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 Friday, June 22, 2007
Sweet Dreams New York
Posted by maria
As all writers and editors know, in the publishing world, New York sets the trends and standards for the rest of us. With this in mind, I was perusing The New Yorker this week, when I came across this article in The Talk of the Town " Lights Out" The newest trend in publishing—remember you heard it here first (well, OK second) is—naps. Here's an excerpt from the piece: Peter Workman, the founder and chief executive of Workman Publishing, is known among his employees as a stickler for traditional business hours: his editors are expected to be at their desks every morning at nine, an hour at which many in the industry are still spilling crumbs upon Michiko Kakutani. In January though, the house published “Take a Nap! Change Your Life,” a how-to and why-you-should, by Sara Mednick, which argues that napping increases productivity improves health, and encourages weight loss, among other benefits. After it came out, Workman was persuaded that his own minions ought to be encouraged to fall asleep on the job
“If it does work, why not us?” Workman said the other day in his office, whose bookshelves are filled with copies of “The Silver Palate Cookbook” and “1,000 Places to See Before You Die” and other books that his team had produced while not napping. Tie loosened and wire-rimmed glasses askew, Workman looked as if he had just woken up from a nap himself, but a can of Diet Coke and a jar of chocolate candies on his conference table testified to a dependence upon more traditional means of stimulation. (He has brought a pillow to the office but has yet to use it.)
First of all, can I just say that, wow New York, you have to be at work by 9 a.m.?! I can see why you must be tired (which I type from my office while sipping my third cup of coffee at 7:15 a.m.). Having been in the position of needing to reach New York publishing types in the summer, I'm aware that New Yorkers in publishing work "summer hours" which pretty much means, no work so you can frolic in the Hampton and whatnot. I'm just going to put an offer out on the table, so between your naps and your summer hours, the engine of publishing keeps moving through this long, hot summer: Farm your editing work out to Midwestern editors, who are not known to nap or observe summer hours. Just think about it: Smart, corn-fed Midwesterners who can fulfill all of your writing and editing needs. You can think of us as your own between-the-coasts Kelly Services. And you won't even be accused of outsourcing—we're American, too! And by the way, we'd be happy to take on The New Yorker for the summer, also. Would you mind if we called it, just for the summer, The Cincinnatian? We're even willing to throw in a couple of pillows to seal the deal. Think about it. We're here for you. Keep Writing, Maria p.s. You may, perhaps, enjoy Europe for your summer break. I understand they like to nap there, too. publishing news and views
6/22/2007 9:36:03 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, June 15, 2007
BUY A BOOK FOR MCSWEENEY'S
Posted by maria
Hi Writers, You may remember a few posts back I wrote about a Dave Eggers interview we're running. Well, here it is, hot off the presses and coincidentally soon to be available in the August issue of Writer's Digest. I wanted to go ahead and post this article featuring Eggers writing about Sudanese refugee Valentino Achak Deng. McSweeney's—Eggers publishing house—is undergoing some tough times financially. Their distributor, PGW went bankrupt and left McSweeney's in a cash crisis. You can read all about it on McSweeney's.net. They're holding a big sale with hugely discounted books, journals and magazines, including hard-to-find volumes of the literary journal McSweeney's Quarterly Concern, back issues of a great literary magazine, The Believer and beautiful literary works aplenty. Go to their online store for the goods. I own several issues of McSweeney's Quarterly Concern including the coveted Comics issue, and I adore them all. Each one is so unique and imaginative in design, I'm going to take this opportunity to get all I can get my hands on. I also enjoy Your Disgusting Head, which is great to leave out on your coffee table to liven up a dull cocktail party .
I would go as far to say that these books and journals are collector's items. Own them and your friends will think you're cooler; your grandchildren will one day thank you for your incredible foresight. Remember, there are only 193 days left until Christmas. Be impressed that I counted. Keep Writing, Maria publishing news and views
6/15/2007 3:18:52 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, June 12, 2007
Messy or Neat?
Posted by maria
Hi Writers, It's funny how interested writers are in how other writers do their work. In the August issue of Writer's Digest, we profile four writers in their writing spaces (Vendela Vida, Richard Adams Carey, Lemony Snicket and Lisa Gardner). So I decided to put out a call for readers to post photos of themselves in their writing spaces. To get things rolling, I posted a photo of my home office. I can't believe how much grief I'm getting for having a neat desk. I wouldn't say I'm all that neat, really, but I do need an organized work space to do my work, otherwise I find myself compulsively cleaning and straightening in order to sit down and write (elaborate procrastination ritual?). I'm kind of a serial neatnik at work. My desk isn't always clean, especially around deadlines, but I do go through some serious binge cleaning every few weeks to keep the clutter at bay. Well, I was reading the BoSacks newsletter today, and found that I have a kindred spirit in Rolling Stones editor Jann Wenner. His desire for control occasionally may seem excessive. For example, he insists on neat desks.
"I think if you've got a messy office, you must have a messy mind," he says. "If I walk down the hallway of the company I own, this is the way I want it to look. And I think it makes a good environment for everybody."
So how about your writing space? Tell the truth: Messy or neat? And please share your own photos on the WD forum. Keep Writing, (even if it's in a pig sty) Maria the writing life
6/12/2007 11:03:51 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, June 07, 2007
We made the NYT!
Posted by maria
Hi Writers, The New York Times posted an article about our conference/ pitch slam, if you want to know how a pitch slam goes. This reporter was actually in the room Kevin and I moderated, "Tough Sell for Writers at NY Literary Speed-Dating." Here's an excerpt: Several dozen agents and editors were taking pitches at Wednesday's "pitch-slam" at the end of a one-day seminar that also included workshops on writing the perfect book proposal.
"Don't feel like you're a failure if you don't come out of here with a contract," Lauren Mosko, editor of writers' guide "Novel & Short Story Writer's Market," told her workshop.Brief note to The New York Times: I know you're busy covering world affairs and such, but it would have been lovely if you would have mentioned in this piece that you were at the BEA/ Writer's Digest Books Writer's Conference. You know that whole Who, What, When, Where, Why thing you learned in J-School? The Where part is kind of important. Keep Writing, Maria publishing news and views | Writer's Digest news
6/7/2007 9:08:08 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, June 05, 2007
Post-Conference
Posted by maria
 Chuck Sambuchino, Me, Kevin and John Warner cutting loose after the Writer's Digest conference publishing news and views | Writer's Digest news
6/5/2007 2:34:39 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, June 04, 2007
BEA WRAP-UP
Posted by maria
Hi Writers, Well, I'm back home in Cincy where the lights are a little less bright than NY, but at least they let you sleep occasionally. This was my third trip to BEA and I have to say, the crowds seemed more enormous than ever this year. This bodes well for the publishing industry, I suppose. But it was difficult to grab the galleys I wanted including Tom Perrotta's new book, The Abstinence Teacher and Alice Sebold's new novel, The Almost Moon. Oh well, made for a lighter suitcase on the trip home. I ran into lots of agents at the show this year including the always delightful Katharine Sands, agent and author of the book Making a Perfect Pitch. I also got to meet bestselling author Luanne Rice, who showed up at the TOW book signing to support her lovely assistant Sarah Walker. Sarah was signing the galleys for her upcoming Really You've Done Enough, a book of satirical advice for parents of "grown-up" children. Also signing was Jason Roeder, author of Oh, the Humanity, a book of humorous advice for the socially inept. As I mentioned previously, whiskey shots were served at the signing and yes, many shots were imbibed along with the literary offerings. I did not, as promised, drink enough whiskey to encourage me to start showing my Strunk & White tattoo. But I did indulge in one small, baby shot to show my support of Sarah and Jason's literary efforts. At any rate, both of these books are hilarious and they'll be available in the fall, so stay tuned. I'll let you know when they're for sale. After the show, Sarah, Jason, Kevin Alexander, John Warner (TOW Books bigshot and editor of McSweeney's Internet Tendency) and I all walked down to the nearby Chelsea district, mostly because I wanted to go to Sebastian Junger's restaurant, the Half King Bar. Here's the scene from our table: Two writers tossing about clever bon mots about male models, one is nodding and smiling ironically, one completely ignoring the conversation in favor of the televised baseball game, and the last has eyes glued on the door, waiting, hopelessly for Sebastian Junger to walk in. I'll let you guess which one I was. Until next time... Keep Writing, Maria publishing news and views | Writer's Digest news
6/4/2007 2:00:04 PM (Eastern Daylight Time, UTC-04:00)
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 Saturday, June 02, 2007
Posted by maria
Hi Writers, Day one of the show. I spent some time hanging out at the F+W booth (F+W is Writer's Digest's parent company.), chatting with the authors before their signings. Another shout out to Christina Katz, author of Writers Mama, Scott Francis author of Monster Spotter's Guide to North America (HOW Books) a must-read for all monster fans and Phil Sexton, author of the fall release Writer's Digest Book, Literary Legends. I'm especially psyched about the Literary Legends book since it's a walk through the archives of Writer's Digest magazine (close to my heart, of course). And I nabbed a nifty, black Writer's Digest/ Literary Legends canvas tote bag, which took a bit of finagaling on my part since they went going fast. For those of you who haven't been, BEA is free-giveaway land and many publishing houses were giving out free totes (ours being the coolest.) I sat in on a great panel with the editors of new imprints: Jonathan Karp, editor of the nonfiction imprint Twelve; Pamela Dorman, editor of the new Harper Collins imprint for women over 35, Voice; Karen Murgalo, editor of Springboard Press which focuses on narrative nonfiction for baby boomers; and Julie Grau, co-editor of Random House imprint Spiegel & Grau, focusing on edgy, literary fiction; and conservative punditrix Mary Matalin was there too talking about her imprint, although she's not functioning in a true editorial capacity. First of all--wow, how cool would it be to have your own literary imprint, and how do I get one? According to the panel, you do this by having a track record of proving you have a "nose" for what's going to sell in the marketplace. I've heard about having a "nose" for perfume, and wine but apparently a select few are especially gifted for sniffing out good books, as well. Second, how and why does a new imprint come into existence? Because editors see an opportunity to publish books in a market that's being under-served. New imprints mean new opportunities for writers, because editors without a backlist need to actively seek out the new. Anyway, this session was a refreshing breath of optimism that publishing is always evolving, and these editors were passionate about seeking out great, new writers, which makes me happy. One more serendipitious moment for me at the show was running into a fabu photographer, Sally Wiener Grotta, who's doing a series of author photos called the Wordsmith Project to raise money for the Writers Emergency Assistance Fund. Sally's asking for nominations of writers to photograph for the project, you can find more info at www.WordsmithsProject.com. That very day, I was complaining about not being able to find good photos of writers for the magazine, and here I meet Sally. You never know who or what you're going to find at Book Expo America--that's the fun part. Keep Writing, M (p.s. New York is like a sauna right now, and no offense, New York, but you're very cheap with the A/C) publishing news and views | Writer's Digest news
6/2/2007 11:01:25 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, June 01, 2007
On the Scene from BEA
Posted by maria
Hi Writers, All apologies for my lack of promised, non-stop communication this week. The only admittedly lame excuse I can offer you is that I'm too cheap to pay 9.95 for Internet access in my room. But I got over it, charged the fee to the company credit card so here I am. The BEA/ WD Books Writer's Conference went by in a fabulous whirlwind. I finally got to meet our columnist Jodi Picoult in person, as she was the keynote speaker. She's so down-to-earth, funny and extroverted and delivered a wonderful, anecdote filled talk about her writing life. She spoke about her writing process, and I have to say, she's a writer who really knows how to break down the difficult process of writing a novel into manageable parts. Her ability to demystify and distill her writing process is remarkable. By the way, we're trying a new project this year. We videotaped Jodi's speech and several other speakers as well as audio recording many of the other speakers. And in a few weeks (exact date TBA), the sessions will be available on our website at writersdigest.com/bea so check back there for the details. I'll also announce it here, on the forum and in our e-newsletter. I also met many of the other WD Books writers including Christina Katz, author of Writer Mama--hi Christina! I gave a speech on breaking into magazines early in the morning, and had a great crowd. They had lots of questions, which I always appreciate when I give a talk so it's not just me going on... and then you write the query letter, and then you e-mail it... blah, blah, blah. I always prefer to have more of a conversation, so when the audience got on my wave length and started asking questions, it went well. But the highlight of the day by all accounts was the Agent Pitch Slam. We had a huge number of agents participate this year--more than 60 in fact, thanks to editor extraordinaire and major playa Chuck Sambuchino, editor of the WD Guide to Literary Agents 2007 (out this fall). I got to meet many of the agents as I was in charge of passing out their badges. I know many writers are intimidated by agents, but really, you couldn't ask for a more friendly, helpful group of people. And they all seemed into the pitch slam concept, although the three minute time limit presents a fun challenge to the writers and the agents. Since there were so many agents this year, the lines were quite short and many writers were pitching to five or ten agents. I was in charge of a pitch slam room. The agents in my room were Michael Murphy, Peter Miller, Meg Leder, Sheree Bykofsky and Jackie Meyer. It went really smooth after the first ten minutes or so while we scrambled to figure out the right way to configure the room and get the lines moving in the right direction. Kevin Alexander was in there helping me keep things running, being the timer, talking to people about their pitches, trying to calm down the nerves. He was a champ, really, but I'm sure he'll tell you all about how great he was on his own blog. And don't believe it when he tells you that I slacked off toward the end and started chatting with John Warner, WD author and editor of the new WD Books humor imprint TOW Books. I can't help it, much like Jessica Rabbit, I'm a sucker for a funny guy. Well, today is the first official day of BEA so I'm off to the show. I'm keeping notes, and picking up as many galleys as I can. The giveaways at the show are always unbelievable. For a compulsive reader, it's the equivalent of getting the keys to the candy shop. Keep Writing, M (I've decided, like Macy's, to change my ticker symbol to simply "M") publishing news and views | Writer's Digest news
6/1/2007 9:27:12 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, May 25, 2007
I'll Take Manhattan
Posted by maria
Well, maybe a little sliver of it, anyway... Hi Writers, I’m getting ready to head off to the annual BEA/Writer’s Digest Books Writer’s Conference. It's next Wednesday, May 30 in New York. By the way, if you’d like to go (and, come on, why wouldn’t you?) you can register at the door. If any of my loyal readers here are at the conference, please say hi. See, that’s me in the left hand corner of this blog page (btw that nimbus doesn't always follow me around.) Our lovely columnist Jodi Picoult is the keynote speaker. And I’ll be speaking at the conference on breaking into magazines. Then in the afternoon, I get to be a bell ringer/ bouncer for the Agent Pitch slam, where Kevin Alexander will be helping out, too. If you’ve never been to a pitch slam, let me tell you, they’re thrilling. We have more than 60 agents fielding 3-minute pitches—it’s sheer, exquisite, hyperventilating, invigorating chaos. Then I’m covering Book Expo America—one of the book industry’s premiere events. I’ll be working the floor, meeting authors, editors and other industry bigshots to provide you with on-the-scene reportage until Saturday evening, when I’ll have one too many whiskey shots at the reception for TOW Books (F+Ws new humor imprint), start showing off my Strunk & White tattoo, and get escorted to the door. I know—you can’t wait. Neither can I. It's going to be great. I LOVE NY! Keep Writing, Maria publishing news and views | Writer's Digest news
5/25/2007 9:04:13 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 22, 2007
Survival of the Fittest (Book Proposal)
Posted by maria
Hi Writers, You knew it had to happen. The “American Idol” concept has filtered down to the book world. Internet company MediaPredict.com is partnering with the Simon & Schuster imprint Touchstone to launch a contest wherein the public gets to vote (with $5,000 in virtual cash) on book proposals most likely to succeed. Read about the contest in full, here: “Touchstone Imprint of Simon & Schuster Teams with New Website Media Predict for Its Project Publish Literary ContestAnd here: “Welcome to Project Publish.” And you may want to read The New York Times article on the contest. Here’s a brief excerpt from the NYT piece: “Being able to predict the performance of something is key,” said Brent Stinski, founder of Media Predict. A prediction market, he said, “is a very powerful tool.”
In the case of Media Predict, traders are not voting on the book they like best, but rather are placing bets on which they think will do well. According to Mark Gompertz, publisher of Touchstone Books, Media Predict could do for book publishing what focus groups do for soap and soda and what screening audiences do for movies.
“Since Gutenberg first printed the Bible, critics have always said publishers don’t know what they’re doing. Just throwing stuff against the wall and seeing what sticks is a crazy way to do business,” Mr. Gompertz said.
Well, the rights issues seem a little tricky here (authors allow MediaPredict to act as temporary literary agent if not already represented). But there’s no entry fee. And, of course, you can’t really argue against free. This seems to me, though, the latest manifestation of what I wrote about in my last blog entry, which our WD forumites weren’t wild about, to say the least. Testing consumers to try and predict which books might actually sell doesn’t seem to be something writers want to believe is important or even useful. Anyway, I’d love to know your thoughts on this contest, so drop me a line. Remember, I have $5,000 in virtual cash and I'm not afraid to use it. Until next time… Keep Writing, Maria publishing news and views
5/22/2007 10:34:11 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 15, 2007
PLAYING THE ODDS
Posted by maria
Hi Writers, Anyone who’s trying to sell a book or planning to do so in the near future needs to read this feature from The New York Times Sunday business section “ The Greatest Mystery: Making a Best Seller.” It’s a wonderful analysis on the state of the industry. The question at hand: What makes a book a best seller? The answer: No one seems to know. Publishing is apparently the only multi-billion dollar industry for which market research is non-existent. That being the case, agents and editors have little more than their love for a book to push it through their marketing departments, which have final say on whether or not a book ultimately gets published. Consider these two bestsellers: Curtis Sittenfeld author of Prep and Charles Frazier, author of Cold Mountain. Both had surprise, runaway hits with their first novels and both were offered generous advances for their second novels, which fizzled. The hard, cold truth: most books never make their publishers money. Publishers rely on profits from their few bestselling titles to shore up the majority of the books (estimated here at 70 percent) that come out in the red. The analogy of gambling is used throughout this piece: Most in the industry seem to see consumer taste as a mystery that is inevitable and even appealing, akin to the uncontrollable highs and lows of falling in love or gambling. Publishing employees tend to be liberal arts graduates who enter the field with a starting salary around $30,000. Compensation is not tied to sales performance. “The people who go into it don’t do it for the money, which might explain why it’s such a bad business,” Mr. Strachan said. And Sittenfeld remarks: "People think publishing is a business, but it’s a casino.” If publishing is nothing more than an educated crapshoot built on gut instincts, is this good for writers? Or would we benefit from more solid market research on what consumers want to read? What do you think: Keep the mystery—or not? Until next time… Keep Writing, Maria publishing news and views
5/15/2007 9:52:43 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 08, 2007
And The Beat Goes On
Posted by maria
Hi Writers, With the competitiveness and general sense of ennui the literary world often inspires, it’s hard not to get down with the whole scene sometimes. And you may then start asking yourself: Why am I doing this? Why have I thrown my hat in with this dysfunctional lot? Why did I not pursue my alternate goal of becoming an accountant/ street mime/ dog whisperer? I think we all go through that. And I was feeling just that way when, this Sunday, I came across this lovely story about teen writers in my city newspaper The Cincinnati Enquirer, “ Teens writing for a change.” Check it out. Teenagers, who could be out getting something pierced, chatting with their future ex on MySpace or any manner of other things, choosing instead to spend an evening sharing their writing. Apparently, the influence of street poetry brought via the hip hop culture has gotten kids interested in creating their own poetry. This put a smile on my face. I’ve never been to a poetry open-mic night, but I’m going to make a point of going to the Greenwich Tavern now to check one out. Is there something positive and writerly going on in your corner of the world? Do tell. Your fellow writers could use the boost. Please post it here or on the WD forum. Until next time… Keep Writing, Maria P.S. I leave you with my favorite cartoon strip, " Agnes" in which Agnes has the excellent idea of creating a Beat Poet Action Figure. What beat poet would make a good action figure? Ginsberg? Kerouac perhaps? publishing news and views | the writing life
5/8/2007 11:15:40 AM (Eastern Daylight Time, UTC-04:00)
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