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 Tuesday, July 22, 2008
West Coast Swing
In keeping with my tradition of leaving the muggy heat of a Boston summer, I am going on a West Coast trip later this week, which will surprisingly not feature me begging my father for money, sleeping quarters, and "walking around money" in the SoCal. No sir. This trip is to the Northern parts of the West Coast and will include two places I've only seen in episodes of Grey's Anatomy and live from-the- set color commentary from the movie Elektra; Seattle and Vancouver. I will be up in Seattle for something called Sea Fair, which according to my friends, amounts to a huge party on boats in Lake Washington. Knowing nothing about lakes, Washington, or Fairs via the sea, I am cautiously optimistic that this won't downgrade into large scale bumper boats. Assuming I survive said Sea Fair, I will also do other stuff in the city that may or may not involve the Space Needle, which I understand involves neither needles nor Space, but does have 25 lightning rods on its roof. And I have been excited to visit Vancouver ever since my junior year of college in which I ended up seated next to a friend's date (who was from that city) at our frat's Winter Formal dinner and we had this conversation: Me: So...where are you from? Her: Vancouver. Me: Oh wow, Vancouver is beautiful. Her, slightly more interested: You've been there? Me: No. Her, giving me a strange look: Oh. Me, attempting to recover: But... I've seen tons of pictures. Her, eyes down at the menu: Mmmm-hmmm. Me, desperate: Um, yeah, tons... (85 seconds of silence) Me:...you guys have whales right? Her: Yep. Me, self-satisfied: Nice. Anyway, this trip is not entirely about re-living semi-unpleasant college memories. There will be writing as well. I will still be working, although I'm trying to get at least a week ahead so I can do less work, but I am also trying to start/finish a magazine story for Boston Mag, and re-work this *&^$ part of my book that is frustrating me to no discernible end. I don't want to get into it, but it involves most of Chapter 3 and the urge to delete nearly everything in it. What-- I wonder now-- was I doing when I wrote Chapter 3? Was I on hallucinogenics? Trying to write in couplets? Did I let my 15 year old self ghost-write? Frankly, friends, I am embarrassed. Promise me--if you happen to accidentally stumble upon my computer after I've been knocked overboard during the Fair of Seas-- that you won't judge me. Needless to say, I am hoping that a short story arises from the ashes of this trip. As I envision it now, it will probably be called "Don't Grunge At the Ball," and be loosely based upon the rise and fall and rise of Eddie Vedder's baseball career. I smell a Pushcart nomination. State of, Love and Trust
Pearl Jam
7/22/2008 2:20:58 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, July 15, 2008
Motivation, Work, And Other Things that Make You Go Hmmm
I hope your weekend was restful and untainted by several waits in line for iPhones that you didn't end up getting because you've just been paying your mom for all cell phone charges for the last five years rather than taking forty five seconds to go to the Verizon store and sign over the phone to your name. Because something like that would've sucked. Today we are keeping things short, sweet and intensely focused as I have a workload this week that would make the average person stand up and say, "That seems like a pretty normal amount of work," but--for me, at least-- seems next to (mission?) impossible. See, friends, I am trying to do two-non-main-job things this week. The first is my official announcement to myself that I am starting another in my series of Boston Mag articles analyzing and commenting on the social values of people in the 27-37 age bracket. I will not say how this is going to go forward (it's a secret!) but I will say that involves me going pseudo-undercover, not unlike Johnny Depp in 21 Jumpstreet or Drew Barrymore in Never Been Kissed, except in my story, most of the people are not hanging out with David Arquette. The second agenda item involves jumping back on the re-write train for my book. It has been awhile since I stared at the one or two chapters that need to be pruned (deleted!) and, this weekend, I was watching VH1 Soul, which was playing a documentary about hip-hop that I've seen at least eleven times, and there was so much talk of creative interaction and artists and the creation of said art that I started to feel guilty that I was sitting watching it rather than taking part in the art party. Also, my dad asked me twice about it while I was using his swimming pool for (nearly flawless!) pencil dives and the consumption of that Gatorade with Tiger Woods on it. Guilt--such an amazing motivator! Anyway, I have some topics to discuss or not discuss in the Section Formerly Known As Comments. What sort of things/events/motivational speakers get you back on the writing train when you've fallen off? Reading good writing? Hearing about other people's success? Watching hip hop documentaries while eating Peach Cobbler Ice Cream? I await your motivations with a curiosity that knows several bounds and Billy Corgan. 19, 79
Smashing Pumpkins
7/15/2008 10:38:27 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, July 08, 2008
And Then I Got A Job
Hello friends. I hope everyone celebrated the birth of our nation in a timely, safe, and socio-economically green manner. I sat in 40 min of post-fireworks traffic driving back from Wood's Hole (Cape Cod!) to Falmouth (Cape Cod!) on Friday night, which would've almost completely sucked if not for the intrepid lyrical hegemony of Hall and Oates, Steve Winwood, and Michael Jackson's "Dirty Diana" Also, we had Cheez-its. Anyway, as promised via the Comments section (before a large chunk of that section disappeared into the darkness of the Interweb), I'm relaying the fact that I'm gainfully employed. Here is a short, not- entirely syntax clean version of that story: during the madness of the thesis get a call from founder of a website saying I was recommended to him through a friend of a friend for an editorial position, he relays the details, they sound promising, I check it out, and then--in the midst of the thesis insanity-- I apply for said job. Interviews, resumes, and reference calls happen, writing tests happen, background checks check out, and miraculously, as soon as I have left the world of higher education, I actually have a job. Needless to say, my dad thought/thinks I'm lying. "A website?" "Yeah." "That will pay you?" "Yeah. Pay is the new free, Dad." "I'm hanging up." So, I am the Boston Editor of Thrillist.com, which launched here two weeks ago. Thrillist is a free (city-specific) lifestyle guide and daily newsletter, which finds cool "under-the-radar-assuming-the- radar-is-other-Boston-based-publications" bars, restaurants, clothes, sneakers, inflatable rafts you can play drinking games on, websites, candy, animals, gadgets, magic, etc. If you know what Daily Candy is, it's a lot like that, except slanted more towards dudes. Its got around 320,000 subscribers nationwide with city-specific editions in NYC, LA, SF, Chi-town, Vegas, and now Boston. My job is to find all of that stuff I mentioned, write the editorial content, take the pictures, hire freelancers, and yell quixotically at the interns I haven't hired yet. If that still doesn't answer your question, here is a Boston Globe article about the launch of the site, which includes several terrible quotes I gave to the reporter while extremely sick and extremely sleeping. Part of my job involves walking all the different neighborhoods of Boston to see what has changed and what might be new, reading all of the free weeklies including the ones I severely dislike to make sure I haven't missed something, keeping up relationships with PR people that rep retail/bars/restaurants, owners of boutiques, buyers for stores, etc, to encourage them to dial me in whenever they get new stuff, and to spend an inordinate amount of time using my Google Reader to read trend blogs that discuss hep new sneakers. This--as you can imagine-- is cool, yet time-consuming stuff. As part of my agreement with the site, I'm allowed to keep my freelance gigs, which is nice of them, but it does make it harder and harder for me to find the time to fit everything into my schedule. The woe is upon me. Anyway, the good news is I now have a grown-up's salary and health benefits (?!), which allows me to pick and choose only the freelance stories I want to work on, which is amazing. Plus I'm writing and editing for a living AND I have business cards. The bad news is I now have about 45 less hours a week in which to pursue those stories, or re-writes to my book or short story about dating reality stars in Zurich, Switzerland. But, friends, if I truly want to get these things done, they will get done(ish). So it just means I have to work harder, better, faster, stronger. Ok. There's that story. Now you know what I'm doing betwixt the hours of 9-6 when I'm not taking tv timeouts to peruse the philosophical gems embedded in the View. The Comment section is open to the public. Emoticon away;) One More, Time
Daft Punk
7/8/2008 8:48:02 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, July 01, 2008
A Taste of Pre-Nation Celebration Customer Service
While perusing the Interweb, I realized that a lot of successful webhomes use surveys to conduct user feedback to finely tune their content and figure out how many old "Threes Company" clips to post. And since we--like the Web-- are an ever-changing, ever-adapting server of you, our reader, we want to get in on the quiz taking action. So--for customer service benefits-- I've composed a 5 question quiz to gauge interest, air concerns, and continue talking. If you would be kind enough to take the quiz, I will be kind of enough to provide it. And that, friends, is how we kill the customer service industry (with kindness!). Directions: Read, pick, read, pick, read, pick, read...pick, read, pick, write. 1. I come on the site to: A) Talk about writing. B) Learn what Kevin is up to. C) See if I can acquire Kevin's email address so I can solicit him to purchase very cheap tech stocks that are just going to go up, up, up! D) Watch old music videos. E) I accidentally came to this site and accidentally read this quiz. 2. Entries I find most useful are: A) The ones in which Kevin starts talking about something relatively important, gets wildly off topic, regains his footing in the last paragraph and then quickly signs off with a semi-forgotten vid pic from a year that makes him nostalgic. B) Are there any other kinds of entries? C) Seriously. See B. There shouldn't be any more choices. D) "Useful" is a complicated word, especially in this context. E) Please. Can I just get this over with? 3. Something I wish Kevin would do more was: A) Write about fiction/books/short stories (writing it, reading it, dreaming about it, improving it, etc). B) Write about non-fiction/magazine work (see parenthesis above and embrace its content). C) Compose poorly worded (yet hilarious!) poems. D) Respond to comments. E) Work on his glutes and abdominals. 4. Something I wish Kevin would do less was: A) Get off topic. B) Stay on topic. C) Talk about television/pop culture. D) Complain. E) Make us take quizzes. F) Watch Zach Braff films. 5. Do you want more music from the: A) Late 80s B) Early 90s C) Mid to Late 90s D) Just Play That Funky Music, White(ish) Boy E) I have regrets involving taking this quiz. And that's it. We don't have anonymity's interests at hand, so feel free to leave your name, answers and anything else in the comment depository. I will not judge. Other people will not judge. We will remain judge free. Enjoy your pre-Birth of the Nation shortish week and remember: Below SPF 15 doesn't really even count as sunscreen. Now check out Coolio's amazingly Zach Morris iPhone. He's got something brand new for your (rear end). 1, 2, 3, 4 (Sumpin New)
Coolio
7/1/2008 8:46:34 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, June 24, 2008
On Mad Men: The Greatest Show for Writers Since, Well, You Know
Generally speaking, this blog is about the writing world, and the writing world is a large entity not just made up of books, magazines, and creepily specific dream journals. Within the confines of said blog, I try and talk about anything in that whole new world associated, connected to or living with good writing and sometimes those things involve television. To be fair, I don't actually watch much TV. I watch most shows on DVR, and yes, occasionally dabble in the live action of The View...and my roommate and I tend to leave the MTV JAMS continuous stream of music videos involving Beyonce on when we've been overserved, but all in all, TV isn't one of my huge vices. But when I find something on the television to be passionate about (The Wire!), I feel the need to express my gratitude. And, friends, gratitude needs to be expressed via a show called Mad Men. Now the reason I'm writing this currently--the time hook, if you will--is because NY Times Mag just ran a cover story about the show, before the start of the second season, and I've realized that I need to get on the record about it before saying that you like Mad Men becomes synonymous with saying you like candy, rainbows or babies--in other words, just something that everyone takes for granted. I came across this show when the Soprano's was ending and I knew that one of their writers-- a genius named Matt Weiner-- had got his gig with Soprano's essentially by showing David Chase the pilot he wrote for Mad Men, a show that HBO eventually passed on. The show is about the NYC ad world in 1960-- a place filled with white dudes drinking martini's and whiskey at lunch and making vaguely to explicitly offensive remarks about anyone who is not in their highly self-prized social bubble. The beauty of the show is the slice of history you absorb watching it--you feel like you're watching a documentary from a time that feels just as dated as when Paul Giamatti is dressed in a wig on John Adams--and that definitely makes it cool, but the best part of it--as always-- is writing characters that feel so, so real. There is a slimy Sales Rep from an old NY scion of power fam always trying to make moves, a 50s style beauty-queen wife who realizes she's married a man strictly for his paper resume and doesn't have any idea what she actually wants and a main character--Don Draper-- so elaborately complicated as to be possibly be the human version of a Rubrik's Cube. I watched the first season with a thirsty abandon I haven't felt since, ahem, The Wire, and I encourage you to. But like anything I write about here, I think ultimately watching this show helps me become a better, more visual, more complex writer. And here are two excerpts from the NYTimes mag article, the first with Weiner discussing his process of writing and the second a cute section about the importance of his wife's opinion when writing: “I have a very good memory for dialogue and for conversation,” he said, “and if you tell me a personal detail about yourself I will never forget it and probably steal it. So a lot of me working out the story is me telling the story. My favorite people to tell the story to are my wife and Scott Hornbacher.” He is Weiner’s co-executive producer and creative partner. “If I can see their reaction, I can see what works and what doesn’t,” Weiner said. “That was not something I did on ‘The Sopranos,’ because it was so secretive, and I couldn’t bring in a stranger and dictate to them. But when I wrote the ‘Mad Men’ pilot seven years ago, I dictated it to Robin Veith, who is now a writer here. I wanted someone to be there so I would have to show up. I can write a huge amount that way if I have a good outline. Then I rewrite. That’s when I sit at the computer.” Weiner married Linda Brettler, an architect, after he graduated from U.S.C. They have four sons. She supported him when he was broke, and she is now his most-important sounding board. “Every single script goes through my wife,” he said. “She inevitably says, ‘What is it about?’ We talk about it and I’m always angry when she’s talking.” He didn’t look angry, he looked glad, as he always does when he talks about his wife. “She’s chewing gum and taking her time,” he continued. “She went to Harvard, she’s really smart and I just stand there literally with my hands out like — ‘What?’ I argue with her, and I always swear I’m not going to show it to her again because I’m so defensive. I mean, my writers come up with lots of good ideas, but she is really something." Anyway, I guess my point is this: watch the first season, embrace and absorb the characters, their arcs, fears, and most importantly the way they talk, etc, read the article-- especially the quote about Weiner not believing in bad guys--“Everybody has a reason for doing what they’re doing," and then move on to the second portion of the play, which involves relaying your favorite bits of dialogue from books, mag stories, tv shows, anywhere you feel necessitates a shout-out. I want me some good dialogue. Dialogue--after all-- is hep stuff. Please leave these items in the Comment deposit box. A gift receipt can be made available upon request. Now sit back as Jewel decides who is going to help you out with your soul issues. Who Will, Save Your Soul
Jewel
6/24/2008 9:03:08 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, June 17, 2008
On Amazon and the Economics of Clicking My Mouse
I just read an article in the NYTimes titled "Small Publishers Feel Power of Amazon's 'Buy' Button," in which they talk about how Amazon-- in an effort to try and get an increasingly more favorable cut of the profits from publishers-- will take away the "Buy now with 1 click" button on many of the titles that that publisher puts online (which includes free shipping) unless they bend to their demands, forcing people to go through to the Amazon marketplace (and pay for shipping) to purchase the book. The first thing I thought when I read the article was "wow, we're getting upset because we actually have to click the mouse at least three more times to purchase a book" and then I thought "well, three times is kind of a lot," and then I thought "especially when you cut your pointer finger moving an air conditioning unit." But after reading it over again (I'm thorough!), I realized the main point: Amazon is not being cool. On one hand--and this hand is small, fragile, and needs its nails trimmed-- I understand Amazon's move. They are a business, and businesses make money, and money is what you need to buy Playstation 3's, even if you're only using them for the Blu-Ray disc drive. Of course a business is going to try and gain a more favorable financial foothold, especially if their place in the market has increased. That's just Econ 101, a class I never took. But Amazon touts itself as "Earth's most customer-centric company" and customers shouldn't be forced to get punished financially for liking titles that just happen to be published by companies who are not assenting to Amazon's demands. More importantly, I use the "buy now with 1 click" button all the time to make impulsive purchases, and then rationalize the purchase by telling myself that it's too late to take it back because it's already been shipped (free!), and I don't want to feel like I'm supporting someone who is being a jerk to people in our literary fraternity/sorority/society. So I'm (kind of) conflicted. This remains just another example of the (business) man keeping me down. But, friends, yours and my time would be wasted if I didn't have a solution for said situation. And I don't, which I feel bad about, but I think you can help. You're all smart, savvy, aesthetically pleasing people of various Interweb knowledge, so I figure you can provide me (and you) with the names of all other online book retailers that you use and think offer sweet deals or at least fair purchasing rights with moderately few clicks. You can provide these names in a section of the blog I have named "Comments" and then we will use that knowledge to better our lives. This is what economists call "very chill." So let's do unto others as they'd do unto us in the Comment section and let the Tony Rich Project carry us home with another sweet sweet ditty from the year of Bob Dole. After all, he's missing you and nobody knows it but him. Nobody, Knows
The Tony Rich Project
6/17/2008 8:47:42 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, June 10, 2008
Best Short Story Request Hot Line
Friends, I'm back having (barely) survived the reunion. The campus was beautiful (espresso bar in the library!), the people looked more or less the same except the ones with 7 months worth of baby in their bellies or new haircuts, and everyone got, well, very, very drunk. And although I know that people on college campuses across the country did that and I'm not breaking new news, for some reason, everyone seems to do it much more intensely at trincoll.edu/debacles. On the plus side, I didn't meet anyone who appeared to be dominating me via the writing world. In fact, I didn't meet anyone who else who was involved in writing. On the minus side, I don't think I talked to anyone I didn't know really well and I dry heaved after doing a complimentary shot of tequila. I woke up on Sunday in a cold, hung over sweat, embarrassed by my college-style drinking and the fact that I wore the same shorts three days in a row. During the ride home, I promised myself that I wouldn't set foot on my college campus again for at least five years and I think I'm officially retired from Mexican themed hard liquor(z). So you know, it was a win-lose Writing wise, I have been staring at the short story that I wrote while traveling abroad for 100 days last year and wondering how I can re-work it into something magical and delicious. The problem seems to be that I wrote most of it longhand, some of it on the computer, and several parts on bar napkins that are kind blurry now. It was all very boheme. The solution--as most writing solutions go--is re-write. But it feels weird getting into a short story after working for so long on a novel. It's almost like trying to eat only an appetizer after spending several years eating six course meals. Don't get me wrong-- I love appetizers (sliders!)--and sometimes you only have time for them. But I'm having a hard time remembering how short stories work. With that said, I need your help, friends. As I like to do before I get into anything new, I am trying to read a bunch of really solid short stories and I need recommendations. Any genre will fly, although, despite the high chance of nudity, I don't totally dig romance. So bring them on; your favorite short stories of all time, of this time, of several times ago. And maybe something about why you like it. Come on, friends. If you help make me smarter and more well- read, I promise e-cards. And more award-winning poetry. So short story it up in the comments section while the songs of 1996 take you back to a time when you probably liked Ethan Hawke. Sittin Up in, My Room Brandy
6/10/2008 8:50:11 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, June 03, 2008
On the Competitive Nature of Reunions
First of all, I mine-as-well get this out of the way: I saw the Sex and the City movie and it wasn't not good. I know, I know-- I want very badly to say that I was forced into it, that I had no choice but to see it bc (Insert Pseudo Interesting Art Film here) was sold out, but, friends, that isn't how it went down. I kind of like Sex and the City. And the movie was an emotional rollercoaster (with nudity!). With all the women decked out in cocktail dresses, I kind of felt like I was witnessing a female version of the dress-up fascination of Lord of the Rings, but with sluttier outfits on the hobbits. If I was a movie analyst--and I should be--I would say that movie is going to make at least 3 billion dollars (Canadian). Anyway, I'm back in the designated driver's seat of my book, whipping off the final version before I send it out. And when I say whipping off, I obviously mean occasionally writing small edits at night, after re-watching portions of The Real World Hollywood. But I realize that I need to get the book out, and I need to do it this week, because of a crucial event immersing this weekend social calendar: My fifth year college reunion. Fifth year reunions are the 18 plus clubs of the reunion world: everyone is too young, looks the same, and probably got drunk beforehand. But they do offer a crucial look at the success rate of your peers. And--aside from making sure that no one else's distressed status jeans are more expensively nonchalant than mine-- I have just one question that I need to answer: Is anyone else a more successful writer? In college, I was a political science major, so I wasn't dialed in to who was in the creative writing workshops. And, although I wrote a column for the paper my senior year, I didn't actually ever go into the Trinity Tripod newspaper office. So I don't even know who to ultimately try and look down upon when comparing myself. My plan is this: buy a pair of non-prescription eye glasses (to take off and absentmindedly gnaw on when I am trying to make a point) and immediately delve into the "so what are you up to nowadays" game. Hopefully, after I drop my several-time thought out, faux-self deprecating response ("Oh me? Hmmm, not much, just writing for some (national!) magazines, getting a book that probably won't sell out to my agent, you know... typical boring writer stuff,") then I will delicately prod people to reveal if anyone else works in the "industry." People do this naturally: "Oh really? You should talk to Ramsey--he's also writing," etc, etc. And then I will find that person, provoke a convo and hope to the Lord that my writing stuff is cooler than their writing stuff. Then I will play beer pong, eat Lucky Charms and sleep in a dorm room. I know I shouldn't care. I know I should take this as an opportunity to network with the other potential writers in my beloved class. I know I should be happy if anyone "made it" in such a hard business, especially because that speaks well of my school and opens the door for the younger generation of writers coming in after us. And when I think of it rationally, I do feel that way. But I am also competitive. And insecure. And really, really tired. And the dirty truth of the matter is that I want to be the only one. I want everyone else to be impressed by the fact that I actually am doing what I said I was going to do when I left school. I want street cred. I am not normally like this, friends. I love hearing stories about other people's success. You know that. But there is something about the pool of people you went to college with--especially at a small school like mine-- that brings out the lion, tiger and bear in me (Oh my). So hear you me, Trinity College (CT) Class of '03: Do you have a book published? Are you writing for Esquire or the New Yorker or, even, Redbook? Have you ever called the Internet a "fad" on a radio show? Do you have to wear pants on a daily basis? Do you like that? If so, and you see me at the reunion, do me a favor: Please don't tell me. Reunion stories, writing trivia, and jpegs from Sex and the City will be provided in the Comments section. Refreshments will be served. Till I Hear it, From You
Gin Blossoms
6/3/2008 11:45:14 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, May 29, 2008
In Case You Have Nothing To Do and The View is a Re-Run...
I will be interviewed on Helen Coronato's Novel Idea radio show from 10-11 AM Thurs morning. Possible topics include books, supremely clever puns my illustrious career and the awe-inspiring fragility of my ego. You can tune in and find out whether or not I accidentally curse via The InterWeb here: http://www.homegrownradionj.com/DJs/shows/novel_idea.htmAnd you can watch a brand old music vid from the Chinese New Year of the Rat (96!) here: No Diggity, No Doubt
Blackstreet That should hold you at least through midday.
5/29/2008 12:10:45 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 27, 2008
A Letter To Myself
Dear Kevin, Sup, friend!? That was a pretty nice Memorial Day weekend, wasn't it? Yes, I know you were technically "working" but, really, how much work is it to cover a sailing event on Nantucket? No, you're right; it is kind of a pain to write things down longhand, especially when it's windy. I think that's valid. Totally. Anyway, now that you're (relatively) tan and kind of hungover energized, I thought I would take this opportunity to offer you some advice that you can utilize over the next few weeks: Finish your %$#@ book, already. I know that there is always going to be a down period following an intense bit of writing. And yes, I know that you spent those last few weeks of your MFA life drowning in a seemingly ne'er ending cycle of thesis re-writes, Robert's American Gourmet Chaos Snack Mix and spur-of-the-moment sneaker purchases from stores in Sweden. But that was like over a month ago, right? And it doesn't seem like you have THAT much to do to finish. Start the book with a fresh chapter. Make the narrator do more rather than just narrate. Delete chapters 3 and 4. Get something romantic going in the middle with that girl who started out as peripheral character until everyone seemed to dig her. If the movie Romancing The Stone taught me anything, it's that people love romance! And hard-to-get stones, apparently. But now I've lost my train of thought. Where was I? Oh yes: just start writing again. There are a million excuses for you to put this off, some of them even valid. But I'll tell you a little story, Kevin. Writing a book is like training for a marathon. What's that? No, no, I've never run a marathon. Bad lower back. I don't see why that matters. The point is this: it's very hard to begin. You think, "Oh God, how could anyone ever run 26 miles? I can't even name things that are 26 miles away, let alone run that far. Plus I have this bad lower back from playing soccer in college." But then you say, "You know what? Maybe today I'll run a two miles. Just two miles." And then you run it and it wasn't so bad, so you begin to do a little more and a little more, until all of a sudden you're running 13 miles a day and not even blinking. The same thing happens with writing a book. You say, "Oh ew. How can anyone even come up with an idea that takes place over 300 pages? I don't even want to read 300 pages. And I'm a professional writer. I'm going to pout then get an Apple-Mango smoothie." But then you start to write a few pages or a morsel of an idea, and next thing you know, you're doing five pages a day, and then you have something that kind of looks like a book, assuming you would just get rid of chapters 3 and 4. The key, though, is to see it through. The more time you spend away, the less easy it is to return to the point where you feel comfortable. Like running. Take a month off, then try and run 13 miles. Guaranteed stress fracture. Lose-lose. So Kev, please. Just finish the book. Finish it. Finish. It. Then I promise I'll stop waking you up in the middle of the night and making you feel guilty. Now if you'll excuse me, I need to watch Lost online. I would invite you to join me, but I think you have something to do. Most Lovingly, Kev PS- Here's the video California Love from the magical year of 1996 (new time period!). Tupac and Dr. Dre know how to keep it rocking, probably bc they're in the Sunshine state where the bomb ass hymns be.
5/27/2008 4:57:22 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 20, 2008
The (Almost) Summer Reading List
I know, friends that it's not yet summer. Trust me, I know. Boston has apparently decided that Mother Nature's iPod is going to play the Make it Rain (remix) over and over, and it is forcing me to stay inside, which is making me cranky and nearly translucent. And while I've been sitting here in my room amongst my boxes of (limited edition!) sneakers and Island Spa scented Yankee Candles, I've been staring at all of the books that I'd been meaning to read whilst slaving away on my thesis. And I've decided that it is time that I got off my (well-toned!) literary duff and started reading again lest I forget how to properly use nouns. So here is a list of some of the books that I'm going to tackle over the summer, the reasoning for doing so, and the song from 1988 that comes closest to characterizing what I think the point of the book is. All the Sad Young Literary Men by Keith GessenThe new new Benjamin Kunkel, Gessen is the editor/founder of n+1 lit mag and I'm supposed to read this book because it's by a youngish guy who writes about guys, but kind of in a literary way, which is what I always thought I was going to be when I grew up. I am also supposed to have strong feelings about this book one way or the other and express those feelings to people who ask in aggressive and exaggerated tones. Obviously, this book is putting a lot of pressure on me. Most fitting song from 1988: Man in the Mirror by MJDe Niro's Game by Rawi HageThis book came to me highly recommended by my dad, someone who no longer reads American fiction because it is "boring" or "not by someone Scottish." This book isn't by a Scott either as Hage is Lebanese, lives in Montreal and writes about civil war torn Beirut. Maybe my dad didn't know. A review from some Canadian newspaper on the back of the book reminds someone Canadian of Hemingway. This appeals to me, because I like Hemingway and Canadians. A potential win-win. Song from 1988: I Don't Want to Live Without You by Foreigner (more for the band than the song)Only Love Can Break Your Heart by David SamuelsI am a sucker for collections of essays by journalists I dig. And I dig David Samuels. He's the dude who wrote the story about Britney Spears and the Papa Razzi for the Atlantic. He also writes for The New Yorker and Harpers, which makes him automatically obnoxious to talk to at dinner parties. Despite this potential downside, I love his work and celebrate collections like this, because they remind me that I should be a better journalist if I'd only get over my fear of hard work. Song from 88: Everything Your Heart Desires by Hall and OatesWinner of the National Book Award by Jincy WilletSomething you may not know about me: I don't like funny books. I like books that have humor in them, but I need a point to the story. I can't stand humor for humor's sake. I just get upset about it, in some sort of meta-outside-the-Matrix type way. This should explain why I have a piece of paper taped above my desk that says "Forced Humor= Kill Yourself." Regardless, this is allegedly a hilarious book with a point. I am nervous because of the hilarious title, but more than willing to give it the benefit of the doubt. Plus I understand it has a decent amount of stuff about weather, which is interesting to someone who has to stay inside all day thanks to Mother Nature's insufferable inclination to drop April Showers in May. Wow. Sorry you had to see that. Song from 88: Devil Inside by INXSThe Bottom Billion by Paul CollierThis is a serious look at "why the poorest countries are failing and what can be done about it." It takes care of two gifting birds with one stone for me. One, it momentarily neutralizes my occasional bouts of terrible liberal guilt, which I assuage by giving away things or reading intellectually heavy books like this one. And two, it fulfills my insecure notion that I need to be educating myself through whatever I'm reading as if I might be tested at any moment in some sort of impromptu Jeopardy match. Market research tells me otherwise but hey! It's fun to be prepared. Song from 88: (Not so) Perfect World by Huey Lewis and the NewsAnd that is that. More songs will come as time passes and the weather thaws, but please drop your own fantastic pseudo summer booklists in the comments portion of the show, and try and avoid operating heavy machinery while ingesting le music de 1988. Catch Me, (I'm Falling)
Pretty Poison
5/20/2008 9:08:10 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 13, 2008
A Heartwarming Blog of Staggering Length: James Frey's Redemption, My Mantra, and More
Look, friends, I was going to tell you to read the book Lush Life by Richard Price. This blog entry was supposed to be dedicated to my own personal love letter to Price's work, how ever since I first read Samaritan I've been captivated by Price's mastery of dialogue, his ability to capture slang, his understanding of the gritty underbelly of city life. I was going to point you in the direction of a fantastic New Yorker article about his use of dialogue, and then make some comments about the NYC hipster culture he skews in his new book, and how I can relate to that because I know, understand and sometimes feel like I get caught up in the terrible toolness that comes with said culture, and then I was going to sign off with a song from 88 and we were all going to go about our day and do some bikram yoga. But then I read the NYTimes, and I realized that James Frey has a new book and I decided I would rather talk about that. So I deleted my Price post. That doesn't change the fact that I think you should still read Price and that New Yorker article about dialogue and anything else I might have mentioned, it just means that we are shifting topics, and I have an issue focusing. Anyway, I never read A Million Little Pieces. I knew lots of people who did and who loved the book with an unimaginable type of enthusiasm, people like my sister, who felt compelled to write him a note, post-reading. And maybe that partially explained why I wasn't that upset about finding out he'd fabricated and expanded on sections of the book. I fell under the camp of people who remained confused as to why he didn't just offer up some sort of disclaimer at the front, much like Dave Eggers did in A Heartbreaking Work of Staggering Genius. People, I thought, don't care about whether or not something is completely true--the imagination and the senses care more about whether something is moving, well-written, and powerful-- they just don't want to be lied to. In other words, Frey's post-story lie was much more powerful and ultimately fatal than his fictions within the book. And yeah, Oprah did her holier-than-thou Chi-town stomp on him in real time, and yeah he became a walking billboard for the death of the memoir ( speaking of which, fantastic article about Augusten Burroughs and his memory in last weeks New York magazine), and yes, there were and are many reasons to never read anything else by Frey, but, still, I couldn't help but find myself enthused by the positive review in the Times. You see, I have this theory about writing and writers. My theory goes like this: no matter who you are and where you are from and what your parents do for a living, if you can write and you know you can and you work at it every day and you know deep below the surface in that place where only the truth exists that you're not just being daft and irrational, you will get discovered. This may take weeks or it may take years or it may take decades, but my feeling is that good, solid writing rises to the top. Editors can spot it. Agents can spot it. Other writers can spot it. And this is the beauty of the writing world. You always have to fall back on your own talent. Yes, you may get put in a prime spot by things like connections or nepotism or the lottery, but if the writing doesn't hold up, you will fall and ultimately you will fail. That--more than anything else-- is the powerful self-correcting agent in the writing world. And--despite all of my cynicism and my love of irony and all of the other knee-jerk reactive habits infused in me by my age, social standing and penchant for limited edition sneakers-- I believe in that. If I had a mantra, that would be it. Good writing rises to the top. It's not catchy, it doesn't sound good in a Nike commercial or on a lower back tattoo, but that is what I believe. ANYWAY, the reason James Frey's positive review sparked this stream-of-conscious impromptu speech is because, ultimately, maybe his writing holds up. Maybe his writing is good enough to supersede all of the stupid personal egotastic mistakes the rest of him made. I say maybe, because I don't know. And I'm sure there will be people coming down hard on both sides; people hurt by his fabrications or people who just think he's a crappy writer or don't read this sort of stuff or people mad because he already got his time in the light and they want it too. And yes, these are all valid reasons not to read his work, but those don't matter to me as much. I don't think people should be forever buried on one mistake. To illustrate my point, I leave you with a quote from the first scene of the pilot of my favorite creative vice of all time, The Wire. Detective McNulty is sitting on a Baltimore stoop talking to a witness who was playing dice with the victim of the homicide, a kid whose name is--awesomely--Snot Boogie. The wit is talking about how every time Snot Boogie played he would inevitably steal the money from the dice game and so McNulty asks him a question: McNulty: I got to ask you, if every time Snot Boogie would grab the money and run away, why did you even let him in the game? Snot Boogies Pal: What? McNulty: If Snot Boogie always stole the money why did you let him play? Snot Boogies Pal: Got to. This America, man.His point being that, in America, everyone gets a second chance. And if the person doing that good writing just happens to be James Frey--sinner of sins, liar of lies, anger-er of Oprah--well..I say good for him. After all, this America, man. Apologies for the book-length work. I hope you find pleasure in the knowledge that we are giving the music of 1988 a second chance as well. One More, Try
George Michael
5/13/2008 8:53:35 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 06, 2008
On Journalizing, Radio Shows and Organic Breakfast Foodstuffs
As I've mentioned at least seven times before, I dabble in journalizing as a contributing editor at Boston Magazine. Unlike the stuff you see here, Boston Magazine is all about chronicling the lives of other people in Boston, which means I don't get to speak in the first person, which is hard for someone as talented AND modest as I. Anyway, I wrote a piece for the May issue of Boston Magazine which followed two young gentlemen whose interests lie in the pursuit of making time with older women. The piece was titled "On the Prowl with The Cougar Hunters."Normally, when a piece I write comes out, I send my friends an email via one of the Internets providing a link to the story and then sit back and wait for them to feel guilty enough to send me a vaguely complimentary email about general aspects of the piece. Inevitably, one person--usually my mom-- calls to congratulate me, and in doing so accidentally offends: "Oh hon, that was great! It didn't sound like you at all!!!" So you can be sure I was alarmed when--within the first 24 hours of the publication hitting the newstands-- I had seven requests to go on (FM!) radio shows, a comment war below the piece on the Mag website accusing me of plagiarizing a blog post that came out after the magazine had already gone to press, and two bowls of Frosted Mini- Wheats mixed with some sort of organic maple granola . This is not something that normally happens to me. In the past four years of my journalism career, I had a total of no requests for radio shows stemming from Boston Magazine work. No cries of plagiarism, no organic breakfast foods, nothing. What could have possibly turned the tide, I wondered. And then that night, as I lay in my Pima cotton bed sheets, I realized: it had to be me. "Have you seen the movie Almost Famous?" I asked the Big Cat the next day, via phone, as he sat in his cube (probably) scrolling through thesuperficial.com. "That's like me now, without the almost part. The only question is how to exploit it. Do you think I should break into television or movies first, or do them simultaneously like Jennifer Garner did when she was on Alias?" "First of all, you're even well known, let alone famous," he said. "You just wrote about something juicy and gossipy. And second, don't ever try to compare yourself to Agent Sidney Bristow. She was an amazing independent but ultimately conflicted woman." Hmmm. The fact that this short-lived time in the spotlight wasn't about me was mildly troubling, but it did teach me several life lessons, which I will display for you in alphabetical order: 1. It is factually accurate to say that the general public loves stories about people of different ages making out in steakhouse bars. 2. Do not accidentally swear live on the radio, then swear again while apologizing for swearing. 3. Don't get really, really angry about a plagiarizing accusation and search the Internets for the anonymous person who posted the accusation, especially if the thing they accused you of was literally, physically, and socially-emotionally impossible. 4. Do embrace the fact that--no matter how many times you get published--it is still always awesome to get that tight, nervous, proud feeling in the pit of your stomach when you see something that you created released to the general public. Even if they're only reading it to hear about the tongue kissing. May is upon us, friends, and I hope everyone is aware that--as John Quincy Adams said-- April showers bring May flowers. Please direct your opines, accusations of plagiary, Dancing With The Star guest appearance invites, and links to baby panda bears sneezing to the Commenting section located beneath your seat. In the event of a water landing, the songs from 1988 double as a floatation device. Got My Mind, Set on You
George Harrison
5/6/2008 10:03:20 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 29, 2008
Post Thesis Insanity: In Defense of Thesis
Defending a thesis is a lot like trying out for your high school's theater company's production of Rent. You spend a lot of time worrying and practicing beforehand, but in the end, you realize your uncredited role as the second waitress at the Cat Scratch Club mostly involves just being there. My thesis defense played out like so: I met with my advisor and reader in my advisor's office. They sat across from me with my thesis stacked up in front of them. They made eye contact several times, got water, grabbed pens they forgot to bring in, went back out to look for the reader's copy of my manuscript, realized she'd forgotten it at home, came back in, shifted in their seats and began talking. My reader--who I didn't know before and has the reputation of being very blunt--offered me congratulations for finishing my novel. This, she said, was a big deal as many students turn in manuscripts that aren't complete. Thus ending the compliments portion of her show. She then told me that now it was time to re-write. And re-write again. And again. Saul Bellow, she pointed out, revised Herzog twenty times. "Wow," I said, trying to break the tension I felt pouring over me. "I draw the line at thirteen." (deciding at the last minute to omit adding, "Zing!!!") She paused for a second as if weighing the pro's and con's of eliciting a fake laugh, decided against it and then proceeded to skewer my novel for the next forty five minutes. My narrator--she points out-- isn't engaged, doesn't enter into conflict, seems unconcerned about whatever is going on around him, never actively does anything, merely observes, forgets to recycle, doesn't get up for older folk on the subway, eats food with the bad kind of cholesterol, kicks (small) dogs, doesn't know how to whistle and-- given the choice to vote or die--probably wouldn't vote. When she finished talking, you could feel the air of enthusiasm slide out of me. All I could think about was the amount of work that I'd put into the book, and then I thought about having to do that twenty more times, and then I thought about applying for a job at Espresso Royale, and then I thought about actively working with the hippies and always smelling like patchouli and exotic blends of coffee, and then I thought about whether or not they would care if I curled up into a ball and assumed the fetal position for the rest of the defense. I was giving up. They'd sunk my (Electronic) Battleship. But then my advisor saved the day. Given, she did offer critiques and say that i needed to work more on the book, but she also gently put me back into the right state, unpacking the harsh mental baggage that my reader made me carry and putting it away in the proper drawers. She found a character she loved, asked that the story focus more on the narrator's relationship with her, and figured out real ways to improve my book without making me think that someone should bury my novel in a time capsule. I was so relieved by my advisor's words that I almost jumped across the desk and hugged her when it was all finished, something her aversion to physical contact would not have been cool with. So, friends, this leaves me with about a months worth of hard work before I do the show and tell agent style, but at the very least, I am done. I survived my defense. No more MFA. After five years of post grad education, two masters degrees of debatable merit, and several changes in my wardrobe, I can safely say I don't want to think about a syllabus again for at least 3-5 years. Then I'll probably get my PhD (JK, dad!). And now that I have fully recovered, expect mo' blogs and mo' money interaction via the Commenting portion of the show. You complete me. Need You, Tonight
INXS
4/29/2008 10:03:35 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 22, 2008
The Quick(ish) Descent to Thesis Insanity: Aftermath
Friends. I cannot describe to you the relief that I feel right now. I imagine it's somewhere between finishing a (Boston!) marathon and beating Tetris on Level 9 with the music set to Dance of the Sugar Plum Fairy. Here are the details: In the last two weeks, I have written 80 new pages, re-written 220 pages, drank 11 (Sugar Free) Red Bulls, 17 Hot Teas (8 Green Ginger, 4 Refresh, 4 Awake, and 1 African Red Bush), ate 16 bowls of Honey Bunches of Oats mixed with Crispix, fallen asleep on my computer 8 times, run through 3 pairs of sweatpants, and let one man wearing a suit with a bow tie borrow my cell phone to make a "local" call to Canada. My final day I worked for 19 hours straight with a break only to eat pineapple and to field a call from my mom: "Kevin, hon, how's it going?" "AHHHHHHH!!! MY BRAIN IS FRIED!! I HATE THIS! I HATE THIS SO MUCH!!! I'M SOOOO TIRED!!" "....Oh. It seems like you're a little overtired, dear" "AHHHHHHHHHH!!!!! (tears)" (Pause) "Oookkk....well, I just wanted to say good luck. I'll let you get back to it." But then, miraculously, it was over. I got through the edits. I re-wrote an ending that will have to be re-written again. I went to Kinko's, printed out two 300 page copies of the manuscript, hand delivered them to the homes of my thesis adviser and reader, then drove to my favorite deli and used up the rest of a gift certificate I got last year for my birthday on Robust Russet Cape Cod Potato Chips. But by far the best part of all of this was waking up in the morning on Saturday and realizing that I had NOTHING to do. No magazine deadline, no chapter to edit, no re-writes...nothing. All I had to do was play in a soccer game, get sunburned, drink (imported) beers and pass out while trying to watch Juno. This is not over, of course. I have to defend my thesis on Thursday, which will involve at LEAST learning the names of all of my central characters, and then make sure the formatting is right, etc, etc, to turn it into the grad school office, and then i have to re-write again before releasing it into the public, but whatever. That's, like, not even hard. That's like beating Tetris on Level 6 with mute on so you can listen to your own Maxell Cassette mixtape featuring "Have You Seen Her" by MC Hammer. Anyway, I also wanted to thank everyone for all of their support during my thesis insanity. Your comments, your links, your Youtube videos, all of it kept me from focusing but, like, in a good way. Seriously though, you all are fantastic. And to show my gratitude--as promised-- click here for your own personal e-card: http://www.someecards.com/upload/friendship/if_you_ever_disappeared_while_hiking.html
I think that says it all. In the meantime, 1988 continues its unstoppable reign. Tell it to, my heart
Taylor Dayne
4/22/2008 8:00:26 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 15, 2008
The Quick(ish) Descent to Thesis Insanity: The Last (Poetry) Week
Well, friends, it all comes down to this (week). I have exactly 72(!) hours before I have to turn in a copy of my thesis to my thesis advisor and readers. And since every creative ounce of my soul has been sucked out and dropped into my book, I have decided that the best thing to do for you--in lieu of an actual blog entry--is a poem. Poetry--as many of you know--is the long way to say I love you or I'm sorry or actually, I kind of made out with your cousin but it didn't really count because we were on a cruise ship. So here is a poem I've crafted for all of you entitled "A Modest Plea," which will probably be set for publication in the Paris Review sometime in early 2010. I'll return to twice a week ramblings next week. A Modest PleaBy Kevin Alexander Dedicated to: My Thesis.
Why, when I write You, do you not sound better? Are you Mad at Me? Is it because I called you Thinly Veiled Pseudo-Clever And At Some Points Rambling? Or Superficial, Lame and Filled With Grammatical Issues? I apologize. I didn't mean those things I was just trying to be self-deprecating in front of that chick. This Week If you don't mind it would be cool if You got, like, Good? But Seriously No PressureEven if I can't comment on them, your comments are keeping me half- way sane. 1988 endures. Got to have, FaithGeorge Michael
4/15/2008 8:47:56 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 08, 2008
The Quick(ish) Descent to Thesis Insanity: In Loco Parenthetical(s)
I keep have a recurring dream. I wake up in my bedroom to my alarm going off and my roommate standing in the doorway asking me why I haven't turned off my alarm in days. Confused, I get up and realize that my thesis defense started twenty minutes ago. But I can't find my thesis. Or my computer. Or a quality pair of (expensive!) distressed jeans to wear. Perhaps more alarmingly, in this dream I have a full beard. This happens every other day. Friends, the Thesis Insanity is in its full anti-glory right now. Perhaps this is because I've put myself on a plan that calls for eight hour writing days, then a break to think about going to the gym, decline that notion and watch part of the John Adams HBO mini- series on my couch with several sleeves of Whole Foods brand Oreo's, a short nap on that couch while John and Abbey Adams share moments of passionate sophistry and then a second session that usually lasts until I fall asleep on my computer with my face mashed up betwixt the JKL and ; keys. The ending to my book won't stop expanding; each scene calls for much more work than I originally imagined; much more detail to explain where we're at, more details in the dialogue, more everything. I would be more specific but the idea of expanding on something other than my book saddens/frightens me, much like the movie Harry and the Hendersons. Less to the point, I haven't watched anything on Netflix since February!!! Do you know how far in the past February is???!? Sadly, I do not. Of course there are bright sides to my pity party Evite. I have increased my typed words per minute by just under infinity. For some reason, other publications are all of a sudden interested in me doing magazine work for them. And, as my dad points out, I "finally know what it feels like to actually live in the real world," something he has informed me I "need to get used to" if I expect to ever "be invited to SoCal again." The fact that he said this from his cell phone as he was on a golf course and someone in the background was imploring that he "hit his lob wedge" remains a source of considerable angst. The truth, friends, is that I'm just tired. I know I will look back on this time and remember how hard I worked and how intensive and invested I was and that will really make me appreciate a finished novel all the more, but right now I just want to take my shirt off, wrap it around my head, turn on some intensely melancholy indie rock and lie in my bed until May flowers have eclipsed April showers and someone has paid my taxes and washed my hand towels. That is a dream I wouldn't mind having. As I attempt to keep it more or less real, tell me happy things in the Comments, friends. Sun shines through the rain. Eternal, Flame
The Bangles.
4/8/2008 9:32:22 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 01, 2008
The Quick(ish) Descent to Thesis Insanity: Manic Tuesday
I am embarrassed, friends, to report that I committed a rather large error a few weeks ago that I now feel (not entirely)comfortable sharing with the group: Noticing a recent sale on Publisher's Lunch, my editor asked me if I would be interested in doing a Cover Q & A with a high profile writer (whose will remain nameless for obvious and organic reasons). Naturally I said I would and got on the Internets, utilizing the search engine Google and many of the other tools a fantastic investigative journalist like myself keeps at his disposal. After a cursory search, I located the email address of her agent and publicist from her first work, and sent them (in my opinion!) a well crafted, polite-but-like-pretty-excited, professional query. Understanding the snail's pace at which the publishing world works, I promptly fell back into my thesis and forgot about it until my editor sent me a message with the subject head: ???, asking if I'd heard anything. I had not, and it had been a decent amount of time and time, friends, is money. Write that down. Anyway, I went back to the InterWeb to investigate the (cold?) case and found that said author had actually left her old agent/publisher for new ones, meaning my gushing congratulatory email praising her book sale to her old scorned agent probably wasn't the best thing said agent woke up to that morning. I considered apologizing but thought I should just let the sleeping dog lie, even if it wasn't sleeping and was kind of bitter. Anyway, if there is a moral to be learned from this story, it probably involves counting chickens, hatching, and being more thorough in getting up-to-date information re: subjects you are about to contact. As for the thesis insanity: I am now officially back on my grind after having taken a hiatus to jump up and all over a Boston Mag feature and--while my writing is rusty and my use of metaphors cheesy--it feels hella (shout out to Norcal!) chill to get back to writing about the aftermath of alleged fictional sexual assaults. The section I'm re-writing now involves the coast of the state of Maine and--while I've been there almost infinity times-- I'm having my own personal mission impossible picturing what I'm writing about, and my Google image search is being both stubborn and ambivalent to my needs, probably due to troubles with women. I keep imagining a time in the not-so-far future when my thesis is done and sent off and the weather isn't close to zero Celsius in April, and I'm wearing my standard summer outfit of cut-off jean shorts and jean jacket (no shirt!) sipping on a cool (virgin!) Daiquiri listening to the gentle rhythms of Buffalo Tom. This--and several bowls of Honey Bunches of Oats-- are the only things propelling me through this week. If you can't already tell, I'm a little bit manic this morning. Please enlighten me to your own writing needs for the week, the attire you might rock to a 1994 themed party, and anything else you feel the urge to share in the Show N Tell portion of the Comments. In the meantime, we're still dropping hits from 1988. The Loco, Motion
Kylie Minogue
4/1/2008 10:38:56 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, March 28, 2008
The Quickest Thesis Insanity: Big Apple Weekend Edition
Friends, I am going to have to keep this short due to a ridiculous and fairly robust sprinkling of work on my plate today. The story I've been working on for Boston Mag recently doubled in size, which | |