Tuesday, January 29, 2008
On Diaries, Dinner Parties, and Morally Questionable Decision-Making Skills
A little while ago, my (two) friends and I put on our mature pants,  
and had a dinner party to welcome another friend into a new apartment  
complete with wine and a grown-up style cheese plate. The apartment  
came furnished by the owners, who were also in their mid-twenties,  
and came with several peculiar idiosyncrasies, including (but not  
limited to) a 1980s style Jack LaLane barbell set, a container filled
with Maxell Cassette Mix Tapes, and
three forks (total). Also strewn casually amongst  
the knick-knacks was a red spiral notebook with characters from
The Disney Afternoon on the front.
As we sat around admiring the new place and  
marveling at the noises emanating from the heater, one of my friends  
picked up the notebook and had a look inside.

"Oh my God," she said, her mouth hung open. "This is a girl's diary."
She scanned some pages. "I think it's from college."

We all paused for several seconds contemplating the meaning of our  
discovery. A diary is someone's personal muse, the secret key to  
their secret garden of internal contemplation and, um, secrets. Its  
intimacy and raw edge provide a rare-behind-the-scenes look into  
someone's worries, fears, loves and prescription drug addictions.  
Diaries are meant to stay away from the public eye, a locked box of  
clandestine emotions, like that spot Jodie Foster and her daughter  
get locked in in Panic Room, but smaller.

My friend Mary put down the book.
"We can't do this," she said.
"This is wrong," my other friend Alissa said.
"I like don't feel great about this," said the Big Cat.
We were questioning our own morals. Clearly, the group needed someone  
to take charge. And me being a natural leader of men (and women), I  
stepped in.
"No," I said, (probably) rolling up my sleeves. "They don't have any  
board  games. We need this."

And so, friends, in lieu of saying Grace pre-dinner, we each read a  
specific entry from a different part of her college experience. Mine  
entailed a particularly vexing incident with a boy that I will call  
Casey and her distaste for but continued consumption of Red Bull  
mixed with Vodka.

 From a writing standpoint, I was completely and utterly enthralled  
by the diary. The girl, writing only for herself, would confide to  
the diary with specific context (for example, she would write "in  
case you don't know, I'm talking about (this guy)") and would change  
from angry to happy in the difference of one to two sentences. But  
most interesting, I think, was the similarity that the diary has to  
first person fiction. Every diary is really someone's own novel,  
crafted and formed the way that they remember, cultivating a  
narrative voice that records the most important events, usually  
having something to do with boys, getting kind of drunk, and making  
out. But it also, albeit rarely, helps the writer make personal  
connections and links that they hadn't thought of before. It was like  
the real version of William Boyd's fantastic novel Any Human Heart,  
except instead of Oxford, WWII, and the burgeoning art scene of 1950s  
NYC, we learned about guys that sux.

Ultimately, I think, reading the college diary of a girl that none of  
us knew, who lived 2,000 miles away, wasn't the worst thing I've ever  
done. I mean, it wasn't the best thing either, but it would probably  
place somewhere in the middle. Anyway, I'm curious to hear what you,  
my wise readers, have to say about this. Would you have done the same  
thing? Do you keep journals? Would you ever leave your college diary  
in a drawer with playing cards and a bunch of reggae mix tapes in an apt  
that you just subletted to strangers? I await your moral judgment,  
own stories of questionable taste, and several photocopied pages from  
your high school diaries.

Love in an,
Elevator


Aerosmith

PS- As per request, a particularly intimate Open Arms By Journey.



1/29/2008 9:33:55 AM (Eastern Standard Time, UTC-05:00)  #  Comments [12] 
 Tuesday, January 22, 2008
The Great American (Cellphone) Novel: A Writer's Digest Exclusive!!
I, like many youngish people, use the text message feature on my cell phone in an excessive manner, which is indisputably annoying and potentially harmful, especially when trying to cut things or cross major intersections. But unlike a lot of other young people who are probably just text messaging their friends to tell them about the cute boyz they sat by at the new Hannah Montana film, I, friends, am making history. See, I am writing a hit novel. On my cell phone.  Although the fad has yet to hit the US, cell phone novels are huge in Japan. Seriously. Some 21 year old lady friend named Rin tapped out a novel on her cell phone that sold 400,000 copies in hardcover. The New York Times proves this by saying so here:  http://www.nytimes.com/2008/01/20/world/asia/20japan.html?_r=1&ref=books&oref=slogin

And so, in honor of this newfound use of my text messaging ability, I just wrote a novel on my cellphone during the car ride back from my grandparents house in Springfield. It will come out in limited release (to all of my Contacts on my Contact List) later on this week but as a sneak preview, I am posting a never-before-seen portion on the Writer's Digest site. So, without further adieu, here is a two chapter excerpt from The Nite Out by Kevin Alexander: 

Ch 1.
Sup, said John.
N/M. U? said Geoff.
Geoff told him he'd promised 2 get drinks L8R w/ a cute girl that he met at the mall. John says kewl but sarcastically. John h8s the mall, and tells Geoff. Geoff LOLs but doesn't mean it.
4eva ago the 2 were BFF. Now John and Geoff seemed 2 be not awesome. 10sion loomed.


Ch 2.
OMG, is this Boyz II Men? Carrie wondered. I f-ing heart B II M!
Geoff nods and turns his iTrip up.
I also have Jodeci, Geoff offers.
RU kidding me, Carrie says aloud. Carrie thinks he might be 4 her.
I didn't know U heart music, Carrie said, LOLing. U R a QT! We;ve G2G to a concert sometime.
Totes, Geoff says. U know who else hearts music? John.
Who's John. Carrie wants to know.
No 1. says Geoff. At least not 4 now.


There it is, friends. Can't you totally see the developing narrative arc? And don't get me started on the tensions arising between the protagonists/antagonist... I know, I'm surprised it's my first cell phone novel too. I'll let you know how the bidding goes when the deal for the manuscript inevitably goes to auction.

JK.

Loungin',
(Remix)


LL Cool J



1/22/2008 11:31:30 AM (Eastern Standard Time, UTC-05:00)  #  Comments [8] 
 Tuesday, January 15, 2008
The Graduate School Timeline; Or Things You Can Do for Half a Decade Post-College
This week marks a special and unique moment in my life plan. It is the last week before I start my last semester of the last time I will ever step into a classroom as a student. This, friends, is somewhat relieving/terrifying. And so, armed with two inarguably similar masters and nearly 4 and a half years of post-college education under my ever expanding belt, I will finally be doing what my father asked me to do at the all night party following my high school graduation: getting a job.

Contrary to my father's belief, my twisted road through grad school hasn't been entirely Ritalin and Merlot-fueled debates about Arthouse films I hadn't seen, indie rock bands I tell people I saw several years ago but actually only recently downloaded, and ironic discussions of MTV reality shows. Sure, those things took up most of my time and energy, but there was also work. And education. And problems with my tuition checks. But before nostalgia completely creeps in and overwhelms me, and to honor the final time I get to ask someone where they are going for "Spring Break", I will present a timeline of the highs and lows of my post-college grad school career, complete with occasional points of exclamation!  

Late August 2003: Attend graduate school orientation at Boston University's School of Communication with friend/roommate Matt Herman, who is also attending the grad school for Advertising. Sit with several people during the "get to know you" lunch that I never, ever talk to nor see again.

Oct 2003: Write story about male friendships for Literary Journalism class that Professor calls "Esquire-esque".

Nov 2003: Realize that calling something "Esquire-esque" doesn't necessarily translate into "publishable in Esquire".

Jan 2004: Get into class that works on "long narrative and investigative projects". Decide to write about being in middle school by spending 4 months at my own former middle school. Work is considered " kind of creepy" by my (ex)girlfriend.

March 2004: Spring Break!!!!

May 2004: Our class gets to present our work at a pitch meeting at Boston Magazine. So nervous I sweat through two shirts. Talk mostly about middle school slang. Swear three times and make several uncomfortable jokes in an attempt to fill dead air. Am convinced I will be kicked out of grad school. Post pitch meeting, get drunk.

May 2004: Surprisingly, find out Boston Magazine wants to buy my piece.
"Not so creepy anymore am I", I exclaim repeatedly to ex-girlfriend while she is at work.
"Are you drunk at 1 pm on a Tuesday?" she asks. Silence ensues.

Sep 2004: First published work comes out in Boston Magazine! Bring it into class! Other kids think I'm showing off/rubbing it in their faces! In hindsight, huge mistake!

Oct 2004: First negative letter written about said work is forwarded to me by editorial assistant!!!

Dec 2004: Graduate from BU! Get diploma sent to me, rather than attend graduation ceremony. Family thanks me. Tell them I want to get an MFA in creative writing in lieu of working. Family no longer appreciative.

February 2005: Find acceptance letter from Emerson in stack of papers my mom was throwing out. "Oh, whoops," she says.

March 2005: Spring Break!!! And rejection letter from Columbia. Call father.
"Well, Ivy League schools are hard to get into."
"No, dad. This is Columbia College. In Chicago."
"You're making that up."

September 2005: Orientation at Emerson! Take terrible ID picture. Sit with several people during the "get to know you" lunch that I will never, ever talk to again. And a kid from Ohio with a beard that I grudgingly become friends with.

Oct 2005: Realize Lit classes are harder than Journalism classes.

Dec 2005: Get grades. Ask friend if a "B" is good in a grad school class. Receive a "Are you f-ing seriously asking me that?" followed by extended laughter. Reply "no" meekly.  

Jan 2006: Take lighter workload, hoping it improves work ethic.

March 2006: Spring Break!!!

April 2006: Deem goal unreasonable and poorly thought out.

Sept 2006: Take Memoir writing class. Use material from first book. Don't re-write. Sit back and wait for compliments.

Oct 2006: Chapters excoriated. Turns out, wasn't all that good. Confidence, security and bladder control questioned.

Jan 2007: Take leave of absence for quarter life crisis style trip around Eastern Europe with the Big Cat. Eat a ton of kebabs.

March 2007: Spring Break!!!

April 2007: Come back refreshed, re-motivated and semi-addicted to whiskey. Also have beard. Writing has a new, sleek European feel.

June 2007: Lose European feel. And beard.

Sept 2007: Toy with graduating in the Winter, but decide against it for "sake of my book".

Dec 2007: Get the "I feel like you're never going to graduate and get a job, which is embarrassing considering you're no longer on the sunny side of 25" speech from my father, hidden in a Christmas card!

Whew. Are blog entries even allowed to be this long? Don't you feel like you just lived through the last half decade of my life? Anyway, I'm off to figure out how to dismantle Chapters 4-7 of my book and rewrite them so that they're logical, well-written and don't have several elaborate side plots about characters that no longer exist. You, friends, should try and stay out of the cold. Or if you live somewhere warm, where blizzards are merely names for elaborate ice cream treats from Dairy Queen... invite me over. I travel light, do dishes and only snore when I'm on my back. Think on it.

In,
former


Snow



1/15/2008 7:45:37 AM (Eastern Standard Time, UTC-05:00)  #  Comments [11] 
 Tuesday, January 08, 2008
On Taking (Non-Productive) Breaks
Hello friends,

I hope you--like me-- found time over the holiday to reflect on the year that was and consume nearly twice your daily recommended caloric intake in Lindt chocolate truffles and kind-of-gross, kind-of-really-good alcoholic Egg Nog. But now that I've New Years Resolutioned Up and thrown away anything and everything even vaguely brown in my apartment in favor of leafy greens and Guava Goddess Kombucha tea, and I'm finally ready to be back in my normal writing routine, I realized something: I'm kind of rusty.

Due to the holiday and some unforeseen family stuff, I didn't get a chance to write for two weeks. And so today, when I sat back down in the familiar confines of Espresso Royale, after attempting to nod tentatively at the regulars (you know: the hippies, the college age dude in a bowler cap who is always reading one of the free alternative weeklies and tracing something on a pad, and the loud, unpredictable counter-culture girl with multiple piercings, an eerily normal looking boyfriend, and either a drug problem or an unusually small bladder), I tried to pick up where I left off on my novel re-writes and discovered, to my horror, that I couldn't, well, do anything. Ideas were vague, plot connections muddled. I couldn't remember the name of one of my central characters. I spent a terrifyingly long 45 minutes re-reading back chapters just to get a sense of what I was writing about only to find that when I finally remembered, I didn't have anything creative in the tank. So I went and ordered a Turkey Avocado Club on a sesame bagel.

And while I was sitting down to slay said lunch treat (I know, I know, bagels are terribly caloric), I started to think about why I was rusty. Unlike writer's block, (which-- I should point out-- is usually just my excuse to watch "The View"), it wasn't that I couldn't get anything on the page, it was more that I was forgetting what I needed to put on said page. Which reminded me that writing a novel is just like speaking a language. If you stop working, you lose your fluency, your momentum, and your ability to remember the names of secondary characters that play vital roles nearly all the way through the book. Of course, sometimes breaks are good, and necessary even, to clear your head or give a draft another look with a fresh set of eyes. But not while you're in the thick of things, and not when you have to turn in a certain draft of said piece of work to a certain thesis adviser in a certain amount of days, and you only have another 44 minutes of battery on your laptop, and the hippies are hogging the tables by the power outlet.

So, in conclusion, my break, while important were I to ever need this excess weight during hibernation, was not what experts might call "smart" or even "logical under the circumstances". Let me know if you suffered the same fate of holiday-induced indolence or feel free to heap on the guilt by telling me about the thousands and thousands of words you produced while your relatives were talking. Either way, drop it in the comments.

We Got,
The Beat


The Go-Go's



1/8/2008 8:36:08 AM (Eastern Standard Time, UTC-05:00)  #  Comments [10]