In a competitive industry, it’s easy to feel like publishers hold all the power. But the truth is they need good content—and writers have a right to not be fleeced. Here are some situations when the best option just might be to walk away from that book contract or that freelance...
Blending fact and fiction isn’t a new idea in business books and management literature, but here Chris McGoff offers a multifaceted approach to story-telling, graphic illustration, and practical advice.
Making time to read and write with your kids can not only encourage your young writers to flex their creative muscles—it can also help you find time to work on your own passion projects.
While working the front desk at Miramax, Dave Pullano created the fictional exec, Jay Flannick, to field unwanted and overly persistent pitches. Ironically enough, through a series of adventures, Pullano found himself in Hong Kong, sitting on an old mattress ... and pitching his own script to Jackie Chan.
Sometimes, working closely with a friend means that you’ll see both their genius and their foibles more distinctly. With all that in mind, here are five tips for world-building collaboratively and successfully.
In this episode of the Writer’s Digest Podcast, Gabriela Pereira talks with Windy Lynn Harris about writing and publishing short stories, personal essays and nonfiction articles.
Collecting articles from editor Dan Koboldt’s popular blog series for writers and fans of speculative fiction—plus a foreword by Chuck Wendig and a collection of never-before-published articles—Putting the Science in Fiction connects you to experts in a broad range of fields.
This year marks the 300th anniversary of the death of Edward Thache, the notorious privateer-turned-pirate known as Blackbeard. Here, historical fiction author Samuel Marquis, great-grandson of Captain William Kidd and author of a new book on Blackbeard, offers his best advice for writing great historical fiction.
Conflict is what drives a story. Without opposition, the story becomes lifeless. Learn the four types of conflict and how to effectively use them in your next screenplay.
A Sticky Inheritance by Emily James was the winner of the 5th annual Self-Published E-Book Awards. Read an extended interview with Emily.
Knowing how to present your writing well in public readings only helps people get to embrace you and your writing on page. And so here are ten essential tips on how to bring the performance to the next level.
Feel the thunderous reverberations of authors and industry pros working to broaden our perspectives—as writers and readers alike. Plus, learn how underrepresented voices are rising in the writing world.
A prolific Edgar Award–winner, Mindy McGinnis’ stories cross subgenres of young adult fiction, from fantasy to dystopian to contemporary. Here, WD talks with her about the unique aspects of her work, including the way she addresses rape culture and incorporates strong female protagonists.
In Iowa Writers’ Workshop–graduate James Han Mattson’s acclaimed first novel, The Lost Prayers of Ricky Graves, the cyber-bullying of a gay teen leads to a multi-victim shooting. Here, he discusses related topics, including LGBTQ literature and writing about gun violence.
Kellye Garrett discusses her years as a Hollywood screenwriter (with the CBS drama Cold Case among her credits) and the representation of black women in the mystery genre.
The author of three novels for young adults, Ashley Hope Pérez’s most recent work, Out of Darkness, has received national acclaim. Here she discusses the representation of latinx literature in the discussion of global lit.
Kelly Jensen’s background as a teen librarian influences her own writing (she is a popular essayist, and author of It Happens: A Guide to Contemporary Realistic Fiction for the YA Reader) as well as her editorial career, in which she now covers YA fiction for Book Riot.
Whether in novels or nonfiction, when it comes to adding authenticity, bestselling author Jeff Guinn takes field research to the next level.
When Mariagrazia Buttitta was diagnosed with a rare disease that caused her to be legally blind, she found peace and courage in writing.
Some writers struggle in transitioning from one type of writing to another, but Nicholas Meyer has conquered many forms. Learn Meyer’s cross-format storytelling processes and what encouraged him to write his memoir, The View From the Bridge: Memories of Star Trek and a Life in Hollywood.
Doug Richardson, writer of Die Hard 2, Bad Boys and Hostage, shares advice on whether you need to get the life rights before you start that screenplay.
Screenwriters Michael Weber and Scott Neustadter describe their creative process and the decisions that went into writing their Oscar-nominated comedy, The Disaster Artist.
Reimagining classic fiction has been a common practice among authors since the dawn of novel writing. Here, learn a few lessons from the masters about writing novels that incorporate elements of the classics.
Author Mitch Silver discusses how he and other thriller masters came up with the characters who have led their greatest story ideas—and how you can create great characters too.
Declaring that you’re planning on writing a trilogy and crafting a successful one are not quite the same thing. Having just completed his own fantasy trilogy, Dan Koboldt shares what he learned in the process, book by book.