# Saturday, May 31, 2008
Back from LA, and I find...
Posted by Robert

...this really cool portrait painted by poet/publisher/artist Didi Menendez of MiPOesias, Ocho, Oranges & Sardines, Menendez Publishing, and so much more. The portrait is of yours truly, and you can see it at http://americanpoets.blogspot.com/2008/05/robert-lee-brewer.html.

When Didi's not publishing poets, she's painting them. In this year alone, she's painted several poets, including Suzanne Frischkorn, Courtney Campbell, Ron Silliman, and Billy Collins. To check out these and others, go to http://americanpoets.blogspot.com.

*****

The writers conference in Los Angeles went really well. I'm so glad to have met some of my blog readers there (thanks for introducing yourselves!). The event was successful again for all involved--with happy writers, editors, agents, and even the event organizers, who are notoriously hard to please.

Hope everyone had a good time in the forum (http://forum.writersdigest.com) while I was away. Or maybe an even better use of time would've been to write a poem or two and/or submit your work.

Until later, keep poeming!


Personal Updates
Saturday, May 31, 2008 4:02:41 AM (GMT Daylight Time, UTC+01:00)  #  Comments [3] 
# Wednesday, May 28, 2008
Wednesday Poetry Prompts: 004
Posted by Robert

I'm prompting from sunny Los Angeles this week. The weather is perfect outside and the palm trees are already swaying. But enough about me, let's get to the prompt.

For today's prompt, let's write a poem about commerce. You can write about haggling over Christmas tree prices, bleeding money at the gas pump, getting double-charged for shampoo in the checkout aisle, or whatever. Just make sure it has something to do with buying and selling.

Here's my poem for the day:

"That's It"

I don't need any cigarettes
or beer this morning, though
I'll be back tonight, you can
bet. Probably should get one
or two tickets. Yeah, better
go ahead and do that before
I forget. Give me a fifteen
and a seven. Throw in a two
while you're at it. Do you
happen to know who won
the race last night?
                           Really?
I wish Tony Stewart'd won
because I had money on him.
Gordon, eh? Geez, I wish Tony
had won. He broke my lovely
heart. I had money on him.
Could've made something had
he won. Geez, you better go
ahead and get me a twelve
and a pack of unfiltered.

 


Personal Updates | Poetry Prompts
Wednesday, May 28, 2008 2:29:19 PM (GMT Daylight Time, UTC+01:00)  #  Comments [77] 
# Tuesday, May 27, 2008
On Handling Criticism and Critique Groups
Posted by Robert

Over the weekend, I was asked by a poet for tips on how to handle criticism as he tried thinking out whether he should join a writing critique group. With his work, he was afraid of a few things:

  1. He wouldn't be able to handle the critiques. That is, he was afraid too much negativity would lead him to give up writing.
  2. He wouldn't find the right readers to give critiques. He'd written a massive blank verse poem, and he's afraid the wrong group won't appreciate his words.
  3. He won't appreciate the written words of his peers. He seemed to have a particular view of other contemporary writers--thinking much of today's writing is kinda like spam.

Now, I'm not going to get into a debate of his stance on contemporary poetry, which I personally think has very good vital signs. However, as a former participant of several online critique groups and a student that logged more than 60 credit hours in writing courses at the University of Cincinnati, I will speak a little on the value of critique groups.

So there, I've already tipped my hand: I think critique groups are valuable, even if you don't agree with the critiques. And here's why:

First, the only way to gauge if something is actually working for your readers is to solicit feedback. Sure, you know what you're trying to do, but you don't know if anyone else is picking up on it unless you hear it from your readers. After all, you can't go around explaining your intentions to every reader--unless you actually want a very small audience.

Second, bad feedback is still valuable, because it forces you to look hard at your work and try to justify exactly why a particular line or image is fine as it is. And you need to be honest with yourself. If you can't honestly defend your work, then you may have an area that needs revision.

Third, there's nothing better than good feedback. After taking in all the praise though, be sure to develop a certain sense of paranoia. Is everything really okay? Can I change a line here or there? I've found that when I receive absolutely no negative feedback that I'm usually more self-critical of my work. After all, there's no such thing as a perfect poem.

Fourth, critique groups give you the ability to talk out problems you're having. If you know something's not working, you can ask the group to pay attention to x or y and give specific feedback.

Fifth, critique groups provide camaraderie with other poets. And that's often hard to do, especially if you don't live in a major city--but even there, poets are a bit hermetic and love to fly solo.

So there are some reasons why critique groups--as well as workshops, conferences and creative writing programs--are a good thing (in my opinion).

*****

As far as handling the criticism, as mentioned above, you should always be prepared to defend and scrutinize your work. It's a crazy tightrope act, but one that poets need to perform to get the most out of their lines.

Personally, I always bring a new poem to my critique group hoping for the best and expecting the worst. Usually, I find my words are somewhere in the middle.

Currently, I'm not a part of a critique group, but I still have some trusted readers for poems that I feel are close to getting where I want them to be. These are the readers I trust to let me know if my writing is hitting the mark or falling short. I know they'll let me know, because we've built up a level of trust over the years--both in giving and receiving criticism. Hopefully, if you haven't already, you will be able to find such a group of trusted readers.

 


Advice | Commentary | Personal Updates | Poetry Craft Tips | Poets | Q&A
Tuesday, May 27, 2008 5:44:53 PM (GMT Daylight Time, UTC+01:00)  #  Comments [5] 
Here, there & everywhere!
Posted by Robert

Okay, had a great Memorial Day weekend with my boys. And I'm now super tired, because something told me it was a good idea to go for a 3 1/2-mile run late last night and then follow it up with a 4-miler this morning. But such is life when trying to get in shape with a busy travel schedule. That's right, I'm headed out to Los Angeles, California, this afternoon with an expected arrival time of 9:06 p.m. (PST). Gonna be workin' the BEA/WD Writers Conference tomorrow--starting bright and early at 7:30 a.m.

If you're planning on attending, definitely feel free to pull me aside and say, "Hey," followed by what you like or dislike about this blog.

If you want to know more about the conference, go to http://www.writersdigest.com/bea.

*****

Related to my travel-o-rama, just wanted to let you know that the blog posts may be a bit spotty this week/weekend. I think my blogger friend Chuck Sambuchino (http://guidetoliteraryagents.com/blog) will have a laptop with Internet access at our undisclosed location--so Wednesday's Poetry Prompt should get up tomorrow morning. However, if there are any problems, I'll get it up as soon as I'm able.

*****

If you're bored in my absence and don't have me as a Facebook friend, please request me--I'm listed as Robert Lee Brewer, and I look kinda like that guy up in the upper left-hand corner of this page. ;)

For those of you without a Facebook account, they are free and easy to set up. And they offer online Scrabble. Is there anything cooler than that online? Outside of my blog, that is?

 


Personal Updates
Tuesday, May 27, 2008 3:55:04 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
# Friday, May 23, 2008
Female Poet Laureate?!?
Posted by Robert

Found these articles this week on the poet laureate situation in England:

* "Call for female poet laureate," by Gary Bills-Geddes from Ledbury Reporter

* "Pressure on Burnham over female poet," from The First Post

* "Queen is asked to appoint first female Poet Laureate after 22 men in 340 years," by Arifa Akbar from The Independent

Long story short: England has had 22 men poet laureates over a 340-year span without a single female. From John Dryden's appointment in 1668 to Andrew Motion's farewell this October, not one single woman poet has held the title of poet laureate. Understandably, this issue is causing a bit of an uproar across the Atlantic.

I mean, it took me less than one year to appoint my first female poet laureate on Poetic Asides: Sara Diane Doyle. That's right! It took me less than 12 months to do something England still hasn't been able to do in 340 years. One more reason why Poetic Asides rocks!

How many more 10-year tenures will be served in England before a female poet laureate is picked? My guess is that the noise on this issue will get so loud that Motion's successor will be a female. That said, if I were putting odds on whether the next laureate will be male or female, I'd only make it 51-49 in favor of female. After all, the men of England have a 340-year winning streak going strong.

(Wow! I still can't believe it's been 340 years without a female poet laureate. Can you? It's completely mind blowing.)


Commentary | Poetry News | Poets
Friday, May 23, 2008 4:38:04 PM (GMT Daylight Time, UTC+01:00)  #  Comments [11] 
# Wednesday, May 21, 2008
April PAD Challenge: Awards Ceremony
Posted by Robert

It's been 3 weeks since the end of the April PAD Challenge. I hope everyone's continued writing regularly since the end--even if that only means a poem or two per week. After all, that's part of the challenge, I think, is turning writing into a regular (or, at the very least, semi-regular) routine. Based off the participation in the Wednesday Poetry Prompts, I'd say many of you are still keeping at it.

The challenge involved more than 400 poets who posted at least one poem during the month and more than 4,000 total poems. My current records show that more than 120 poets actually completed the April PAD Challenge through the blog. Anyone who thinks poetry is dead should not visit Poetic Asides during the month of April, because they'll experience severe culture shock. And for that, I thank all of you.

So anyway, I named the 2008 Poetic Asides Poet Laureate earlier this morning: Sara Diane Doyle. To see the official announcement and read some of the poems she posted to the site, just click here.

In addition to the 2008 Poetic Asides Poet Laureate, though, there are a few other special mentions I would like to make.

The Most Prolific Poet Award is actually a tie between Rodney C. Walmer and Iain D. Kemp. The two actually seemed to have become friends during the month, swapping poems and music. I'm not sure who posted more poems (I can't count that high), but they both surely surpassed 100 poems each. 

The Poet Most Likely to Write About a Comic Supervillain Award goes to Kateri Woody, who not only wrote about the Joker throughout the month of April but also inspired several poets to write about the Joker's foil Harley Quinn. Way to stick with it, Kateri.

The Most Hated Poetry Prompt Award goes to Day 28's write a sestina prompt.

The Most Loved Poetry Prompt Award goes to Day 28's write a sestina prompt. Apparently, poets feel passionately one way or the other on this prompt--and poetry should always be about passion, right? (Now I'm gonna get flooded with reasons why poetry should not always be about passion, huh?)

*****

For the final award, join me in congratulating the 120+ poets who completed this April PAD Challenge. They are (in no particular order):

Alfred J Bruey; Anahbird; Angie Bell; Diane Mowery; Rebecca; Roxanne Nicholson; Bonnie; Tonya Root; Lori; Barbara Tzetzo Gosch; Salvatore Buttaci; Corinne; Christa R. Shelton; John H Maloney; Carol A Stephen; IleanaCarmina; Cathy Sapunor; Carol Boudreau; Cheryl Wray; Chris Granholm Jr.; Carla Cherry; Connie; Lisa McMahan; Carol Brian; Liza; Linda SW; Amanda Selset; Beth Browne; Bonnie MacAllister; Bruce Niedt; Devon Brenner; Don Ford; Don Swearingen; Emily Blakely; Earl Parsons; Justin Evans; A.C. Leming; Jeanette J. McAdoo; Genta; Sue Bench; Deb Hill; Michelle Cooper; Justin M. Howe; Iain D. Kemp; k weber; Margaret Fieland; January G. O’Neil; JL Smither; Yoli; Joannie Stangeland; Joe; Kate Berne Miller; Kimberly Kinser; Christine Kephart; KP; Kevin; Mike Padg; Karen; LindaTK; Kateri Woody; Lyn Sedwick; lynn rose; LBC; Khara House; Laura Hoopes; Monica Martin; Elizabeth Keggi; Lin Neiswender; Barbara Ehrentreu; Laurie Kolp; Linda Brown; Linda Hofke; Lorraine Hart; Omavi Ndoto; Marcos Cabrera; Matthew Abel; Susan M. Bell; Maria Jacketti; M. Schied; Michelle Hed; Mike Barzacchini; M J Dills; Robin Morris;  Judy Stewart; Jolanta Laurinaitis; Sarah; Nancy; Patti Williams; Bill Kirk; Rosemary Nissen-Wade; AlaskanRC; Sarah; Maureen Sexton; Sara Diane Doyle; Shirley Ann Tracy; Satia; Sally DiUlus; Sharon Ingraham; Shana; Renee Goularte; Callan Bignoli-Zale; Dee IKJ; Sheryl Kay Oder; Marcus Smith; SaraV; Barbara Torke; Lyn Michaud; Kriss; Paige; Sara McNulty; Suzanne Poor; Tad Richards; halfmoon_mollie; TaunaLen; Judy Roney; Teri Coyne; Susan Reichert; Terri; Jay Sizemore; Virginia Snowden; Rodney C. Walmer; Victoria Hendricks.

 

Congratulations to all of you! My month/year/decade has been made by your amazing commitment to this challenge--as well as your crazy praise that will have me blushing until the 22nd century rolls around.

 

All finishers will receive an award to place on their blogs, sites, etc. (created by our magazine design team). In addition, they'll receive these cool certificates of completion (created by our book design team). I'd like to thank both design teams for volunteering their time to this poetic cause.

 

(If your name was not among the finishers and you think it should've been, just send me an email at robert.brewer@fwpubs.com with the subject line "Where's my name, yo?" I'll be sure to work with you to get your name properly listed.)

 

*****

 

Okay, so after you get done congratulating each other, everyone should head on over to the Poetic Asides group at http://forum.writersdigest.com and share your thoughts on the challenge, the awards, and anything else.

 

Oh yeah, and remember: I'll be answering questions in the Poetic Asides group tomorrow from 9 a.m. to 3 p.m. (EST) if anyone's got questions about poetry, publishing, etc. I'll be sharing my advice with any who show up. See you there.

 

*****

 

And one more time: Thank you all sooooooo much for participating in the 2008 Poetic Asides April PAD Challenge! See you all next year--when I offer up 30 straight days of sestinas (just kidding--or am I?).


Personal Updates | Poetry Challenge 2008 | Poetry News | Poets
Wednesday, May 21, 2008 4:27:08 PM (GMT Daylight Time, UTC+01:00)  #  Comments [20] 
Wednesday Poetry Prompts: 003
Posted by Robert

Today's prompt is to write a family connection poem--emphasizing the relationship between two or more family members. This can be between you and your parent(s), you and your children, you and your adopted third cousin, twice removed (whatever that means). Preferably, this is a poem between you and another family member or members; but if you must write about the relationship between your two cousins, then you gotta do whatcha gotta do.

Here's my poem for the day (a typical conversation between me and my two boys):

"Jonah asks if there are only peach-skin and brown-skin people"

So I say, "Well, there is peach and brown, of course,
but also yellow, pink, white and black." "Is there blue,"
he asks. "No," says Ben, "that's only when people are
choking. Or dying. Or dead." "Is there orange," asks
Jonah. "Yes," I say, thinking of tanning booth debutantes.
"There is also copper and red. When some people get mad
they turn red--and some people get so mad they're always
red-faced. Or they have sunburn." "Yep," says Ben. "But
really colors shouldn't matter, because people are people,"
I explain, "and everyone is different."

                                                   Jonah stares out
the car window as we pass another cornfield, his young
mind trying to process the entire universe at once.

"Daddy, can the Flash run through walls?"

 


Personal Updates | Poetry Prompts
Wednesday, May 21, 2008 2:06:42 PM (GMT Daylight Time, UTC+01:00)  #  Comments [70] 
Sara Diane Doyle Named Poet Laureate of Poetic Asides
Posted by Robert

Before getting into this post, I want to say that the April PAD Challenge is not about competing as far as the quality of poetry is concerned. It's very simply a challenge to write one poem per day for the 30 days of April. If all goes well, you'll have 30 (or more) poems more on May 1 than you had on March 31.

Also, as part of the spirit of the challenge, it's assumed that the poems submitted for the April PAD Challenge are all either first or very early drafts of poems. So please don't worry yourself over who is or who is not highlighted each day and/or any other type of spotlighting of certain poets. Nothing done here should be done in a competitive way. Instead, everything should be cooperative. After all, we are (or, at least, we should be) a community of poets trying to help each other succeed.

That said, I want to congratulate Sara Diane Doyle for being named the 2008 Poet Laureate of Poetic Asides. There were many poets shortlisted for this honor, but after going through all the days' poems several times, it became apparent that Sara deserves this year's honor.

The honor is purely symbolic. Sara receives no compensation (sorry Sara) and is not expected to do anything specific (after all, she's not receiving any compensation). But my hope is that she will do her part, in whatever small way, to spread the poetic gospel--both online and off (no pressure intended, of course, Sara).

So anyway, please join me in congratulating Sara--and maybe next year one of you will be the next Poetic Asides Poet Laureate. In the meantime, I'm going to include a few of my favorite poems from Sara during the challenge.

Mischance

The doorbell rings
just as the phone
starts to buzz
and the kids run
through the room,
voices shrieking on high.
The dog joins the chorus
and she shakes her head
as she watches the words
that were almost a poem
sail quietly out the window.

*****

How My Memory Behaves

Like aged lovers, too many years together,
we bicker over the details.
I learned long ago you have your faults,
but joined as we are, I can't grudge them.

We take walks down that proverbial lane
and you dawdle, you lollygag,
you stop to smell a flower that looks familiar
but you won't tell me the name.
And when I call you to my side
with a question, sometimes
your eyes glint--impish elf!--
and you withhold. Other times,
not so proud, you pull
the answer from a dusty shelf.
But my favorite times are the ones
when you close your eyes, you know
you knew once upon a yesterday,
but can't for the life of you
recall when. Later, you'll wake me
from sleep, eager, smiling, to give
the answer to a forgotten question.

We will grow old together--
sit on the swing swaying forward
and back, back and forwards again,
laughing at how much we can't remember.

*****

Muse

At three p.m. I push back
the silk eye mask that shelters
my delicate eyes from harsh daylight.
I've left my charge to wade
the early hours of the day
alone, unguided, uninspired.
After a quick tossle
of my auburn curls,
I start my daily stretching
routine--poke the fantasy
still ten chapters away from completion,
poke the short story idea
she still hasn't put to paper, poke
the poem, the one about the plum,
that she just can't figure out.

My workout complete, I lounge
on a velvet chaise and eat cold grapes
until she calls for my aide.
I sip wine as she pounds
her head and the keyboard--
a slave to my whims.

*****

Explanation

Forgive the laughter--
it bubbled up
from my toes
and spilled out
over my lips
and had nothing
to do with
your coming in.


Poetry Challenge 2008 | Poetry News | Poets
Wednesday, May 21, 2008 1:38:28 PM (GMT Daylight Time, UTC+01:00)  #  Comments [37] 
# Monday, May 19, 2008
Exclusive Interview With Poet Helene Cardona
Posted by Robert

It sometimes seems like all published poets wear many different hats in addition to their poetry cap. Helene Cardona exemplifies this as much (if not more) than any poet. When she's not a poet, she's an actress with credits in movies such as Chocolat and Mumford. She's also an equestrian, dancer, dream analyst, and yoga practitioner. When she's not speaking English, she's speaking one of a handful of other languages--and has worked as a translator/interpreter for several different groups.

For her collection, The Astonished Universe (Red Hen Press), Cardona put together a wonderful group of poems--written in both English and French (of course). After all, where's the challenge in writing a collection of poems in only one language. (Note: During some of these interviews, I feel like Wayne from Wayne's World--ready to fall to my knees and say, "I'm not worthy; I'm not worthy.")

Here is the interview.

The Astonished Universe is an intentionally bilingual collection of poetry. Why did you decide to do this? 

 

I wrote The Astonished Universe in English. I did not originally intend it to be a bilingual collection. English is my fifth language, but it has been my language of choice for a long time now. I can say it chose me. I presented the manuscript, in English, to the publisher. They came back to me and said they would be interested in publishing it as a bilingual collection in French and English. At the time they had a collection in Spanish and English, and one in German and English, but none in French. So I went back to work and translated it into French. It was fascinating for me, because it rekindled my love of the French language and of writing in French again. The French translation absolutely informed the English version. As I was making discoveries with the French, I came to realize that some of the English could be improved. It became a dance between the two languages. I also felt more freedom than if I were translating someone else, because it was my own text.

 

Your father is a poet. How did he influence you as a writer?   

 

My father is a Spanish poet. He was born on the island of Ibiza. His mother was from Madrid, and his father from Barcelona. He was nicknamed “el cisne vallisoletano”, the swan from Valladolid. This is because they say that the Spanish from Valladolid is the purest. His command of the Spanish language is extraordinary. I could say he instilled in me a love for words.

 

You’re an actress. Do you find that helps or hinders the poetic process?

 

It helps. Acting and poetry are simply two different forms of artistic expression. As an actress I am very drawn to films that are visually beautiful and poetic. At the same time, I always pay close attention to the screenplay. It is the backbone of the film. I was lucky to work with Lawrence Kasdan (Mumford). He writes all his screenplays, and they’re usually original screenplays. He’s a terrific writer and director. I was also lucky to work on Lasse Hallström’s Chocolat. Robert Nelson Jacobs’s screenplay was nominated for an Oscar and won the BAFTA award. Great writing helps the actor. To go back to your question, they both raise your consciousness and in that sense, enhance one another.

 

You’re a very well-traveled poet who is able to speak several languages. Which languages can you speak? Do you think travel and a knowledge of languages helps your poetry?

 

I was born in Paris. French is my mother tongue. I learned Spanish at home before I went on to study it more formally at the Sorbonne and the universities of Santander and Baeza.  My mother was Greek and taught me her language. I started learning German when I lived in Geneva, and studied it more thoroughly at the Goethe Institutes in Paris and Bremen, Germany. Switzerland is a tri-lingual country, so I picked up Italian there, and then studied it more when I decided to work as a tour guide in Italy. Of course knowing multiple languages is a great advantage to writing poetry. It develops a musical ear for sounds, and gives flexibility with words and the thoughts that underlie them. Travel opens your mind and imagination.

 

How did you go about getting The Astonished Universe published?

 

It all started when I met Red Hen’s managing editor at a PEN USA event. We had a subsequent meeting at a restaurant and she suggested I send her the manuscript.

 

If you could share only one piece of advice with other poets, what would that advice be?  

 

Do things that inspire you. 

 

*****

 

To check out more information on Helene Cardona, visit her Web site at www.helenecardona.com.

 

*****

 

If you're interested in checking out other exclusive interviews with poets, including Dorianne Laux, Julianna Baggott, Jillian Weise, and more, just check 'em out here.

 

*****

 

If you're a publisher or well-published poet who's interested in giving an interview, check out my Call for Poets here.


Poet Interviews | Poets
Monday, May 19, 2008 2:39:48 PM (GMT Daylight Time, UTC+01:00)  #  Comments [21] 
# Friday, May 16, 2008
Poetry Publishing Basics
Posted by Robert

Many new poets have become readers of Poetic Asides since when it began more than 10 months ago. And with close to 300 total posts, it's not a good idea for me to expect you to dig around looking for helpful publishing information. So, I'm going to give a real quick Poetry Publishing 101. (If you find it helpful, I suggest bookmarking this post.)

*****

Before you attempt any publishing, you need to read a lot of poetry and write a lot of poetry. I put reading a lot poetry first--and by reading poetry I mean reading poetry by contemporary poets--because this is truly the best way to learn how to write effective poems. Successful poets pay attention to what they like in poems and spin it around in a new direction. Of course, you should also write--daily, or at the very least, weekly. If you frequently go longer than a week without writing, you might want to try setting up a writing routine or even reading more poetry (because reading poetry often sparks new poetry).

Avoid rushing into publishing before you've worked on your craft for a while. For instance, I worked on my poetry for more than 12 years and wrote thousands of poems before I felt comfortable enough to try getting published. Even after that lengthy apprenticeship, I've still had more than my share of rejection slips. The competition is fierce, so to spare your ego (of rejection) and your bank account (of postage expenses), I recommend you exercise a little bit of patience in your pursuit of becoming a world famous poet.

*****

When you think you're ready to get published, start off by submitting to magazines and journals that accept poetry. Too many poets come to me asking how they can get their whole collection of poetry published when they haven't even published a single poem. (Of course, it should be noted that this is a natural way to think if you don't know the business of poetry publishing--so don't feel bad if I'm describing you.)

If you're not sure where to find magazines or journals that accept poetry, then I suggest checking out the most recent copy of Poet's Market. (Full Disclosure: I work on Writer's Market and recently have been going over pages of Poet's Market--and I edit the resurrected Poet's Market newsletter. So, yes, I'm a little biased to which reference I direct you.) You can pick up a copy at your local library or bookstore--or you can order online at http://www.fwbookstore.com/product/1538/23.

In this guide, you'll get more than 1,600 listings for magazines and journals, presses, contests, workshops, etc. But even more important for the poet new to publishing, it is loaded with practical articles and interviews that show you how to properly submit your poems.

*****

If you've already been published in several journals and think you have enough poems to put together a collection, the best way to get that collection published nowadays is through poetry book and chapbook competitions. Chapbook competitions tend to be for collections of less than 48 pages (usually 24-40 pages is the norm), while full book length collections trend over this 48-page threshold. Neither type of competition is easier or harder to win--so don't enter the chapbook competitions thinking it'll be a cakewalk because the size of the manuscripts are smaller.

*****

Of course, more and more poets are bypassing the traditional means of publication and doing it themselves. This tradition dates back as far as any poet can remember. Even America's great poet, Walt Whitman, was a self-publisher. But if you decide to go this route, make sure you can look yourself in the mirror and say that you're self-publishing for the right reasons. Don't do it just because it's the easy (or lazy) way of getting published if you actually want to build a readership over time. While saying you've got a book published can feel fulfilling, it loses its luster if the only people who own a copy of your poems are you, your mom, and your garage.

*****

Finally, I'm not gonna get into the whole can of beans with those FREE poetry contests you can find in the backs of magazines and online. Not in this post. Instead, here's my account of my first publishing experience before I decided to get patient (that's right I was full of ambition at 16--and learned a valuable lesson as a result): http://blog.writersdigest.com/poeticasides/Im+Coming+Out+Of+The+Closet.aspx.


Advice | Personal Updates | Poetry Craft Tips | Poetry Publishing
Friday, May 16, 2008 6:10:58 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Thursday, May 15, 2008
Newspaper Blackout Poetry
Posted by Robert

Before getting into the cool news, I just wanted to let everyone know who's been looking for the rest of the April Highlights (Days 21-30) that I am still going to post them. I've just been busy supremo working on the 2008 Poet's Market, which will be going to production on June 5. Of course, the one complicating factor is that I'll be out the entire last week of May because of Memorial Day and the BookExpo America/Writer's Digest Books writer's conference in Los Angeles, California. So the highlights are coming--just trying to fit 'em in with the rest of my "day job" stuff.

*****

So now on to this really cool newspaper blackout poetry stuff done by writer/artist Austin Kleon, who is based in Austin, Texas. (Note: It's funny how cool news travels. For instance, this was passed on to me by WritersDigest.com editor Brian Klems through HOW magazine editor Bryn Mooth who heard it on NPR--one more reason to support public radio, right?)

Anyway, Kleon grabs the newspaper and a permanent marker and starts scribbling out words until a poem emerges. In many cases, the poems actually turn out quite beautiful.

Check them out at: http://www.austinkleon.com/category/newspaper-blackout-poems/.

If you want a Weekend Warrior poetry prompt, this is a definitely a good exercise: Buy a local newspaper and sculpt poems out of newsstories. If you come up with anything good, post them in the comments below.

 


Personal Updates | Poetry Craft Tips | Poetry News | Poetry Prompts | Poets
Thursday, May 15, 2008 2:59:28 PM (GMT Daylight Time, UTC+01:00)  #  Comments [15] 
# Wednesday, May 14, 2008
Wednesday Poetry Prompts: 002
Posted by Robert

I had to drive into work in a steady rain this morning. Those who know me very well know that I loathe driving on the Interstate in the rain, because of a hydroplaning experience I had several years ago in southern Kentucky. Ever since that crash (no one was seriously injured), I've had this phobia when it comes to driving in inclement weather.

Which leads me to today's prompt, I want you to write a poem that deals with one or more of your own phobias. Or--if you are truly without fear--write about someone else's phobias. Or--if you and everyone you know is without fear--write about an imagined phobia (or write about my phobia of driving in inclement weather).

Here's my attempt, which actually deals with one of my other phobias (yes, I'm suddenly feeling like Charlie Brown, who carries around the fear of everything): heights.

"Control"

Rollercoasters, elevators,
unenclosed stair cases,
railings, cliffs, airplanes--
I'm afraid of how I have
no control over gravity.
If I fall, I can only fall
and let myself be caught
by the earth below. It's
simple really, but I worry
about the "what if"s when
I should just enjoy the ride.

 


Personal Updates | Poetry Prompts
Wednesday, May 14, 2008 2:52:24 PM (GMT Daylight Time, UTC+01:00)  #  Comments [113] 
# Tuesday, May 13, 2008
Free poetry CD download!
Posted by Robert

The Academy of American Poets is getting into its bag of poetic tricks again (always in a good way). After offering up a poem-a-day by well known poets through April, they're now allowing poets to download an 11-track CD, recorded last month during their National Poetry Month reading series--completely free.

To download it, visit: www.poets.org/freecd


Poetry News | Poets
Tuesday, May 13, 2008 8:28:47 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
# Monday, May 12, 2008
Exclusive Interview With Poet Julianna Baggott
Posted by Robert

My first experience with Julianna Baggott was on my first edition as editor of Writer's Market (Writer's Digest Books). I asked her to write a diary style piece on how she published her first and best-selling novel, Girl Talk (Washington Square Press). It was my first risk as an editor, and Julianna made me look like a genius, because she turned in a great story.

At the time, she mentioned she also wrote poetry and stories for "the younger set" under the pen name N.E. Bode. So Julianna was one of the first poets I thought to ask for an interview when I decided to do these poet interviews on the blog. Unfortunately, I'm a bit of a procrastinator at times, and put it off for awhile. After finally getting a hold of her, I then took forever sending her the questions. Fortunately, she's always quick to get things turned around (and she never gives me a hard time about how long I'm taking on my end).

Baggott is the author of three collections of poetry: This Country of Mothers and Lizzie Borden in Love (both published by Southern Illinois University Press, 2001 and 2006 respectively), as well as Compulsions of Silk Worms & Bees (Pleiades Press, 2007). The words in her poems are often funny, at times confrontational, and always immediate. Working in several different writing genres seems to give Baggott an especially keen sense of what makes great poetry.

Here's a favorite passage of mine from Compulsions of Silkworms & Bees from the poem "1. Poetry Addresses Her Sister, the Novel":

You need to learn to whittle soap
                                            to a narrow bone, to live in steam
so the wool shrinks to a toughened swatch,
not a sweater, not a mitten, something otherworldly.
                    Why do you want so much?
I say little, but my memory is stained so deeply
                                                                    it glitters.

Of course, Baggott then offers a great response in the very next poem "2. The Novel Responds to Her Sister, Poetry":

It isn't as easy as you'd think
to take the reader's hand, hang his hat
on the rack, to offer a seat.
Manners. I pass around tea and cakes.
Have you ever allowed these comforts?
You let them wander rooms, disoriented.

Hopefully, I'm not disorienting you by jumping straight into the interview.

What have you been up to recently? Do you have anything coming up soon that people should be looking out for?

 

The last two years have been heavy on poetry what with the publications of Lizzie Borden in Love and Compulsions of Silkworms and Bees. I've been writing sonettos -- odd ones -- but my books of poems take a few years and this new one isn't fully fleshed. I have two novels coming out next year, though. One for adults called My Husband's Sweethearts (under pen name Bridget Asher) and a novel for kids and Red Sox fans The Prince of Fenway Park

 

Compulsions of Silkworms & Bees was selected for the Lena-Miles Wever Todd Poetry Series and Lizzie Borden in Love was selected by the Crab Orchard Series in Poetry. What do you think helps make a winning collection of poetry? Good solitary poems? Great connective tissue between poems? Something else entirely?

 

Readers you trust. I handed both books over to other poets I deeply trusted -- namely Frank Giampietro, whose first book Begin Anywhere (Alice James Books) comes out this fall, and Jennifer McClanahan a wonderful young poet. They came back to me differently imagined and I needed someone else's eyes.

 

In Compulsions of Silkworms & Bees, you assembled a collection of poems about poems, poetry and the craft of writing. Writing about the process of writing can be dangerous territory, but you seem to weave through it with a tense dance of serious humor. Do you try to hit certain benchmarks when writing your poetry? If so, what?

 

I'm not sure why it's dangerous territory. I always miss the memos on stuff like this. Writing is my obsession, my passion. My relationship with it is one of the most complex and agonizing and richly vexing that I have in my life. I don't know how not to write about it. And so I do, without any notions of benchmarks.

 

Are there things you absolutely try to avoid in your poetry? Explain.

 

Being a lazy fiction writer. I have an outlet for prose -- I write it. So what I don't want is to shove what should just be prose into the poetic form.

 

It seems you often put yourself in the skin of another to write your poems, whether you are Mary Cassatt or Poetry addressing her sister, the Novel. What do you feel are the benefits of writing from within another person or thing? Explain.

 

Now this is from my fiction roots, I suppose. I didn't start writing so that I could more deeply know myself. I was bored of myself, my life, my childhood, my hometown. I started writing as a way to know others, to get away from myself. And so I still do that. Of course, I've found that it's much easier to reveal yourself when you think you're revealing someone else.

 

Have you been reading any specific poets recently? If so, who and what do you like (or, I guess, even dislike) about their work?

 

Yes, yes. New poets. I always love new poets. I oversee the Southeast Review's Online Companion (www.southeastreview.org) and get to read tons of interviews and those names pack much of this list: Frank Giampietro, I mentioned above -- Begin Anywhere. Martha Silano -- Blue Positive. Charlotte Matthews' second book -- Still Enough to be Dreaming. Erin Murphy's third book -- Dislocation. Norman Minnick -- To Taste the Water. And we recently ran an interview with Rick Campbell who's a poet who deserves a much wider audience. His latest, Dixmont, is incredible.

 

When you're not writing award-winning poetry, you're writing bestselling fiction or writing novels for younger readers under the pseudonym N.E. Bode. I've also read that you've written screenplays based off your novels. How do you decide what goes where? That is, when do you know you're working on a poem instead of a short story?

 

I don't always know. I sometimes pick my poems up and put them into my fiction. I sometimes write a poem and then realize that it's a story. I have a story in the anthology Surreal South that began as a poem and took on a different, unexpected life in fiction. I'm toughest on the poems, though. The white gathered around a poem on the page, like a held breath, demands it.

 

If you could only impart one nugget of wisdom to another poet, what would it be?

 

Drown yourself in it -- all of it. Read like mad -- at least ten books of poems a week. Don't love everything. Hating certain types of poetry helps define your own aesthetic. Be daily. (Check out the Southeast Review's Daily Writing Regimen for a shove -- http://southeastreview.org/regimen.php.) Go forth boldly.

 

*****

 

Check out Julianna Baggott's Web site at www.juliannabaggott.com.

 

*****

 

Here are some links to some of her poems (for further reading):

 

* "Blurbs"

* "Nights in Tijuana"

* "What Poets Could Have Been"

* "Q and A: Do you have any tips? Answer #2"

 

*****

 

Check out other Poet Interviews here.


Poet Interviews | Poetry Craft Tips | Poetry News | Poetry Publishing | Poets
Monday, May 12, 2008 4:26:02 PM (GMT Daylight Time, UTC+01:00)  #  Comments [3] 
Day 20 Highlights
Posted by Robert

On Day 20, I asked you to write a Love poem. And the sparks started flying immediately. There's no better way to start a week than with a little love, so without further ado.

*****

 

Helping Hands

 

It would be better to think

you were made for me

a custom order

handcrafted to please

those hands that have held babies

carried groceries

and tarped roofs

were just praciting

for that day in the yard

when you reached out

to steady me

and keep me from falling

 

 

Teri Coyne |tmc329AT NOSPAMaol dot com

 

*****

 

After the Whole Day

 

Let me feed you

cheeses on a plate.

Let me roll for you

raviolis of gorgonzola,

swirled in a cream sauce

with walnuts, tarragon.

See how the water simmers.

See how the windows steam.

Let me serve you a salad--

frisee and pear,

delicate curls of pecorino,

a whisper of truffle oil.

I have in my kitchen

scallops to sear,

chicken to roast,

and a medley of roots

tossed with oregano, balsamic,

and then a little lemon tart.

When you come home

with the sound of the saw in your ears

and mahogany dust in your hair,

let me pour you a glass of Champagne,

let me take your hands

and lead you to the table you made.

Let me feed you, fill you.

 

 

Joannie Stangeland |joannieksAT NOSPAMmsn dot com

 

*****

 

My Mistake

 

Tentative touches cannot explain

how much you've actually

changed me.

 

Long, light strokes down

a make-up smeared cheek

try to tell you that

I care.

 

Finger tips pressing lasciviously

into firm thighs attempt

to get you to realize

that I do want you.

 

It was a mistake to try and

send you out of my life -

to try and hide the fact

that I do, love you.

 

It's too late for me to

try and take that back;

to un-tell you that I can't

have you, have these

feelings.

 

But I can try to win back

your favor, your desire

with the slightest whisper

of a kiss on your painted mouth,

promising much more than

words ever could.

 

 

Kateri Woody |kwoody66AT NOSPAMutica dot edu

 

*****

 

One Incarnation of Love

 

cleans the litter-box,

cackles, wakes me up with

political commentaries,

of a world pregnant

with entropy, a blue rose with warts.

 

Good love is a mentholated powder

on the prickly heat of this world.

 

 

Maria Jacketti |medusashairdresserAT NOSPAMmsn dot com

 

*****

 

I Miss My True Love

 

Once again, dear, you’re on the road.

We’re separated by miles and highways,

But linked by cell.

Several times a day, we’ll talk,

But the other half of the bed tonight

Will stay cool, empty, and neat.

I should be used to kissing you goodbye

By now.

But I’m not.

I want you to come home, kiss me good-night,

And lie beside me till I hear the reassurance

Of your warm breathing,

The rhythm of your sleep,

The sure, sweet, safe knowledge

That you are here

And always will be.

 

 

Karen |kphillipsoAT NOSPAMaol dot com

 

*****

 

Awaken

 

The Man in the Moon knows.

He stays up past dawn

To watch us.

 

The morning doves

Nest near our window

For inspiration.

 

And daffodils

Bow in our direction,

Accepting the warmth.

 

While the world

Is aware of

Our love,

 

We are oblivious

To all but

Each other.

 

 

Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com

 

*****

 

How to Write a Love Poem

 

Choose an iambic vessel for your pleasure

An octave and sestet for good measure

A dash of onomatopoeia will suffice,

Boom Boom,’s too much, but pit-a-pat is nice.

Ask for my heart. Surely I’ll recognize

Synecdoche and give the rest as prize.

Love, dove; strife, life—use no rhymes so cliché;

Choose simplest words for what you have to say.

 

Give love its legs, you must personify

A living thing, but do not let it die.

Don’t mix your metaphors, but be direct

Use similes as well that may reflect

A view of love by what it most resembles

And spice it up with literary symbols.

 

But don’t dare use the least hyperbole

If you want to get within a million miles of me.

 

 

Nancy |nposeyAT NOSPAMembarqmail dot com

 

*****

 

Tell me Saturday,

Monday, Wednesday afternoon;

Tell me riverside,

Mountain, desert canyon, sea.

Lover, tell me – and soon, soon.

 

 

ck |kephartceAT NOSPAMhotmail dot com

 

*****

 

Sweet apple blossoms

and succulent plums

sit tired and spent beside us

on a now stained picnic

blanket. And you lace

flowering white in my hair

as the pulpy red hearts

disappear across the grass.

And we wrap ourselves in sheets

of light and hold each other

firmly by the core.

And the sun sinks into universal dawns

as you whisper those

plum somethings in my

blooming ear.

 

 

Khara House |leftnwrite08AT NOSPAMyahoo dot com

 

*****

 

The volume could be lower.

Silence would be best.

Tonight the History channel

vies with ESPN. World War II

echoes around me as I try

to write a love poem, today’s

poetic aside.

 

Serious tones announce German attacks.

Next voices rise with excitement:

the 76ers have won a NBA game. Innings pass;

76,000 men are taken prisoners.

I think love is here

in this rented room,

in the words I do not speak,

in the poem I don’t write.

 

 

Beth Camp |bluebethleyAT NOSPAMyahoo dot com

 

*****

 

I’d Like To Take You To Dinner

 

At the Rockin’ Comet Diner

the waitresses wear t-shirts

that say, “Nothin’ could be finer,

than this Carolina diner,”

and we sit at a small chipped table

crowded with condiments

and a dented napkin holder.

 

You order liver and onions,

I get fried green tomatoes and fried okra

because this a Southern diner, after all

and Southern food is all about fried,

but we skip dessert,

which might have been banana pudding,

partly because we’ve eaten enough

and partly because we can’t wait

to get home.

 

 

Beth Browne |womenswritesAT NOSPAMinbox dot com

 

*****

 

In Tent

 

Bluejays riot in the campsite:

s'more debris, hot chocolate powder

and apple peels overlooked in last

night's rush to bed are their morning

feast.

Eventually we will

have to open the zipper,

get up and clean up

the table.

Let's just lay here for now

remembering our own discovery

and content.

 

 

Cathy Sapunor |cathsapAT NOSPAMyahoo dot com

 

*****

 

Green Lakes

 

I wore the sunburn on the back of my neck

like a badge. Earned from an hour spent

in a paddle boat, on that lake. That lake.

The bacteria makes appear it green, the sign said.

A glacier compelled by invisible forces,

carving into the soft pre-history earth,

made it deep. And the sunfish swimming

just below my floating body, made me scream.

You laughed pulling me to you.

I said i hated you, for not telling me it was there.

Your face found the curve between my neck and shoulder.

My feigned fury dissolved into the water.

Days like that, never last forever.

 

 

Crystal Cameron |crystalclouded731AT NOSPAMyahoo dot com

 

*****

 

geese bring the

spring time

back with them

their V across

the sky ripping

winter in pieces

with them comes

earlier dawns

later sunsets

rising of sap

blood courses faster

there are those

who would waste

these hours

but in your company

they seem all too

short I watch you

more through the

honey light and

feel my heart swell

and open like

the buds of

lilacs that

wave behind you

in our window

 

 

halfmoon_mollie |tamsinAT NOSPAMtwcny dot rr dot com

 

*****

 

The Awakening

 

I wake to the curve

of a familiar hip,

draped with a swath

of modest sheet…

nakedness reveals all

and sometimes that is too much,

in the morning light

this baring of body and soul.

And filtered through the

blinds, horizontal punctuation marks

of last night’s encounter

are reminders of spent love.

 

You turn,

the sheet slips away

and in the first rays of

consciousness

I know why I am here.

 

 

anne |atkrakAT NOSPAMyahoo dot com

 

*****

 

Lust and Exhaustion are lovers,

they stay up all night, every night

it’s like being young again, only

they are not. Lust drives to work

in the early morning light, moon

sharing the sky with the rising sun,

too tired to see straight, thinking

half of what I’m feeling isn’t love,

it’s sheer exhaustion: The gritty eyes,

the illusion of floating off the ground,

the champagne bubbles in the chest.

Back in her apartment, Exhaustion

rolls over in her sleep, smiling.

 

 

Kate |kberne50AT NOSPAMhotmail dot com

 


Poetry Challenge 2008 | Poets
Monday, May 12, 2008 2:43:45 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1] 
# Sunday, May 11, 2008
Poets Have Mothers, Too!
Posted by Robert

And if you're looking for a brilliant, cost effective, creative and last minute gift for Mother's Day, do what I plan on doing for my mother: Write her a poem.

Actually, I'm going to go a few steps beyond that. First, I've written the poem. Second, I will get one of those two-picture frames tomorrow. Third, I will insert the poem into one half of the frame. Fourth, I'll insert a picture of my two brothers and I in the other half.

Wow! Super easy. Super cheap. Super creative. And super last minute. But I guarantee you my mom will be knocked off her feet and overcome with emotion.

(Note: While this kind of gift usually works with moms, it's sometimes frowned upon by the dads. Better to stick to your usual gameplan of a tie and a Father's Day card that farts or burps.)

 


Advice | Commentary | General | Personal Updates
Sunday, May 11, 2008 12:32:16 AM (GMT Daylight Time, UTC+01:00)  #  Comments [9] 
# Friday, May 09, 2008
Thank You IRS!
Posted by Robert

While I'm not sure how much this stimulus/rebate thing-a-ma-bob is actually going to help the economy (just as I was skeptical of the earlier stimulus check that apparently didn't help out), I'm more than happy to have received a bounce in my checking account this morning. Yay!

I know not everyone who reads this blog is from the United States. So I'm sorry you don't get the crazy cash influx, but for those poets who are expecting (or have already received) a rebate check, let me give you an idea of how you might invest some of this money.

  1. Subscribe to a literary journal or three. Not only is it good reading, but you'll be learning what poems each journal wants. Plus, you'll be supporting the poetry community, which helps everyone from the poets to the publishers.
  2. Buy some Forever stamps. Check with your local post office to verify, but these stamps can apparently be used forever--despite any increases in First-Class stamp rates. So, you could stock up now on the stamps you can use to mail your poetry submissions forever.
  3. Purchase poetry supplies. Go ahead and buy surplus amounts of your favorite pens, pencils, pads of paper, erasers, etc. Heck, get a huge dry erase board that you can turn into a brainstorming or draft board for your poems (or a great place to doodle while you're thinking of a poem).
  4. Attend a writing conference or workshop. Why slowly save for a conference or workshop experience when the government is sending you enough money to cover the expenses of most events now? This could be your once in a lifetime chance to really connect with other writers.
  5. Build a Web site. Personally, I've thought about using some of my rebate check to finally create my own site to highlight my achievements (or lack of achievements). Web sites are great, because it allows you to give people a destination to find out more about you, your publishing efforts, and more.

Of course, another option is to use the rebate to pay for the skyrocketing prices of gas and food. Yesterday morning, I was dumbstruck by the price of regular unleaded: $3.79 per gallon. Say what?!?


Advice | Commentary | Personal Updates | Poetry Publishing
Friday, May 09, 2008 2:58:13 PM (GMT Daylight Time, UTC+01:00)  #  Comments [10] 
Day 19 Highlights
Posted by Robert

On Day 19, I asked you to write a poem about a memory of yourself that you personally could not remember. For instance, something from early on in your youth, from blacking out because of drinking or medication, or from just having a horrible memory, I guess. I used some anecdotes from my youth and something I said in my sleep, for instance.

The poems you came up with were awesome. There's always so much honesty and passion behind these poems. And they ran the gamut--from terrifically funny to terrifyingly tragic.

*****

 

Four lives before age six

 

I recall reaching

For the orange cup.

But don’t remember

How the bleach burned

Going down my throat.

 

I see the storm door

In my mind’s eye.

But don’t remember

Going through it

arm first.

 

And I see the pavement

Pass inches below

My nose,

But don’t know how

The car door opened.

 

And I don’t remember

Falling from the

Second-story balcony.

But still feel the cool grass

Beneath my broken shoulder

 

 

Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com

 

*****

 

Night Terrors

 

When I was a little girl,

One night I awoke

On the kitchen table

Beside the salt and pepper shakers.

 

My mother tells me

I used to dive bomb

Out of my crib,

That she could not build

High enough walls to cage me.

 

If anyone nears my eye

With a finger or brush,

I immediately recoil and tear.

 

My mother tells me I ran

Directly into her extended finger

Around the age of three.

I retell this forgotten story

As my mother stabbed me in the eye.

 

My father made hamburger

Of my fist as I placed my hand

In greased pan. Sometimes I wake

With heated palms. I would later dream

That my sister was cooking our mother

And our mother was still talking to us.

 

But the oddest of all memories

Is a white dress hovering

In the linen pantry mirror,

And my mother asking me

Why I was in the closet that night.

 

 

Bonnie MacAllister |bmacallisterAT NOSPAMearthlink dot net

 

*****

 

The Last Time I Leaned out a Window

 

It was one of those New York days

when steam rises from the sidewalk.

Warm air, oppressive as a wool blanket,

drifts through the open window.

 

I hear barking in the courtyard

six floors below. I climb

on the sill, lean out the window,

stare at the snarling dogs.

 

Large hands pull me back,

turn me over a cotton-clad knee

and, for the first and last time,

spank me.

 

 

Margaret Fieland |infoAT NOSPAMmargaretfieland dot com

 

*****

 

The Recipe

 

You tell me

I recite recipes

in my sleep.

 

Last night

I was out of tomatoes.

 

You asked

crushed? or chopped?

 

I replied

get out of the kitched.

 

 

Shannon Rayne |shanpidAT NOSPAMshaw dot ca

 

*****

 

Humble Beginnings

 

What Mom remembers is that

on the day of my birth,

since I was the fourth child,

I came very suddenly and

she barely made it the fourteen miles

to the hospital.

She didn’t have time to

wash up the hand-me-downs so

she had to bring me home in

a tattered sweater.

She always felt bad about that.

 

Dad remembers that I was born

on the first day of squirrel season,

and he kept falling off a stump

from being so sleepy

from staying up all night.

 

When my children were born

I tried to tell them more interesting

stories about their births.

 

 

Connie |CoFun77AT NOSPAMyahoo dot com

 

*****

 

Retribution

 

My forty year old son

reminds me of the time

after supper

I threw the dishes

and broke most every one

because I was angry

at his father

over something

he did/didn’t do

three years before

I divorced him

and the reason

he remembers

after all this time

is because he still

thinks it’s funny

that my only comment

was “At least

they were dirty.”

 

 

Linda Brown |llbrownAT NOSPAMembarqmail dot com

 

*****

 

Grandpa

 

There are bits and pieces of memory

Hands groping

Touching a little girl

That was me.

There are bits and pieces

That still today

Torture the woman

That is me.

The bits and pieces

He left behind

Are still mine

Even though he is dead.

 

 

patti williams |pwilliamswriterAT NOSPAMaol dot com

 

*****

 

Banana Shoes

 

I am six years old in the picture,

sitting astride a tortoise,

twice my size.

I guess it was a petting zoo

and I am grinning with delight.

My mom says that after she snapped

the picture,

with the old Polaroid camera,

the tortoise caught sight of my yellow

sneakers and thinking it was a tasty

treat, tried to take a bite.

I don’t remember any of this

but the creature’s head was at least

as big as mine,

her mouth much wider

and I guess I should be glad

I still have both feet.

 

 

Beth Browne |womenswritesAT NOSPAMinbox dot com

 

*****

 

A Moment in Time

 

Three years old and riding on a

Subway with my mother. Cane seats worn

And shredding, women complaining of runs

In their nylons which catch on stray strips

 

They tell me I was a `pincher’ in my

Toddler years and Mom never knew

When it would happen or who the

Victim(s) would be or how they would take it

 

Mom and I sit in seats facing others, men

All wearing hats and reading newspapers

But then, a group of nuns in full habit sit down

“Who are those funny ladies?” I yell

 

I had never seen a nun before, and

Demanded an explanation. Impatient with

Mom’s apologies to the women in black and white,

I launch out of my seat, over to the nuns and pinch their knees.

 

 

Sara McNulty |smcnultyAT NOSPAMsi dot rr dot com

 

*****

 

Memory Forsaken

(For the Cousin Never Known)

 

The photo black and white

sepia-stained at the crimped corner,

me laughing, snug on Auntie's hip

a bag of taters and her, not twenty,

bouffant hair, pursed lips and puppy-sad eyes,

evoke dreamy deja-vues of distant toddler-hood

in her mother's house: the creaking staircase;

 

packing boxes of books - Honey Bunch

and Bobbsey Twins – closet cached

under summer-hot eaves; the cuckoo clock

that magically played the Batman theme;

the sun slanting into the dormered room

each morning; cider-tinged orchards

and shiny buckeyes to collect; chipmunks skittering

 

over lichen-lacquered stone walls;

the cool dank cellar of glittering glass,

jars of relish and ‘maters hiding half-full bottles

of gin; the scent of sadness creeping round corners

hushed and still; Auntie weeping, always weeping,

for a daughter she will never know,

holding me instead. Holding me.

 

 

Linda |drwasyAT NOSPAMgmail dot com

 

*****

 

Past and Present

 

I call my older sister, figuring she’d know.

“Tell me a story about myself I’ve never heard.”

She’s helping her son with homework.

“When you were two and I was ten

I got mad at mom and ran away with you.”

“Why’d you take me?”

“Didn’t want to leave you with them. I liked you.”

She tells her son she’ll help him in a minute.

“So I got some graham crackers and a diaper

and propped you up in the back of the wagon.

Mom knew. I went all the way to the stop sign

and around the corner. Far enough

so mom couldn’t see.”

“Why’d you come back?”

“I realized I couldn’t take care of both of us.

Besides I’d made my point.” She laughs.

In the background I hear her son say,

“I’m getting out the graham crackers.”

 

 

Carol Brian |csp2000AT NOSPAMearthlink dot net

 

*****

 

Cigarette Machine

 

My mother and grandmother loved to tell stories

of my precocity, how I could read as early as three –

or so they claimed. They said they realized this

when I’d go with them to the cigarette machine

and pick out each brand – Winstons, Chesterfield Kings,

Camels, Pall Malls. Maybe it was just pattern recognition –

the Pall Mall package, for example, was almost solid red –

but they claimed it was proof of early genius..

 

No doubt, I’d even help them get their favorites –

they slipped coins in the slot and I pulled

the glass-knobbed lever that released the package

with a "ker-chunk" to the bottom tray. Maybe I made

faces in the mirror – all cigarette machines had mirrors,

I’m not sure why. They were everywhere – in the diner,

the bus station, the office, the bowling alley. It was cool

and sexy to smoke – the crewcut man with the skinny tie,

the platinum blonde in shirtwaist and pearls, sharing

a cigarette break. Even doctors smoked on TV.

 

My grandmother died of lung cancer

about eight years ago, a smoker almost to the end.

My mother died not long after. If only I had the power

to see the future then, instead of the power of early reading,

I’d stop their hands before the coins went down

and the Pall Malls or Winstons came out.

Instead, I went on reading like some prodigy.

I never quite lived up to that.

 

 

Bruce Niedt |jackbugsAT NOSPAMcomcast dot net

 

*****

 

A Sudden Stillness

 

She told the story until

I felt sure I remembered it

from some space between lifetimes,

my kicks inside her wet womb

before storytime with her first graders.

'Once upon a time' and I lay still,

listening to the tales unfold,

was still again as a baby with croup,

pain carried on the wings of 'once upon'

into the late rainy night.

She was Mnemsyne, divine lover of Zeus;

I was her child-muse, being gifted these sacred

stories, yet to be scribed, my feet motionless,

my heartbeat a mere breath in the wind.

 

 

Pris Campbell |camprisAT NOSPAMbellsouth dot net

 

*****

 

Coma

 

There are moments

But not often minutes

When I see. It is possible to

Be awake, but

Only with great effort

Or none.

The joy of life

Is incompatible

With the business of being alive.

 

My cherry tree is about to bloom

It is fully awake

Its only sound is a sigh

Of disappointment as I walk by.

 

 

Gratia Karmes |glk222AT NOSPAMtds dot net

 

*****

 

Jenny and the Pine Tree

 

“We always get a spruce pine

for Christmas,” Mom repeats,

then tells the story of when I,

pre-school-aged and already in trouble

at daycare for biting other bratty kids,

stood in front of the Christmas tree

for a picture with my even-tempered little brother.

I took a step back, and one of those spiny branches

reached out and pinched my neck.

More startled than hurt, I turned around

and bit that horrible little branch,

then yelped and let go when it had the nerve

to poke the roof of my mouth.

Angry, I bit that stupid tree again.

 

 

JL Smither |jlsmitherAT NOSPAMgmail dot com

 


Poetry Challenge 2008 | Poets
Friday, May 09, 2008 2:34:22 PM (GMT Daylight Time, UTC+01:00)  #  Comments [7] 
# Wednesday, May 07, 2008
Wednesday Poetry Prompts: 001
Posted by Robert

My baby brother is (finally) going to graduate with a degree in meteorology from the University of Oklahoma after nine years of study. You see, his big problem is that he's even more interested in experiencing weather than he is in studying about it. So, he's missed studying for tests and finishing projects because he's out chasing tornadoes; he missed finals one year because he was stuck on the third floor of a police station in Slidell, Louisiana--surrounded by flood waters. (Not sure why you would, but IF you want to learn more about my brother Simon, check out his Web site at http://stormgasm.com.)

Anyway, why am I mentioning my brother who is obsessed with weather? Because today's prompt is to write a poem that is either about the weather or incorporates the weather into the poem. Whether you make it about a crazy storm or a cloudless summer day, you gotta give the weather report.

Here's my attempt:

"The Weather Report"

Expect a high of 75
and a low around 60.
In the afternoon, light
showers may develop,
followed by abundant
sunshine. In the early
evening, prepare for
heavy kissing and
a full moon.


Personal Updates | Poetry Prompts
Wednesday, May 07, 2008 3:36:01 PM (GMT Daylight Time, UTC+01:00)  #  Comments [100] 
Day 18 Highlights
Posted by Robert

There is no connection: That is the line I asked you to use in writing your poems on Day 18. It was a line that'd been rolling around in my head for awhile, though the context is totally lost on me now. As it should be. It's amazing how one line can go so many different directions.

Finding the connection in these poems is as simple as the line I asked you to use, but outside of that there appears to be no connection. (Hahahaha--yeah, I know. Bad joke.)

*****

 

:“mutually exclusive dinner party invitations”:

 

Between her old self

and her new self there is

no connection

anymore They sit on opposite

sides of the room They

sleep in

separate beds

They eat dinners in silence and rarely

call company to

toast their exclusive successes Between

 

the two of them

there is little room

for change Maybe someday

But for now there is no

connection

 

 

Khara House |leftnwrite08AT NOSPAMyahoo dot com

 

*****

 

FALSE LOVE

 

There is no connection between them anymore

False loving glances are exchanged across the table

for the sake of the children

The excuse they use to stay together

But the children see them sleep in different places

and overhear the muffled arguments at night

The tension between them chokes and suffocates

the life out of all those that come into their presence

but they continue hiding behind strained smiles

and forced affectionate rubs on the back

a piece of each of them dies everyday

knowing that life would be better apart

but it's so much easier to play the role

than to accept the truth that lies in their hearts

 

 

Christa R. Shelton |c_writesAT NOSPAMhotmail dot com

 

*****

 

A Reason

 

“Why did this happen? I haven’t been a bad person.

I’ve lived a good life.” There had to be a reason for

what the doctor was telling me. Cancer didn’t just

happen. There had to be a reason.

 

“I assure you, there is no connection between the

type of life a person has lived and cancer. You haven’t

done anything wrong.” His words flew past me, over

my head. All I heard was “cancer.” In my mind, that

was the only word that counted.

 

I looked back at the previous 40 years, trying to

locate the point in time where I had gone astray,

walked off the right path, jumped the tracks. I

wasn’t a perfect angel by no means, but cancer?

 

“I used to shoplift. Maybe that’s it.” I had to find

a reason. “I cheated on a test in high school. Wasn’t

very nice to that Jenkins girl.” He reached out and

patted my hand. “Listen to me, there is no connection.”

 

There had to be a reason.

 

 

Susan M. Bell |maylandwritersAT NOSPAMgmail dot com

 

*****

 

The Myth Is

 

there is no connection between

lollipops and pumpkins,

skyscrapers and hovels,

terrorists , saints,

 

the aliens that abduct

and those that intervene in angel garb:

 

not smithereens of a chaotic big bang –

or the fuselage of a big kahuna-deity’s

ark smashed to puzzle pieces –

but string theory, the divine quipu,

waiting to be read, quarks

to unravel, embroider,

or hang by in ignorance,

for the science and god, one,

that we have yet to touch.

 

 

Maria Jacketti |medusashairdresserAT NOSPAMmsn dot com

 

*****

 

Well-connected

 

Scientists are up in arms

at the speed of global warming.

Environmentalists shake their heads,

no one will heed their warning.

 

A ten-year window is all we have

until the point of no return.

"To hell with that", say executives,

"We've got tons of coal to burn".

 

Our planet cries "Stop it now

before everyone gets hurt".

Lobbyists still earn their keep

while politicians hit pay dirt.

 

Industry must motor on

til it hits that intersection

marked "Turn back before it's too late",

and "It's OK. There is no connection".

 

 

Joe |joemackinnonAT NOSPAMhotmail dot com

 

*****

 

Schism

 

How can you say there is no

connection from the crow's glistening

wing to the night that flies

away at dawn. No link

between the winter wind

and the hard sweep of grief,

no coupling between the bell

and the waves of its ring

in an empty courtyard?

How can you know there is

no chain pulling taut

the distance between tears

and the ocean--or, say,

Antarctica, the mountains and shelves

of ice, the white blindness held

together by cold until weight

or melt makes them calve,

fall apart with a roar

that echoes in your blood,

that binds you, even in sleep,

to more than one ending.

 

 

Joannie Stangeland |joannieksAT NOSPAMmsn dot com

 

*****

 

Even Teachers Get to Have Fun Sometimes

---------------------------------------

 

 

Today in class one of my students, not

knowing how to start an English essay asked,

How is the past an indicator of the future?

 

I am a history teacher, and as you know,

teachers know everything. We have no life

outside of school. In fact, some of us

live in our classrooms, pulling our Murphy beds

from beneath the chalkboard, shower up

in the denizens of the faculty lounge. Her logic

in asking me was, shall we say, inspired.

 

Trying to act the clown, or just to see her face

I replied as straight as I could, There is no

connection, no way to tell from one day to the next

what is going to happen. I pause before adding,

Haven't you ever heard of Chaos Theory?

 

This is the part I always like best, when they

ask themselves if they heard me right, decide

if they can trust what I have told them.

 

Sometimes, they catch on right away, think back

to the beginning of the year when I told them

about Heraclitus, how you can never step

into the same river twice, how all things

are connected. Then their smile comes

and they know the real answer is yet to come.

 

That's when I know I have them, know when

they are going to really listen, give this whole

school thing at least one more shot, let in

just a little more light into the cave and

dust down the shelves of their minds.

 

 

Justin Evans |evjustinAT NOSPAMyahoo dot com

 

*****

 

Proximity

 

I'm walking down French Road

and I see a familiar vista -

up there, to the south of me,

a miniature mountain rises

(we Uticans call it Crow Hill),

a mountain crowned with trees,

four of which stand out

like the straight spikes

of a truncated stegosaur.

 

There is no connection

between them and the rest

of the little oak forest

that's been standing there

for a hundred years or more.

It's like something sudden

and completely unplanned -

like a wicked windstorm,

or a minute meteor,

or an errant bulldozer -

just so happened to pass

through that small space

and thus forever changed

that fractional footage

of Oneida County landscape.

 

Whatever it was, it left

the dwellers of this valley

with a place that radiates

that sort of bizarre beauty

that throws the futile

humdrum claptrap of life

into relief and makes you say,

"Well, I guess maybe things

aren't so awful after all"

as you look up at those four trees,

thinking of how close they might be.

 

 

Callan Bignoli-Zale |shehadausernameAT NOSPAMgmail dot com

 

*****

 

In Rio de Janeiro,

a pregnant woman throws up

for the second time today.

 

In Perth,

unable to sleep, a boy watches rain drops

snake down his bedroom window.

 

In Cambridge,

two teenage girls kiss

under a blooming dogwood for the first time.

 

In Palo Alto,

a computer crashes as a student

tries to save the final version of her thesis.

 

In Cairo,

a woman cleans her kitchen

in preparation for her mother-in-law's visit.

 

In Bucharest,

a man on a bicycle is knocked into a ditch

by a small truck that doesn’t stop.

 

In Kawagoe,

a man holds his granddaughter in his arms

and feeds her a bottle of milk.

 

In Reykjavik,

an old woman dies while drinking her afternoon tea,

which spills across the front of her blouse.

 

There is no connection.

 

 

JL Smither |jlsmitherAT NOSPAMgmail dot com

 

*****

 

Special Information Tone

 

I learned the annoying, ear-piercing,

three-toned chime that sounds on the phone

when there is no connection,

is called a SIT code.

Three sharp pings, aptly called

SIT, command the listener

to wait for special information.

But those three notes, the ones I hear

several times a day, always

make me jump.

 

I hang-up before hearing the message—

I already know the number is disconnected

because you no longer live there.

And you didn’t tell me goodbye

because there is no longer a connection

between you and me.

 

 

Sara Diane Doyle |saras dot sojournsAT NOSPAMgmail dot com

 

*****

 

Even then

 

Even when there is no connection

Even when it rains like slate

Even when you can’t smell anything

Even when your legs stop working

Even when you can’t find work

Even when someone you love dies

Even when you loose a favorite earring

Even when you can’t breathe

Even when your car breaks down

Even when someone is mad at you

Even when the fridge is empty

Even when the birds wake you at four AM

Even when people are rude

Even when you have a headache for three days

Even when

Even then

beauty suffuses every molecule

Even then

your smile restores me.

 

 

Jacquie Wareham |wareham dot jacquieAT NOSPAMgmail dot com

 

*****

 

THERE IS NO CONNECTION

 

“Don’t be so stupid -

there is no connection

between butterflies

and typhoons,”

she exclaimed.

The child went quiet

and hung his head.

A great sadness

fell on the school

after that

and things

were never the same.

 

 

Maureen |sajwriter06AT NOSPAMyahoo dot com dot au


Poetry Challenge 2008 | Poets
Wednesday, May 07, 2008 3:13:32 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2] 
# Tuesday, May 06, 2008
Day 17 Highlights
Posted by Robert

Before we get into the highlights: I'm going to be posting the Wednesday prompts here on the blog starting tomorrow. Let the good times roll!

Also, the community is buzzing along in the Poetic Asides forum at http://forum.writersdigest.com. It's free and easy to sign up and start talking with your fellow poets.

*****

As far as the highlights, we're up to Day 17 now, which was to write a poem in the third person--with the subject open to whatever. The poems you wrote were great, great, GREAT!!!

They're provided below.

*****

 

Virtual Reality

 

She leans forward half off the couch

twisting the Wii remote,

using different muscles than when

she makes her bed or plays her flute.

 

AiAi or MeeMee or YanYan

roll across the screen

in plastic protective bubbles

racing across the dessert

or the jungle or a volcano

always to the rainbow-circled goal.

 

Yesterday she realized she was

steering the half-eaten pizza slice

in her hands while watching

someone else play the game.

 

“I should be able to beat this world

this afternoon,” she declares

as she powers down

and heads off to seventh grade.

 

 

Carol Brian |csp2000AT NOSPAMearthlink dot net

 

*****

 

Parting

 

Her pink platform sandles click

on the stone path as she rubs

legs shaved smooth for her lover's

delight. She smiles to herself,

 

drives home through the summer

night while the man in the moon

hangs by a silver thread halfway

down the sky, Her lover

 

washes the sheets, then drifts down

to the bar for a last draft ale with

the guys who hang out on the corner.

The next day he buys a jeep,

 

dark green, detachable roof,

packs it full of bits of

a soon to be former life, then

leaves without saying goodbye.

 

 

Margaret Fieland |infoAT NOSPAMmargaretfieland dot com

 

*****

 

The Lurker

 

They call him the ‘lurker’

He slinks door to door

His feet are so greasy

They slide ‘cross the floor

 

She tries to ignore him

To hint that she’s working

But he hangs like a vine

He keeps right on lurking

 

He looks out her window

He mindlessly yaks

He sneaks peaks at her chest

He touches her slacks

 

He’s hard to get rid of

He won’t go away

‘ oh please, let the phone ring,”

she silently prays.

 

There’s no easy way

To get rid of this jerk

Cuz it seems he gets paid

By the hour to ‘lurk.’

 

 

Carol -Amherst, Mass |cboudreauAT NOSPAMhampshire dot edu

 

*****

 

In the Dairy Aisle

 

Some people long for what they can't have,

but she feels a little guilty

because she doesn't much want

what she can't abide.

Tempting--so many delectable flavors.

She has tried them all, but not even

strawberry cheesecake or coconut cream pie

could entice her now.

It's supposed to be good for digestion,

but something always holds her back--

that bite, the tang

of live and active cultures.

She admits it. She hates yogurt.

 

 

Sarah |MusicToKnitToAT NOSPAMyahoo dot com

 

*****

 

Pride Don’t Pay the Rent

 

He leans to the left as he walks to the desk –

scoliosis, he tells the worker –

it bent his spine like a green twig.

Back in the day, he was a drummer,

did a lot of gigs in the Sixties, even

sat in with Miles once in the Village.

Played Newport in '68, Montreux in ’72.

"You must be proud of all that," the worker says.

"Pride don’t pay the rent," he replies.

He still wears a beret, his striped shirt

is neat but faded. White stubble

dusts his dark chin. The worker

peppers him with questions,

then pushes some papers across the desk.

The jazzman signs them

with an arthritis-gnarled hand.

"It must be hard to ask for help,"

the worker says, trying to be sympathetic,

"after all you’ve done in your life."

The jazzman stands, pushing himself

up on his cane, and says, "Yeah,

but the worst part is, I’ve lost the rhythm."

 

 

Bruce Niedt |jackbugsAT NOSPAMcomcast dot net

 

*****

 

Up Up and Away

 

He thought he was pushing her

The way she wanted to be pushed,

Sometimes going under the swing to give it

That extra umpphh--

So it was a complete surprise when she

Fell off, out, crying--Daddy why

Do you want to hurt me?

 

 

Lyn Sedwick |LASMD925AT NOSPAMaol dot com

 

*****

 

Southwest Story

 

I.

She was surprised

When Orlando showed her his cast.

He told her that Monday

He’d been in a coma.

 

His father and he rode on motorbike,

Over the hood of a car.

Orlando swore he’d never ride again.

His father is still in the hospital.

 

II.

After school, Rakeem tried to juggle apples,

He’d bite them and expel the juice.

Kaihla flipped them like flags,

Manipulating hands unbalanced.

 

The teacher allowed the two

A contest of push ups.

Each boosted arms,

Jutting up with breaths.

 

III.

Something told her to speak in the third person

When describing Ulea,

The little girl who clamored protests

Constantly for little reason,

No girl could pierce her more.

 

She thought of them on the subway

When the old, blue-eye African man

Asked her if her school had tennis courts.

She wondered how her kids would thrive.

 

 

Bonnie MacAllister |bmacallisterAT NOSPAMearthlink dot net

 

*****

 

The Reluctant Politician

 

He didn’t want to run for office

But he wanted to be elected

So he campaigned and he

Lost but he filed a protest

And paid for a re-count and

This time he won by eight votes

And he was sworn in

And the next week he resigned

From office because he said

He just wanted to prove

That he could win.

 

 

Alfred J Bruey |ajbrueyAT NOSPAMaol dot com

 

*****

 

Angola

 

Unshod hooves thud and tamp

against the metal chute.

“Huuurrrraaaahhhh” echoes

as the weight of the parasite

settles on his back. A violent

shift left, the weight lifts

then settles. Ears flap and

horns strike the bars of the

chute encasing him as he

shakes his head, angry now.

“Bzzzzzz,” and the barrier

disappears. Two tons of

Brahma bull shoots forward.

Tail swivels as he jackknifes.

His attempt to throw the felon

successful a mere five seconds

into the Angola Prison Rodeo.

 

 

A.C. Leming |fackorfAT NOSPAMhotmail dot com

 

*****

 

The Wife or Sooner or Later

 

He couldn’t wrap his mind around

the idea that she was gone. The door

wasn’t opening, no matter how long

he stared at it. She wasn’t coming

home. He kept thinking that sooner

or later she would realize her mistake.

Sooner or later she would return, tell

him how sorry she was, then cook

 

his dinner. She would have to go to

the grocery store first. The cupboards

were nearly bare. And he’d sat in front

of the TV every night, listening to his

stomach growl. Sooner or later, she would

have to come back to take care of him.

 

Someone had to.

 

Sooner or later.

 

 

Susan M. Bell |maylandwritersAT NOSPAMgmail dot com

 

*****

 

Mischance

 

The doorbell rings

just as the phone

starts to buzz

and the kids run

through the room,

voices shrieking on high.

The dog joins the chorus

and she shakes her head

as she watches the words

that were almost a poem

sail quietly out the window.

 

 

Sara Diane Doyle |saras dot sojournsAT NOSPAMgmail dot com

 

*****

 

THIRD PERSON POEM

 

She picked up her camera

walked out to the garden

photographed every flower

and leaf

she could see.

Hours went by

noticing colours

shades, patterns

light and shadows

tiny insects

she didn’t know the names of.

She felt the warmth

of the sun

through her shirt

and noticed pictures

in the clouds.

 

Then she returned

to the house

and saw

what she’d almost forgotten –

the opened bottles of pills

by her bed.

 

 

Maureen |sajwriter06AT NOSPAMyahoo dot com dot au

 

*****

 

At the Boat Show

 

Fuzzy newspaper photograph

taped to her refrigerator.

They might be her nieces

or just two random girls

with their dad,

at a boat show.

 

From the blur, only the redhead

whose hair color caused so much

family confusion is visible.

The only recognizable feature.

Not the brother or sister,

uncle or niece for sure.

 

 

Tiffany B |tbullenAT NOSPAMgmail dot com

 

*****

 

Beach Day

 

They were sitting on the shore

making castles in the sand

never seeing the two sharks

that had stopped by to play

a game of 'chase the people from the water'

there was sadness in their eyes

as the people trampled by

crushing their dreamhouse

in their wake of fright

And the sharks swam away

laughing merrily

with joy and glee

another beach day

interupted.

 

 

Sarah |safbail_2writeAT NOSPAMyahoo dot com

 

*****

 

Photographic Memory

 

Sitting in the parked car in the dark after turning off the engine, the rain hammering on the roof, she rolls down the window and smells cedar, woodsmoke, wet earth. She leans her head back and closes her eyes, seeing the six-point buck by the side of the road, his eyes just beginning to film over, the possum dragging it’s crushed back legs into the bushes, baring needle-sharp teeth in a grimace, a dead garter snake slowly turning itself inside out, the ladder of its spine laid bare by the steady work of slugs.

 

She wasn’t there when they put her father on life support, didn’t see him blackened and bloated, lungs breathing, heart beating but no longer there. She wasn’t present when they finally turned off the machines and stood around his bed in the silence, released. She doesn’t have the image all the rest of her family carries, staining their memories forever. She can see him now, on the deck of the Alaskan ferry, eyes squinting into the sun, binoculars around his neck, hat brim turned up, laughing.

 

 

Kate |kberne50AT NOSPAMhotmail dot com


Personal Updates | Poetry Challenge 2008 | Poets
Tuesday, May 06, 2008 3:25:24 PM (GMT Daylight Time, UTC+01:00)  #  Comments [4] 
# Sunday, May 04, 2008
The Copyright Symbol and Your Submissions
Posted by Robert

During the PAD Challenge, I noticed quite a few poets including either the word Copyright or the copyright symbol--a C inside a circle. While I understand the fear of someone stealing your work and may have even done that with my own fiction and poetry earlier on as a writer, I want you to know you don't need to include those markings, especially when you're submitting your poetry to journals and magazines to be published.

Reason #1: People don't tend to steal other people's poems. It's just not profitable AND if someone were so inclined, they would steal the poem whether you include the symbol or not. Once you set your writing down in fixed form, it is protected by copyright. But after more than 8 years working on Writer's Market, I have yet to hear of a case where an unknown poet has to take his or her poetry copyright case to court. (Of course, saying that, I do realize that there's a first for everything. For more info on copyright, go to http://www.copyright.gov/).

Reason #2: Adding the copyright symbol does not increase your chances of getting published. There is no editor who sees the copyright symbol attached and thinks, "Yay! We've got a copyright symbol; let's get this issue out now!" In fact, it often hurts your chances, because...

Reason #3: Adding the copyright symbol to your submission marks you as an amateur and as a poet who is paranoid that the editor will steal your work. While an editor would still accept exceptional work from a poet who includes the word Copyright or the copyright symbol, be aware that those markings will distract most editors from reading your work--even if just the tiniest bit.

So that's my practical advice about including the copyright symbol and/or the word Copyright. It doesn't decrease your chances of having your work stolen, but it does increase the chance your work won't be accepted. So, why do it?


Advice | Poetry Challenge 2008 | Poetry Publishing
Sunday, May 04, 2008 1:42:59 PM (GMT Daylight Time, UTC+01:00)  #  Comments [13] 
# Saturday, May 03, 2008
USPS ups its rates--effective May 12
Posted by Robert

Beginning May 12, the United States post office is changing its rates (after doing so less than a year ago). First-Class Mail stamps will increase from 41 to 42 cents; however, those who have the Forever stamps can still use them--a savings of one penny per letter (or bill). I'm glad, because I've still got like 30+ of those Forever stamps, and it will probably take me forever to get rid of them, since I'm totally slacking on the submission front.

Anyway, the USPS increased its stock of Forever stamps expecting the demand to grow with the upcoming rate increase--so if you want to save a dollar for a roll of 100 or 20 cents for a pack of 20, go get 'em now before they run out of stock.

To read about the other rate changes that will go into effect starting May 12, go to http://www.usps.com/prices/welcome.htm?from=bannercommunications&page=prices.

 


General | Poetry News | Poetry Publishing
Saturday, May 03, 2008 3:29:52 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0] 
# Thursday, May 01, 2008
April PAD Challenge: Wrap Up
Posted by Robert

Thanks to all of you, the April PAD Challenge was a phenomenal success. In fact, I think there's no way around making this an annual event moving forward. You can't even know how honored you've all made me feel throughout the entire month, and I'm thrilled to see that a supportive community has developed.

To keep that community going, I asked WritersDigest.com editor Brian Klems to set up a Poetic Asides specific group in their forum located at http://forum.writersdigest.com. If you have an account, just log in and click on the Poetic Asides link. If you don't have an account, it's super easy to create one--and it's totally F-R-E-E (and it don't even cost you any money). I have a welcome message up for the group, but you can begin your own topics and start chattering away. I'm sure there will be some crossover between the new forum group and the blog moving forward, too.

Also, on that main forum page, you may notice there are genre-specific critique groups in Critique Central. One of those groups is labeled poetry, and that's where you, umm, can critique, umm, poetry. Yeah, pretty obvious, I know.

*****

As far as the blog and prompts, I've decided I will continue to do prompts, though not at the breakneck pace of one each day. I'm planning on providing a prompt each Wednesday throughout the year--figuring there's no better way to get over the hump of the workweek than a little prompting and poeming. I hope that'll be a good pace for everyone until next April.

*****

I'm considering the possibility of critiquing one poem per week. More info on this later. But stay tuned--and prod me if I seem to forget about it.

*****

The Poet's Market newsletter is going to make a comeback starting later this month. If you wish to receive the free monthly e-mail newsletter, you can sign up at www.poetsmarket.com.

*****

On May 21, plan on attending the Poetic Asides 2008 April PAD Challenge awards ceremony--at this blog. I'll be recognizing those who completed the challenge, as well as some extra nods and pats on the backs and such.

Plus, at that time, I'll also be handing out awards to poets. Those who completed the challenge will be able to receive one or both of two awards: one is a badge that the magazine design group put together for poets who want to put the award on their blogs and/or Web sites (to show that you completed the challenge); two is a certificate that the book design group is working on that you can print up and tuck away somewhere safe (or proudly frame and display).

*****

On May 22, I'll be answering poetry questions all day somewhere in WD forum. More details to come on this as the event approaches.

*****

Okay, this post is long enough now, I guess. Let me know if you have any questions, concerns, comments, etc. And again, thank you so much for being so awesome!

 


Personal Updates | Poetry Challenge 2008 | Poetry News | Poetry Prompts | Poets
Thursday, May 01, 2008 3:42:12 PM (GMT Daylight Time, UTC+01:00)  #  Comments [46] 
Day 16 Highlights
Posted by Robert

On Day 16, I asked you to write a poem with a twist at the end--something I was calling the "Alfred Hitchcock" poem. I was really impressed with the results and the creativity.

Here are the highlights.

*****

 

Wanted:

 

Roommate willing to share the rent,

the bills, the responsibility; to

put the dishes in the dishwasher,

not the sink; to fold socks together,

rathering than ranting when one

disappears somewhere between

the closet floor and the laundry room.

 

Said person should be willing to

share the remote control, ESPN

balanced with the Food Network,

to carry on conversations

when required, to keep your thoughts

to yourself at all other time,

and to know the difference between the two.

 

Since the place is already furnished,

you won't need to bring anything

but your own clothes, your own books,

and, of course, your car.

I'm taking mine when I leave this place.

If he asks, just tell him I sent you.

 

 

Nancy |nposeyAT NOSPAMembarqmail dot com

 

*****

 

"My Precious Angel"

 

The pillow still holds your scent

I can close my eyes

and feel the heat from your side of the bed

I spy a strand of your beautiful brown hair

and I can almost imagine

your soft doe eyes

looking back at me

 

Why did I have to kill you last night?

 

 

Chris Granholm Jr. |chris7baAT NOSPAMyahoo dot com

 

*****

 

DOING IT

 

Some people do it every day.

Some do it not at all.

My aunt she does it all the time,

Some do it near the wall.

 

Some friends of mine, they shut their eyes.

Some friends they say don’t worry.

Some friends tell me it’s not so bad,

Just do it in a hurry.

 

My Gramma did it day by day

A hundred times moreover.

My mother did it only when

Her family would come over.

 

I feel naughty, though, to do it not,

Shame cast upon my head.

For I kick myself come evening time,

When I’ve not made my bed.

 

 

Vanessa O'Dwyer |sheswede99AT NOSPAMyahoo dot com

 

*****

 

Wandering Hands

 

I slide my hand down your back

I grope and fumble

But you remain quiet

Just giving slightly to my touch

 

My sneaky fingers glide around

Your bottom and I’m fumbling once

More. But you are passive

C’mon c’mon, give it to me!

 

Finally I’m on my knees

I drag your leg away

My hand searching for the

Treasure you withhold

 

I just don’t believe it

I was sure you’d give it up

But, sofa, if you haven’t goy my keys

Then where the hell are they?

 

 

Iain D. Kemp |iainAT NOSPAMmovistar dot es

 

*****

 

The aliens came today.

We were surprised

as they brought us

a message of peace

and love and then

told us how it would happen.

 

Our lives were wrong,

they said.

We must live like they did

and then used force to

show us.

For your own good they said.

We want to help

they said.

 

Help from them I cannot

need or want

So I held my head high

and they said it

would be better if

I didn't.

 

But I stood against

and as I saw the crater

in my chest

My last words were

"Go back to Earth."

 

 

Matthew |matthewabelAT NOSPAMgmail dot com

 

*****

 

I Am Just Not A Party Animal

 

When we arrive, Hiro greets his pals, each in coat and tails. They rush excitedly to each other; I am ignored. With a sniff and toss of the head, my date abandons me for a drink.

It’s awkward standing here alone.

Just like junior high school mixers.

But in minutes, I run into Kathy from Curtis Park, and Nancy, and Carlo. We socialize loudly above the din; turns out we’ve got much in common.

Too soon, Hiro’s had too much. I drag him, howling and whining, to the car.

He doesn’t want to leave the dog park. Tonight, neither do I.

 

 

Cathy Sapunor |cathsapAT NOSPAMyahoo dot com

 

*****

 

The fire was beautiful.

It burned with ferocity,

frightening me a little -

I didn't want us to catch.

You smiled and vowed to

protect me. We shared

a glass of red wine as

we settled down to snuggle

and watch the fire. You

kissed my neck and told

me you love me. I smiled

and we turned back to the fire.

 

Wonder where that snotty witch will live now?

 

 

Monica Martin |lilmunkey2369AT NOSPAMyahoo dot com

 

*****

 

"Art on the Line"

 

Warm wind

Birds singing

My favorite lavender chiffon blouse

Fluttering in the breeze

Assorted vibrant colors

Billowing on the clothesline

 

Spring is here,

Warm days

Cool nights

my collage of beautiful colors

are dry and

must come down

 

Alas, the lavender blouse

Is gone,

Perhaps

the wind took it

 

Sunday morning

A new day,

Brilliant sunshine

Reflecting off the grass

And warming the tar driveway

next door

 

There is John, my neighbor

Jaunting out to

Retrieve his paper

He is stunning

In my lavender chiffon

 

 

Carol -Amherst, Mass |cboudreauAT NOSPAMhampshire dot edu

 

*****

 

Watching

 

"Every breath you take, every move you make, I'll be

watching you." ~Sting

 

When I first noticed you noticing me

I didn't think too much about it.

I didn't think I was your type,

a wife and mom of thirty something years.

But then I turned the corner and

I could still feel your eyes on me.

Staring, penetrating, unnerving.

I fumbled with my purse, and

glanced around furtively,

hoping to see something or someone else

that may catch your interest, but

I was all alone and your eyes never left me.

My hands shook, without reason.

I tried to pretend you weren't there,

to act normal and hope you'd go away.

But you inched closer, ever closer,

eyes roaming everywhere, searching.

I knew you wouldn't find whatever it was

that you were looking for, but still

you made my skin crawl and my nerves squirm.

I walked quickly away from you and out the door,

although I had done nothing to warrant your attention.

Maybe you were bored that day, or maybe you just

take your job as store security much too seriously.

 

 

Lori |brightiiizAT NOSPAMaol dot com

 

*****

 

"The Proposal"

 

His brown eyes showed serious affection

and he popped ‘the question’ as we stood

beneath a large old tree. We’ve been friends

for years now, at least three, but my parents said

more time was needed. I wondered if

they saw something that I didn’t and felt

it best if their recommendation were heeded.

Back beneath the large old tree the matter

was solemnly discussed and he and I concluded

that one more year would not be too tough.

By then we would both be six, quite old enough.

 

 

Emily Blakely |ecblakelyAT NOSPAMmsn dot com

 

*****

 

Tom

 

“Are you coming to bed, Darling?” you call

toward the bathroom door. I will soon,

Darling, but let me gaze upon you first,

study the way you remove your glasses,

carefully replace the bookmark in your novel,

and stretch to set them on the nightstand

before clicking off the lamp. The smell

of the jasmine outside the window surrounds

your image, making you seem even more delicate.

I watch the way you smile so sweetly

while you snuggle down into the warm blanket

that outlines your legs. I’ll be there soon, Darling,

the next time you forget to lock this window.

 

 

JL Smither |jlsmitherAT NOSPAMgmail dot com

 

*****

 

I can’t believe your cheekiness,

Your lack of disrespect.

You’re certainly the flakiest

Coquette I ever met.

With Manolos and Guccis,

You skirt cut up to here -

Originals by Pucci,

And your lack of underwear;

Might get you adoration

And a night of random sex.

Your brain is on vacation

And your mother asks “what’s next?”

I’m absolutely done with you

You sneaky little tart

You’ve made my life a total mess,

You broke my boy friends heart.

 

 

M J Dills |mjdillsAT NOSPAMyahoo dot com

 

*****

 

The geese are chasing the people away

from their eggs, down by the river.

The lawn is a beautiful shade of summer green

decorated with romantic iron benches.

Look at the Hollyhocks showing their hues of

sky, and blush, and sun.

The day is open, flowing wide toward forever

and I’m so glad you came to visit.

Cobblestone steps guide the way back to the patio

which delivers its closure.

The electroshock therapy is going well

please come to see me again.

 

 

maeve63 |maeveq63AT NOSPAMyahoo dot com

 

*****

 

“Unfinished Work”

 

She sits in the easy chair

Directly in front of the roaring fire

Reading my rough manuscript

She says can we have a late dinner

I want to finish this

I want to find out what happens at the end.

Oh you don’t want to do that I say

It’s not ready…I’m not ready.

Don’t be silly she says

Don’t be so damn insecure.

I watch her read

I’m beside myself

I’m not ready for her to…

For me to…

I’m on the last chapter she says

Just give me a few more minutes

This couple you wrote about

She’s so strong and he’s so…weak.

Just keep reading I say

As I gather strength

And move in behind her

Wanting more than ever

For her to be finished.

Oh my God she says as she turns to look at me

I think he’s going to kill her!

 

 

Marcus Smith |sleeperdesuAT NOSPAMhotmail dot com

 

*****

 

It’s not brain surgery

 

I can’t believe

They don’t

Put me under.

All that cutting

And slicing.

So close to

My brain.

I saw the

Diploma,

But I’m not

Impressed.

Just another

Butcher with

A sharp

Instrument.

I hate haircuts!

 

 

Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com

 


Poetry Challenge 2008 | Poets
Thursday, May 01, 2008 3:12:52 PM (GMT Daylight Time, UTC+01:00)  #  Comments [6] 


Google Sponsored Links
Sponsored Links