# Friday, June 20, 2008
Sample Cover Letters for Poetry Submissions
Posted by Robert

After more than 12 years of writing, I finally felt confident enough to start submitting my poetry around for publication in January of 2006. Since then, I've had around 20 poems published in print and online journals--quickly growing more as both a writer and a submitter of poems.

Writing the poems is the natural part of submitting. I love writing poems, and I've been teaching myself to be harder and harder on what is ready for submission and what is not. But the less natural, though technically easier, part is preparing the submission.

First off, you should always follow the submission guidelines of the journal or magazine to the T. If a publication states they only accept submissions by traditional mail, then only submit by traditional mail. If an editor says no attachments on email submissions, then don't think you will be the one exception that doesn't get deleted without being read.

Secondly, there is the cover letter. It used to intimidate me to no end. I felt I needed to crazy creative, impressive, and fun to be around--all in one brieft letter that accompanied my poems. Actually, all the cover letter really does is prep the editor for the submission. Cover letters do not get poems accepted, but they can get them rejected by knocking an editor off balance before reading them.

So I thought I'd share samples of my cover letters for the poets who don't have much experience with them. Feel free to take what I've written and personalize it with your own information. Over time, as with writing poems, you will find that you develop your own style and voice with these simple little letters.

Traditional Mail Cover Letter Sample

Dear Poetry Editor.

Please consider the enclosed poems--"Watching the Ice Melt," "My Father," and "Relevant"--for possible inclusion in a future edition of Dayton Quarterly. After reading several sample poems online and the most recent print edition (especially work by emerging poet J. Alfred Prufrock), I feel like my work may be a fit with your publication. 

I'm the editor of Writer's Market and co-founder/sole contributor to the Poetic Asides blog at http://blog.writersdigest.com/poeticasides. My poems have been published in several print and online publications, including MEAT, Words Dance, Otoliths, and MiPOesias (Cafe Cafe Edition).

Thank you in advance for your consideration.

Robert Lee Brewer

Email Cover Letter Without Attachments

Dear Poetry Editor.

Please consider the following poems (included within the the email message as requested in your guidelines)--"Watching the Ice Melt," "My Father," and "Relevant"--for possible inclusion in a future edition of Dayton Quarterly. After reading and enjoying several poems online (especially work by emerging poet J. Alfred Prufrock), I feel like my work may be a fit with your publication. 

I'm the editor of Writer's Market and co-founder/sole contributor to the Poetic Asides blog at http://blog.writersdigest.com/poeticasides. My poems have been published in several print and online publications, including MEAT, Words Dance, Otoliths, and MiPOesias (Cafe Cafe Edition).

Thank you in advance for your consideration.

Robert Lee Brewer

Email Cover Letter With Attachment

Dear Poetry Editor.

Please consider the attached poems--"Watching the Ice Melt," "My Father," and "Relevant"--for possible inclusion in a future edition of Dayton Quarterly. After reading and enjoying several poems online (especially work by emerging poet J. Alfred Prufrock), I feel like my work may be a fit with your publication. 

I'm the editor of Writer's Market and co-founder/sole contributor to the Poetic Asides blog at http://blog.writersdigest.com/poeticasides. My poems have been published in several print and online publications, including MEAT, Words Dance, Otoliths, and MiPOesias (Cafe Cafe Edition).

Thank you in advance for your consideration.

Robert Lee Brewer

*****

As you can see the basic language does not need to change drastically from one cover letter to the next. However, you do want to make sure you actually study each publication before submitting. It takes hard work, but just blasting out submissions without no thought is a waste of time, paper and postage (or digital space if you're submitting online).

More publications are beginning to accept submissions only through online submission forms. The same rules of cover letter writing apply with these as well. And don't worry about your bio paragraph: Just keep it honest and not overly long. For instance, I could've just as easily used this as my bio paragraph when I was in college:

I'm a full-time student and part-time ice cream scooper with a passion for reading poetry. Currently, my favorite poets are Bob Hicok, J.D. McClatchy, and Louise Gluck, though I'm also fond of Dr. Seuss.

Bios matter most to the poets who write them. Editors care about the poems. So just remember that when writing your cover letters, and you'll be A-OK.

 


Advice | Personal Updates | Poetry Publishing
Friday, June 20, 2008 3:12:48 PM (GMT Daylight Time, UTC+01:00)  #  Comments [12] 
# Thursday, June 19, 2008
Getting Them Started Young
Posted by Robert

Both of my sons are participating in a summer reading program with the Preble County library system in Ohio. Among the various activities they've been asked to complete was writing a poem. While I was planning to work with them on that this weekend, imagine my surprise (and joy!) when they both already put together poems with their Nana (my very nice ex-mother-in-law).

Both Benjamin and Jonah not only wrote their own poems, but they had them committed to memory--something their own father can't even do (we Brewers are mostly a forgetful lot). As with most firsts for the duo, I never felt more proud to be their Daddy.

Here's what they wrote:

A bug had a friend named Smug.
They dug in the rug for some slugs.
Then, they gave each other a hug.

-Benjamin, age 6

Once there was a spider
who was a ghost rider.
He went very fast,
and he had a blast!

-Jonah, age 5

While they were both very pleased with themselves for putting together their first poems, Jonah confessed, "Daddy, writing a poem is hard work." My little 5-year-old sounds like he's ready to start teaching creative writing.

 


Personal Updates
Thursday, June 19, 2008 2:25:46 PM (GMT Daylight Time, UTC+01:00)  #  Comments [11] 
# Wednesday, June 18, 2008
Wednesday Poetry Prompts: 007
Posted by Robert

Recently, I've been watching a lot of sci-fi and horror films with my boys, who both totally love the Universal horror flicks as much as the Steven Spielberg films (E.T., War of the Worlds, Jaws, etc.). Anyway, in many of them, I've noticed the movie is based around the concept of an invader coming into an area that is unprepared for someone (or something) new--often, it's a scary monster with sharp teeth and claws, bolts sticking out of his neck, or, well, you get the idea.

For today's prompt, I want you to write an "invasion" poem. It doesn't have to be scary. It can be about how the right person invaded the walls of your heart or mind; how weeds are marching into your flower bed; or the non-stop invasion of Starbucks and Target (some Target locations even have a Starbucks inside the store--talk about spooky).

Here's my attempt for the day:

"They're coming to get you"

Kudzu spreads across the south covering
fences, trees and signs--covering the ground

even. And then, from the north, gypsy moths
strike at the hardwood trees--knocking hemlocks

and conifers down without a fight. Bees
begin disappearing, because they've had

enough. But cicadas will still rise from
the earth to undress, shake their timbals for

both love and distress--confess their long lives
underground as nymphs were filled with longing

to emerge and live. And when they find life,
they make life, which burrows deep in the dirt

waiting for their chance to some day rise.


Personal Updates | Poetry Prompts
Wednesday, June 18, 2008 3:58:03 PM (GMT Daylight Time, UTC+01:00)  #  Comments [109] 
# Tuesday, June 17, 2008
All Apologies
Posted by Robert

I just want to apologize for a brief absence on the blog here--almost a whole week gone, eh? But as I was instructed as a young lad, if I ain't got nothing good to talk about, then shut my trap. Or something like that.

Anyway, the past week has been busy for me. After barely submitting anything since last October, I've put together 12 separate submissions for 12 separate journals. My goal is to have an acceptance to report by the end of the calendar year. And with a recent nice rejection from The Pedestal, I'm thinking it's possible. Maybe.

As far as this blog is concerned, I've got some interviews with poets lined up, and a few other ideas buzzing around in my head. So I think this brief dry spell will soon be at an end. And anyway, when there's nothin' else goin' on, there's always Wednesday (tomorrow!) and the poetry prompt.

So that's my update--until tomorrow. Hope everyone's having an outstanding June!

 


Personal Updates
Tuesday, June 17, 2008 7:46:44 PM (GMT Daylight Time, UTC+01:00)  #  Comments [4] 
# Wednesday, June 11, 2008
Wednesday Poetry Prompts: 006
Posted by Robert

There are many reasons people write. For instance, some just wish to communicate; others write for money; still, more than a few write to be remembered--or even be the inspiration for another to take up the pen (or keyboard, since pen is soooooo last century).

For this week's prompt, I want you to write a poem with the following title: You're the reason I (blank).

You get to decide what the blank is AND who the "you" in your poem is. For instance, you could write a poem called "You're the reason I ride a bike to work" that is directed at whoever's to blame for the rising price of gasoline, or you could pen (again with the penning!) a piece titled "You're the reason I don't attend weddings anymore" directed at someone who ruined a wedding (or perhaps, an ex-spouse). Anyway, I think this one should be a fun poem to write. So get at it.

Here's my attempt.

"You're the reason I'm afraid of heights"

Or, at least, the reason I used to worry
during games of kickball that the ball
would roll into the street just as a car
drove by and that as the car swerved
it would hit the curb in such a way as
to flip upside down and crash across
the fire hydrant sending a tower of water
into the air and street gutter that always
seemed to back up. The flipped car
would then, of course, catch fire--maybe
even explode. Maybe even smack one
of us children. Possibly kill us all, because
we wouldn't be ready for it. Except I
was ready, always ready for the worst.
Always ready for a kickball catastrophe,
a recreational apocalypse. And then,
there would be nothing left to do
as the water sprayed into the air,
the car burned, and the bodies writhed
upon the ground, but to wander over
to the kickball and pick it up. Maybe
splash around in the water collecting
in the gutter, waiting for an ambulance
and fire truck. Waiting for backup.

 


Personal Updates | Poetry Prompts
Wednesday, June 11, 2008 4:29:00 PM (GMT Daylight Time, UTC+01:00)  #  Comments [66] 
# Monday, June 09, 2008
E-mail Shenanigans
Posted by Robert

The hot weather must be driving all the crazies inside and into their e-mail accounts. I received a plethora of weird e-mail messages today, but I'm not going to focus on the weird here; instead, I'm going to share two e-mails that I thought might be relevant to poets. If I've harped on these practices before, I apologize in advance, but...

*****

The first e-mail opened with a line that always makes me cringe: "Dear Sirs."

For the record, never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever open your correspondence with "Dear Sirs"--or "Dear Gentlemen," for that matter. If you don't know the editors name, just open with "Dear Editor."

The actual e-mail message itself is not as important or as memorable as this opening faux pas. If you do this in a cover letter, you could totally shoot your submission in the foot before the editor even gets a chance to make a call on your actual poetry.

*****

The second e-mail started off with a bad opening, too, in "To Whom It May Concern." Again, if you don't know, just use "Dear Editor." But the opening was not the bad part of this e-mail, because hidden within was the following question: "How can I go about making money off my poems without losing my rights and ownership of my writing?"

There are multiple parts to that question. First, there's the whole making money off poetry thing. That's just not how poetry works. Sure, there are places that pay for poems and contests with monetary awards, but poetry is not a type of writing that is self-sustaining for most poets. So it's always silly to talk about poetry in terms of money; if you want to make money writing, write nonfiction.

Second, there's the whole losing rights and ownership of writing thing. While submitting your poetry to a publication can often give that publication the first publication rights to your poem, you retain all other rights unless you actively sign them away (something I would never advise any poet doing under any circumstances).

*****

So poets can rest easy about losing rights and ownership of their work, and they can quit deluding themselves into thinking major money is just a submission away. And if you're not sure who to address your cover letter when submitting poems, remember to keep it simple at "Dear Editor"--or even "Dear Poetry Editor."

 


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Monday, June 09, 2008 6:42:04 PM (GMT Daylight Time, UTC+01:00)  #  Comments [3] 
A few interesting titles...
Posted by Robert

I was playing outside with my sons most of this weekend--and I've got sunburn to prove it. For me, it gets hard to do any reading at the beginning of summer, because I feel like I've got to be out doing stuff. However, there always comes that point when I feel like I need to read--or else! So, I was pleased to see two possible titles for me to check out when that point hits this summer.

* Poetry: Read It When You're Drunk, by Dwight Garner from The New York Times Paper Cuts blog, reviews Quote Poet Unquote: Contemporary Quotations on Poets and Poetry, edited by Dennis O' Driscoll.

* A long flowering, by Jonathan Pitts from The Baltimore Sun, takes a look at the friendship between poets Elizabeth Spires and the late Josephine Jacobsen, as well as the "chapbook" Spires published of Jacobsen's work. Jacobsen once served as Consultant in Poetry to the Library of Congress--the position now known as U.S. Poet Laureate.

*****

And as long as I'm leading you to those titles, I guess I should share a great collection I recently read (because even when I'm not reading I am still reading): Queen for a Day, by Denise Duhamel (University of Pittsburgh Press). In this collection of selected poems, Duhamel includes some of her finest work from her early collections (through 2001, I believe). If you can find it, check it out.


Personal Updates | Poetry News | Poets
Monday, June 09, 2008 3:40:40 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
# Friday, June 06, 2008
Open Books: A Poem Emporium
Posted by Robert

Recently, we sent the 2009 Poet's Market to the printer for a July release (actually, it's due back on my birthday of July 18, funny enough). In the book, there's an in-depth interview with the owners of Open Books--one of only two poetry-only bookstores in the country. While the following article isn't as thorough as the one in Poet's Market, it is a nice profile and should help hold you over until the 2009 Poet's Market hits the shelves.

http://thedaily.washington.edu/2008/6/5/local-bookstore-brings-poetry-shelves/

It's really amazing, when you think of it, that so many very good independent bookstores are having to close up shop after years of great service, yet here's a poetry-only store staying afloat. To learn all their secrets to success in owning a bookstore, marriage, and managing their own poetry careers, be sure to read the article in the 2009 Poet's Market later this summer.

*****

Also, here's a link to their Web site: http://www.openpoetrybooks.com/

 


Personal Updates | Poetry News | Poets
Friday, June 06, 2008 4:28:13 PM (GMT Daylight Time, UTC+01:00)  #  Comments [4] 
# Thursday, June 05, 2008
Rejection IS better than nothing
Posted by Robert

Was talking to another editor yesterday about Novel & Short Story Writer's Market--which is my current top priority project at work--when she, a fiction writer, mentioned that she had received two rejections in the past week. Suddenly, I felt envious--she was, at least, receiving rejections. She, at least, was submitting her work. I have not been submitting at all.

There's no excuse. I can say I've been busy with work; I can say I've been busy writing; I can say I've been blah-blah-blah; but the simple fact is that I've just not been submitting. I haven't been taking care of that part of my creative side. And it's an important part.

After all, there are more benefits to submitting your work than just receiving an acceptance, publication, and--rarely, though I hear it does happen--payment for your poetry. In fact, I've found acceptance is sometimes disappointing, because as my girlfriend likes to say, "I've lost that poem and can't submit it anywhere else."

Here are the benefits of submitting:

* Acceptance. This is always the goal of submitting: to be accepted and for people to read your work.

* Feedback. A few times, I've had poems rejected, but received a little feedback on the poem and/or some words of encouragement, such as, "This one nearly made the cut," or, "We really liked this one, but it didn't fit." While this is not an acceptance, it can definitely fire you up to get that poem (or poems) back in the mail (or email) to another publication.

* Rejection. It sounds silly to think that receiving a form rejection could be a benefit. After all, not only are you being told you didn't make the cut, but there are no indications that you were even in the running. Total. Complete. Bummer. Right? Not exactly. If you approach rejection from the correct angle, it's validation that someone read your work. It's also a testament to your hard work ethic and effort in trying to get published. It's also a challenge to look over your poem(s) again--should it have been rejected? Are there ways to improve? If yes, then do it. And re-submit. If no, then re-submit and show that you're the tough (and professional) kind of poet who will persevere through rejection.

The worst is when you receive nothing--especially when the reason you receive nothing is that you haven't been submitting. That's akin to saying, "I don't care." Which is fine if you just write for yourself, but if you want to reach out to others and give them one more voice to consider, if you want to touch at least one other person and let them know--hey, I've been there, too--then please do yourself a favor and submit your work. There's really no excuse not to.

And now, I'll get off my soapbox and start practicing what I preach. After all, how am I going to add to my credit list if I don't have any submissions out making the rounds? Geez!

 


Advice | Commentary | Personal Updates | Poetry Publishing
Thursday, June 05, 2008 2:41:19 PM (GMT Daylight Time, UTC+01:00)  #  Comments [8] 
Day 21 Highlights
Posted by Robert

That's right! I have not forgotten there are still 10 days of highlights left from the April PAD Challenge--well, actually, 9 days after this one. :)

For Day 21, I asked poets to write a "snooping" poem where they take some overheard conversation and work into a poem. Here are the highlights.

*****

 

Listening to Life

 

As I passed by the

corner booth in the

all-night diner I heard

the girl say "be sure to

be on time" and he said

"I will be but you be sure

to have the bathtub filled

with spaghetti" and for the

first time in my life I realized

that adventures I didn't understand

were going on all around me.

 

 

Alfred J Bruey |ajbrueyAT NOSPAMaol dot com

 

*****

 

The Properties of Imaginary Space

 

Balloons in pink and green

rest still by the fronds of time

the emergent behavior of aliens

is not that of predation

in the constrained dynamics

of the way things are.

 

But the conversation moves on

and those in its wake

blink and wonder

when the coffee will be drunk

and whether the square root

of negative one is of any consequence

to the niche we fill.

 

 

Beth Browne |womenswritesAT NOSPAMinbox dot com

 

*****

 

Quien sabe?

Who knows?

I pick up a bit here

a bit there

(Isn't that what Tonto said

just about every week

to the Lone Ranger?)

what else did she say?

Quien sabe?

 

Poco a poco

Little by little

living in Mexico

has gotten through my

stiff United States

psyche so I can

be happy

poco a poco.

 

Ni modo.

No dice

it translates in my

Spanish English

English Spanish

dictionary

but what they mean is:

oh well

that's how it is

ni modo

 

Poco a poco

we pack to leave

Quien sabe

when we shall return

Ni modo

this not knowing.

 

 

Kimberly K |kekinserAT NOSPAMmac dot com

 

*****

 

What a Week

 

Don’t they think we know anything?

These kids say four-twenty like it’s

Some secret code known only to Gen-Y.

The snickers they think go undetected

Don’t.

Why, I haven’t gone to work on four-

Twenty since Columbine; I haven’t flown

Since before nine-eleven,

Since Katie was born.

They may find amusement in that

Holiday that Hallmark forgot,

National Pot Smoking Day,

But those of us who catalog

These things think of

Hitler’s birthday, Waco,

Columbine. Knowing the eerie

Play of anniversaries, we hold

Our breaths—

At least one day until Earth Day arrives.

When our world goes green,

We don’t plan to dry it and

Keep it in a Ziploc.

 

 

Nancy |nposeyAT NOSPAMembarqmail dot com

 

*****

 

The Pope's in Town

 

"Where are my papers?"

asked the lady with the wild eyes

who came to court with a sitting stool

to make sure her son, his many voices

making chaos in his head, gets a fair hearing.

But it's never fair,

not for her golden-hair boy,

held at Rikers for brandishing a knife

at a Starbucks in Midtown;

not for her,

and the class she'll almost certainly fail

because she can't keep her notes straight,

or finish the tests,

or keep track of papers.

 

Nor is it fair, during this glorious

springtime in Manhattan,

(did you hear the Pope was in town?)

the magnolia trees blooming on Fifth Avenue,

the crowds wildly waving flags

for the man in white,

who has a surprising look of delight

on his stern face,

that she must go home without her son.

"Where are my papers?" she asks the lawyer,

who tries to be patient,

knowing she can't save her son, nor can he.

 

 

ann malaspina

 

*****

 

Overheard Conversation/Mom and My Brother

 

“Did you try to see him?” I heard her ask,

and I think she was nervous. “Once. He

chased me away with a shotgun. Told me to

get off his property.” I’d heard them talk before

about my brother’s real father, not the name

on the birth certificate, but the husband

of her sister. They were divorced now, and

he lived on a small patch of land in a small

trailer. “Did he know who you were?” I don’t

know if they even remembered I was in the

back seat. “Yeah. I told him. He didn’t care.”

I sat in silence, like I had so many times as

a kid. “Well, you tried.” But here I was, an

adult and still sitting on the outside, “Yeah.

I tried at least. All I can do,” listening in.

 

 

Susan M. Bell |maylandwritersAT NOSPAMgmail dot com

 

*****

 

Behind the Register

 

Lines form at all the cashiers.

Naturally my friend and I

Pick the wrong one

 

We’re next but the young cashier

Is busy flirting with the male cashier

To her right

 

The merchandise sits on the

Counter like a purchase mistake

That no one wants

 

“Ooh, I just got a paper cut.

Do you think it’s going to bleed?”

She asks the male,

 

Batting her eyelashes. Her nails are

Bent over the tops of her fingers

Like my dog’s claws

 

“Well, they don’t always bleed,”

He says. She lifts the afflicted finger

In the air and

 

Bravely rings up our purchase

All the while pushing at the

Cut. “Oh I know

 

It’s going to bleed and I hate

Blood. “If it bleeds,” he says,

“You can leave early.”

 

She smiles and deftly places the aging

Item in a bag, staples the receipt, and

Hopes for blood.

 

 

Sara McNulty |smcnultyAT NOSPAMsi dot rr dot com

 

*****

 

“Hon, have a dime?’

 

She hiked up sagging hose,

pink lines snaking up brown arms,

and as she bent over

her skirt bunched in the back

 

and her mouth split open

into a snaggled-tooth grin

and a crooked cackle that floated

over the low roar of vendors

 

hawking, “turkey wings

two bucks each” and “get your

dry roasteds here.” The man,

austere in grey pinstripes,

 

black wingtips, and a frown,

stepped ‘round her cairns

of blue plastic and brown paper

and rolling malt empties,

 

shaking his head with a “no money,

sorry”, fingering his back pocket

as he stood in line for a Mary

Mervis roast beef special.

 

 

Linda |drwasyAT NOSPAMgmail dot com

 

*****

 

Coming Together

 

Gleeful Guy starts gathering them around.

“Com ‘ere, come ‘ere, come ‘ere…”

“See how comfortable these chairs are

when you *first* sit in them?”

He spins, leans back,

gleaming at the gathering cubical lemmings.

“Are you kidding?”

a nerdy lemming responds

bumping Gleeful Guy aside

to maniacally type away.

“Check out this video of a pole dancing class

that ends in a chick fight!”

“I’ve got one now,”

says the Blonde, sliding between them,

easily taking over. Then she

frowns, stares, sighs.

“Okay; that’s impossible.”

“Did you forget something…again?”

Pole Dancing Guy, dripping with sarcasm.

“She’s just twitterpated,” Gleeful Guy jumps in

thinking he’s chivalrous.

“Poor thing,” Disdainful Dame says

watching,

arms folded,

entranced by the whole thing anyway.

“Where is everybody?” the Boss’s voice rings out.

“I got an urgent message.”

Workers scatter like cockroaches,

caught

under sudden, harsh,

unexpected light,

while a distant voice says

“What do you mean you’re going on vacation?”

 

 

Rox |babayagaAT NOSPAMbaymoon dot com

 

*****

 

Did something crawl into you too

 

You watch

The bird

On the wind

Soaring

High above the world

Looking down

On the ones it passed

On it’s way up.

You see the butterfly

Emerging from it cocoon

And taking flight

And the caterpillar

Crawling into its nest

Of silken fibers

Ready for its transformation

And you see the worm

Chewing its way

Into the heart

Of the peach

Hiding, destroying, corrupting

And you

You are that worm

Or did something

Crawl into you too?

 

 

Anahbird |anahbirdAT NOSPAMhotmail dot com

 

*****

 

You’re Not My Friend Anymore

 

The good morning song

is interrupted by fatal words

proclaiming the dissolution

of friendship between

one five year old and another.

In Kindergarten, solidarity

is a tenuous proposition

hinging on simple acts:

the reclaiming of an offered toy

a decline to share fruit roll ups

or the choice to sit next to

someone else.

 

 

Renee Goularte |share2learnAT NOSPAMsbcglobal dot net

 

*****

 

Why Can’t I

 

But, why can’t I stay home with dad

“Because I said No”

I promise not to drive him mad

I don’t want to go

Grandma’s so boring

Besides, when she gets mad

she starts ignoring

Why can’t I stay home with dad

He’s more fun

I promise not to be bad

anyway, I’m not the only one

Dora, Misery and Wojo

get on his nerves

I don’t want to go

If I promise to be good

I’ll bet if you ask him he would

Go ask him, betcha’ he’ll say yes

I won’t just be good, I’ll be the very best . . .

 

©Rodney C. Walmer 4/22/08

 

Rodney C. Walmer |wasitchuAT NOSPAMoptonline dot net

 

*****

 

“We’ll have some kind of opening something. Something will happen.”

 

Something doesn’t tell me anything.

Something could be one thing or nothing.

The world is full of somethings.

But please give me something, anything.

Everything is a something.

And something could be anything.

So please give me something that’s not anything.

And I’ll be able to figure out what the heck that something is.

It could be everything.

 

Something will happen?

I know something will happen!

But that something could be anything.

That something is everything.

If that something is nothing, that’s something.

I need to know if that something will be nothing.

I need to know if that something will be one thing or another thing.

I need to know if that something could be everything.

 

 

KP |kerritothepointAT NOSPAMhotmail dot com

 

*****

 

HAWAIIAN EARRING

 

He spends his days developing

theories of of geometic topology, his nights

playing video poker and occaisionally

his wife coaxes him to step

out of the darkness to pour wine for guests

he won’t look directly in the eye.

 

“I’d do that,” he says of walking

the length of the Appalachian trail,

not to prove himself against the distance

or immerse himself in wildness, but

for the routine, to get up each morning

knowing you will walk thirty miles,

the only way is forward.

 

 

Devon Brenner |devonAT NOSPAMra dot msstate dot edu

 

*****

 

My trip to Phoenix was a disaster

I got this present for you in Sedona

This little bead of a bone cat that sleeps

Trimmed in rough polymer paint

With whiskers of black and cheeks of peach

a little old 96 year old woman makes these.

You can do with it what ever you want

I just used the string to get it to you

My daughter was mean

Said I was repeating myself

Said I couldn’t watch her children

I’m not trustworthy

I finally told her

“Bite me”

 

 

Barbara Torke |sparkyspiderAT NOSPAMkaycee dot net

 

*****

 

mystery prize

 

we are being

led on a leash

 

all the way

to the back

 

of our cracker-

jack mailboxes

 

sniffing through

the sweet

 

and finding

it's just nuts

 

we are waiting

for the check

 

that balances

out distress; the economy

 

has gone

broke or broken

 

this supposed

free money, dangled

 

hopes and paper

above the masses

 

"is it the key

to controlling

all of mankind?"

 

we are fish

bound to find

the hook, wormless

 

the price

of lives and gas

is a series:

 

games greater

than equal-to

and less-than signs

 

let us wait

patient as dominoes

for the finger

 

to tip us right

over

 

 

k weber |ilovehateyouAT NOSPAMhotmail dot com

 

*****

 

OVERHEARD CONVERSATION

 

Normally I'm not a nosy person,

but sometimes I can't help but snoop.

The other day I couldn't resist,

listening in on your private conversation.

You were telling your friend about,

how you're cheating behind my back.

I even heard you laughing because,

you believed I would never find out.

You may think that you're very clever,

but here real soon you will realize,

how a scorned woman gets revenge.

 

 

Darla Smith |writer_darlaAT NOSPAMyahoo dot com

 

*****

 

Symphony

 

“I want a piece of quiet,”

you order, just like you order

a turkey sandwich on rye.

So I’ll try to pull out

the piece of quiet, right next

to the slice of serenity.

But my body resists the lock

of stillness—my toes tap,

my fingers drum, I click my pen

in time with the music

I hear in my head.

When you look up, I freeze,

waiting for another reprimand.

But you smile and wink,

“Oh, I love the sound of you.”

 

 

Sara Diane Doyle |saras dot sojournsAT NOSPAMgmail dot com

 

*****

 

'Cause Here's the Thing

 

All you have to do is look interested

I'll babble on about things that might

seem uninteresting to you,

And I'll be completely oblivious.

 

'Cause here's the thing,

Nobody's more interesting than me

I'm in to everything you're not.

I'll interrupt interesting conversations

you're having with someone else

 

'Cause here's the thing,

I never learned social grace

I was too wrapped up in myself

to notice there are rules

Social rules that one learns by doing

'cept I never do it, so don't blame me

 

'Cause here's the thing,

You'll only know me for a short while,

And in that time some nugget of wisdom

or truth may sneak out of my mouth

It might take you a while to figure out

 

'Cause here's the thing,

Something I say will stick in your head

And as you roll it around in there, a

light bulb will come on

And you'll actually learn something from

the experience

 

 

Justin M. Howe |howefitzAT NOSPAMyahoo dot com


Poetry Challenge 2008 | Poets
Thursday, June 05, 2008 1:53:34 PM (GMT Daylight Time, UTC+01:00)  #  Comments [4] 


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