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 Saturday, May 31, 2008
Back from LA, and I find...
Posted by Robert
...this really cool portrait painted by poet/publisher/artist Didi Menendez of MiPOesias, Ocho, Oranges & Sardines, Menendez Publishing, and so much more. The portrait is of yours truly, and you can see it at http://americanpoets.blogspot.com/2008/05/robert-lee-brewer.html.
When Didi's not publishing poets, she's painting them. In this year alone, she's painted several poets, including Suzanne Frischkorn, Courtney Campbell, Ron Silliman, and Billy Collins. To check out these and others, go to http://americanpoets.blogspot.com.
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The writers conference in Los Angeles went really well. I'm so glad to have met some of my blog readers there (thanks for introducing yourselves!). The event was successful again for all involved--with happy writers, editors, agents, and even the event organizers, who are notoriously hard to please.
Hope everyone had a good time in the forum (http://forum.writersdigest.com) while I was away. Or maybe an even better use of time would've been to write a poem or two and/or submit your work.
Until later, keep poeming! Personal Updates
Saturday, May 31, 2008 4:02:41 AM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 28, 2008
Wednesday Poetry Prompts: 004
Posted by Robert
I'm prompting from sunny Los Angeles this week. The weather is perfect outside and the palm trees are already swaying. But enough about me, let's get to the prompt.
For today's prompt, let's write a poem about commerce. You can write about haggling over Christmas tree prices, bleeding money at the gas pump, getting double-charged for shampoo in the checkout aisle, or whatever. Just make sure it has something to do with buying and selling.
Here's my poem for the day:
"That's It"
I don't need any cigarettes or beer this morning, though I'll be back tonight, you can bet. Probably should get one or two tickets. Yeah, better go ahead and do that before I forget. Give me a fifteen and a seven. Throw in a two while you're at it. Do you happen to know who won the race last night? Really? I wish Tony Stewart'd won because I had money on him. Gordon, eh? Geez, I wish Tony had won. He broke my lovely heart. I had money on him. Could've made something had he won. Geez, you better go ahead and get me a twelve and a pack of unfiltered.
Personal Updates | Poetry Prompts
Wednesday, May 28, 2008 2:29:19 PM (GMT Daylight Time, UTC+01:00)
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 Tuesday, May 27, 2008
On Handling Criticism and Critique Groups
Posted by Robert
Over the weekend, I was asked by a poet for tips on how to handle criticism as he tried thinking out whether he should join a writing critique group. With his work, he was afraid of a few things:
- He wouldn't be able to handle the critiques. That is, he was afraid too much negativity would lead him to give up writing.
- He wouldn't find the right readers to give critiques. He'd written a massive blank verse poem, and he's afraid the wrong group won't appreciate his words.
- He won't appreciate the written words of his peers. He seemed to have a particular view of other contemporary writers--thinking much of today's writing is kinda like spam.
Now, I'm not going to get into a debate of his stance on contemporary poetry, which I personally think has very good vital signs. However, as a former participant of several online critique groups and a student that logged more than 60 credit hours in writing courses at the University of Cincinnati, I will speak a little on the value of critique groups.
So there, I've already tipped my hand: I think critique groups are valuable, even if you don't agree with the critiques. And here's why:
First, the only way to gauge if something is actually working for your readers is to solicit feedback. Sure, you know what you're trying to do, but you don't know if anyone else is picking up on it unless you hear it from your readers. After all, you can't go around explaining your intentions to every reader--unless you actually want a very small audience.
Second, bad feedback is still valuable, because it forces you to look hard at your work and try to justify exactly why a particular line or image is fine as it is. And you need to be honest with yourself. If you can't honestly defend your work, then you may have an area that needs revision.
Third, there's nothing better than good feedback. After taking in all the praise though, be sure to develop a certain sense of paranoia. Is everything really okay? Can I change a line here or there? I've found that when I receive absolutely no negative feedback that I'm usually more self-critical of my work. After all, there's no such thing as a perfect poem.
Fourth, critique groups give you the ability to talk out problems you're having. If you know something's not working, you can ask the group to pay attention to x or y and give specific feedback.
Fifth, critique groups provide camaraderie with other poets. And that's often hard to do, especially if you don't live in a major city--but even there, poets are a bit hermetic and love to fly solo.
So there are some reasons why critique groups--as well as workshops, conferences and creative writing programs--are a good thing (in my opinion).
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As far as handling the criticism, as mentioned above, you should always be prepared to defend and scrutinize your work. It's a crazy tightrope act, but one that poets need to perform to get the most out of their lines.
Personally, I always bring a new poem to my critique group hoping for the best and expecting the worst. Usually, I find my words are somewhere in the middle.
Currently, I'm not a part of a critique group, but I still have some trusted readers for poems that I feel are close to getting where I want them to be. These are the readers I trust to let me know if my writing is hitting the mark or falling short. I know they'll let me know, because we've built up a level of trust over the years--both in giving and receiving criticism. Hopefully, if you haven't already, you will be able to find such a group of trusted readers.
Advice | Commentary | Personal Updates | Poetry Craft Tips | Poets | Q&A
Tuesday, May 27, 2008 5:44:53 PM (GMT Daylight Time, UTC+01:00)
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Here, there & everywhere!
Posted by Robert
Okay, had a great Memorial Day weekend with my boys. And I'm now super tired, because something told me it was a good idea to go for a 3 1/2-mile run late last night and then follow it up with a 4-miler this morning. But such is life when trying to get in shape with a busy travel schedule. That's right, I'm headed out to Los Angeles, California, this afternoon with an expected arrival time of 9:06 p.m. (PST). Gonna be workin' the BEA/WD Writers Conference tomorrow--starting bright and early at 7:30 a.m.
If you're planning on attending, definitely feel free to pull me aside and say, "Hey," followed by what you like or dislike about this blog.
If you want to know more about the conference, go to http://www.writersdigest.com/bea.
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Related to my travel-o-rama, just wanted to let you know that the blog posts may be a bit spotty this week/weekend. I think my blogger friend Chuck Sambuchino (http://guidetoliteraryagents.com/blog) will have a laptop with Internet access at our undisclosed location--so Wednesday's Poetry Prompt should get up tomorrow morning. However, if there are any problems, I'll get it up as soon as I'm able.
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If you're bored in my absence and don't have me as a Facebook friend, please request me--I'm listed as Robert Lee Brewer, and I look kinda like that guy up in the upper left-hand corner of this page. ;)
For those of you without a Facebook account, they are free and easy to set up. And they offer online Scrabble. Is there anything cooler than that online? Outside of my blog, that is?
Personal Updates
Tuesday, May 27, 2008 3:55:04 PM (GMT Daylight Time, UTC+01:00)
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 Friday, May 23, 2008
Female Poet Laureate?!?
Posted by Robert
Found these articles this week on the poet laureate situation in England:
* "Call for female poet laureate," by Gary Bills-Geddes from Ledbury Reporter
* "Pressure on Burnham over female poet," from The First Post
* "Queen is asked to appoint first female Poet Laureate after 22 men in 340 years," by Arifa Akbar from The Independent
Long story short: England has had 22 men poet laureates over a 340-year span without a single female. From John Dryden's appointment in 1668 to Andrew Motion's farewell this October, not one single woman poet has held the title of poet laureate. Understandably, this issue is causing a bit of an uproar across the Atlantic.
I mean, it took me less than one year to appoint my first female poet laureate on Poetic Asides: Sara Diane Doyle. That's right! It took me less than 12 months to do something England still hasn't been able to do in 340 years. One more reason why Poetic Asides rocks!
How many more 10-year tenures will be served in England before a female poet laureate is picked? My guess is that the noise on this issue will get so loud that Motion's successor will be a female. That said, if I were putting odds on whether the next laureate will be male or female, I'd only make it 51-49 in favor of female. After all, the men of England have a 340-year winning streak going strong.
(Wow! I still can't believe it's been 340 years without a female poet laureate. Can you? It's completely mind blowing.) Commentary | Poetry News | Poets
Friday, May 23, 2008 4:38:04 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 21, 2008
April PAD Challenge: Awards Ceremony
Posted by Robert
It's been 3 weeks since the end of the April PAD Challenge. I hope everyone's continued writing regularly since the end--even if that only means a poem or two per week. After all, that's part of the challenge, I think, is turning writing into a regular (or, at the very least, semi-regular) routine. Based off the participation in the Wednesday Poetry Prompts, I'd say many of you are still keeping at it.
The challenge involved more than 400 poets who posted at least one poem during the month and more than 4,000 total poems. My current records show that more than 120 poets actually completed the April PAD Challenge through the blog. Anyone who thinks poetry is dead should not visit Poetic Asides during the month of April, because they'll experience severe culture shock. And for that, I thank all of you.
So anyway, I named the 2008 Poetic Asides Poet Laureate earlier this morning: Sara Diane Doyle. To see the official announcement and read some of the poems she posted to the site, just click here.
In addition to the 2008 Poetic Asides Poet Laureate, though, there are a few other special mentions I would like to make.
The Most Prolific Poet Award is actually a tie between Rodney C. Walmer and Iain D. Kemp. The two actually seemed to have become friends during the month, swapping poems and music. I'm not sure who posted more poems (I can't count that high), but they both surely surpassed 100 poems each.
The Poet Most Likely to Write About a Comic Supervillain Award goes to Kateri Woody, who not only wrote about the Joker throughout the month of April but also inspired several poets to write about the Joker's foil Harley Quinn. Way to stick with it, Kateri.
The Most Hated Poetry Prompt Award goes to Day 28's write a sestina prompt.
The Most Loved Poetry Prompt Award goes to Day 28's write a sestina prompt. Apparently, poets feel passionately one way or the other on this prompt--and poetry should always be about passion, right? (Now I'm gonna get flooded with reasons why poetry should not always be about passion, huh?)
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For the final award, join me in congratulating the 120+ poets who completed this April PAD Challenge. They are (in no particular order):
Alfred J Bruey; Anahbird; Angie Bell; Diane Mowery; Rebecca; Roxanne Nicholson; Bonnie; Tonya Root; Lori; Barbara Tzetzo Gosch; Salvatore Buttaci; Corinne; Christa R. Shelton; John H Maloney; Carol A Stephen; IleanaCarmina; Cathy Sapunor; Carol Boudreau; Cheryl Wray; Chris Granholm Jr.; Carla Cherry; Connie; Lisa McMahan; Carol Brian; Liza; Linda SW; Amanda Selset; Beth Browne; Bonnie MacAllister; Bruce Niedt; Devon Brenner; Don Ford; Don Swearingen; Emily Blakely; Earl Parsons; Justin Evans; A.C. Leming; Jeanette J. McAdoo; Genta; Sue Bench; Deb Hill; Michelle Cooper; Justin M. Howe; Iain D. Kemp; k weber; Margaret Fieland; January G. O’Neil; JL Smither; Yoli; Joannie Stangeland; Joe; Kate Berne Miller; Kimberly Kinser; Christine Kephart; KP; Kevin; Mike Padg; Karen; LindaTK; Kateri Woody; Lyn Sedwick; lynn rose; LBC; Khara House; Laura Hoopes; Monica Martin; Elizabeth Keggi; Lin Neiswender; Barbara Ehrentreu; Laurie Kolp; Linda Brown; Linda Hofke; Lorraine Hart; Omavi Ndoto; Marcos Cabrera; Matthew Abel; Susan M. Bell; Maria Jacketti; M. Schied; Michelle Hed; Mike Barzacchini; M J Dills; Robin Morris; Judy Stewart; Jolanta Laurinaitis; Sarah; Nancy; Patti Williams; Bill Kirk; Rosemary Nissen-Wade; AlaskanRC; Sarah; Maureen Sexton; Sara Diane Doyle; Shirley Ann Tracy; Satia; Sally DiUlus; Sharon Ingraham; Shana; Renee Goularte; Callan Bignoli-Zale; Dee IKJ; Sheryl Kay Oder; Marcus Smith; SaraV; Barbara Torke; Lyn Michaud; Kriss; Paige; Sara McNulty; Suzanne Poor; Tad Richards; halfmoon_mollie; TaunaLen; Judy Roney; Teri Coyne; Susan Reichert; Terri; Jay Sizemore; Virginia Snowden; Rodney C. Walmer; Victoria Hendricks.
Congratulations to all of you! My month/year/decade has been made by your amazing commitment to this challenge--as well as your crazy praise that will have me blushing until the 22nd century rolls around.
All finishers will receive an award to place on their blogs, sites, etc. (created by our magazine design team). In addition, they'll receive these cool certificates of completion (created by our book design team). I'd like to thank both design teams for volunteering their time to this poetic cause.
(If your name was not among the finishers and you think it should've been, just send me an email at robert.brewer@fwpubs.com with the subject line "Where's my name, yo?" I'll be sure to work with you to get your name properly listed.)
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Okay, so after you get done congratulating each other, everyone should head on over to the Poetic Asides group at http://forum.writersdigest.com and share your thoughts on the challenge, the awards, and anything else.
Oh yeah, and remember: I'll be answering questions in the Poetic Asides group tomorrow from 9 a.m. to 3 p.m. (EST) if anyone's got questions about poetry, publishing, etc. I'll be sharing my advice with any who show up. See you there.
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And one more time: Thank you all sooooooo much for participating in the 2008 Poetic Asides April PAD Challenge! See you all next year--when I offer up 30 straight days of sestinas (just kidding--or am I?). Personal Updates | Poetry Challenge 2008 | Poetry News | Poets
Wednesday, May 21, 2008 4:27:08 PM (GMT Daylight Time, UTC+01:00)
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Wednesday Poetry Prompts: 003
Posted by Robert
Today's prompt is to write a family connection poem--emphasizing the relationship between two or more family members. This can be between you and your parent(s), you and your children, you and your adopted third cousin, twice removed (whatever that means). Preferably, this is a poem between you and another family member or members; but if you must write about the relationship between your two cousins, then you gotta do whatcha gotta do.
Here's my poem for the day (a typical conversation between me and my two boys):
"Jonah asks if there are only peach-skin and brown-skin people"
So I say, "Well, there is peach and brown, of course, but also yellow, pink, white and black." "Is there blue," he asks. "No," says Ben, "that's only when people are choking. Or dying. Or dead." "Is there orange," asks Jonah. "Yes," I say, thinking of tanning booth debutantes. "There is also copper and red. When some people get mad they turn red--and some people get so mad they're always red-faced. Or they have sunburn." "Yep," says Ben. "But really colors shouldn't matter, because people are people," I explain, "and everyone is different."
Jonah stares out the car window as we pass another cornfield, his young mind trying to process the entire universe at once.
"Daddy, can the Flash run through walls?"
Personal Updates | Poetry Prompts
Wednesday, May 21, 2008 2:06:42 PM (GMT Daylight Time, UTC+01:00)
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Sara Diane Doyle Named Poet Laureate of Poetic Asides
Posted by Robert
Before getting into this post, I want to say that the April PAD Challenge is not about competing as far as the quality of poetry is concerned. It's very simply a challenge to write one poem per day for the 30 days of April. If all goes well, you'll have 30 (or more) poems more on May 1 than you had on March 31.
Also, as part of the spirit of the challenge, it's assumed that the poems submitted for the April PAD Challenge are all either first or very early drafts of poems. So please don't worry yourself over who is or who is not highlighted each day and/or any other type of spotlighting of certain poets. Nothing done here should be done in a competitive way. Instead, everything should be cooperative. After all, we are (or, at least, we should be) a community of poets trying to help each other succeed.
That said, I want to congratulate Sara Diane Doyle for being named the 2008 Poet Laureate of Poetic Asides. There were many poets shortlisted for this honor, but after going through all the days' poems several times, it became apparent that Sara deserves this year's honor.
The honor is purely symbolic. Sara receives no compensation (sorry Sara) and is not expected to do anything specific (after all, she's not receiving any compensation). But my hope is that she will do her part, in whatever small way, to spread the poetic gospel--both online and off (no pressure intended, of course, Sara).
So anyway, please join me in congratulating Sara--and maybe next year one of you will be the next Poetic Asides Poet Laureate. In the meantime, I'm going to include a few of my favorite poems from Sara during the challenge.
Mischance
The doorbell rings just as the phone starts to buzz and the kids run through the room, voices shrieking on high. The dog joins the chorus and she shakes her head as she watches the words that were almost a poem sail quietly out the window.
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How My Memory Behaves
Like aged lovers, too many years together, we bicker over the details. I learned long ago you have your faults, but joined as we are, I can't grudge them.
We take walks down that proverbial lane and you dawdle, you lollygag, you stop to smell a flower that looks familiar but you won't tell me the name. And when I call you to my side with a question, sometimes your eyes glint--impish elf!-- and you withhold. Other times, not so proud, you pull the answer from a dusty shelf. But my favorite times are the ones when you close your eyes, you know you knew once upon a yesterday, but can't for the life of you recall when. Later, you'll wake me from sleep, eager, smiling, to give the answer to a forgotten question.
We will grow old together-- sit on the swing swaying forward and back, back and forwards again, laughing at how much we can't remember.
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Muse
At three p.m. I push back the silk eye mask that shelters my delicate eyes from harsh daylight. I've left my charge to wade the early hours of the day alone, unguided, uninspired. After a quick tossle of my auburn curls, I start my daily stretching routine--poke the fantasy still ten chapters away from completion, poke the short story idea she still hasn't put to paper, poke the poem, the one about the plum, that she just can't figure out.
My workout complete, I lounge on a velvet chaise and eat cold grapes until she calls for my aide. I sip wine as she pounds her head and the keyboard-- a slave to my whims.
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Explanation
Forgive the laughter-- it bubbled up from my toes and spilled out over my lips and had nothing to do with your coming in. Poetry Challenge 2008 | Poetry News | Poets
Wednesday, May 21, 2008 1:38:28 PM (GMT Daylight Time, UTC+01:00)
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 Monday, May 19, 2008
Exclusive Interview With Poet Helene Cardona
Posted by Robert
It sometimes seems like all published poets wear many different hats in addition to their poetry cap. Helene Cardona exemplifies this as much (if not more) than any poet. When she's not a poet, she's an actress with credits in movies such as Chocolat and Mumford. She's also an equestrian, dancer, dream analyst, and yoga practitioner. When she's not speaking English, she's speaking one of a handful of other languages--and has worked as a translator/interpreter for several different groups.
For her collection, The Astonished Universe (Red Hen Press), Cardona put together a wonderful group of poems--written in both English and French (of course). After all, where's the challenge in writing a collection of poems in only one language. (Note: During some of these interviews, I feel like Wayne from Wayne's World--ready to fall to my knees and say, "I'm not worthy; I'm not worthy.")
Here is the interview.
The Astonished Universe is an intentionally bilingual collection of poetry. Why did you decide to do this?
I wrote The Astonished Universe in English. I did not originally intend it to be a bilingual collection. English is my fifth language, but it has been my language of choice for a long time now. I can say it chose me. I presented the manuscript, in English, to the publisher. They came back to me and said they would be interested in publishing it as a bilingual collection in French and English. At the time they had a collection in Spanish and English, and one in German and English, but none in French. So I went back to work and translated it into French. It was fascinating for me, because it rekindled my love of the French language and of writing in French again. The French translation absolutely informed the English version. As I was making discoveries with the French, I came to realize that some of the English could be improved. It became a dance between the two languages. I also felt more freedom than if I were translating someone else, because it was my own text.
Your father is a poet. How did he influence you as a writer?
My father is a Spanish poet. He was born on the island of Ibiza. His mother was from Madrid, and his father from Barcelona. He was nicknamed “el cisne vallisoletano”, the swan from Valladolid. This is because they say that the Spanish from Valladolid is the purest. His command of the Spanish language is extraordinary. I could say he instilled in me a love for words.
You’re an actress. Do you find that helps or hinders the poetic process?
It helps. Acting and poetry are simply two different forms of artistic expression. As an actress I am very drawn to films that are visually beautiful and poetic. At the same time, I always pay close attention to the screenplay. It is the backbone of the film. I was lucky to work with Lawrence Kasdan (Mumford). He writes all his screenplays, and they’re usually original screenplays. He’s a terrific writer and director. I was also lucky to work on Lasse Hallström’s Chocolat. Robert Nelson Jacobs’s screenplay was nominated for an Oscar and won the BAFTA award. Great writing helps the actor. To go back to your question, they both raise your consciousness and in that sense, enhance one another.
You’re a very well-traveled poet who is able to speak several languages. Which languages can you speak? Do you think travel and a knowledge of languages helps your poetry?
I was born in Paris. French is my mother tongue. I learned Spanish at home before I went on to study it more formally at the Sorbonne and the universities of Santander and Baeza. My mother was Greek and taught me her language. I started learning German when I lived in Geneva, and studied it more thoroughly at the Goethe Institutes in Paris and Bremen, Germany. Switzerland is a tri-lingual country, so I picked up Italian there, and then studied it more when I decided to work as a tour guide in Italy. Of course knowing multiple languages is a great advantage to writing poetry. It develops a musical ear for sounds, and gives flexibility with words and the thoughts that underlie them. Travel opens your mind and imagination.
How did you go about getting The Astonished Universe published?
It all started when I met Red Hen’s managing editor at a PEN USA event. We had a subsequent meeting at a restaurant and she suggested I send her the manuscript.
If you could share only one piece of advice with other poets, what would that advice be?
Do things that inspire you.
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To check out more information on Helene Cardona, visit her Web site at www.helenecardona.com.
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If you're interested in checking out other exclusive interviews with poets, including Dorianne Laux, Julianna Baggott, Jillian Weise, and more, just check 'em out here.
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If you're a publisher or well-published poet who's interested in giving an interview, check out my Call for Poets here. Poet Interviews | Poets
Monday, May 19, 2008 2:39:48 PM (GMT Daylight Time, UTC+01:00)
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 Friday, May 16, 2008
Poetry Publishing Basics
Posted by Robert
Many new poets have become readers of Poetic Asides since when it began more than 10 months ago. And with close to 300 total posts, it's not a good idea for me to expect you to dig around looking for helpful publishing information. So, I'm going to give a real quick Poetry Publishing 101. (If you find it helpful, I suggest bookmarking this post.)
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Before you attempt any publishing, you need to read a lot of poetry and write a lot of poetry. I put reading a lot poetry first--and by reading poetry I mean reading poetry by contemporary poets--because this is truly the best way to learn how to write effective poems. Successful poets pay attention to what they like in poems and spin it around in a new direction. Of course, you should also write--daily, or at the very least, weekly. If you frequently go longer than a week without writing, you might want to try setting up a writing routine or even reading more poetry (because reading poetry often sparks new poetry).
Avoid rushing into publishing before you've worked on your craft for a while. For instance, I worked on my poetry for more than 12 years and wrote thousands of poems before I felt comfortable enough to try getting published. Even after that lengthy apprenticeship, I've still had more than my share of rejection slips. The competition is fierce, so to spare your ego (of rejection) and your bank account (of postage expenses), I recommend you exercise a little bit of patience in your pursuit of becoming a world famous poet.
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When you think you're ready to get published, start off by submitting to magazines and journals that accept poetry. Too many poets come to me asking how they can get their whole collection of poetry published when they haven't even published a single poem. (Of course, it should be noted that this is a natural way to think if you don't know the business of poetry publishing--so don't feel bad if I'm describing you.)
If you're not sure where to find magazines or journals that accept poetry, then I suggest checking out the most recent copy of Poet's Market. (Full Disclosure: I work on Writer's Market and recently have been going over pages of Poet's Market--and I edit the resurrected Poet's Market newsletter. So, yes, I'm a little biased to which reference I direct you.) You can pick up a copy at your local library or bookstore--or you can order online at http://www.fwbookstore.com/product/1538/23.
In this guide, you'll get more than 1,600 listings for magazines and journals, presses, contests, workshops, etc. But even more important for the poet new to publishing, it is loaded with practical articles and interviews that show you how to properly submit your poems.
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If you've already been published in several journals and think you have enough poems to put together a collection, the best way to get that collection published nowadays is through poetry book and chapbook competitions. Chapbook competitions tend to be for collections of less than 48 pages (usually 24-40 pages is the norm), while full book length collections trend over this 48-page threshold. Neither type of competition is easier or harder to win--so don't enter the chapbook competitions thinking it'll be a cakewalk because the size of the manuscripts are smaller.
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Of course, more and more poets are bypassing the traditional means of publication and doing it themselves. This tradition dates back as far as any poet can remember. Even America's great poet, Walt Whitman, was a self-publisher. But if you decide to go this route, make sure you can look yourself in the mirror and say that you're self-publishing for the right reasons. Don't do it just because it's the easy (or lazy) way of getting published if you actually want to build a readership over time. While saying you've got a book published can feel fulfilling, it loses its luster if the only people who own a copy of your poems are you, your mom, and your garage.
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Finally, I'm not gonna get into the whole can of beans with those FREE poetry contests you can find in the backs of magazines and online. Not in this post. Instead, here's my account of my first publishing experience before I decided to get patient (that's right I was full of ambition at 16--and learned a valuable lesson as a result): http://blog.writersdigest.com/poeticasides/Im+Coming+Out+Of+The+Closet.aspx. Advice | Personal Updates | Poetry Craft Tips | Poetry Publishing
Friday, May 16, 2008 6:10:58 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, May 15, 2008
Newspaper Blackout Poetry
Posted by Robert
Before getting into the cool news, I just wanted to let everyone know who's been looking for the rest of the April Highlights (Days 21-30) that I am still going to post them. I've just been busy supremo working on the 2008 Poet's Market, which will be going to production on June 5. Of course, the one complicating factor is that I'll be out the entire last week of May because of Memorial Day and the BookExpo America/Writer's Digest Books writer's conference in Los Angeles, California. So the highlights are coming--just trying to fit 'em in with the rest of my "day job" stuff.
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So now on to this really cool newspaper blackout poetry stuff done by writer/artist Austin Kleon, who is based in Austin, Texas. (Note: It's funny how cool news travels. For instance, this was passed on to me by WritersDigest.com editor Brian Klems through HOW magazine editor Bryn Mooth who heard it on NPR--one more reason to support public radio, right?)
Anyway, Kleon grabs the newspaper and a permanent marker and starts scribbling out words until a poem emerges. In many cases, the poems actually turn out quite beautiful.
Check them out at: http://www.austinkleon.com/category/newspaper-blackout-poems/.
If you want a Weekend Warrior poetry prompt, this is a definitely a good exercise: Buy a local newspaper and sculpt poems out of newsstories. If you come up with anything good, post them in the comments below.
Personal Updates | Poetry Craft Tips | Poetry News | Poetry Prompts | Poets
Thursday, May 15, 2008 2:59:28 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 14, 2008
Wednesday Poetry Prompts: 002
Posted by Robert
I had to drive into work in a steady rain this morning. Those who know me very well know that I loathe driving on the Interstate in the rain, because of a hydroplaning experience I had several years ago in southern Kentucky. Ever since that crash (no one was seriously injured), I've had this phobia when it comes to driving in inclement weather.
Which leads me to today's prompt, I want you to write a poem that deals with one or more of your own phobias. Or--if you are truly without fear--write about someone else's phobias. Or--if you and everyone you know is without fear--write about an imagined phobia (or write about my phobia of driving in inclement weather).
Here's my attempt, which actually deals with one of my other phobias (yes, I'm suddenly feeling like Charlie Brown, who carries around the fear of everything): heights.
"Control"
Rollercoasters, elevators, unenclosed stair cases, railings, cliffs, airplanes-- I'm afraid of how I have no control over gravity. If I fall, I can only fall and let myself be caught by the earth below. It's simple really, but I worry about the "what if"s when I should just enjoy the ride.
Personal Updates | Poetry Prompts
Wednesday, May 14, 2008 2:52:24 PM (GMT Daylight Time, UTC+01:00)
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 Tuesday, May 13, 2008
Free poetry CD download!
Posted by Robert
The Academy of American Poets is getting into its bag of poetic tricks again (always in a good way). After offering up a poem-a-day by well known poets through April, they're now allowing poets to download an 11-track CD, recorded last month during their National Poetry Month reading series--completely free.
To download it, visit: www.poets.org/freecd Poetry News | Poets
Tuesday, May 13, 2008 8:28:47 PM (GMT Daylight Time, UTC+01:00)
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 Monday, May 12, 2008
Exclusive Interview With Poet Julianna Baggott
Posted by Robert
My first experience with Julianna Baggott was on my first edition as editor of Writer's Market (Writer's Digest Books). I asked her to write a diary style piece on how she published her first and best-selling novel, Girl Talk (Washington Square Press). It was my first risk as an editor, and Julianna made me look like a genius, because she turned in a great story.
At the time, she mentioned she also wrote poetry and stories for "the younger set" under the pen name N.E. Bode. So Julianna was one of the first poets I thought to ask for an interview when I decided to do these poet interviews on the blog. Unfortunately, I'm a bit of a procrastinator at times, and put it off for awhile. After finally getting a hold of her, I then took forever sending her the questions. Fortunately, she's always quick to get things turned around (and she never gives me a hard time about how long I'm taking on my end).
Baggott is the author of three collections of poetry: This Country of Mothers and Lizzie Borden in Love (both published by Southern Illinois University Press, 2001 and 2006 respectively), as well as Compulsions of Silk Worms & Bees (Pleiades Press, 2007). The words in her poems are often funny, at times confrontational, and always immediate. Working in several different writing genres seems to give Baggott an especially keen sense of what makes great poetry.
Here's a favorite passage of mine from Compulsions of Silkworms & Bees from the poem "1. Poetry Addresses Her Sister, the Novel":
You need to learn to whittle soap to a narrow bone, to live in steam so the wool shrinks to a toughened swatch, not a sweater, not a mitten, something otherworldly. Why do you want so much? I say little, but my memory is stained so deeply it glitters.
Of course, Baggott then offers a great response in the very next poem "2. The Novel Responds to Her Sister, Poetry":
It isn't as easy as you'd think to take the reader's hand, hang his hat on the rack, to offer a seat. Manners. I pass around tea and cakes. Have you ever allowed these comforts? You let them wander rooms, disoriented.
Hopefully, I'm not disorienting you by jumping straight into the interview.
What have you been up to recently? Do you have anything coming up soon that people should be looking out for?
The last two years have been heavy on poetry what with the publications of Lizzie Borden in Love and Compulsions of Silkworms and Bees. I've been writing sonettos -- odd ones -- but my books of poems take a few years and this new one isn't fully fleshed. I have two novels coming out next year, though. One for adults called My Husband's Sweethearts (under pen name Bridget Asher) and a novel for kids and Red Sox fans The Prince of Fenway Park.
Compulsions of Silkworms & Bees was selected for the Lena-Miles Wever Todd Poetry Series and Lizzie Borden in Love was selected by the Crab Orchard Series in Poetry. What do you think helps make a winning collection of poetry? Good solitary poems? Great connective tissue between poems? Something else entirely?
Readers you trust. I handed both books over to other poets I deeply trusted -- namely Frank Giampietro, whose first book Begin Anywhere (Alice James Books) comes out this fall, and Jennifer McClanahan a wonderful young poet. They came back to me differently imagined and I needed someone else's eyes.
In Compulsions of Silkworms & Bees, you assembled a collection of poems about poems, poetry and the craft of writing. Writing about the process of writing can be dangerous territory, but you seem to weave through it with a tense dance of serious humor. Do you try to hit certain benchmarks when writing your poetry? If so, what?
I'm not sure why it's dangerous territory. I always miss the memos on stuff like this. Writing is my obsession, my passion. My relationship with it is one of the most complex and agonizing and richly vexing that I have in my life. I don't know how not to write about it. And so I do, without any notions of benchmarks.
Are there things you absolutely try to avoid in your poetry? Explain.
Being a lazy fiction writer. I have an outlet for prose -- I write it. So what I don't want is to shove what should just be prose into the poetic form.
It seems you often put yourself in the skin of another to write your poems, whether you are Mary Cassatt or Poetry addressing her sister, the Novel. What do you feel are the benefits of writing from within another person or thing? Explain.
Now this is from my fiction roots, I suppose. I didn't start writing so that I could more deeply know myself. I was bored of myself, my life, my childhood, my hometown. I started writing as a way to know others, to get away from myself. And so I still do that. Of course, I've found that it's much easier to reveal yourself when you think you're revealing someone else.
Have you been reading any specific poets recently? If so, who and what do you like (or, I guess, even dislike) about their work?
Yes, yes. New poets. I always love new poets. I oversee the Southeast Review's Online Companion (www.southeastreview.org) and get to read tons of interviews and those names pack much of this list: Frank Giampietro, I mentioned above -- Begin Anywhere. Martha Silano -- Blue Positive. Charlotte Matthews' second book -- Still Enough to be Dreaming. Erin Murphy's third book -- Dislocation. Norman Minnick -- To Taste the Water. And we recently ran an interview with Rick Campbell who's a poet who deserves a much wider audience. His latest, Dixmont, is incredible.
When you're not writing award-winning poetry, you're writing bestselling fiction or writing novels for younger readers under the pseudonym N.E. Bode. I've also read that you've written screenplays based off your novels. How do you decide what goes where? That is, when do you know you're working on a poem instead of a short story?
I don't always know. I sometimes pick my poems up and put them into my fiction. I sometimes write a poem and then realize that it's a story. I have a story in the anthology Surreal South that began as a poem and took on a different, unexpected life in fiction. I'm toughest on the poems, though. The white gathered around a poem on the page, like a held breath, demands it.
If you could only impart one nugget of wisdom to another poet, what would it be?
Drown yourself in it -- all of it. Read like mad -- at least ten books of poems a week. Don't love everything. Hating certain types of poetry helps define your own aesthetic. Be daily. (Check out the Southeast Review's Daily Writing Regimen for a shove -- http://southeastreview.org/regimen.php.) Go forth boldly.
*****
Check out Julianna Baggott's Web site at www.juliannabaggott.com.
*****
Here are some links to some of her poems (for further reading):
* "Blurbs"
* "Nights in Tijuana"
* "What Poets Could Have Been"
* "Q and A: Do you have any tips? Answer #2"
*****
Check out other Poet Interviews here. Poet Interviews | Poetry Craft Tips | Poetry News | Poetry Publishing | Poets
Monday, May 12, 2008 4:26:02 PM (GMT Daylight Time, UTC+01:00)
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Day 20 Highlights
Posted by Robert
On Day 20, I asked you to write a Love poem. And the sparks started flying immediately. There's no better way to start a week than with a little love, so without further ado.
*****
Helping Hands
It would be better to think
you were made for me
a custom order
handcrafted to please
those hands that have held babies
carried groceries
and tarped roofs
were just praciting
for that day in the yard
when you reached out
to steady me
and keep me from falling
Teri Coyne |tmc329AT NOSPAMaol dot com
*****
After the Whole Day
Let me feed you
cheeses on a plate.
Let me roll for you
raviolis of gorgonzola,
swirled in a cream sauce
with walnuts, tarragon.
See how the water simmers.
See how the windows steam.
Let me serve you a salad--
frisee and pear,
delicate curls of pecorino,
a whisper of truffle oil.
I have in my kitchen
scallops to sear,
chicken to roast,
and a medley of roots
tossed with oregano, balsamic,
and then a little lemon tart.
When you come home
with the sound of the saw in your ears
and mahogany dust in your hair,
let me pour you a glass of Champagne,
let me take your hands
and lead you to the table you made.
Let me feed you, fill you.
Joannie Stangeland |joannieksAT NOSPAMmsn dot com
*****
My Mistake
Tentative touches cannot explain
how much you've actually
changed me.
Long, light strokes down
a make-up smeared cheek
try to tell you that
I care.
Finger tips pressing lasciviously
into firm thighs attempt
to get you to realize
that I do want you.
It was a mistake to try and
send you out of my life -
to try and hide the fact
that I do, love you.
It's too late for me to
try and take that back;
to un-tell you that I can't
have you, have these
feelings.
But I can try to win back
your favor, your desire
with the slightest whisper
of a kiss on your painted mouth,
promising much more than
words ever could.
Kateri Woody |kwoody66AT NOSPAMutica dot edu
*****
One Incarnation of Love
cleans the litter-box,
cackles, wakes me up with
political commentaries,
of a world pregnant
with entropy, a blue rose with warts.
Good love is a mentholated powder
on the prickly heat of this world.
Maria Jacketti |medusashairdresserAT NOSPAMmsn dot com
*****
I Miss My True Love
Once again, dear, you’re on the road.
We’re separated by miles and highways,
But linked by cell.
Several times a day, we’ll talk,
But the other half of the bed tonight
Will stay cool, empty, and neat.
I should be used to kissing you goodbye
By now.
But I’m not.
I want you to come home, kiss me good-night,
And lie beside me till I hear the reassurance
Of your warm breathing,
The rhythm of your sleep,
The sure, sweet, safe knowledge
That you are here
And always will be.
Karen |kphillipsoAT NOSPAMaol dot com
*****
Awaken
The Man in the Moon knows.
He stays up past dawn
To watch us.
The morning doves
Nest near our window
For inspiration.
And daffodils
Bow in our direction,
Accepting the warmth.
While the world
Is aware of
Our love,
We are oblivious
To all but
Each other.
Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com
*****
How to Write a Love Poem
Choose an iambic vessel for your pleasure
An octave and sestet for good measure
A dash of onomatopoeia will suffice,
Boom Boom,’s too much, but pit-a-pat is nice.
Ask for my heart. Surely I’ll recognize
Synecdoche and give the rest as prize.
Love, dove; strife, life—use no rhymes so cliché;
Choose simplest words for what you have to say.
Give love its legs, you must personify
A living thing, but do not let it die.
Don’t mix your metaphors, but be direct
Use similes as well that may reflect
A view of love by what it most resembles
And spice it up with literary symbols.
But don’t dare use the least hyperbole
If you want to get within a million miles of me.
Nancy |nposeyAT NOSPAMembarqmail dot com
*****
Tell me Saturday,
Monday, Wednesday afternoon;
Tell me riverside,
Mountain, desert canyon, sea.
Lover, tell me – and soon, soon.
ck |kephartceAT NOSPAMhotmail dot com
*****
Sweet apple blossoms
and succulent plums
sit tired and spent beside us
on a now stained picnic
blanket. And you lace
flowering white in my hair
as the pulpy red hearts
disappear across the grass.
And we wrap ourselves in sheets
of light and hold each other
firmly by the core.
And the sun sinks into universal dawns
as you whisper those
plum somethings in my
blooming ear.
Khara House |leftnwrite08AT NOSPAMyahoo dot com
*****
The volume could be lower.
Silence would be best.
Tonight the History channel
vies with ESPN. World War II
echoes around me as I try
to write a love poem, today’s
poetic aside.
Serious tones announce German attacks.
Next voices rise with excitement:
the 76ers have won a NBA game. Innings pass;
76,000 men are taken prisoners.
I think love is here
in this rented room,
in the words I do not speak,
in the poem I don’t write.
Beth Camp |bluebethleyAT NOSPAMyahoo dot com
*****
I’d Like To Take You To Dinner
At the Rockin’ Comet Diner
the waitresses wear t-shirts
that say, “Nothin’ could be finer,
than this Carolina diner,”
and we sit at a small chipped table
crowded with condiments
and a dented napkin holder.
You order liver and onions,
I get fried green tomatoes and fried okra
because this a Southern diner, after all
and Southern food is all about fried,
but we skip dessert,
which might have been banana pudding,
partly because we’ve eaten enough
and partly because we can’t wait
to get home.
Beth Browne |womenswritesAT NOSPAMinbox dot com
*****
In Tent
Bluejays riot in the campsite:
s'more debris, hot chocolate powder
and apple peels overlooked in last
night's rush to bed are their morning
feast.
Eventually we will
have to open the zipper,
get up and clean up
the table.
Let's just lay here for now
remembering our own discovery
and content.
Cathy Sapunor |cathsapAT NOSPAMyahoo dot com
*****
Green Lakes
I wore the sunburn on the back of my neck
like a badge. Earned from an hour spent
in a paddle boat, on that lake. That lake.
The bacteria makes appear it green, the sign said.
A glacier compelled by invisible forces,
carving into the soft pre-history earth,
made it deep. And the sunfish swimming
just below my floating body, made me scream.
You laughed pulling me to you.
I said i hated you, for not telling me it was there.
Your face found the curve between my neck and shoulder.
My feigned fury dissolved into the water.
Days like that, never last forever.
Crystal Cameron |crystalclouded731AT NOSPAMyahoo dot com
*****
geese bring the
spring time
back with them
their V across
the sky ripping
winter in pieces
with them comes
earlier dawns
later sunsets
rising of sap
blood courses faster
there are those
who would waste
these hours
but in your company
they seem all too
short I watch you
more through the
honey light and
feel my heart swell
and open like
the buds of
lilacs that
wave behind you
in our window
halfmoon_mollie |tamsinAT NOSPAMtwcny dot rr dot com
*****
The Awakening
I wake to the curve
of a familiar hip,
draped with a swath
of modest sheet…
nakedness reveals all
and sometimes that is too much,
in the morning light
this baring of body and soul.
And filtered through the
blinds, horizontal punctuation marks
of last night’s encounter
are reminders of spent love.
You turn,
the sheet slips away
and in the first rays of
consciousness
I know why I am here.
anne |atkrakAT NOSPAMyahoo dot com
*****
Lust and Exhaustion are lovers,
they stay up all night, every night
it’s like being young again, only
they are not. Lust drives to work
in the early morning light, moon
sharing the sky with the rising sun,
too tired to see straight, thinking
half of what I’m feeling isn’t love,
it’s sheer exhaustion: The gritty eyes,
the illusion of floating off the ground,
the champagne bubbles in the chest.
Back in her apartment, Exhaustion
rolls over in her sleep, smiling.
Kate |kberne50AT NOSPAMhotmail dot com
Poetry Challenge 2008 | Poets
Monday, May 12, 2008 2:43:45 PM (GMT Daylight Time, UTC+01:00)
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 Sunday, May 11, 2008
Poets Have Mothers, Too!
Posted by Robert
And if you're looking for a brilliant, cost effective, creative and last minute gift for Mother's Day, do what I plan on doing for my mother: Write her a poem.
Actually, I'm going to go a few steps beyond that. First, I've written the poem. Second, I will get one of those two-picture frames tomorrow. Third, I will insert the poem into one half of the frame. Fourth, I'll insert a picture of my two brothers and I in the other half.
Wow! Super easy. Super cheap. Super creative. And super last minute. But I guarantee you my mom will be knocked off her feet and overcome with emotion.
(Note: While this kind of gift usually works with moms, it's sometimes frowned upon by the dads. Better to stick to your usual gameplan of a tie and a Father's Day card that farts or burps.)
Advice | Commentary | General | Personal Updates
Sunday, May 11, 2008 12:32:16 AM (GMT Daylight Time, UTC+01:00)
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 Friday, May 09, 2008
Thank You IRS!
Posted by Robert
While I'm not sure how much this stimulus/rebate thing-a-ma-bob is actually going to help the economy (just as I was skeptical of the earlier stimulus check that apparently didn't help out), I'm more than happy to have received a bounce in my checking account this morning. Yay!
I know not everyone who reads this blog is from the United States. So I'm sorry you don't get the crazy cash influx, but for those poets who are expecting (or have already received) a rebate check, let me give you an idea of how you might invest some of this money.
- Subscribe to a literary journal or three. Not only is it good reading, but you'll be learning what poems each journal wants. Plus, you'll be supporting the poetry community, which helps everyone from the poets to the publishers.
- Buy some Forever stamps. Check with your local post office to verify, but these stamps can apparently be used forever--despite any increases in First-Class stamp rates. So, you could stock up now on the stamps you can use to mail your poetry submissions forever.
- Purchase poetry supplies. Go ahead and buy surplus amounts of your favorite pens, pencils, pads of paper, erasers, etc. Heck, get a huge dry erase board that you can turn into a brainstorming or draft board for your poems (or a great place to doodle while you're thinking of a poem).
- Attend a writing conference or workshop. Why slowly save for a conference or workshop experience when the government is sending you enough money to cover the expenses of most events now? This could be your once in a lifetime chance to really connect with other writers.
- Build a Web site. Personally, I've thought about using some of my rebate check to finally create my own site to highlight my achievements (or lack of achievements). Web sites are great, because it allows you to give people a destination to find out more about you, your publishing efforts, and more.
Of course, another option is to use the rebate to pay for the skyrocketing prices of gas and food. Yesterday morning, I was dumbstruck by the price of regular unleaded: $3.79 per gallon. Say what?!? Advice | Commentary | Personal Updates | Poetry Publishing
Friday, May 09, 2008 2:58:13 PM (GMT Daylight Time, UTC+01:00)
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Day 19 Highlights
Posted by Robert
On Day 19, I asked you to write a poem about a memory of yourself that you personally could not remember. For instance, something from early on in your youth, from blacking out because of drinking or medication, or from just having a horrible memory, I guess. I used some anecdotes from my youth and something I said in my sleep, for instance.
The poems you came up with were awesome. There's always so much honesty and passion behind these poems. And they ran the gamut--from terrifically funny to terrifyingly tragic.
*****
Four lives before age six
I recall reaching
For the orange cup.
But don’t remember
How the bleach burned
Going down my throat.
I see the storm door
In my mind’s eye.
But don’t remember
Going through it
arm first.
And I see the pavement
Pass inches below
My nose,
But don’t know how
The car door opened.
And I don’t remember
Falling from the
Second-story balcony.
But still feel the cool grass
Beneath my broken shoulder
Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com
*****
Night Terrors
When I was a little girl,
One night I awoke
On the kitchen table
Beside the salt and pepper shakers.
My mother tells me
I used to dive bomb
Out of my crib,
That she could not build
High enough walls to cage me.
If anyone nears my eye
With a finger or brush,
I immediately recoil and tear.
My mother tells me I ran
Directly into her extended finger
Around the age of three.
I retell this forgotten story
As my mother stabbed me in the eye.
My father made hamburger
Of my fist as I placed my hand
In greased pan. Sometimes I wake
With heated palms. I would later dream
That my sister was cooking our mother
And our mother was still talking to us.
But the oddest of all memories
Is a white dress hovering
In the linen pantry mirror,
And my mother asking me
Why I was in the closet that night.
Bonnie MacAllister |bmacallisterAT NOSPAMearthlink dot net
*****
The Last Time I Leaned out a Window
It was one of those New York days
when steam rises from the sidewalk.
Warm air, oppressive as a wool blanket,
drifts through the open window.
I hear barking in the courtyard
six floors below. I climb
on the sill, lean out the window,
stare at the snarling dogs.
Large hands pull me back,
turn me over a cotton-clad knee
and, for the first and last time,
spank me.
Margaret Fieland |infoAT NOSPAMmargaretfieland dot com
*****
The Recipe
You tell me
I recite recipes
in my sleep.
Last night
I was out of tomatoes.
You asked
crushed? or chopped?
I replied
get out of the kitched.
Shannon Rayne |shanpidAT NOSPAMshaw dot ca
*****
Humble Beginnings
What Mom remembers is that
on the day of my birth,
since I was the fourth child,
I came very suddenly and
she barely made it the fourteen miles
to the hospital.
She didn’t have time to
wash up the hand-me-downs so
she had to bring me home in
a tattered sweater.
She always felt bad about that.
Dad remembers that I was born
on the first day of squirrel season,
and he kept falling off a stump
from being so sleepy
from staying up all night.
When my children were born
I tried to tell them more interesting
stories about their births.
Connie |CoFun77AT NOSPAMyahoo dot com
*****
Retribution
My forty year old son
reminds me of the time
after supper
I threw the dishes
and broke most every one
because I was angry
at his father
over something
he did/didn’t do
three years before
I divorced him
and the reason
he remembers
after all this time
is because he still
thinks it’s funny
that my only comment
was “At least
they were dirty.”
Linda Brown |llbrownAT NOSPAMembarqmail dot com
*****
Grandpa
There are bits and pieces of memory
Hands groping
Touching a little girl
That was me.
There are bits and pieces
That still today
Torture the woman
That is me.
The bits and pieces
He left behind
Are still mine
Even though he is dead.
patti williams |pwilliamswriterAT NOSPAMaol dot com
*****
Banana Shoes
I am six years old in the picture,
sitting astride a tortoise,
twice my size.
I guess it was a petting zoo
and I am grinning with delight.
My mom says that after she snapped
the picture,
with the old Polaroid camera,
the tortoise caught sight of my yellow
sneakers and thinking it was a tasty
treat, tried to take a bite.
I don’t remember any of this
but the creature’s head was at least
as big as mine,
her mouth much wider
and I guess I should be glad
I still have both feet.
Beth Browne |womenswritesAT NOSPAMinbox dot com
*****
A Moment in Time
Three years old and riding on a
Subway with my mother. Cane seats worn
And shredding, women complaining of runs
In their nylons which catch on stray strips
They tell me I was a `pincher’ in my
Toddler years and Mom never knew
When it would happen or who the
Victim(s) would be or how they would take it
Mom and I sit in seats facing others, men
All wearing hats and reading newspapers
But then, a group of nuns in full habit sit down
“Who are those funny ladies?” I yell
I had never seen a nun before, and
Demanded an explanation. Impatient with
Mom’s apologies to the women in black and white,
I launch out of my seat, over to the nuns and pinch their knees.
Sara McNulty |smcnultyAT NOSPAMsi dot rr dot com
*****
Memory Forsaken
(For the Cousin Never Known)
The photo black and white
sepia-stained at the crimped corner,
me laughing, snug on Auntie's hip
a bag of taters and her, not twenty,
bouffant hair, pursed lips and puppy-sad eyes,
evoke dreamy deja-vues of distant toddler-hood
in her mother's house: the creaking staircase;
packing boxes of books - Honey Bunch
and Bobbsey Twins – closet cached
under summer-hot eaves; the cuckoo clock
that magically played the Batman theme;
the sun slanting into the dormered room
each morning; cider-tinged orchards
and shiny buckeyes to collect; chipmunks skittering
over lichen-lacquered stone walls;
the cool dank cellar of glittering glass,
jars of relish and ‘maters hiding half-full bottles
of gin; the scent of sadness creeping round corners
hushed and still; Auntie weeping, always weeping,
for a daughter she will never know,
holding me instead. Holding me.
Linda |drwasyAT NOSPAMgmail dot com
*****
Past and Present
I call my older sister, figuring she’d know.
“Tell me a story about myself I’ve never heard.”
She’s helping her son with homework.
“When you were two and I was ten
I got mad at mom and ran away with you.”
“Why’d you take me?”
“Didn’t want to leave you with them. I liked you.”
She tells her son she’ll help him in a minute.
“So I got some graham crackers and a diaper
and propped you up in the back of the wagon.
Mom knew. I went all the way to the stop sign
and around the corner. Far enough
so mom couldn’t see.”
“Why’d you come back?”
“I realized I couldn’t take care of both of us.
Besides I’d made my point.” She laughs.
In the background I hear her son say,
“I’m getting out the graham crackers.”
Carol Brian |csp2000AT NOSPAMearthlink dot net
*****
Cigarette Machine
My mother and grandmother loved to tell stories
of my precocity, how I could read as early as three –
or so they claimed. They said they realized this
when I’d go with them to the cigarette machine
and pick out each brand – Winstons, Chesterfield Kings,
Camels, Pall Malls. Maybe it was just pattern recognition –
the Pall Mall package, for example, was almost solid red –
but they claimed it was proof of early genius..
No doubt, I’d even help them get their favorites –
they slipped coins in the slot and I pulled
the glass-knobbed lever that released the package
with a "ker-chunk" to the bottom tray. Maybe I made
faces in the mirror – all cigarette machines had mirrors,
I’m not sure why. They were everywhere – in the diner,
the bus station, the office, the bowling alley. It was cool
and sexy to smoke – the crewcut man with the skinny tie,
the platinum blonde in shirtwaist and pearls, sharing
a cigarette break. Even doctors smoked on TV.
My grandmother died of lung cancer
about eight years ago, a smoker almost to the end.
My mother died not long after. If only I had the power
to see the future then, instead of the power of early reading,
I’d stop their hands before the coins went down
and the Pall Malls or Winstons came out.
Instead, I went on reading like some prodigy.
I never quite lived up to that.
Bruce Niedt |jackbugsAT NOSPAMcomcast dot net
*****
A Sudden Stillness
She told the story until
I felt sure I remembered it
from some space between lifetimes,
my kicks inside her wet womb
before storytime with her first graders.
'Once upon a time' and I lay still,
listening to the tales unfold,
was still again as a baby with croup,
pain carried on the wings of 'once upon'
into the late rainy night.
She was Mnemsyne, divine lover of Zeus;
I was her child-muse, being gifted these sacred
stories, yet to be scribed, my feet motionless,
my heartbeat a mere breath in the wind.
Pris Campbell |camprisAT NOSPAMbellsouth dot net
*****
Coma
There are moments
But not often minutes
When I see. It is possible to
Be awake, but
Only with great effort
Or none.
The joy of life
Is incompatible
With the business of being alive.
My cherry tree is about to bloom
It is fully awake
Its only sound is a sigh
Of disappointment as I walk by.
Gratia Karmes |glk222AT NOSPAMtds dot net
*****
Jenny and the Pine Tree
“We always get a spruce pine
for Christmas,” Mom repeats,
then tells the story of when I,
pre-school-aged and already in trouble
at daycare for biting other bratty kids,
stood in front of the Christmas tree
for a picture with my even-tempered little brother.
I took a step back, and one of those spiny branches
reached out and pinched my neck.
More startled than hurt, I turned around
and bit that horrible little branch,
then yelped and let go when it had the nerve
to poke the roof of my mouth.
Angry, I bit that stupid tree again.
JL Smither |jlsmitherAT NOSPAMgmail dot com
Poetry Challenge 2008 | Poets
Friday, May 09, 2008 2:34:22 PM (GMT Daylight Time, UTC+01:00)
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 Wednesday, May 07, 2008
Wednesday Poetry Prompts: 001
Posted by Robert
My baby brother is (finally) going to graduate with a degree in meteorology from the University of Oklahoma after nine years of study. You see, his big problem is that he's even more interested in experiencing weather than he is in studying about it. So, he's missed studying for tests and finishing projects because he's out chasing tornadoes; he missed finals one year because he was stuck on the third floor of a police station in Slidell, Louisiana--surrounded by flood waters. (Not sure why you would, but IF you want to learn more about my brother Simon, check out his Web site at http://stormgasm.com.)
Anyway, why am I mentioning my brother who is obsessed with weather? Because today's prompt is to write a poem that is either about the weather or incorporates the weather into the poem. Whether you make it about a crazy storm or a cloudless summer day, you gotta give the weather report.
Here's my attempt:
"The Weather Report"
Expect a high of 75 and a low around 60. In the afternoon, light showers may develop, followed by abundant sunshine. In the early evening, prepare for heavy kissing and a full moon. Personal Updates | Poetry Prompts
Wednesday, May 07, 2008 3:36:01 PM (GMT Daylight Time, UTC+01:00)
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Day 18 Highlights
Posted by Robert
There is no connection: That is the line I asked you to use in writing your poems on Day 18. It was a line that'd been rolling around in my head for awhile, though the context is totally lost on me now. As it should be. It's amazing how one line can go so many different directions.
Finding the connection in these poems is as simple as the line I asked you to use, but outside of that there appears to be no connection. (Hahahaha--yeah, I know. Bad joke.)
*****
:“mutually exclusive dinner party invitations”:
Between her old self
and her new self there is
no connection
anymore They sit on opposite
sides of the room They
sleep in
separate beds
They eat dinners in silence and rarely
call company to
toast their exclusive successes Between
the two of them
there is little room
for change Maybe someday
But for now there is no
connection
Khara House |leftnwrite08AT NOSPAMyahoo dot com
*****
FALSE LOVE
There is no connection between them anymore
False loving glances are exchanged across the table
for the sake of the children
The excuse they use to stay together
But the children see them sleep in different places
and overhear the muffled arguments at night
The tension between them chokes and suffocates
the life out of all those that come into their presence
but they continue hiding behind strained smiles
and forced affectionate rubs on the back
a piece of each of them dies everyday
knowing that life would be better apart
but it's so much easier to play the role
than to accept the truth that lies in their hearts
Christa R. Shelton |c_writesAT NOSPAMhotmail dot com
*****
A Reason
“Why did this happen? I haven’t been a bad person.
I’ve lived a good life.” There had to be a reason for
what the doctor was telling me. Cancer didn’t just
happen. There had to be a reason.
“I assure you, there is no connection between the
type of life a person has lived and cancer. You haven’t
done anything wrong.” His words flew past me, over
my head. All I heard was “cancer.” In my mind, that
was the only word that counted.
I looked back at the previous 40 years, trying to
locate the point in time where I had gone astray,
walked off the right path, jumped the tracks. I
wasn’t a perfect angel by no means, but cancer?
“I used to shoplift. Maybe that’s it.” I had to find
a reason. “I cheated on a test in high school. Wasn’t
very nice to that Jenkins girl.” He reached out and
patted my hand. “Listen to me, there is no connection.”
There had to be a reason.
Susan M. Bell |maylandwritersAT NOSPAMgmail dot com
*****
The Myth Is
there is no connection between
lollipops and pumpkins,
skyscrapers and hovels,
terrorists , saints,
the aliens that abduct
and those that intervene in angel garb:
not smithereens of a chaotic big bang –
or the fuselage of a big kahuna-deity’s
ark smashed to puzzle pieces –
but string theory, the divine quipu,
waiting to be read, quarks
to unravel, embroider,
or hang by in ignorance,
for the science and god, one,
that we have yet to touch.
Maria Jacketti |medusashairdresserAT NOSPAMmsn dot com
*****
Well-connected
Scientists are up in arms
at the speed of global warming.
Environmentalists shake their heads,
no one will heed their warning.
A ten-year window is all we have
until the point of no return.
"To hell with that", say executives,
"We've got tons of coal to burn".
Our planet cries "Stop it now
before everyone gets hurt".
Lobbyists still earn their keep
while politicians hit pay dirt.
Industry must motor on
til it hits that intersection
marked "Turn back before it's too late",
and "It's OK. There is no connection".
Joe |joemackinnonAT NOSPAMhotmail dot com
*****
Schism
How can you say there is no
connection from the crow's glistening
wing to the night that flies
away at dawn. No link
between the winter wind
and the hard sweep of grief,
no coupling between the bell
and the waves of its ring
in an empty courtyard?
How can you know there is
no chain pulling taut
the distance between tears
and the ocean--or, say,
Antarctica, the mountains and shelves
of ice, the white blindness held
together by cold until weight
or melt makes them calve,
fall apart with a roar
that echoes in your blood,
that binds you, even in sleep,
to more than one ending.
Joannie Stangeland |joannieksAT NOSPAMmsn dot com
*****
Even Teachers Get to Have Fun Sometimes
---------------------------------------
Today in class one of my students, not
knowing how to start an English essay asked,
How is the past an indicator of the future?
I am a history teacher, and as you know,
teachers know everything. We have no life
outside of school. In fact, some of us
live in our classrooms, pulling our Murphy beds
from beneath the chalkboard, shower up
in the denizens of the faculty lounge. Her logic
in asking me was, shall we say, inspired.
Trying to act the clown, or just to see her face
I replied as straight as I could, There is no
connection, no way to tell from one day to the next
what is going to happen. I pause before adding,
Haven't you ever heard of Chaos Theory?
This is the part I always like best, when they
ask themselves if they heard me right, decide
if they can trust what I have told them.
Sometimes, they catch on right away, think back
to the beginning of the year when I told them
about Heraclitus, how you can never step
into the same river twice, how all things
are connected. Then their smile comes
and they know the real answer is yet to come.
That's when I know I have them, know when
they are going to really listen, give this whole
school thing at least one more shot, let in
just a little more light into the cave and
dust down the shelves of their minds.
Justin Evans |evjustinAT NOSPAMyahoo dot com
*****
Proximity
I'm walking down French Road
and I see a familiar vista -
up there, to the south of me,
a miniature mountain rises
(we Uticans call it Crow Hill),
a mountain crowned with trees,
four of which stand out
like the straight spikes
of a truncated stegosaur.
There is no connection
between them and the rest
of the little oak forest
that's been standing there
for a hundred years or more.
It's like something sudden
and completely unplanned -
like a wicked windstorm,
or a minute meteor,
or an errant bulldozer -
just so happened to pass
through that small space
and thus forever changed
that fractional footage
of Oneida County landscape.
Whatever it was, it left
the dwellers of this valley
with a place that radiates
that sort of bizarre beauty
that throws the futile
humdrum claptrap of life
into relief and makes you say,
"Well, I guess maybe things
aren't so awful after all"
as you look up at those four trees,
thinking of how close they might be.
Callan Bignoli-Zale |shehadausernameAT NOSPAMgmail dot com
*****
In Rio de Janeiro,
a pregnant woman throws up
for the second time today.
In Perth,
unable to sleep, a boy watches rain drops
snake down his bedroom window.
In Cambridge,
two teenage girls kiss
under a blooming dogwood for the first time.
In Palo Alto,
a computer crashes as a student
tries to save the final version of her thesis.
In Cairo,
a woman cleans her kitchen
in preparation for her mother-in-law's visit.
In Bucharest,
a man on a bicycle is knocked into a ditch
by a small truck that doesn’t stop.
In Kawagoe,
a man holds his granddaughter in his arms
and feeds her a bottle of milk.
In Reykjavik,
an old woman dies while drinking her afternoon tea,
which spills across the front of her blouse.
There is no connection.
JL Smither |jlsmitherAT NOSPAMgmail dot com
*****
Special Information Tone
I learned the annoying, ear-piercing,
three-toned chime that sounds on the phone
when there is no connection,
is called a SIT code.
Three sharp pings, aptly called
SIT, command the listener
to wait for special information.
But those three notes, the ones I hear
several times a day, always
make me jump.
I hang-up before hearing the message—
I already know the number is disconnected
because you no longer live there.
And you didn’t tell me goodbye
because there is no longer a connection
between you and me.
Sara Diane Doyle |saras dot sojournsAT NOSPAMgmail dot com
*****
Even then
Even when there is no connection
Even when it rains like slate
Even when you can’t smell anything
Even when your legs stop working
Even when you can’t find work
Even when someone you love dies
Even when you loose a favorite earring
Even when you can’t breathe
Even when your car breaks down
Even when someone is mad at you
Even when the fridge is empty
Even when the birds wake you at four AM
Even when people are rude
Even when you have a headache for three days
Even when
Even then
beauty suffuses every molecule
Even then
your smile restores me.
Jacquie Wareham |wareham dot jacquieAT NOSPAMgmail dot com
*****
THERE IS NO CONNECTION
“Don’t be so stupid -
there is no connection
between butterflies
and typhoons,”
she exclaimed.
The child went quiet
and hung his head.
A great sadness
fell on the school
after that
and things
were never the same.
Maureen |sajwriter06AT NOSPAMyahoo dot com dot au Poetry Challenge 2008 | Poets
Wednesday, May 07, 2008 3:13:32 PM (GMT Daylight Time, UTC+01:00)
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 Tuesday, May 06, 2008
Day 17 Highlights
Posted by Robert
Before we get into the highlights: I'm going to be posting the Wednesday prompts here on the blog starting tomorrow. Let the good times roll!
Also, the community is buzzing along in the Poetic Asides forum at http://forum.writersdigest.com. It's free and easy to sign up and start talking with your fellow poets.
*****
As far as the highlights, we're up to Day 17 now, which was to write a poem in the third person--with the subject open to whatever. The poems you wrote were great, great, GREAT!!!
They're provided below.
*****
Virtual Reality
She leans forward half off the couch
twisting the Wii remote,
using different muscles than when
she makes her bed or plays her flute.
AiAi or MeeMee or YanYan
roll across the screen
in plastic protective bubbles
racing across the dessert
or the jungle or a volcano
always to the rainbow-circled goal.
Yesterday she realized she was
steering the half-eaten pizza slice
in her hands while watching
someone else play the game.
“I should be able to beat this world
this afternoon,” she declares
as she powers down
and heads off to seventh grade.
Carol Brian |csp2000AT NOSPAMearthlink dot net
*****
Parting
Her pink platform sandles click
on the stone path as she rubs
legs shaved smooth for her lover's
delight. She smiles to herself,
drives home through the summer
night while the man in the moon
hangs by a silver thread halfway
down the sky, Her lover
washes the sheets, then drifts down
to the bar for a last draft ale with
the guys who hang out on the corner.
The next day he buys a jeep,
dark green, detachable roof,
packs it full of bits of
a soon to be former life, then
leaves without saying goodbye.
Margaret Fieland |infoAT NOSPAMmargaretfieland dot com
*****
The Lurker
They call him the ‘lurker’
He slinks door to door
His feet are so greasy
They slide ‘cross the floor
She tries to ignore him
To hint that she’s working
But he hangs like a vine
He keeps right on lurking
He looks out her window
He mindlessly yaks
He sneaks peaks at her chest
He touches her slacks
He’s hard to get rid of
He won’t go away
‘ oh please, let the phone ring,”
she silently prays.
There’s no easy way
To get rid of this jerk
Cuz it seems he gets paid
By the hour to ‘lurk.’
Carol -Amherst, Mass |cboudreauAT NOSPAMhampshire dot edu
*****
In the Dairy Aisle
Some people long for what they can't have,
but she feels a little guilty
because she doesn't much want
what she can't abide.
Tempting--so many delectable flavors.
She has tried them all, but not even
strawberry cheesecake or coconut cream pie
could entice her now.
It's supposed to be good for digestion,
but something always holds her back--
that bite, the tang
of live and active cultures.
She admits it. She hates yogurt.
Sarah |MusicToKnitToAT NOSPAMyahoo dot com
*****
Pride Don’t Pay the Rent
He leans to the left as he walks to the desk –
scoliosis, he tells the worker –
it bent his spine like a green twig.
Back in the day, he was a drummer,
did a lot of gigs in the Sixties, even
sat in with Miles once in the Village.
Played Newport in '68, Montreux in ’72.
"You must be proud of all that," the worker says.
"Pride don’t pay the rent," he replies.
He still wears a beret, his striped shirt
is neat but faded. White stubble
dusts his dark chin. The worker
peppers him with questions,
then pushes some papers across the desk.
The jazzman signs them
with an arthritis-gnarled hand.
"It must be hard to ask for help,"
the worker says, trying to be sympathetic,
"after all you’ve done in your life."
The jazzman stands, pushing himself
up on his cane, and says, "Yeah,
but the worst part is, I’ve lost the rhythm."
Bruce Niedt |jackbugsAT NOSPAMcomcast dot net
*****
Up Up and Away
He thought he was pushing her
The way she wanted to be pushed,
Sometimes going under the swing to give it
That extra umpphh--
So it was a complete surprise when she
Fell off, out, crying--Daddy why
Do you want to hurt me?
Lyn Sedwick |LASMD925AT NOSPAMaol dot com
*****
Southwest Story
I.
She was surprised
When Orlando showed her his cast.
He told her that Monday
He’d been in a coma.
His father and he rode on motorbike,
Over the hood of a car.
Orlando swore he’d never ride again.
His father is still in the hospital.
II.
After school, Rakeem tried to juggle apples,
He’d bite them and expel the juice.
Kaihla flipped them like flags,
Manipulating hands unbalanced.
The teacher allowed the two
A contest of push ups.
Each boosted arms,
Jutting up with breaths.
III.
Something told her to speak in the third person
When describing Ulea,
The little girl who clamored protests
Constantly for little reason,
No girl could pierce her more.
She thought of them on the subway
When the old, blue-eye African man
Asked her if her school had tennis courts.
She wondered how her kids would thrive.
Bonnie MacAllister |bmacallisterAT NOSPAMearthlink dot net
*****
The Reluctant Politician
He didn’t want to run for office
But he wanted to be elected
So he campaigned and he
Lost but he filed a protest
And paid for a re-count and
This time he won by eight votes
And he was sworn in
And the next week he resigned
From office because he said
He just wanted to prove
That he could win.
Alfred J Bruey |ajbrueyAT NOSPAMaol dot com
*****
Angola
Unshod hooves thud and tamp
against the metal chute.
“Huuurrrraaaahhhh” echoes
as the weight of the parasite
settles on his back. A violent
shift left, the weight lifts
then settles. Ears flap and
horns strike the bars of the
chute encasing him as he
shakes his head, angry now.
“Bzzzzzz,” and the barrier
disappears. Two tons of
Brahma bull shoots forward.
Tail swivels as he jackknifes.
His attempt to throw the felon
successful a mere five seconds
into the Angola Prison Rodeo.
A.C. Leming |fackorfAT NOSPAMhotmail dot com
*****
The Wife or Sooner or Later
He couldn’t wrap his mind around
the idea that she was gone. The door
wasn’t opening, no matter how long
he stared at it. She wasn’t coming
home. He kept thinking that sooner
or later she would realize her mistake.
Sooner or later she would return, tell
him how sorry she was, then cook
his dinner. She would have to go to
the grocery store first. The cupboards
were nearly bare. And he’d sat in front
of the TV every night, listening to his
stomach growl. Sooner or later, she would
have to come back to take care of him.
Someone had to.
Sooner or later.
Susan M. Bell |maylandwritersAT NOSPAMgmail dot com
*****
Mischance
The doorbell rings
just as the phone
starts to buzz
and the kids run
through the room,
voices shrieking on high.
The dog joins the chorus
and she shakes her head
as she watches the words
that were almost a poem
sail quietly out the window.
Sara Diane Doyle |saras dot sojournsAT NOSPAMgmail dot com
*****
THIRD PERSON POEM
She picked up her camera
walked out to the garden
photographed every flower
and leaf
she could see.
Hours went by
noticing colours
shades, patterns
light and shadows
tiny insects
she didn’t know the names of.
She felt the warmth
of the sun
through her shirt
and noticed pictures
in the clouds.
Then she returned
to the house
and saw
what she’d almost forgotten –
the opened bottles of pills
by her bed.
Maureen |sajwriter06AT NOSPAMyahoo dot com dot au
*****
At the Boat Show
Fuzzy newspaper photograph
taped to her refrigerator.
They might be her nieces
or just two random girls
with their dad,
at a boat show.
From the blur, only the redhead
whose hair color caused so much
family confusion is visible.
The only recognizable feature.
Not the brother or sister,
uncle or niece for sure.
Tiffany B |tbullenAT NOSPAMgmail dot com
*****
Beach Day
They were sitting on the shore
making castles in the sand
never seeing the two sharks
that had stopped by to play
a game of 'chase the people from the water'
there was sadness in their eyes
as the people trampled by
crushing their dreamhouse
in their wake of fright
And the sharks swam away
laughing merrily
with joy and glee
another beach day
interupted.
Sarah |safbail_2writeAT NOSPAMyahoo dot com
*****
Photographic Memory
Sitting in the parked car in the dark after turning off the engine, the rain hammering on the roof, she rolls down the window and smells cedar, woodsmoke, wet earth. She leans her head back and closes her eyes, seeing the six-point buck by the side of the road, his eyes just beginning to film over, the possum dragging it’s crushed back legs into the bushes, baring needle-sharp teeth in a grimace, a dead garter snake slowly turning itself inside out, the ladder of its spine laid bare by the steady work of slugs.
She wasn’t there when they put her father on life support, didn’t see him blackened and bloated, lungs breathing, heart beating but no longer there. She wasn’t present when they finally turned off the machines and stood around his bed in the silence, released. She doesn’t have the image all the rest of her family carries, staining their memories forever. She can see him now, on the deck of the Alaskan ferry, eyes squinting into the sun, binoculars around his neck, hat brim turned up, laughing.
Kate |kberne50AT NOSPAMhotmail dot com Personal Updates | Poetry Challenge 2008 | Poets
Tuesday, May 06, 2008 3:25:24 PM (GMT Daylight Time, UTC+01:00)
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 Sunday, May 04, 2008
The Copyright Symbol and Your Submissions
Posted by Robert
During the PAD Challenge, I noticed quite a few poets including either the word Copyright or the copyright symbol--a C inside a circle. While I understand the fear of someone stealing your work and may have even done that with my own fiction and poetry earlier on as a writer, I want you to know you don't need to include those markings, especially when you're submitting your poetry to journals and magazines to be published.
Reason #1: People don't tend to steal other people's poems. It's just not profitable AND if someone were so inclined, they would steal the poem whether you include the symbol or not. Once you set your writing down in fixed form, it is protected by copyright. But after more than 8 years working on Writer's Market, I have yet to hear of a case where an unknown poet has to take his or her poetry copyright case to court. (Of course, saying that, I do realize that there's a first for everything. For more info on copyright, go to http://www.copyright.gov/).
Reason #2: Adding the copyright symbol does not increase your chances of getting published. There is no editor who sees the copyright symbol attached and thinks, "Yay! We've got a copyright symbol; let's get this issue out now!" In fact, it often hurts your chances, because...
Reason #3: Adding the copyright symbol to your submission marks you as an amateur and as a poet who is paranoid that the editor will steal your work. While an editor would still accept exceptional work from a poet who includes the word Copyright or the copyright symbol, be aware that those markings will distract most editors from reading your work--even if just the tiniest bit.
So that's my practical advice about including the copyright symbol and/or the word Copyright. It doesn't decrease your chances of having your work stolen, but it does increase the chance your work won't be accepted. So, why do it? Advice | Poetry Challenge 2008 | Poetry Publishing
Sunday, May 04, 2008 1:42:59 PM (GMT Daylight Time, UTC+01:00)
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 Saturday, May 03, 2008
USPS ups its rates--effective May 12
Posted by Robert
Beginning May 12, the United States post office is changing its rates (after doing so less than a year ago). First-Class Mail stamps will increase from 41 to 42 cents; however, those who have the Forever stamps can still use them--a savings of one penny per letter (or bill). I'm glad, because I've still got like 30+ of those Forever stamps, and it will probably take me forever to get rid of them, since I'm totally slacking on the submission front.
Anyway, the USPS increased its stock of Forever stamps expecting the demand to grow with the upcoming rate increase--so if you want to save a dollar for a roll of 100 or 20 cents for a pack of 20, go get 'em now before they run out of stock.
To read about the other rate changes that will go into effect starting May 12, go to http://www.usps.com/prices/welcome.htm?from=bannercommunications&page=prices.
General | Poetry News | Poetry Publishing
Saturday, May 03, 2008 3:29:52 PM (GMT Daylight Time, UTC+01:00)
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 Thursday, May 01, 2008
April PAD Challenge: Wrap Up
Posted by Robert
Thanks to all of you, the April PAD Challenge was a phenomenal success. In fact, I think there's no way around making this an annual event moving forward. You can't even know how honored you've all made me feel throughout the entire month, and I'm thrilled to see that a supportive community has developed.
To keep that community going, I asked WritersDigest.com editor Brian Klems to set up a Poetic Asides specific group in their forum located at http://forum.writersdigest.com. If you have an account, just log in and click on the Poetic Asides link. If you don't have an account, it's super easy to create one--and it's totally F-R-E-E (and it don't even cost you any money). I have a welcome message up for the group, but you can begin your own topics and start chattering away. I'm sure there will be some crossover between the new forum group and the blog moving forward, too.
Also, on that main forum page, you may notice there are genre-specific critique groups in Critique Central. One of those groups is labeled poetry, and that's where you, umm, can critique, umm, poetry. Yeah, pretty obvious, I know.
*****
As far as the blog and prompts, I've decided I will continue to do prompts, though not at the breakneck pace of one each day. I'm planning on providing a prompt each Wednesday throughout the year--figuring there's no better way to get over the hump of the workweek than a little prompting and poeming. I hope that'll be a good pace for everyone until next April.
*****
I'm considering the possibility of critiquing one poem per week. More info on this later. But stay tuned--and prod me if I seem to forget about it.
*****
The Poet's Market newsletter is going to make a comeback starting later this month. If you wish to receive the free monthly e-mail newsletter, you can sign up at www.poetsmarket.com.
*****
On May 21, plan on attending the Poetic Asides 2008 April PAD Challenge awards ceremony--at this blog. I'll be recognizing those who completed the challenge, as well as some extra nods and pats on the backs and such.
Plus, at that time, I'll also be handing out awards to poets. Those who completed the challenge will be able to receive one or both of two awards: one is a badge that the magazine design group put together for poets who want to put the award on their blogs and/or Web sites (to show that you completed the challenge); two is a certificate that the book design group is working on that you can print up and tuck away somewhere safe (or proudly frame and display).
*****
On May 22, I'll be answering poetry questions all day somewhere in WD forum. More details to come on this as the event approaches.
*****
Okay, this post is long enough now, I guess. Let me know if you have any questions, concerns, comments, etc. And again, thank you so much for being so awesome!
Personal Updates | Poetry Challenge 2008 | Poetry News | Poetry Prompts | Poets
Thursday, May 01, 2008 3:42:12 PM (GMT Daylight Time, UTC+01:00)
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Day 16 Highlights
Posted by Robert
On Day 16, I asked you to write a poem with a twist at the end--something I was calling the "Alfred Hitchcock" poem. I was really impressed with the results and the creativity.
Here are the highlights.
*****
Wanted:
Roommate willing to share the rent,
the bills, the responsibility; to
put the dishes in the dishwasher,
not the sink; to fold socks together,
rathering than ranting when one
disappears somewhere between
the closet floor and the laundry room.
Said person should be willing to
share the remote control, ESPN
balanced with the Food Network,
to carry on conversations
when required, to keep your thoughts
to yourself at all other time,
and to know the difference between the two.
Since the place is already furnished,
you won't need to bring anything
but your own clothes, your own books,
and, of course, your car.
I'm taking mine when I leave this place.
If he asks, just tell him I sent you.
Nancy |nposeyAT NOSPAMembarqmail dot com
*****
"My Precious Angel"
The pillow still holds your scent
I can close my eyes
and feel the heat from your side of the bed
I spy a strand of your beautiful brown hair
and I can almost imagine
your soft doe eyes
looking back at me
Why did I have to kill you last night?
Chris Granholm Jr. |chris7baAT NOSPAMyahoo dot com
*****
DOING IT
Some people do it every day.
Some do it not at all.
My aunt she does it all the time,
Some do it near the wall.
Some friends of mine, they shut their eyes.
Some friends they say don’t worry.
Some friends tell me it’s not so bad,
Just do it in a hurry.
My Gramma did it day by day
A hundred times moreover.
My mother did it only when
Her family would come over.
I feel naughty, though, to do it not,
Shame cast upon my head.
For I kick myself come evening time,
When I’ve not made my bed.
Vanessa O'Dwyer |sheswede99AT NOSPAMyahoo dot com
*****
Wandering Hands
I slide my hand down your back
I grope and fumble
But you remain quiet
Just giving slightly to my touch
My sneaky fingers glide around
Your bottom and I’m fumbling once
More. But you are passive
C’mon c’mon, give it to me!
Finally I’m on my knees
I drag your leg away
My hand searching for the
Treasure you withhold
I just don’t believe it
I was sure you’d give it up
But, sofa, if you haven’t goy my keys
Then where the hell are they?
Iain D. Kemp |iainAT NOSPAMmovistar dot es
*****
The aliens came today.
We were surprised
as they brought us
a message of peace
and love and then
told us how it would happen.
Our lives were wrong,
they said.
We must live like they did
and then used force to
show us.
For your own good they said.
We want to help
they said.
Help from them I cannot
need or want
So I held my head high
and they said it
would be better if
I didn't.
But I stood against
and as I saw the crater
in my chest
My last words were
"Go back to Earth."
Matthew |matthewabelAT NOSPAMgmail dot com
*****
I Am Just Not A Party Animal
When we arrive, Hiro greets his pals, each in coat and tails. They rush excitedly to each other; I am ignored. With a sniff and toss of the head, my date abandons me for a drink.
It’s awkward standing here alone.
Just like junior high school mixers.
But in minutes, I run into Kathy from Curtis Park, and Nancy, and Carlo. We socialize loudly above the din; turns out we’ve got much in common.
Too soon, Hiro’s had too much. I drag him, howling and whining, to the car.
He doesn’t want to leave the dog park. Tonight, neither do I.
Cathy Sapunor |cathsapAT NOSPAMyahoo dot com
*****
The fire was beautiful.
It burned with ferocity,
frightening me a little -
I didn't want us to catch.
You smiled and vowed to
protect me. We shared
a glass of red wine as
we settled down to snuggle
and watch the fire. You
kissed my neck and told
me you love me. I smiled
and we turned back to the fire.
Wonder where that snotty witch will live now?
Monica Martin |lilmunkey2369AT NOSPAMyahoo dot com
*****
"Art on the Line"
Warm wind
Birds singing
My favorite lavender chiffon blouse
Fluttering in the breeze
Assorted vibrant colors
Billowing on the clothesline
Spring is here,
Warm days
Cool nights
my collage of beautiful colors
are dry and
must come down
Alas, the lavender blouse
Is gone,
Perhaps
the wind took it
Sunday morning
A new day,
Brilliant sunshine
Reflecting off the grass
And warming the tar driveway
next door
There is John, my neighbor
Jaunting out to
Retrieve his paper
He is stunning
In my lavender chiffon
Carol -Amherst, Mass |cboudreauAT NOSPAMhampshire dot edu
*****
Watching
"Every breath you take, every move you make, I'll be
watching you." ~Sting
When I first noticed you noticing me
I didn't think too much about it.
I didn't think I was your type,
a wife and mom of thirty something years.
But then I turned the corner and
I could still feel your eyes on me.
Staring, penetrating, unnerving.
I fumbled with my purse, and
glanced around furtively,
hoping to see something or someone else
that may catch your interest, but
I was all alone and your eyes never left me.
My hands shook, without reason.
I tried to pretend you weren't there,
to act normal and hope you'd go away.
But you inched closer, ever closer,
eyes roaming everywhere, searching.
I knew you wouldn't find whatever it was
that you were looking for, but still
you made my skin crawl and my nerves squirm.
I walked quickly away from you and out the door,
although I had done nothing to warrant your attention.
Maybe you were bored that day, or maybe you just
take your job as store security much too seriously.
Lori |brightiiizAT NOSPAMaol dot com
*****
"The Proposal"
His brown eyes showed serious affection
and he popped ‘the question’ as we stood
beneath a large old tree. We’ve been friends
for years now, at least three, but my parents said
more time was needed. I wondered if
they saw something that I didn’t and felt
it best if their recommendation were heeded.
Back beneath the large old tree the matter
was solemnly discussed and he and I concluded
that one more year would not be too tough.
By then we would both be six, quite old enough.
Emily Blakely |ecblakelyAT NOSPAMmsn dot com
*****
Tom
“Are you coming to bed, Darling?” you call
toward the bathroom door. I will soon,
Darling, but let me gaze upon you first,
study the way you remove your glasses,
carefully replace the bookmark in your novel,
and stretch to set them on the nightstand
before clicking off the lamp. The smell
of the jasmine outside the window surrounds
your image, making you seem even more delicate.
I watch the way you smile so sweetly
while you snuggle down into the warm blanket
that outlines your legs. I’ll be there soon, Darling,
the next time you forget to lock this window.
JL Smither |jlsmitherAT NOSPAMgmail dot com
*****
I can’t believe your cheekiness,
Your lack of disrespect.
You’re certainly the flakiest
Coquette I ever met.
With Manolos and Guccis,
You skirt cut up to here -
Originals by Pucci,
And your lack of underwear;
Might get you adoration
And a night of random sex.
Your brain is on vacation
And your mother asks “what’s next?”
I’m absolutely done with you
You sneaky little tart
You’ve made my life a total mess,
You broke my boy friends heart.
M J Dills |mjdillsAT NOSPAMyahoo dot com
*****
The geese are chasing the people away
from their eggs, down by the river.
The lawn is a beautiful shade of summer green
decorated with romantic iron benches.
Look at the Hollyhocks showing their hues of
sky, and blush, and sun.
The day is open, flowing wide toward forever
and I’m so glad you came to visit.
Cobblestone steps guide the way back to the patio
which delivers its closure.
The electroshock therapy is going well
please come to see me again.
maeve63 |maeveq63AT NOSPAMyahoo dot com
*****
“Unfinished Work”
She sits in the easy chair
Directly in front of the roaring fire
Reading my rough manuscript
She says can we have a late dinner
I want to finish this
I want to find out what happens at the end.
Oh you don’t want to do that I say
It’s not ready…I’m not ready.
Don’t be silly she says
Don’t be so damn insecure.
I watch her read
I’m beside myself
I’m not ready for her to…
For me to…
I’m on the last chapter she says
Just give me a few more minutes
This couple you wrote about
She’s so strong and he’s so…weak.
Just keep reading I say
As I gather strength
And move in behind her
Wanting more than ever
For her to be finished.
Oh my God she says as she turns to look at me
I think he’s going to kill her!
Marcus Smith |sleeperdesuAT NOSPAMhotmail dot com
*****
It’s not brain surgery
I can’t believe
They don’t
Put me under.
All that cutting
And slicing.
So close to
My brain.
I saw the
Diploma,
But I’m not
Impressed.
Just another
Butcher with
A sharp
Instrument.
I hate haircuts!
Mike Barzacchini |mjbarzAT NOSPAMyahoo dot com
Poetry Challenge 2008 | Poets
Thursday, May 01, 2008 3:12:52 PM (GMT Daylight Time, UTC+01:00)
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