# Tuesday, July 31, 2007
Vacation, Poetry Readings, Rejection, Stamps?!?
Posted by Robert

After a week in the Appalachians, I've got Internet access again. Not sure if that's a good or bad thing. Tomorrow, back to work! (We'll slot that into the good column, though the week did go by a bit too fast.)

*****

While in Georgia, I did happen to wander into a Sunday night poetry reading/open mic at a cool little coffee shop in Decatur. I was thoroughly impressed with the performances and with how so many of the poets knew their lines well enough to recite their work, as opposed to reading their work. Of course, many of the poets were slammers, and that's the name of their game.

If I can remember, I'll be sure to add the name of the place in my blog comments. :)

*****

Returned home to find two envelopes: one from Margie; one from myself to Black Warrior Review.

The Margie submission was rejected personally by editor Robert Nazarene. I thought that was rather nice (and a quick turnaround). I'll be sure to send him some more work in the future.

The Black Warrior Review submission was returned to sender, because I tried sending through an envelope stuffed with poems with only one stamp (as opposed to two). At the time, I thought I'd try sliding it through, because I only had one stamp for the submission after putting a stamp on my SASE--AND I didn't want to "procrastinate" until the next time I made it to the Post Office to buy some more stamps.

Anyway, lesson learned. And tomorrow morning, I'll re-send with two stamps instead of one.

*****

Hope everyone missed me while I was gone. Soon, you'll all want to send me off on another vacation, I'm sure. ;)

--Robert

(p.s. I still need to read the final Harry Potter book!!!!!)


Personal Updates
Tuesday, July 31, 2007 10:59:23 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
Remembering Grandma
Posted by Nancy

I realized when I looked at the calendar this morning that it was 16 years since Grandma Martha died of breast cancer. The night before she passed, I told her (as she lay staring with open eyes--I don't know if she even heard me) that I'd think of her every day for the rest of my life. I'm pretty sure I have. Sometimes it's sheer nostalgia that conjures the memories; other times it's when I discover some genealogical fact about our lineage that would have surprised and amazed her.

At still other times I watch my sister with her kids and imagine the delight my grandmother would have taken in my niece and nephew--and the pleasure (possibly amazement) at the outstanding mother my sister turned out to be. (You see, my sister didn't seem to care much about kids as an adolescent and young adult, and she married after Grandma was gone.)

The poem below is one I wrote about 20 years ago about a special Sunday Grandma and I shared. Sometimes I swear I can still hear her humming those hymns. 

 

AT THE RIVER

for Grandma Martha

 

The Sunday before Grandma’s surgery

we sit along the bank

beside the General Store

at Rabbit Hash.  For an hour

we have debated taking the ferry

to Rising Sun, but the boat

chugs in, chugs out

and we stay put, lulled

by the backwash lapping

the stubbled beach.

 

Grandma talks

about rivers.  Immersion,

she states, is the only

salvation, to hell with sprinkling

over marble basins.  At fifteen,

pregnant, she swam each day

across the shallow tributary

near her home, buoyed

by her extended belly,

until Great-Grandma made her stop.

 

“I never was afraid

of a river,” she swears, eyeing

the ever-present ferry

which seems always to be just

leaving.  We could sit like this

all day, putting crossings off

as Grandma hums snatches

of old-time gospel hymns

where water saves, and the Almighty

pilots the holy ship to Zion.

(from Rites and Observances [Finishing Line Press], (c)2004)

--Nancy


Personal Updates
Tuesday, July 31, 2007 9:28:22 PM (GMT Daylight Time, UTC+01:00)  #  Comments [3] 
If You Write Poetry for Children...
Posted by Nancy

Alice Pope is the editor of Children's Writer's & Illustrator's Market, the premiere market guide for children's writers--including poets.  At Alice's CWIM Blog, she offers "not-quite-daily news and musings." It's a lively place, and in a couple of days Alice will be live-blogging from the annual summer conference of the Society of Children's Book Writers & Illustrators (SCBWI) in Los Angeles. Stop by and see what's happening in Alice's world (and the world of children's books).

 

--Nancy


General | Poetry News
Tuesday, July 31, 2007 3:42:35 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Monday, July 30, 2007
Congratulations to Jared Carter
Posted by Nancy

As I posted earlier this month, Jared Carter was nominated in the poetry category for the Best Books of Indiana 2007 awards. Jared sends word that Cross This Bridge at a Walk was honored with the poetry award, which "was presented by last year’s poetry winner, Karen Kovacik, of Indiana University-Purdue University at Indianapolis. This year’s judges for poetry were Edward Byrne, Valparaiso University; Cornelius Eady, University of Notre Dame; and Michele Fenton, Indiana State Library," reports Jared. He adds that he and his wife, Diane, "wish to thank all those who attended--all those who gave the awards a boost online or in the print media--and all those who sent greetings and congratulations!" More information about the awards and the ceremony are available here.

 

--Nancy

 

Go here for more Poetry News.

 


Poetry News | Poets
Monday, July 30, 2007 6:57:51 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Friday, July 27, 2007
Friday SPAM Poetry Prompt #727
Posted by Nancy

SPAM prompt line: I'm writing to find love

 

Sorry I haven't followed up on my promise to try these prompts myself--I'm a couple of poems behind. I'm going to try to catch up next week.

 

As for this week's prompt: Are you writing to find love? (Romantic love? The adulation of readers?) Are you writing to find something else? Or does "finding" something not enter into your writing at all?

 

For the sake of this exercise, even if you're pretending, say, "Yes, I am writing to find…" Then write a whole series of statements completing the sentence. Write the first thing that comes into your mind, whether it's true or not, whether it makes sense or not.

 

I'm writing to find the truth.

I'm writing to find readers.

I'm writing to find my youth.

I'm writing to find Nemo.

I'm writing to find the solutions to all my problems.

I'm writing to find salvation.

 

Finish these statements for as long as it feels fresh and interesting. When you're done, don't read the list--put it away for a day or two. When you pull the list out, select the statement that intrigues you the most and use that as the inspiration for your poem.

 

(There are no rules here, of course. If you want to group several statements that seem to relate to create a poem, that's fine. If you think your list makes a fine poem as is, or with some tinkering, that's fine, too. And keep the remaining statements on that list for future brainstorming.)

 

--Nancy

 

Go here for more poetry prompts.


Poetry Prompts
Friday, July 27, 2007 9:26:20 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
# Thursday, July 26, 2007
The Blogging Side of Poetry
Posted by Nancy

The new 2008 edition of Poet's Market offers "Roundtable: Poets and Blogs" by Anne Bowling. Featured are bloggers Amanda Johnston, C. Dale Young (Avoiding the Muse), Kate Greenstreet (Every Other Day), Janet Holmes (Humanphone), Reb Livingston (Home-Schooled by a Cackling Jackal), and Jilly Dybka (Poetry Hut Blog).

 

Regarding the question, "What would you warn a potential poet-blogger against?", each blogger had this to say:

 

Johnston: A blog is a public space--always remember that. Know that thousands of people could potentially read and respond to your work. This really is no different than publishing work in books or anthologies, but publishing work to a personal blog makes you more vulnerable; it's more of a risk. 

 

Holmes: Excessive self-exposure. I've seen a few young poets make some very foolish statements on their blogs that will likely haunt them for some time.

 

Dybka: I would caution them against some of the same things that one should be aware of on the Internet in general. Be careful what kind of information you share. Also, have some decorum.

 

Livingston:  Nobody wants to read a blog if it's just a list of publications, accomplishments and upcoming appearances. If that's the only goal, a general Web site is the way to go. Yes, there's a lot of opportunity to direct people to one's work, but if one doesn't have something to contribute, ideas or commentary, a reason for why readers would want to read your blog, there's no purpose in blogging.

 

Young: No warnings. I am always telling people to write what they want to write. If there is an audience for it, they will find you. I tell folks the same thing about writing poems.

 

Additional questions Bowling asks of her panel include "What do blogs offer that general Web sites do not?", "Has blogging affected the form of poetry?", and "Is blogging a helpful tool toward publication." See the 2008 Poet's Market for the entire discussion.

 

--Nancy


General | Poets
Thursday, July 26, 2007 9:09:11 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
# Wednesday, July 25, 2007
Poetry news from here and there
Posted by Nancy

If you live in the Boston, MA area or will be visiting in early November, mark your calendar for The Somerville News Writers Festival V, to be held at the Jimmy Tingle Theater on November 11 at 7 p.m. Featured poets include Gloria Mindock, Dainelle Legros Georges, Irene Koronas, La Galluccio, and Douglas Holder. The 2007 Ibbetson Street Lifetime Award will be presented to Robert Pinksy, former U.S. Poet Laureate and founder of The Favorite Poem Project.

 

A classic 1994 Dave Barry column explores the poetry anthology biz.

 

The poems are out there: poetry about aliens.

 

--Nancy

 

UPDATE FROM LO (not "LA") GALLUCIO (with apologies):

 

Thanks for the mention. I only wanted to let you know that my name is actually Lo Galluccio, not La Galluccio. Although I kind of like your variation. I also have an Italian website at http://unofficiallogalluccio.atspace.com. I'll be reading at Out of the Blue Gallery with Edward J. Carvahlo on August 18th. Again, thanks for the mention and your publicizing the Writer's Festival which I am proud to be part of this year.


Poetry News
Wednesday, July 25, 2007 4:25:42 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
Some Good News!
Posted by Robert

Yes, I'm on vacation, but I also have Internet access tonight. So, of course, I have to share some good news from today. You see, I received my contributor copy of Otoliths issue 5, part 1. To check out the issue online, go to http://the-otolith.blogspot.com and click on the Contents link. Good stuff.

For me, it was a real treat to be published in an Australian publication. Makes me feel all Internationale!

*****

Also, I recently posted another poem on my Faulty Mindbomb project. This time from David LaBounty, who I've seen published more and more recently. Click here to check out his poem "Nails."

*****

Okay, I think I might be leaving soon, and I'm pretty sure I won't have Internet access after tomorrow morning. ;)

 


Personal Updates
Wednesday, July 25, 2007 2:36:36 AM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Monday, July 23, 2007
Bon Voyage, Robert!
Posted by Nancy

As Robert notes below, he's going on vacation. I'm sure readers will miss him, and I definitely will! The nice thing about a blog done in partnership is the advantage of presenting two separate voices--and Robert's voice will be regrettably missing over the next several days.

 

I'd like to add that there's no one who deserves some R&R right now as much as Robert Brewer. He puts forth unimaginable effort editing Writer's Market and WritersMarket.com and deserves high praise for his dedication and the quality of his work. Then he willingly added to his responsibilities by founding this blog and taking super initiative to get it going with regular posts--not an easy thing when you're also doing customer service on your book and website, editing material, working on a newsletter, and more things in one day than you probably want to hear about.

 

Have fun, Robert. And be sure to let us know all about it when you get back!

 

--Nancy


General | Personal Updates
Monday, July 23, 2007 8:36:19 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
How Thunder Gets Stolen
Posted by Nancy

I came across this interesting post by Pamela Redmond Satran (hat tip to The Poetry Foundation's Dispatches: News feature online) about "Maya Angelou's Best Poem Ever"--which was actually written by Satran as a list column for Glamour in 1997.

 

Satran's experiences, including having the "poem" produced as a book and poster for sale by third parties without credit to her, sound like the kind of worst case scenario nightmare beginning poets envision when they contact me about copyright, publishing rights, having work stolen, etc. If anything, Satran's list proves that rights and original source of publication don't have much impact. If your work isn't safe from being stolen, borrowed, or misidentified when it's been published in something as high profile and commercial as Glamour, you're probably really up the creek when you publish in small journals or post your poems online.

 

Note that I definitely am NOT saying you shouldn't publish in small journals or post your poems online. My caveat is more about not wasting too much energy worrying about someone stealing your work, a favorite obsession of beginning and unpublished poets (and possibly some experienced ones, too, if they were honest about it). Deal with it if and when it happens, but don't inhibit yourself with too much fretting about it.

 

There are a lot of issues associated with Satran's incident that are prime discussion material: intellectual property rights (no matter which side of the fence you're on about that), the viral nature of e-mails and the Internet, whether the "fame" of the work should be weighed against the notoriety the original author is cheated out of. I certainly sympathize with Satran--I guess I'm one of those egotists who wants my name associated with something I wrote, if it originally appeared with a byline. But it also steams me that when something gets passed on and on as a "poem," so often it turns out not to be a poem at all--while there are so many great poems, old and new, that do deserve to go viral. (As Satran says regarding her frustrations in trying to regain credit for the piece, "People believing that's Angelou's best poem ever, I figured, is justice enough.")

 

Pamela Redmond Satran's website has more information about the author and her work--beyond "Maya Angelou's Best Poem Ever."

 

--Nancy


Commentary
Monday, July 23, 2007 8:02:47 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
Mathematics and poetry, as well as 2 tributes
Posted by Robert

Before I launch into the news today, I should let you know that I may not be posting much between now and next Tuesday. 'Tis the season for summer vacations, and my time has come up. I'll be haunting the Appalachians of Tennessee and Georgia over the next week or so. I'm sure I won't be missed too much though with Nancy holding down the fort. :)

*****

"60 Second Interview," by Alistair Baptista for Gulf Daily News, features an interview with mathematics professor and poet Dr. Khalid Amin, who draws comparisons between math and poetry.

*****

"Tragic vision of poetry," by Muhammed Nafih for Deccan Herald, provides a short tribute of the Iraqi poet Nazek al-Malaika, who passed away recently at the age of 85.

*****

"IU professor emeritus was pioneer in concrete poetry movement," by Sarah J. Deuser for the Indiana Daily Student, looks at poet and critic Mary Ellen Solt, who passed away on June 21 at age 86.

*****

Click here to read more Poetry News.


Personal Updates | Poetry News | Poets
Monday, July 23, 2007 6:03:06 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Saturday, July 21, 2007
Friday SPAM poetry prompt #720
Posted by Nancy

SPAM prompt line: Are you still with short ramrod?

 

(Sorry for the late prompt post--it was a distracting day.)

 

That squirt Ramrod. What a character! Everyone in your class got a kick out of Ramrod, he wasn't like anyone else. What a shock when he got together with HER. Did they marry? Did it last? What did their kids look like?

 

Look into your past and see if you can identify a "Ramrod" kind of guy: rather unattractive yet appealing, always kept things lively, maybe foreshadowed a loser taint that would pull him down over the years. And then somehow he made a romantic match with an unlikely partner--amazing everyone and generating buzz that never completely died down.

 

Write a poem, any style, any form, about a Ramrod-esque person you knew, or knew of. Don't write an epic. Portray "Ramrod" as deftly as you can while exploring the ironies and mysteries of true love.

 

--Nancy

Go here for more poetry prompts...


Poetry Prompts
Saturday, July 21, 2007 4:34:43 AM (GMT Daylight Time, UTC+01:00)  #  Comments [4] 
# Friday, July 20, 2007
County Fairs and Poetry Revisited
Posted by Nancy

Yesterday when I posted about poetry at a local county fair I didn't realize that there's actually quite a bit of activity in this area. Out of curiosity, I entered "county fair poetry" into Google and came up with some interesting examples:

 

The Pike County Fair (Missouri) is holding their second poetry slam.

 

There's an Academic Rodeo for young people that includes a poetry contest at The Titus County Fair in Texas.

 

Taylor Co., Kentucky's 4-H not only has a poetry competition, the winners are published in an anthology of district winners.

 

Finally, one enterprising poet has devoted his efforts to introducing poetry into county fair competitions. His "How to Set Up Poetry Contests at Fairs" explains how poetry winds up in the craft division. I agree, though, that promoting literacy--and poetry--are worthy pursuits; just as long as one kind of poetry isn't being championed as the only kind.

 

--Nancy


Poetry News
Friday, July 20, 2007 5:27:42 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
Okay, Harry Potter, Why Not
Posted by Nancy

I had a good time reading this post and (especially) the related comments at The Atlantic Online about who does and doesn't read Harry Potter. I don't like popcorn that much, but it made me want to settle in with a big bowl and watch the fireworks.

 

What struck me about the back-and-forth--not to mention the vitriol--in the comments is how much it reminds me of the discussions (read: arguments) poets get into about their preferred forms and schools. There are also the hot button topics: Are workshops just poet mills? Is "big poetry" out to squash the DIY publishing movement? [Insert your own pet topic here.]

 

What I never get about these discussions (Harry Potter or poetry) is why attack mode goes into overdrive to such an extreme. If you like a certain kind of poetry, can't you just enjoy and appreciate it without maintaining that everyone who doesn't like it is an idiot? Can't you rally around a certain school or style without declaring that everything else is inferior--or worse, doesn't qualify as poetry at all?

 

No wonder it's so hard to attract readers to poetry. Once they sense that one way or another they're going to get dragged into an intellectual throw-down ("Ewww, you read that guy?" "Oh, please--poetry that doesn't rhyme is just crap!"), they run for the hills.

 

By the way, since I don't care whether I read Harry Potter--including why or why not--I can't imagine anyone else does, either.

 

--Nancy


Commentary
Friday, July 20, 2007 4:13:27 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
# Thursday, July 19, 2007
The Importance of Setting Poetry Goals
Posted by Robert

This is probably a long overdue follow-up to Nancy's "Published is Published" post from 6/27/07, but late is better than never, right?

The whole issue of whether it's right or wrong for editors to consider poems posted on a blog or forum as published shouldn't be an issue. Editors have their personal opinions on the issue and will stick by them. What's more important is for poets to undertand what they want to achieve with their poetry and set forth on a course that will get them from point A to point B.

For instance, if you decide that your main goal as a poet is to just share your poems freely with as many people as will read them, then you'll want to get a blog, join forums, go crazy on social networking sites and whatever else you can do to spread your poetic gospel. If that's what you want, then good for you; the whole published is published debate doesn't have an effect on how you act online.

If you decide you want to get published in literary journals and print publications, then you may need to tread more lightly and consider how and where you post drafts of your poems. Because the editors of such publications often do care whether your poems have appeared online or print previously. Whether you agree with this or not, that's just how it is.

On the other hand, if your goal is to make millions of dollars writing poetry and use it as a platform to launch your own rock band--like Robert Lee Brewer & the Poets of Discontent--then you just might need to be pinched, because you're obviously dreaming. Poets don't make much money off publishing poetry, no matter where they're published.

So here's the bottom line: Consider what you want to accomplish as a poet. Then, make sure your online and print habits align with your long-term goals.

If you haven't already, you can check out Nancy's "Published is Published" post here.

Best,

Robert


Advice | Commentary | Poetry Publishing
Thursday, July 19, 2007 8:28:25 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
County Fairs and Poetry
Posted by Nancy

Last night I went to the Warren Co. Fair here in southwestern Ohio with my mother to check on her entries in quilting and sewing. She won a bunch of ribbons of all colors (yay, Mom!), but while we were searching through the rows of craft entries, I noticed a couple of examples of poetry on display. They have a category for Creative Writing at the county fair--in the craft section, along with the ceramics and decorative painting and Christmas wreaths.

 

I'm still not sure how I feel about this. I'm all for acknowledging writing, especially poetry, in any way possible. And I love the idea of poetry being so mainstream that it's included in the competitions at the county fair. But as a craft entry?

 

And it was impossible to read any of the entries without a telescope, so the display wasn't attracting readers who could sample the work in the way that, say, quilt enthusiasts could study the fabric selections and stitching expertise of the quilt entries.

 

And who judged the creative writing? The same person who judged the mosaic picture frames and nature dioramas made out of twigs and mud?

 

Obviously I'm making too much out of one category with a handful of entries at a single county fair. I keep thinking, though, of the writers who entered. Do they really want to write, or was a poem something to throw in because the category exists? If the fair had a real writing competition, or a contest dedicated only to poetry, and made sure people know about it, how many more entries would they have had? (I'm not talking slam here, with poets reading on a mobile stage as gunning ride engines drown them out and impassive fairgoers stroll by. I'm referring to a real competition, where a knowledgeable judge assesses the entries and the winning poets get to read at an event that's on the official fair schedule, preferably in a more sheltered venue, such as whatever hall or tent the 4-H Club uses for project interviews.)

 

Speaking of 4-H, I've noted over the years that Creative Writing is now a regular 4-H project category along with sewing and woodworking. Again, someone viewing the entries doesn't get to read the writing, which which sits on remote exhibit shelves. Maybe someday (or maybe it's already happening in some 4-H clubs) the writing project will include DIY publishing, wherein the 4-H members put together and publish a chapbook of their writing, maybe even offered for sale at the fair to support the club (the way granges offer cookbooks for sale). That would certainly be taking poetry directly to the masses. Whether the masses would respond is another matter.

 

--Nancy

 

Note: If you think 4-H is all raising livestock and sewing projects, take a look at the national 4-H site. Talk about building a community. And who knew that 4-H members are now encouraged to blog?

 


Commentary | Personal Updates
Thursday, July 19, 2007 3:31:05 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
Two Early Morning Submissions
Posted by Robert

So I got up bright and early this morning to prepare a couple submissions (to The Journal and Black Warrior Review), which I sent out on my way in to work. My submission routine broke apart around the end of February this year, but I've been getting back into a rhythm here in July.

The difficult part about submitting poetry this time of year is that you have to pay extra close attention to the reading periods of some publications and journals. Many college journals, for instance, don't read submissions between May and September, because students are out for summer break. It's important you keep that in mind as you submit during the summer months.

Of course, college journals aren't the only publications to have reading periods. You are served well to always go to a publication's Web site (if one exists) to double-check current guidelines and make sure there is no specific reading period or hold put on submissions. Doing so will help you avoid getting rejected on a technicality.


Advice | Personal Updates | Poetry Publishing
Thursday, July 19, 2007 2:06:53 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
# Wednesday, July 18, 2007
Lyrics & poetry; birthdays
Posted by Robert

"Lyrics taught as poetry," by Anthony Geraci for Ohio State's The Lantern, looks at how one English professor attempts to build interest studying poetry in a new way.

***

Also, I'm shamelessly plugging my birthday, which is today. I promise I won't do this again for 366 days (due to 2008 being a leap year). :)

Click here to read more Poetry News.


Personal Updates | Poetry News
Wednesday, July 18, 2007 11:07:52 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
Occasional Poems: Or, Happy Birthday to Me!
Posted by Robert

Today is July 18th, otherwise known as my birthday. So, of course, my birthday got me thinking about occasional poems--poems that are written for specific occasions, including weddings, funerals, graduations, and birthdays (especially mine!).

There are no specific guidelines for occasional poems outside, except that they mark a specific occasion. The poems can be long or short, serious or humorous, good or bad (ha!)--just as long as they mark the occasion.

While it's fun and challenging to write occasional poems on your own, they also open themselves up well to collaborations with other writers who also experience the occasion. For instance, I recently collaborated with another poet to mark the marriage of two good friends. It was fun and a unique (and thoughtful) bonus gift to mark the union of two people.

I will not share that poem with you, but I will share an example of an occasional poem for, of course, my birthday!

"My Birthday"

Snuck up on me this year,
the routine of growing older
making me think my biggest
achievement today was
getting in to work on time.
Well, that was good too, fine
enough for another day
where work sometimes feels like play.

(Okay, so I didn't re-write the "happy birthday" song. Cut me some slack; it's my birthday!)

Click here to check out some more Poetic Forms.


Personal Updates | Poetic Forms
Wednesday, July 18, 2007 6:57:12 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
# Tuesday, July 17, 2007
Closed markets list from 2008 POET'S MARKET
Posted by Nancy

As I mentioned in this post, I planned to put up a list of journals, presses, and contests listed as "out of business" in the general index of the upcoming 2008 edition of Poet's Market.

 

As I gathered the information from the book's database, I discovered some other examples of  listings coded in the index as "discontinued," "removal requested," "on hiatus," "no longer publishing poetry," and "overstocked." Consequently, I've broken the list below under those headings and added comments from editors and publishers wherever I'd received them.

 

This list reflects information we received during the most recent production cycle for Poet's Market--which began in November, 2006. Consequently, some of this information is old news for some readers, but I'm including everything for the sake of being complete. I've also included recent closings that I've posted on Poetic Asides. As additional news comes in, I'll post that information and link to this list in updated form.

 

OUT OF BUSINESS / DISCONTINUED

 

Arable: A Literary Journal

Blue Mouse, The

Chelsea

Crying Sky: Poetry & Conversation

Dana Literary Society Online Journal - due to personal time constraints

Dead End: City Limits

Entropy Magazine

Flesh and Blood: Quiet Tales of Dark Fantasy & Horror

Fresh Ground - has suspended publication "for now"

Gin Bender Poetry Review

Hard Row to Hoe - ceasing publication

McGinnis Award, The Tim

Nisqually Delta Review

P.D.Q. (Poetry Depth Quarterly)

Palanquin Press - "don't plan to be doing anything with the press

                                   in the foreseeable future"

Pen & Inc Press

Poetry for Pets Contest - "cancelled"

Poets at Work

Pretext

Reactions

Red Owl Magazine

Speakeasy - print edition ceased with summer 2006 edition

Spire Magazine

True Poet Magazine

Zillah: A Poetry Journal & Newsletter

 

EDITOR/PUBLISHER REQUESTED REMOVAL

 

Bank Street Writers Competition

Borderlines - for 2008 edition

Fox Cry Review - publishing mostly regional writers and students

Generator / Generator Press

Loonfeather

Myeloma Awareness Open Poetry Competition

Naked Knuckle

One Trick Pony

Poet's Art, The - for 2008 edition

 

ON HIATUS

 

Cellar Door Magazine - length of hiatus undetermined

88: A Journal of Contemporary American Poetry - length of hiatus undetermined

Rhapsoidia - possibly permanent hiatus

RUNES, A Review of Poetry - temporary hiatus

 

NO LONGER PUBLISHING POETRY

 

Cezanne's Carrot

Over the Back Fence Magazine

 

OVERSTOCKED

 

Sakana - not printing any new issues "at the moment," doesn't need submissions

Weird Tales: The Unique Magazine - overstocked with poetry until January 2008

 

CLOSING POST 2008 EDITION (updated 9/19/07)

 

Diner

Pikeville Review, The

eye

 

--Nancy


Journal Closings | Poet's Market updates
Tuesday, July 17, 2007 9:14:44 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
Poetry binges; dramatic monologues; politics; and poetry slams
Posted by Robert

It's a busy Tuesday!

"The great poetry binge," by Sarah Crown for Guardian Unlimited, examines a change in how Crown began reading while judging a poetry contest.

***

"A Few Thoughts on the Dramatic Monologue," by Reginald Shepherd for his personal blog, describes what a dramatic monologue is, especially for poets, and provides examples from Robert Browning and Alfred, Lord Tennyson.

***

"Palestinian poet derides factions," from BBC News, covers a recent poetry reading by celebrated Palestinian poet Mahmoud Darwish who criticized the in-fighting between Hamas and Fatah.

***

News Release From the Writing Show: Announcing the First Ever Writing Show New Year's Poetry Slam. "We are looking for poets, judges, and sponsors for the event, which will be posted online on January 1, 2008."


Poetry News | Poets
Tuesday, July 17, 2007 5:49:56 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
DINER closing
Posted by Nancy

A reader has e-mailed me that she just received a letter from Diner announcing that the journal is no longer reading work and that the 2007 edition will be its last, due to funding.

--Nancy


Journal Closings | Poetry News | Poet's Market updates
Tuesday, July 17, 2007 2:56:36 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Monday, July 16, 2007
Acrostic Poems & Poetry
Posted by Robert

Continuing on with the poetic forms available to poets, I have to discuss acrostic poetry. Acrostic poetry is very easy and fun. The most basic form spells words out on the left-hand side of the page using the first letter of each line.

I like to write
Acrostic poems
Mostly because
Reading them
Out loud is
Bound to be fun.

If you notice, the first letter of every line makes the simple sentence, "I am Rob." It's very simple, and you can make it as difficult as you want--where the fun part begins.

The brave at heart can even try double acrostics--that is, spelling things out using the first and last letter of each line.

MonkeyS
Yell and slaP
Lions tO
Offend micE
Visiting the eleganT
Elephant to heaR
It hide and crY.

In this silly example, I've spelled out "My love is poetry."

The acrostic is easy to do in its simplest form, but ambitious poets could write a whole paragraph or stories using acrostics if they had enough spare time. Or even write a double acrostic sonnet or sestina.

Click here to see other Poetic Forms.

 


Poetic Forms
Monday, July 16, 2007 11:25:58 PM (GMT Daylight Time, UTC+01:00)  #  Comments [3] 
Collectivistic Writing, Poetry From Conflict, and Vermont's New State Poet
Posted by Robert

"A Collectivistic Union of Writing Wisdom," by Kim Rush for the chance operations blog, reviews The Tale of Genji, by Murasaki Shikibu and translated by Royal Tylor. This piece includes some interesting thoughts on collectivistic and individualistic cultures and language, especially as it relates to poetry.

***

"Where we begin: Poetry forged from conflict," by Kaelen Wilson-Goldie for The Daily Star, reviews We Begin Here: Poems for Palestine and Lebanon, edited by Kamal Boullata and Kathy Engel, out now from Interlink Books. This review is very interesting, and the collection includes poets from all over the globe.

***

"Poetry flows from with for new state poet," by John Flowers for Addison Independent, profiles new Vermont State Poet, Ruth Stone, who still writes at 92 years old.

 


Poetry News | Poets
Monday, July 16, 2007 5:20:04 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
A PROMPT RESPOSE: # 706 big summer sale
Posted by Nancy

Note: I'm going back and giving each prompt a number based on the date it was posted.

 

When I'm slow to get started on the writing of a poem, sometimes I'll use the old technique of beginning a statement with "Because…" or "And then…" and repeating until I have a page full of lines as raw material. Even though, in some instances, the poem would work leaving "Because" or "And then" at the start of each line, I usually wind up removing them.

 

For the #716 SPAM poetry prompt, I suggested writing 15 lines starting with "big summer sale" but added that you could write more or fewer lines--the 15 was an arbitrary number. The first thing that came to my mind when I wrote down "big summer sale" was the sidewalk sale they held at the mall (i.e., shopping center) where I hung out as a kid. I started writing, and when I'd run out of steam and began repeating myself, I went back and counted up 22 lines:

 

Big summer sale was a sidewalk sale.

Big summer sale took place at the shopping center.

Big summer sale gave the stores a chance to sell a lot of junk

     for very little.

Big summer sale touted itself as a parade of bargains.

Big summer sale never began on time.

Big summer sale always took place on the hottest day in August.

Big summer sale had nothing of value.

Big summer sale got crowded on Saturday afternoons.

Big summer sale got in the way.

Big summer sale was a treasure hunt.

Big summer sale put merchandise in bins and piled on tables outside

Big summer sale was where we found a big map of the New York  

     World's Fair of 1964 for a quarter.

Big summer sale also offered ice balls and cold drinks for sale

Big summer sale was full of colored pennants

Big summer sale wasn't as big as we thought.

Big summer sale lasted two days

Big summer sale was a promotion to attract customers to the

     shopping center

Big summer sale was a source of endless fascination

Big summer sale never materialized

Big summer sale burned hot as a grilled dog over white coals

Big summer sale was a lot of fun

Big summer sale was a good place to waste money

 

I removed "big summer sale" from the statements without reading them, then looked over the source material I had. I could have worked from that list as it was, but I decided to condense the statements into a paragraph:

 

was a sidewalk sale took place at the shopping center gave the stores a chance to sell a lot of junk for very little touted itself as a parade of bargains never began on time always took place on the hottest day in August had nothing of value got crowded on Saturday afternoons got in the way was a treasure hunt put merchandise in bins and piled on tables outside was where we found a big map of the New York World's Fair of 1964 for a quarter also offered ice balls and cold drinks for sale was full of colored pennants wasn't as big as we thought lasted two days was a promotion to attract customers to the shopping center was a source of endless fascination never materialized burned hot as a grilled dog over white coals was a lot of fun was a good place to waste money

 

I wasn't thinking about writing a prose poem necessarily; I just found it easier to organize my thoughts doing it this way. I then went through rearranging statements and crossing out those that were repetitious or that I thought would take the poem in a different direction from the one that was beginning to form:

 

was a sidewalk sale was full of colored pennants always took place on the hottest day in August burned hot as a grilled dog over white coals touted itself as a parade of bargains lasted two days was a promotion to attract customers to the shopping center took place at the shopping center gave the stores a chance to sell a lot of junk for very little put merchandise in bins and piled on tables outside never began on time had nothing of value got crowded on Saturday afternoons got in the way was a treasure hunt was where we found a big map of the New York World's Fair of 1964 for a quarter also offered ice balls and cold drinks for sale wasn't as big as we thought  was a source of endless fascination never materialized was a lot of fun was a good place to waste money

 

From here I began to write and shape the poem. I let it cool over the weekend, did some tweaking, then completed the piece. I wound up taking out an entire stanza (about how we kids shopped at the sale) because the details weren't that intriguing and it detracted from the poem overall.

 

Here's what I determined was the "finished" poem for the purpose of posting it here as a response to the prompt. If this were a poem I planned to submit for publication, I'd let it cool for a few weeks and tweak some more.

 

A Map of the New York World's Fair 1964-65

 

The big sidewalk sale, festooned in colored pennants,

was a medicine show spread up and down

the open air sidewalks of Hyde Park Plaza. 

It rolled out on a hot August Friday

and fleeced the shoppers until Saturday evening

with tables and bins spilling goods the merchants

had selected with an eye toward slashing their inventory,

or to whet the appetites of more discerning shoppers

who passed into the stores in search of something

that was worth spending money on.

 

Sometimes my mother purchased a generic,

utilitarian item at a discount--a pack of string dishrags

or a large bottle of aspirin. My father,

who believed an old promotional key chain

for a penny was found treasure, pawed enthusiastically

through the tangles of junk and was never disappointed.

He was especially proud of a dented cardboard tube

without a cap, something mysterious rolled up inside.

He paid a quarter. At home, he labored

 

with pliers and a butter knife until he'd extracted

an enormous map of the New York World's Fair.

It filled half the dining room table. We examined it

with a magnifying glass, reading the names

of pavilions and attractions, marveling at the

enormity of the exposition. None of us had ever

been to NYC, the fair closed in a few months,

but the map was as exotic as an atlas of Mars.

"And it only cost a quarter," my father repeated,

flushed and pleased. "I only paid a quarter!"

 

 

If you're interested, here's the stanza I deleted from the poem:

 

With change pried from our banks or doled from parents

who wanted us gone while they shopped for themselves,

we bulldozed through mountains of snagged sweaters

and mismatched flip-flops, desperate to mine gold

from cardboard cartons of yellowed coloring books,

from plastic trashcans brimming with cheap imitations

of the better toys we coveted. Before long

the ice balls and cold drinks hawked by the grocery

looked like a better deal for our cash.

 

--Nancy


Poetry Prompts
Monday, July 16, 2007 3:30:20 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Saturday, July 14, 2007
Abstract or Sound Poetry
Posted by Robert

One thing I would like to do with this blog is present a picture of the different poetic forms available to poets. I will lump all these in the Poetic Forms category in the left-hand toolbar. By knowing the different forms, you can experiment and ultimately grow as a poet and as a writer.

In this post, let's look at Abstract or Sound Poetry. Apparently, abstract was a term used by Dame Edith Sitwell to describe poems in her book Facade. There are different definitions provided below, but this form of poetry is more about how sounds, rhythms, and textures evoke emotions than about the actual meanings of words.

For instance:

My rat-a-tat-tat hat
was smacked and whacked
by Thedulius Jack-a-bat-snat
while holding his gat.

Obviously, the draw of these lines is the sounds produced more than figuring out who is doing what. Abstract or Sound Poetry is definitely a fun form to play around with.

And as promised, here are some definitions to check out (for poets who need meanings):

 


Poetry Craft Tips | Poetic Forms
Saturday, July 14, 2007 2:19:27 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Friday, July 13, 2007
Friday SPAM poetry prompt #713
Posted by Nancy

SPAM prompt line: tired of being like that

 

This prompt is for a poem of self-examination. We all have habits, patterns, attitudes we want to change (or know we should change in the name of self-improvement). Write a poem of three stanzas, six lines per stanza, with the final line of each stanza using "tired of being like that" as the basis for a refrain. The first two stanzas describe the feelings, viewpoints, actions that you're tired of; the third stanza hypothesizes what you could/should do about it all (but still closing with the "tired of being like that" refrain, with whatever spin you want to give it).

 

If you're one of those poets who recoil from using "I" in a poem, write about yourself in the third person. And don't limit your self-analysis to the typical negative personality traits (tired of being lazy, pessimistic, overindulgent, crabby, fat--oops, that's my list). Maybe you're a go-to kind of person and you're sick of it. Maybe you try hard to look on the bright side in every situation and you're sick of it. Maybe you're a good little boy or girl who continually toes the line and does the "right thing," always, and you're sick of THAT. Tell the world how you're fed up with being good (or at least that person you're writing about is).

 

ALTERNATE PROMPT: If you're uncomfortable with writing in a confessional mode, use the same approach to write about a family member, friend, co-worker, or someone you've observed while you're out shopping, sitting in a coffee shop, or even watching TV.

 

EXPERIMENTS WHILE REVISING: Try a version where the "tired of being that way like that" line opens each stanza instead of closing it. Or remove the line entirely from the poem and see if you can make the poem stand on its own without it.

 

--Nancy

 


Poetry Prompts
Friday, July 13, 2007 4:10:33 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
The Power of Poetry and an OpEd on Philip Booth
Posted by Robert

"The Power of Poetry," by Christopher Dickey for On Faith, discusses poetry in relation to religion. During the piece, Dickey does not appear to favor one religion over the other, but instead looks at the lyricism found within the original version of the various texts and how the poetry of the language is meant to move as much as the meanings behind the words.

***

The Bangor Daily News presents an OpEd, "Henry L. Miller: Philip Booth and his poetry." In the piece, Miller looks at one of Maine's more accomplished poets, emphasizing Booth's sensitivity for being observant and paying attention to detail--both in writing and sailing.

***

Also, a quick personal note: I posted a new poem by new poet Bob Boston at http://faultymindbomb.blogspot.com.

Best,

Robert


Personal Updates | Poetry News | Poets
Friday, July 13, 2007 3:54:56 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Thursday, July 12, 2007
Cut IT Out!
Posted by Robert

If you found "Put THAT Thing Away!" helpful at all, or at least interesting, then you should know another one of my pet peeves is the use of the word "it" in poems. I only became a stickler for "it" in the past few years, and I think my writing has benefitted from "it"--or the lack of "it," that is.

Let me show with an example. (Again, these examples I use are not meant to win any awards. They serve as a way to see how playing around can produce different results.)

Version 1:

"Listening"

It's easier said than done.
It's so easy to let it all
fall apart whenever it makes
sense, like when somebody
wants to dominate it
all the time. I mean, is it
so hard to practice it once
in a while?

Ugh. That's some pretty "it"-plagued poetry going on there. And while I might be able to tell that the first "it" might refer to the title "Listening," I get totally confused after that. Here's a 2nd version after cutting some of the "it" clutter out.

Version 2:

"Listening"

Is easier said than done.
It's so easy to let conversations
crumble whenever somebody
wants to dominate the talking
time. I mean, is it so hard
to practice listening once in a while?

Ridding this poem of "it"s resulted in some language changes and 2 less lines. Concise is always nice in poetry. But there's still room to remove "it" completely.

Version 3:

"Listening"

Is easier said than done;
conversations crumble
when someone wants to hog
the talking time. I mean,
is listening so difficult?

So yeah, this won't win any awards, but the piece is even more specific and more concise as a result of cutting "it" out of the poem. Imagine if you had a really good poem with a couple "it"s lurking in the shadows: You could turn that really good poem into a great one.

"It" takes a little work and patience, but "it"'s totally worth "it."

Best,

Robert


Advice | Personal Updates | Poetry Craft Tips
Thursday, July 12, 2007 10:17:21 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
A Poet Laureate and a Well-Known Poet
Posted by Robert

Today, I've got two interesting pieces on poets.

In "Poet laureate shares her love of poetry," by Jennifer Bhargava for The Kansas City Star, the new Kansas poet laureate, Denise Low, is profiled. Low plans to focus on getting Kansas teens reading "contemporary" poetry, which I've mentioned before (and will mention again) is an important way to build an appreciation of poetry in this country.

Denise Low has two Web sites of interest:

***

In "Poetry Amidst the Kultursmog: An Interview With David Yezzi," by Bernard Chapin for mensnewsdaily.com, Yezzi, the well-known poet and Executive Editor of The New Criterion, gives some very candid answers to some very pointed questions about poetry and poets.


Poetry News | Poets
Thursday, July 12, 2007 5:26:39 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
# Wednesday, July 11, 2007
Literary Agents for Poets; National Book Festival; and a Report on Poetry in 2007
Posted by Robert

"Literary Agents for Poets," by Victoria Strauss from the Writer Beware blog, breaks down why "reputable" literary agents are never interested in "unknown" poets. This post also includes many links to other information of interest to poets as well.

***

Poets Jack Prelutsky, Kevin Prufer, Jon Stallworth, Anne Stevenson, and Diane Thiel will be reading at the 2007 National Book Festival on the National Mall in Washington, DC, on September 29.

Source: Library of Congress

***

"A report on poetry in 2007," by Todd Swift from Eyewear, looks at the current state of poetry in the United Kingdom from Swift's 20 years of experience as a writer, editor, etc. Swift also hypothesizes on why poetry is where it is.


Advice | General | Poetry News | Poetry Publishing
Wednesday, July 11, 2007 5:55:52 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
PIKEVILLE REVIEW closes
Posted by Nancy

I've received word from editor Sydney C. England that Pikeville Review is closing down. According to the e-mail, "…our small volunteer staff could not continue providing this service." Pikeville Review was verified for the 2008 edition of Poet's Market (on sale next month), so please make a note of this closure in your copy.

I'm planning to post a list of journals and presses that were listed as "out of business" in the 2008 Poet's general index. As I receive additional news of closures, I'll repost the list with each update. Watch for it in the next week or two.

--Nancy


Journal Closings | Poetry News | Poetry Publishing | Poet's Market updates
Wednesday, July 11, 2007 2:57:57 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Tuesday, July 10, 2007
Put THAT Thing Away!
Posted by Robert

Be careful; it's easy to do. That is, it's easy to write in a way that overuses that word "that." Or in other words, it's easy to overuse the word "that."

Look: I used to be a major offender myself. Of all places, a techincal writing course helped me improve my "that" problem across the board, not to mention turn me into a list consistency freak.

Here's a sample of how "that" can slow down a poem in a bad way:

The man ran miles and miles
for that woman that could've
done so much for him so that
he wasn't sure what he'd do
now that he spent his nights
alone listening to that same
old Louis Armstrong record
playing that "Mack the Knife"
song.

It's funny how once you get started on "that" word "that," it's often hard to stop. In line 2, "that" even took the place of what should be a "who." "That" is a very typical "that" problem, in fact. With a little cleaning, this could read as:

The man ran miles and miles
for the woman who could've
done so much for him he
wasn't sure what he'd do
now that he spent his nights
alone listening to the same
old Louis Armstrong record
playing "Mack the Knife."  

This little piece went from 6 uses of "that" to 1 through some simple clean up. While this piece is just an example and not meant to win any awards for great writing, it is definitely tighter for doing a "that" scan.

So be on the lookout for "that," because it could improve your writing just like "that." (Oh jeez, I'm coming up with some horrible "that" jokes, eh?)

Best,

Robert


Advice | Poetry Craft Tips
Tuesday, July 10, 2007 7:03:09 PM (GMT Daylight Time, UTC+01:00)  #  Comments [4] 
We "heart" Brian Klems!
Posted by Nancy

 

For some reason we're having all kinds of tech troubles the past few days with the blogging software. (If you click on a link that takes you someplace unexpected, you've run into an example.)  Brian started blogging before we did with his Questions and Quandaries blog, so he's been offering us the benefit of his experience. For instance, he spotted that the system wiped out our "posted by" lines after post titles, so it's hard to tell who's posting what without additional signatures. We'll get that fixed ASAP (and thanks, Brian).

 

He's even more helpful when it comes to questions about writing and publishing. Be sure to check out Questions and Quandaries. (I think it's listed as The Mythical Land of Experts and More on the navigation bar. Hey, Brian--another tech glitch?)

 

--Nancy


General
Tuesday, July 10, 2007 4:57:16 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
A PROMPT RESPONSE: #629 Short Sausage Man
Posted by Nancy

 

As promised, I'm going to try to write a poem for every Friday SPAM prompt I post. I've finally written one for the first prompt, "don't want no short sausage man" (go here for the original June 29 prompt). I've never attempted a blues poem before, but this prompt line just seemed to demand it. Of course, I'm not sure blues poems are supposed to be humorous, so my apologies if I've sullied the tradition:

 

SHORT SAUSAGE MAN BLUES

 

Don't want, don't want no short sausage man.

Don't want, don't want no short sausage man.

Don't want his tiny links messing up my frying pan.

 

Don't want him in my kitchen with his pound of greasy meat.

Don't want him in my kitchen with his pound of greasy meat.

Go back, sausage man, go back out on the street.

 

I found him on the corner, trying to sell his wares.

I found him on the corner, trying to sell his wares.

I bought what he was selling, and he followed me upstairs.

 

He's not that bad a looker, though he's short as he can be.

He's not that bad a looker, though he's short as he can be.

Size isn't everything--that's my philosophy.

 

But he's got a nasty temper, and his cooking's not that good.

He's got a nasty temper, and his cooking's not that good.

Don't want him in my kitchen. Don't want him in my neighborhood.

 

I don't want him, don't want no short sausage man.

No, I don't want, don't want no short sausage man.

That man and his sausage are heading for my garbage can.

 

NOTE: Yes, as I maintained here, I do now consider this poem disqualified for submission to journals that don't accept previously published poems. That's okay. I don't plan to submit any of my "SPAM prompt" poetry for publication; this is more about exploring how a poem can be inspired by a prompt, and having some fun while I'm at it.

--Nancy


Personal Updates | Poetry Prompts
Tuesday, July 10, 2007 2:30:33 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
# Monday, July 09, 2007
The New 7 Wonders of the World Announced
Posted by Robert

The New 7 Wonders of the World was recently announced, and I thought it might be a good exercise for poets to try choosing a wonder and writing a poem inspired by it. Of course, ambitious poets could write a poem for each new wonder, or even one poem that incorporates all seven.

I've included the list below with links to pictures:

 


General | Poetry Prompts
Monday, July 09, 2007 5:40:19 PM (GMT Daylight Time, UTC+01:00)  #  Comments [3] 
The Ghazal and Bad Boy Poetry
Posted by Robert

From Desicritics.org, "The Ghazal-An Odd Sort of Poetry," by Deepa Krishnan, is a nice tribute to poet Mirza Ghalib, as well as an educated discussion on the ghazal form of poetry. As I'm sure most poets do, I was thinking of the ghazal in relation to my own work as I read.

***

From the William & Mary Web site, "Victorian Poetry's Bad Boy," by Erin Zagurski, profiles scholar Terry Meyers and his pursuit of gaining more recognition for Victorian poet (and bad boy), Algernon Charles Swinburne. I'm always appreciative of scholars who work to keep lesser known poets from completely disappearing into the ether. Even if you're not interested in Victorian poets, the article itself is very interesting.

 


General | Poetry News
Monday, July 09, 2007 4:02:42 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
News from poet Jared Carter
Posted by Nancy

I received an e-mail from Jared Carter over the weekend sharing the good news that his latest book, Cross this Bridge at a Walk (Wind Publications), is a poetry finalist for "Best Books of Indiana 2007." Poet's Market featured Jared in an Insider Report in the 2005 edition. Not only is he a wonderful poet, he's a lovely gentleman besides, and I loved Cross this Bridge at a Walk.

 

On the Jared Carter website, the book description says, "Its sixteen narrative poems recount incidents in America's history from the Revolution to the present, with cameo appearances by Mother Ann Lee, Emily Dickinson, Scott Joplin, and Bix Beiderbecke." The site includes sample poems from Cross this Bridge at a Walk, plus a generous selection of some of Jared Carter's earlier poems, not to mention lots of background information on the poet himself. If you're not familiar with Jared Carter's poetry, his website is an ideal introduction.

 

Regarding the "Best Books of Indiana 2007" awards, Jared says, "A number of books by Indiana authors or about Indiana, published between January 1 and December 31 of 2006, were among this year’s finalists. Categories include poetry, fiction, non-fiction, and children/young adult. Winners in the four categories will be announced at an awards ceremony on Thursday 19 July. If it’s geographically possible for you to attend, Diane and I would be most grateful. We’d love to see you there, and have a chance to say hello…The awards, now in their third year, are still relatively new. A large turn-out would give a considerable boost to contemporary poetry in Indiana, and also to the awards program…if you can’t make it, send us some good vibrations!" More information about the "Best Books of Indiana" awards may be found on their website.

 

If you're within driving distance of Indianapolis and want to attend, here are the particulars: The event is Thursday, July 19, at 3 p.m. at The Indiana State Library (140 N. Senate Avenue, Indianapolis 46204, west of the Statehouse); or check the library's website. You can also e-mail Ms. Dawn Lipp, coordinator, or phone her at (317)232-3699.

 

Congratulations to Jared Carter on a fine book and his "Best Books of Indiana 2007" finalist status--and best wishes for happy news at the awards ceremony.

 

--Nancy


Poetry News | Poets
Monday, July 09, 2007 3:04:01 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
# Friday, July 06, 2007
Industrial Designers, Russian Poetry, and Britney Spears?!?
Posted by Robert

It must be Friday.

First off is "Emptying Space to Let Something In: What can poetry teach designers?," by Xanthe Matychak for CORE77, Industrial Design Supersite. The title pretty much says it all. I enjoyed reading this piece, and it makes me ponder the following question: If designers can learn from poets, and specifically Margaret Atwood, shouldn't poets be able to learn from designers?

The answer is, "Of course."

***

"The 'raging bull' of Russian poetry," by Dalia Karpel for Haaretz.com is a very interesting profile of an early 20th century Russian poet Vladimir Mayakovsky. To this day, there is speculation as to whether the poet's death in his 30's was a suicide or political assassination. This is a longer article, though well worth the read.

***

And since I only cover the most serious of breaking poetry news, I just had to share "Britney Spears attacks mother in a poem," by Jeannette Walls for MSNBC. According to the piece, Britney wrote a bitter poem to her mother, Lynne Spears, titled "Dear Mama."

It's not yet known if this poem will lead to a full-fledged collection of bitter poetry (maybe even with an accompanying CD set to music).

(p.s. That was a joke.)

(p.p.s. I think.)


General | Poetry News
Friday, July 06, 2007 4:35:33 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
Friday SPAM poetry prompt #706
Posted by Nancy

SPAM prompt line: Big summer sale

 

Write fifteen statements that begin "Big summer sale." (The number is arbitrary. If you can't come up with 15 or want to keep going after 15, that's fine.)  When you're done, without reading what you've written, go through and delete "Big summer sale" from every line. Now take a look at what you have left and create a poem from that.

 

Happy writing...

 

--Nancy


Poetry Prompts
Friday, July 06, 2007 4:32:09 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
TGIF!
Posted by Robert

In the mail last night, I found a package containing Words Dance 11. Edited by Amanda Oaks, this publication includes my poem "my sinister is sparking," along with poetry by many other good writers like Tammy Trendle, Pris Campbell, Luc Simonic, and S.A. Griffin--just to name a few. From the very first poem by Ray Sweatman to the very last poem by David Smith, it's a great read.

For more information, check out the Words Dance Web site.

***

On my way into work this morning, I sent out another submission--this time to The Sun, which is one of my favorite magazines. Based in Chapel Hill, this magazine always has stunning black & white cover photographs, engaging personal writing, and sometimes one of my favorite writers, Poe Ballantine, makes an appearance.

For more information on this magazine, go to The Sun Web site.

***

Of course, I should also mention that Nancy's Poet's Market is the best resource for poetry leads. The book is available at most local chains and online. Be sure to check out her Web site at http://www.poetsmarket.com and subscribe to her free biweekly newsletter.

 


Personal Updates | Poetry Publishing
Friday, July 06, 2007 2:30:51 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
# Thursday, July 05, 2007
Grammar, Perfection, Bus Stops, and Walt Whitman
Posted by Robert

Here's some interesting stuff happening in poetry online recently:

"Egad! Poetry and the grammarian," by Michael Hickey, for the Naples Sun Times is an educational piece on grammar and its importance in poetry. Remember: It's always a good idea to know the rules before you decide to break them.

***

"What's a 'perfect line' in poetry?," by Nick Seddon, from Guardian Unlimited admits this is a "Preposterous question, of course, but appealing all the same." There are many interesting ideas introduced here, but one that stuck out for me is how most people recommend lines from dead poets over living poets.

***

"Poetry to brighten bus stops," by an anonymous reporter for the Watford Observer (England), shows another example of where poetry and bus transportation intersect. Something unique in this case is how actual Watford residents' works are to be featured at Watford bus shelters. What a novel way to spread the joy of poetry! Contemporary and local poetry even!

***

"Walt Whitman and American Independence," by Edward Byrne, from One Poet's Notes recommends a little Walt Whitman to celebrate yesterday's firecracker holiday. Since Whitman is also a favorite of mine, I second the nomination.

 


Poetry News
Thursday, July 05, 2007 7:11:16 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Wednesday, July 04, 2007
Some Pre-4th Notes
Posted by Robert

I made a couple submissions today: one to MARGIE and another to Asheville Poetry Review.

These are my first individual poetry submissions since February, which means I've been good for making excuses not to submit during a 4-month stretch of time. But no more; totally getting back to submitting. And as I submit places, I'll be sure to link to their sites--so you can use them as leads for your own submissions.

Submissions to:

***

On another note, the little poetry journal I edit Faulty Mindbomb has a new featured poet/poem. I'm always looking for some good additions to my lineup; so feel free to submit there as well.

Go to http://faultymindbomb.blogspot.com

***

Have a happy 4th! (It's my little brother's birthday; that's right, he's a firecracker baby.)

Best,

Robert

 


Personal Updates | Poetry Publishing
Wednesday, July 04, 2007 3:51:05 AM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Tuesday, July 03, 2007
Visual Poetry vs. Digital Poetry?
Posted by Robert

There's an interesting tribute to the late visual poet and editor Mary Ellen Solt at dbqp:visualizing poetics.

"Why Suddenly the Visual Poem? Why Suddenly a Death?," by Geof Huth, looks at Mary Ellen Solt and visual poetry, including some thoughts on its relationship to digital poetry.


General
Tuesday, July 03, 2007 3:22:21 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Monday, July 02, 2007
The deadline has already passed...
Posted by Robert

...for anyone else interested in entering, but I submitted a manuscript for the 3rd Annual Burnside Review Chapbook Contest to be judged by Dorianne Laux. I'm pretty proud of the entry I put together, but I'm not expecting to win, since I know the competition will be fierce.

To check out the Burnside Review, click here.

Best,

Robert


Personal Updates
Monday, July 02, 2007 10:11:11 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
Poet's Market newsletter
Posted by Nancy

Robert reminds me that I've been lax in promoting the Poet's Market newsletter. It's free and it's sent to your inbox every two weeks. You can go here to sign up. What's in it? Frankly, I'll probably be as surprised as you as each issue develops (we sent out the first one last Friday). One regular feature, though, is Take Their Advice, the wise words from editors and publishers who contribute their thoughts to the "Advice" section in the Poet's Market listings, a different quote in each issue. Come on by, we'd love to include you in the next mailing.

--Nancy


General
Monday, July 02, 2007 6:37:12 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
Is reading in public "publishing" your poem?
Posted by Nancy

In the lively discussion regarding Published is Published, the subject of public readings came up. I mentioned in comments (here and on Reb Livingston's Homeschooled by a Cackling Jackel) that recently I'd heard that a lawyer had advised a poetry group that public readings constituted putting work "out there" in the same manner as publication. It was news to me, too, and rather alarming. Commenter Elissa Malcohn provided the following valuable information:

Unless I'm misinterpreting, open readings do not constitute publication unless they are recorded for public consumption, i.e., placed in fixed form and thereby copyrighted. In its "Copyright Office Basics" (http://www.copyright.gov/circs/circ1.html) the U.S. Copyright Office quotes the 1976 Copyright Act definition of "Publication" as follows: 

"'Publication' is the distribution of copies or phonorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display constitutes publication. A public performance or display of a work does not of itself constitute publication."

 

Obviously the media cited in the definition need to be updated, but I believe that the operative term here (used elsewhere in the circular) is "fixed form." I would argue that the term applies to Internet postings, which can be downloaded and printed easily enough. Radio programs are usually recorded. But given the above, saying that a non-recorded public reading constitutes "publication" is like saying that having a table at a public reading festival where I've displayed an anthology in which my poem has appeared is equivalent to having that poem "republished."

 

Thank you to Elissa for her insights!

 

--Nancy

 


Advice | Poetry Publishing
Monday, July 02, 2007 3:11:57 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
Start 'em when they're young
Posted by Robert

I don't know about you, but I was not exposed to a lot of contemporary poetry growing up. In junior high school and high school, I studied poets like Emily Dickinson, Edgar Allan Poe, Walt Whitman, Homer, and Robert Frost. In college, I studied many dead poets too.

In fact, it was only through creative writing classes in college that I began reading contemporary poets. As much as I love the late greats, how amazing it was to read Gwendolyn Brooks, Louise Gluck, J.D. McClatchy, Charles Wright, Donald Hall, Jean Valentine, and so many others. How liberating!

Suddenly, poetry took on a whole new meaning for me. There were so many new avenues I could travel upon to get to where my muse might be hiding at the time. It was incredible at the time, but it's also sort of depressing that it's so hard to find. Part of me felt kind of cheated and still feels cheated that others don't know how accessible and brilliant contemporary poetry can be.

So I do my small part by reading age appropriate poetry to my sons. I also write them little stories and poems that make them laugh and giggle. It's small, but it's something. I encourage you to try and make an impact--big or small--on sharing contemporary poetry with others--young or old.

Here are two recent articles where two people are doing just that:

"Their poetry screams to be set free," by Marc Cabrera, shows how poetry affects young men and women at the Monterey County Youth Center. Read the article at Monterey Herald.

"New poet laureate has a passion," by Meera Pal, is about a new local poet laureate, Martha Meltzer, who is also an elementary school librarian. As poet laureate she will try to spread the love of poetry to all, but she's in a unique position to help with children. Read the article at Contra Costa Times.

 


General | Personal Updates | Poetry News
Monday, July 02, 2007 2:38:39 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 


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