|
Free Updates
Navigation
Categories
| March, 2010 (2) |
| February, 2010 (3) |
| January, 2010 (4) |
| December, 2009 (2) |
| November, 2009 (1) |
| October, 2009 (2) |
| September, 2009 (3) |
| August, 2009 (3) |
| July, 2009 (3) |
| June, 2009 (4) |
| May, 2009 (3) |
| April, 2009 (3) |
| March, 2009 (3) |
| February, 2009 (4) |
| January, 2009 (4) |
| December, 2008 (1) |
| November, 2008 (4) |
| October, 2008 (2) |
| September, 2008 (3) |
| August, 2008 (4) |
| July, 2008 (4) |
| June, 2008 (3) |
| May, 2008 (4) |
| April, 2008 (5) |
| March, 2008 (4) |
| February, 2008 (4) |
| January, 2008 (5) |
| December, 2007 (3) |
| November, 2007 (5) |
| October, 2007 (4) |
| September, 2007 (4) |
| August, 2007 (4) |
| July, 2007 (3) |
| June, 2007 (4) |
| May, 2007 (4) |
| April, 2007 (3) |
| March, 2007 (3) |
| February, 2007 (1) |
|
Search
Archives
| | Sun | Mon | Tue | Wed | Thu | Fri | Sat |
|---|
| 31 | 1 | 2 | 3 | 4 | 5 | 6 | | 7 | 8 | 9 | 10 | 11 | 12 | 13 | | 14 | 15 | 16 | 17 | 18 | 19 | 20 | | 21 | 22 | 23 | 24 | 25 | 26 | 27 | | 28 | 29 | 30 | 1 | 2 | 3 | 4 | | 5 | 6 | 7 | 8 | 9 | 10 | 11 |
Blogroll
Writing Resources
|
 Tuesday, June 02, 2009
Where Can Authors Find Contract Forms? Q: My co-author and I have been asked to provide a collaboration agreement to our agent.‑ Where can‑we find a template for creating this document?—Michele
A: Templates for author contracts can be found in Tad Crawford’s Business and Legal Forms for Authors and Self-Publishers (Allworth Press). It’s a great resource for finding all the legal forms an author could need, including a co-authoring contract. The book comes with a CD for your computer that has all the forms on it. Plus, by reading over the other contracts available, you’ll have a better sense of all the rights/topics you and your writing partner need to discuss.
Brian A. Klems is the online managing editor of Writer’s Digest magazine.
Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life.
Business | Legal Questions | Publishing | Self-Publishing
Tuesday, June 02, 2009 6:34:43 PM (GMT Daylight Time, UTC+01:00)
|
|
 Tuesday, May 26, 2009
Who vs. Whom Q: No matter how hard I try, I can’t seem to use “who” and “whom” properly. Can you set the record straight on when to use each?—Anonymous
A: The confusion between “who” and “whom” is one of the most common problems writers face. It can be tricky to find the correct use, and sometimes you may feel like locating the person who invented both words and smacking him upside his head. But there is a difference.
“Who” is used as the subject of a verb or complement of a linking verb. It’s a nominative pronoun. It was Carl who broke all the pencils in the house. When writing a sentence, first find the verb(s)—“was” and “broke.” Then, find the subject for each verb: “Carl” and “who.” Since “who” is a subject, it’s correct. Who needs a crayon to write this down?
“Whom” is used as the object of the verb or the object of a preposition. It’s an objective pronoun. You asked whom to the dance? In this case, the subject and verb are “You asked.” The pronoun following the verb is the object of the verb, therefore “whom” is correct. He’s already going the prom with whom? This pronoun is the object of the preposition “with,” so “whom” is the right pick. Be careful, though. Make sure the prepositional pronoun in question isn’t also a subject—if it is, then you use “who.” For example, I cheered for who played hardest. While the pronoun follows a preposition (for), it’s also the subject of the second verb (played). When placed as a subject, always use “who.”
One way to remember is to check to see which pronoun can replace the questionable word. It’s a little trick I learned back in elementary school: If it can be replaced with “he,” you use “who”; if “him” fits better, use “whom.” Sometimes you may need to split the sentence to see it. For example, It was Carl—he broke all the pencils in the house. “Who” should be used here. You asked him to the dance? “Whom” is the correct choice. This doesn’t work all the time, but when applicable, it can save you a few puzzling minutes.
And when in doubt, recast the sentence to avoid the issue altogether.
Brian A. Klems is the online managing editor of Writer’s Digest magazine.
Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life.
Grammar
Tuesday, May 26, 2009 7:12:06 PM (GMT Daylight Time, UTC+01:00)
|
|
 Tuesday, May 12, 2009
What Should You Include in Your Bio for Agents?
Q: I’ve recently finished my first novel and have begun searching for an agent to represent me. Some of the agents ask for a writer’s bio. Could you please tell me exactly what information I should include in this bio? What should be left out?—Terrie Smith
A: Writers are often advised to write bios that read like jacket copy, but catching the eye of an agent is about convincing her that you’re just as marketable as your book is. You also need to clearly show why you’re qualified to write your proposed book. In any bio, you want to focus on your job qualifications.
“Your bio should highlight any features that will hook readers’ interest,” says Katharine Sands, an agent for the Sarah Jane Freymann Literary Agency. “The rule of thumb is to convey in one paragraph that you can be successfully published. Of course, you want an agent to fall in love with your writing but, to an agent, your query letter is actually your interview for the job of book author.”
According to Sands, there are four pressing questions you need to ask yourself before writing your bio:
1. How have you and your work been noticed up until now?
2. What professional achievements or personal interests serve to make you, along with your project, an intriguing package?
3. Does your background show special insider knowledge that would enable you to transport your readers to an interesting world, such as backstage in Hollywood, behind the scenes with Washington power brokers or a behind-the-headlines look at your subject?
4. How is your work informed by personal experience, such as meticulous research, surviving a catastrophic event, cherished family lore or travels to exotic lands?
“As an author, you must be an impassioned ambassador for your book,” Sands says. You should also consider including ways you can promote your book to readers (e.g., do you have access to mailing lists? Can you set up seminars or workshops to promote yourself?).
If you have blurbs from published writers, literary awards and/or reviews, include them. List your participation in readings, events and book festivals to show you’re not publicity shy.
While this sounds like a lot, most first-time novelists are lucky to have a few of these to include. If your bio is running a little thin, it’s best to leave it that way. You don’t want to include unrelated personal information, negative setbacks or rejections you’ve logged in your writing life.
“I don’t need to know that your aunt knew Elvis or you love cats or you make great lasagna,” Sands says. “Agents tend to short-circuit if too much information diffuses the message that this one work could work.”
Brian A. Klems is the online managing editor of Writer’s Digest magazine.
Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life.
Agents | Business | Dealing with Editors | Query Letters
Tuesday, May 12, 2009 6:57:16 PM (GMT Daylight Time, UTC+01:00)
|
|
 Tuesday, May 05, 2009
Dos and Don'ts
Q: When writing about a list of "dos and don'ts" do you punctuate it like I just did, or does "do's" need an apostrophe. I know it's plural, but it looks odd to spell it "dos." --Heidi ThomasA: Funny you ask, as this recently came up during an editorial meeting with our managing editor, Zachary "Dr. Awesome" Petit, asking the same question. At the onset this seems pretty tricky, but the answer is fairly simple. "Dos and don'ts" is plural, so there are no additional apostrophes needed. It's the same as pluralizing "cats" or "dogs" or "hairy-nosed wombats." Apostrophes are only needed for contractions ( don't, can't, won't, etc.) and possessives ( Heidi's question, Brian's big head, etc.). Even though it may look weird to leave out the apostrophes, it's grammatically incorrect to put them in. So keep them out. And those are the dos and don'ts of "do and don't." Brian A. Klems is the online managing editor of Writer’s Digest magazine. Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life. Grammar
Tuesday, May 05, 2009 7:24:48 PM (GMT Daylight Time, UTC+01:00)
|
|
 Tuesday, April 28, 2009
Can You Use Your Spouse as a Source?
Q: I have a feature idea that includes interviewing an interesting, successful TV/film art director for an architecture or home design magazine. My problem is, he’s my husband. Ethically, does this prevent me from writing and submitting this story?—Corrie A.A: While this feels Dear Abby-esque, it’s legitimate to question your ethics when writing a story about a family member or close friend (or long-time enemy, for that matter). Ethics deal with your own values, so whether this breaks your own ethical code is up to you. But here are a few things to consider before making your decision. Biases can come into play when writing about a loved one, which can compromise the credibility of the article. If you were writing a story about your husband for Redbook, you can be more emotional because that fits the magazine’s writing style. But if you’re interviewing him for an article in a home design magazine, treat him like anyone else you’d interview for that magazine. Get all the facts—don’t misinform folks. Also, be honest with editors when submitting your query letter. When you tell them about the article, make it clear that the interview subject is your husband. Then, explain why he’s an important fit to the article. When in doubt, let the editor make the decision. Brian A. Klems is the online managing editor of Writer’s Digest magazine. Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life. Ethics
Tuesday, April 28, 2009 3:59:31 PM (GMT Daylight Time, UTC+01:00)
|
|
 Tuesday, April 21, 2009
Don't Use "Exact Same"
Q: Is the term “exact same” correct? As in: “The sisters were raised in the exact same environment?”—Judy R.A: No, the term “exact same” isn’t correct. Why? For the same reason “end result,” “unexpected surprise” and “basic fundamentals” are wrong—they’re redundant. While all these expressions have sneaked into daily conversations around the water cooler, none of them represents good grammar. If my pair of pants is exactly like your pair of pants, then—aside from us both having a keen sense of style—we’re wearing the same pants. If you’re comparing items that aren’t exact or the same, then they’re similar—so combining the words to form the phrase “exact same” adds no extra meaning. If you ever become concerned that a phrase may be redundant, think about it logically and write it out. Just think: A result is always what you get at the end—if you got it in the middle, why continue forward? If your surprise isn’t unexpected, it’s not much of a surprise. And if you study the fundamentals of writing, you’ll avoid such basic mistakes as using redundant phrases. Brian A. Klems is the online managing editor of Writer’s Digest magazine. Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life. Grammar
Tuesday, April 21, 2009 5:12:57 PM (GMT Daylight Time, UTC+01:00)
|
|
 Tuesday, April 07, 2009
My Girls
Hey All, No Q this week due to the wonderful birth of my second daughter over the weekend. Mom and baby are doing great, and my oldest daughter couldn't be more excited to have a sister (mainly because we're letting her watch more Dora than usual). I'm a little sleep deprived, so I'm afraid any advice I give may be a little flaky right now. Instead I thought I'd share a photo of my daughters, Ella Jane (the big sister) and Anna Jo (the little sister). Hope you are all having just as amazing of a week as I am. Brian 
Tuesday, April 07, 2009 2:41:40 PM (GMT Daylight Time, UTC+01:00)
|
|
 Tuesday, March 31, 2009
What's the difference between self-publishing and print-on-demand (POD)?
Q: What’s the difference between self-publishing and print on demand (POD)? Is one better than the other? —Rachele LaBelloA: With self-publishing, a company generally charges you an upfront fee (roughly between $500 and $1,000) and then does print-runs, or large orders, just like a traditional publishing house. You pay the cost of your book’s publication and control almost every aspect of the production process. Your name will be listed as publisher of the book. The upside is that you have many copies and control everything, which makes it easier to market and sell. But if you haven’t done research on how to market your book, you could end up with so many leftover copies that you’ll have to start building furniture out of them. POD publishing uses printing technology to produce books one at a time through a company at a cost-effective price. The books are printed individually as orders come in. Therefore, if you have an order of 200 books, you can print 200 books. If the only person who wants a copy is your mother, you can print just one book. POD cuts back on costs and eliminates the need for space to store unsold copies—that way you’re not stuck with 10 tomes stuffed in every corner of your bedroom. I hear spouses don’t like sleeping on piles of books. Both are great options if you’re looking to get your book in print, and if you research companies that dabble in each, you’ll find benefits to both. If you’re writing a family history, memoir or book of poetry that has a limited audience, using POD is probably to your advantage. POD books are rarely stocked at bookstores, however, because they’re often nonreturnable and not sold at a discount. If you know how to market and promote your book and want to try to make a splash in local bookstores, printing in bulk via self-publishing may be a better bet. Brian A. Klems is the online managing editor of Writer’s Digest magazine. Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life. Self-Publishing
Tuesday, March 31, 2009 6:24:37 PM (GMT Daylight Time, UTC+01:00)
|
|
 Tuesday, March 24, 2009
Complement vs. Compliment
Q: I'm always getting the words "complement" and "compliment" confused. Can you set me straight once and for all?—Adam P.A: These two words used to give me a hard time, too, but with a little trick that I learned I was able to set it straight once and for all—and, hopefully, you will too. First off, let's define both terms. A "complement" is a counterpart to something. The curtains complement the window treatments. My black tie complemented my red shirt.A "compliment" is what you give someone as an expression of affection, admiration or gratitude. Zac complimented Grace's brown eyes. I take it as a compliment when my wife doesn't complain about what I'm wearing. Now that we've defined the differences, here's a simple way to remember when to use each: If you are being nice (which has an "i" in it), you are paying a compliment (which also has an "i" in it). If not, you complement (which doesn't have an "i"). Brian A. Klems is the online managing editor of Writer’s Digest magazine. Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life. Grammar
Tuesday, March 24, 2009 2:10:03 PM (GMT Standard Time, UTC+00:00)
|
|
 Tuesday, March 17, 2009
Fewer vs. Less
Q: I always thought “fewer” and “less” meant the same thing, but a friend told me I was wrong. What’s the difference?—AnonymousA: Many people believe “fewer” and “less” are interchangeable, but that’s not true. While both words signify a smaller quantity of something, each has a more specific use. “Fewer” emphasizes number and modifies plural nouns, as in a smaller number of persons or individual items. Fewer than 20 parents attended last night’s PTA meeting. I have fewer strikeouts than anyone on my softball team. “Less” focuses on matters of degree, bulk or quantity. It often modifies collective nouns, mass nouns and nouns denoting an abstract whole. I asked our former managing editor, Maria Witte, for an example, and she said, “The more you bug me, Brian, the less respect I have for you.” Respect is measured in degrees, so “less” fits. When examining a sentence, think of it in terms of individual items vs. quantity. I had less than $20 in my wallet (a quantity). I had fewer than 20 one-dollar bills in my wallet (individual items). Once you understand the definitions, you’ll waste less time and have fewer problems with the issue. Pet peeve alert: Never, under any circumstances, use “fewer in number” or “fewer number of people.” It’s redundant and unnecessary. “Fewer people” works just fine. Brian A. Klems is the online managing editor of Writer’s Digest magazine. Have a question for me? Feel free to post it in the comments section below or e-mail me at WritersDig@fwpubs.com with “Q&Q” in the subject line. Come back each Tuesday as I try to give you more insight into the writing life. Grammar
Tuesday, March 17, 2009 5:50:26 PM (GMT Standard Time, UTC+00:00)
|
|
|