finer,

than this Carolina diner,”

and we sit at a small chipped table

crowded with condiments

and a dented napkin holder.

 

You order liver and onions,

I get fried green tomatoes and fried okra

because this a Southern diner, after all

and Southern food is all about fried,

but we skip dessert,

which might have been banana pudding,

partly because we’ve eaten enough

and partly because we can’t wait

to get home.

 

 

Beth Browne |womenswritesAT NOSPAMinbox dot com

 

*****

 

In Tent

 

Bluejays riot in the campsite:

s'more debris, hot chocolate powder

and apple peels overlooked in last

night's rush to bed are their morning

feast.

Eventually we will

have to open the zipper,

get up and clean up

the table.

Let's just lay here for now

remembering our own discovery

and content.

 

 

Cathy Sapunor |cathsapAT NOSPAMyahoo dot com

 

*****

 

Green Lakes

 

I wore the sunburn on the back of my neck

like a badge. Earned from an hour spent

in a paddle boat, on that lake. That lake.

The bacteria makes appear it green, the sign said.

A glacier compelled by invisible forces,

carving into the soft pre-history earth,

made it deep. And the sunfish swimming

just below my floating body, made me scream.

You laughed pulling me to you.

I said i hated you, for not telling me it was there.

Your face found the curve between my neck and shoulder.

My feigned fury dissolved into the water.

Days like that, never last forever.

 

 

Crystal Cameron |crystalclouded731AT NOSPAMyahoo dot com

 

*****

 

geese bring the

spring time

back with them

their V across

the sky ripping

winter in pieces

with them comes

earlier dawns

later sunsets

rising of sap

blood courses faster

there are those

who would waste

these hours

but in your company

they seem all too

short I watch you

more through the

honey light and

feel my heart swell

and open like

the buds of

lilacs that

wave behind you

in our window

 

 

halfmoon_mollie |tamsinAT NOSPAMtwcny dot rr dot com

 

*****

 

The Awakening

 

I wake to the curve

of a familiar hip,

draped with a swath

of modest sheet…

nakedness reveals all

and sometimes that is too much,

in the morning light

this baring of body and soul.

And filtered through the

blinds, horizontal punctuation marks

of last night’s encounter

are reminders of spent love.

 

You turn,

the sheet slips away

and in the first rays of

consciousness

I know why I am here.

 

 

anne |atkrakAT NOSPAMyahoo dot com

 

*****

 

Lust and Exhaustion are lovers,

they stay up all night, every night

it’s like being young again, only

they are not. Lust drives to work

in the early morning light, moon

sharing the sky with the rising sun,

too tired to see straight, thinking

half of what I’m feeling isn’t love,

it’s sheer exhaustion: The gritty eyes,

the illusion of floating off the ground,

the champagne bubbles in the chest.

Back in her apartment, Exhaustion

rolls over in her sleep, smiling.

 

 

Kate |kberne50AT NOSPAMhotmail dot com

 


Poetry Challenge 2008 | Poets
5/12/2008 9:43:45 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Saturday, May 10, 2008
Poets Have Mothers, Too!
Posted by Robert

And if you're looking for a brilliant, cost effective, creative and last minute gift for Mother's Day, do what I plan on doing for my mother: Write her a poem.

Actually, I'm going to go a few steps beyond that. First, I've written the poem. Second, I will get one of those two-picture frames tomorrow. Third, I will insert the poem into one half of the frame. Fourth, I'll insert a picture of my two brothers and I in the other half.

Wow! Super easy. Super cheap. Super creative. And super last minute. But I guarantee you my mom will be knocked off her feet and overcome with emotion.

(Note: While this kind of gift usually works with moms, it's sometimes frowned upon by the dads. Better to stick to your usual gameplan of a tie and a Father's Day card that farts or burps.)

 


Advice | Commentary | General | Personal Updates
5/10/2008 7:32:16 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [9] 
 Friday, May 09, 2008
Thank You IRS!
Posted by Robert

While I'm not sure how much this stimulus/rebate thing-a-ma-bob is actually going to help the economy (just as I was skeptical of the earlier stimulus check that apparently didn't help out), I'm more than happy to have received a bounce in my checking account this morning. Yay!

I know not everyone who reads this blog is from the United States. So I'm sorry you don't get the crazy cash influx, but for those poets who are expecting (or have already received) a rebate check, let me give you an idea of how you might invest some of this money.

  1. Subscribe to a literary journal or three. Not only is it good reading, but you'll be learning what poems each journal wants. Plus, you'll be supporting the poetry community, which helps everyone from the poets to the publishers.
  2. Buy some Forever stamps. Check with your local post office to verify, but these stamps can apparently be used forever--despite any increases in First-Class stamp rates. So, you could stock up now on the stamps you can use to mail your poetry submissions forever.
  3. Purchase poetry supplies. Go ahead and buy surplus amounts of your favorite pens, pencils, pads of paper, erasers, etc. Heck, get a huge dry erase board that you can turn into a brainstorming or draft board for your poems (or a great place to doodle while you're thinking of a poem).
  4. Attend a writing conference or workshop. Why slowly save for a conference or workshop experience when the government is sending you enough money to cover the expenses of most events now? This could be your once in a lifetime chance to really connect with other writers.
  5. Build a Web site. Personally, I've thought about using some of my rebate check to finally create my own site to highlight my achievements (or lack of achievements). Web sites are great, because it allows you to give people a destination to find out more about you, your publishing efforts, and more.

Of course, another option is to use the rebate to pay for the skyrocketing prices of gas and food. Yesterday morning, I was dumbstruck by the price of regular unleaded: $3.79 per gallon. Say what?!?


Advice | Commentary | Personal Updates | Poetry Publishing
5/9/2008 9:58:13 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [10] 
Day 19 Highlights
Posted by Robert

On Day 19, I asked you to write a poem about a memory of yourself that you personally could not remember. For instance, something from early on in your youth, from blacking out because of drinking or medication, or from just having a horrible memory, I guess. I used some anecdotes from my youth and something I said in my sleep, for instance.

The poems you came up with were awesome. There's always so much honesty and passion behind these poems. And they ran the gamut--from terrifically funny to terrifyingly tragic.

*****

 

Four lives before age six

 

I recall reaching

For the orange cup.

But don’t remember

How the bleach burned

Going down my throat.

 

I see the storm door

In my mind’s eye.

But don’t remember

Going through it

arm first.

 

And I see the pavement

Pass inches below

My nose,

But don’t know how

The car door opened.

 

And I don’t remember

Falling from the

Second-story balcony.

But still feel the cool grass

Beneath my broken shoulder

 

 

Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com

 

*****

 

Night Terrors

 

When I was a little girl,

One night I awoke

On the kitchen table

Beside the salt and pepper shakers.

 

My mother tells me

I used to dive bomb

Out of my crib,

That she could not build

High enough walls to cage me.

 

If anyone nears my eye

With a finger or brush,

I immediately recoil and tear.

 

My mother tells me I ran

Directly into her extended finger

Around the age of three.

I retell this forgotten story

As my mother stabbed me in the eye.

 

My father made hamburger

Of my fist as I placed my hand

In greased pan. Sometimes I wake

With heated palms. I would later dream

That my sister was cooking our mother

And our mother was still talking to us.

 

But the oddest of all memories

Is a white dress hovering

In the linen pantry mirror,

And my mother asking me

Why I was in the closet that night.

 

 

Bonnie MacAllister |bmacallisterAT NOSPAMearthlink dot net

 

*****

 

The Last Time I Leaned out a Window

 

It was one of those New York days

when steam rises from the sidewalk.

Warm air, oppressive as a wool blanket,

drifts through the open window.

 

I hear barking in the courtyard

six floors below. I climb

on the sill, lean out the window,

stare at the snarling dogs.

 

Large hands pull me back,

turn me over a cotton-clad knee

and, for the first and last time,

spank me.

 

 

Margaret Fieland |infoAT NOSPAMmargaretfieland dot com

 

*****

 

The Recipe

 

You tell me

I recite recipes

in my sleep.

 

Last night

I was out of tomatoes.

 

You asked

crushed? or chopped?

 

I replied

get out of the kitched.

 

 

Shannon Rayne |shanpidAT NOSPAMshaw dot ca

 

*****

 

Humble Beginnings

 

What Mom remembers is that

on the day of my birth,

since I was the fourth child,

I came very suddenly and

she barely made it the fourteen miles

to the hospital.

She didn’t have time to

wash up the hand-me-downs so

she had to bring me home in

a tattered sweater.

She always felt bad about that.

 

Dad remembers that I was born

on the first day of squirrel season,

and he kept falling off a stump

from being so sleepy

from staying up all night.

 

When my children were born

I tried to tell them more interesting

stories about their births.

 

 

Connie |CoFun77AT NOSPAMyahoo dot com

 

*****

 

Retribution

 

My forty year old son

reminds me of the time

after supper

I threw the dishes

and broke most every one

because I was angry

at his father

over something

he did/didn’t do

three years before

I divorced him

and the reason

he remembers

after all this time

is because he still

thinks it’s funny

that my only comment

was “At least

they were dirty.”

 

 

Linda Brown |llbrownAT NOSPAMembarqmail dot com

 

*****

 

Grandpa